Songs like This is Not Who I Want to Be by Joanna Sternberg
Based on a tempo of (+/- 10%) and a similar genre
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Julia Jacklin
CRY
72 bpm • C# min • 03:52 • -10db
42% Popularity • 30% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 30% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Joanna Sternberg
This is Not Who I Want to Be
72 bpm • C Maj • 03:32 • -14db
34% Popularity • 48% Danceability • 10% Energy • 8% Liveness
2% Instrumentalness • 30% Positiveness
34% Popularity • 48% Danceability • 10% Energy • 8% Liveness
2% Instrumentalness • 30% Positiveness
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Cassandra Jenkins
Crosshairs
72 bpm • D Maj • 04:03 • -12db
24% Popularity • 53% Danceability • 29% Energy • 13% Liveness
58% Instrumentalness • 40% Positiveness
24% Popularity • 53% Danceability • 29% Energy • 13% Liveness
58% Instrumentalness • 40% Positiveness
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Tanya Davis
Mourn Your Losses
73 bpm • A Maj • 03:45 • -15.02db
18% Popularity • 53% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
18% Popularity • 53% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Bedouine
Skyline
73 bpm • G Maj • 02:29 • -12.5db
29% Popularity • 33% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
29% Popularity • 33% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Kacy & Clayton
Devil's Daughter
71 bpm • D Maj • 02:13 • -10.23db
28% Popularity • 64% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 64% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Snail Mail
Light Blue
73 bpm • G# Maj • 02:34 • -10.32db
38% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Joanna Sternberg
I Will Be with You
73 bpm • A Maj • 02:14 • -12.65db
28% Popularity • 47% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 47% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Julie Byrne
Prism Song
71 bpm • A# Maj • 03:37 • -12.74db
30% Popularity • 49% Danceability • 22% Energy • 17% Liveness
1% Instrumentalness • 15% Positiveness
30% Popularity • 49% Danceability • 22% Energy • 17% Liveness
1% Instrumentalness • 15% Positiveness
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Smog
To Be Of Use
73 bpm • E Maj • 05:41 • -24.85db
24% Popularity • 56% Danceability • 2% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
24% Popularity • 56% Danceability • 2% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
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Haley Heynderickx
Ragweed
74 bpm • A Maj • 04:42 • -12.15db
33% Popularity • 59% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 59% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Songs: Ohia
Hold On Magnolia
73 bpm • E Maj • 07:51 • -11db
40% Popularity • 25% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 11% Positiveness
40% Popularity • 25% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 11% Positiveness
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Tomberlin
happy accident
74 bpm • D Maj • 05:45 • -7db
31% Popularity • 37% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 37% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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@
Star Game
70 bpm • F# Maj • 02:02 • -16.7db
36% Popularity • 41% Danceability • 13% Energy • 14% Liveness
14% Instrumentalness • 24% Positiveness
36% Popularity • 41% Danceability • 13% Energy • 14% Liveness
14% Instrumentalness • 24% Positiveness
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Weyes Blood
Picture Me Better
74 bpm • G# Maj • 03:41 • -14.68db
53% Popularity • 23% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
53% Popularity • 23% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Buck Meek
Two Saviors
74 bpm • B min • 03:06 • -9.41db
21% Popularity • 50% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 50% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Haley Heynderickx
Jo
74 bpm • G# Maj • 03:52 • -11db
43% Popularity • 54% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 54% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Johanna Warren
Twisted
75 bpm • B min • 03:38 • -9db
29% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Advance Base
Your Dog
75 bpm • A Maj • 03:45 • -15db
25% Popularity • 41% Danceability • 9% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
25% Popularity • 41% Danceability • 9% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
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Kara Jackson
recognized
75 bpm • G Maj • 01:02 • -20.29db
32% Popularity • 58% Danceability • 13% Energy • 6% Liveness
11% Instrumentalness • 50% Positiveness
32% Popularity • 58% Danceability • 13% Energy • 6% Liveness
11% Instrumentalness • 50% Positiveness
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Caroline Says
No Name #3
75 bpm • G Maj • 03:21 • -16.43db
13% Popularity • 41% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
13% Popularity • 41% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
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The Antlers
First Field
75 bpm • D Maj • 01:42 • -17.76db
34% Popularity • 56% Danceability • 26% Energy • 13% Liveness
87% Instrumentalness • 28% Positiveness
34% Popularity • 56% Danceability • 26% Energy • 13% Liveness
87% Instrumentalness • 28% Positiveness
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Haley Heynderickx
Crow Song
69 bpm • E Maj • 03:04 • -12.89db
35% Popularity • 42% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 42% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Weyes Blood
Maybe Love
69 bpm • C# Maj • 04:04 • -5.2db
22% Popularity • 21% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 21% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Tiny Ruins
Always You, Tiptoeing Through
76 bpm • E Maj • 04:04 • -15.54db
23% Popularity • 42% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 42% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Buck Meek
Joe by the Book
76 bpm • G Maj • 01:52 • -14.36db
42% Popularity • 62% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 62% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sufjan Stevens
Murder And Crime
76 bpm • D Maj • 03:30 • -16.91db
40% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Shana Cleveland
Night of the Worm Moon
76 bpm • C# Maj • 02:59 • -12db
31% Popularity • 44% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 11% Positiveness
31% Popularity • 44% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 11% Positiveness
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Yowler
Angel
76 bpm • A min • 03:29 • -14.74db
19% Popularity • 67% Danceability • 24% Energy • 12% Liveness
26% Instrumentalness • 22% Positiveness
19% Popularity • 67% Danceability • 24% Energy • 12% Liveness
26% Instrumentalness • 22% Positiveness
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Kara Jackson
Mary
76 bpm • F min • 02:31 • -15.78db
21% Popularity • 33% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
21% Popularity • 33% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Adrianne Lenker
Free Treasure
76 bpm • C# Maj • 03:35 • -9.99db
62% Popularity • 50% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 50% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Joanna Sternberg
You Have Something Special
67 bpm • F min • 03:26 • -14db
21% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Julie Byrne
Holiday
77 bpm • E Maj • 02:39 • -17.75db
38% Popularity • 44% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
38% Popularity • 44% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Joan Shelley
Bed In The River
77 bpm • F Maj • 03:19 • -19.18db
29% Popularity • 45% Danceability • 6% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
29% Popularity • 45% Danceability • 6% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
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Weyes Blood
Something to Believe - Rough Trade Sessi...
67 bpm • E Maj • 04:49 • -13.1db
24% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Diane Cluck
The River
77 bpm • E Maj • 05:57 • -7.74db
29% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Jockstrap
Yellow In Green
77 bpm • G min • 03:17 • -12db
34% Popularity • 30% Danceability • 25% Energy • 25% Liveness
62% Instrumentalness • 8% Positiveness
34% Popularity • 30% Danceability • 25% Energy • 25% Liveness
62% Instrumentalness • 8% Positiveness
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@
First Journal
67 bpm • E Maj • 01:24 • -13.61db
36% Popularity • 39% Danceability • 33% Energy • 13% Liveness
27% Instrumentalness • 56% Positiveness
36% Popularity • 39% Danceability • 33% Energy • 13% Liveness
27% Instrumentalness • 56% Positiveness
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Jana Horn
Friends Again
67 bpm • C Maj • 02:53 • -21.34db
11% Popularity • 56% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 56% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Charlotte Cornfield
Storm Clouds
78 bpm • C Maj • 04:46 • -11db
15% Popularity • 72% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 72% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Yo La Tengo
Our Way to Fall
78 bpm • C Maj • 04:18 • -14.65db
47% Popularity • 56% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
47% Popularity • 56% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
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Diane Cluck
Sandy Ree
67 bpm • G Maj • 03:21 • -11.63db
19% Popularity • 49% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 49% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Palace Brothers
I Am a Cinematographer
79 bpm • F Maj • 02:36 • -19.4db
27% Popularity • 46% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 46% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Phoebe Bridgers
Demi Moore
78 bpm • D Maj • 03:18 • -13db
55% Popularity • 39% Danceability • 18% Energy • 10% Liveness
24% Instrumentalness • 19% Positiveness
55% Popularity • 39% Danceability • 18% Energy • 10% Liveness
24% Instrumentalness • 19% Positiveness
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Macie Stewart
What Will I Do
79 bpm • A# Maj • 02:48 • -15.52db
18% Popularity • 46% Danceability • 12% Energy • 11% Liveness
26% Instrumentalness • 19% Positiveness
18% Popularity • 46% Danceability • 12% Energy • 11% Liveness
26% Instrumentalness • 19% Positiveness
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Sufjan Stevens
Fictional California
79 bpm • G Maj • 02:50 • -13.72db
34% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Timber Timbre
I Am Coming to Paris (To Kill You)
79 bpm • A Maj • 03:19 • -29.1db
37% Popularity • 44% Danceability • 4% Energy • 20% Liveness
74% Instrumentalness • 39% Positiveness
37% Popularity • 44% Danceability • 4% Energy • 20% Liveness
74% Instrumentalness • 39% Positiveness
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Katie Bejsiuk
Onion Grass
79 bpm • C Maj • 03:32 • -6.47db
15% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Tomberlin
Natural Light
79 bpm • D# Maj • 02:42 • -11db
35% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Joanna Sternberg
Trying to Say No
65 bpm • A# min • 02:33 • -17.04db
15% Popularity • 52% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 52% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Haley Heynderickx
The Park
80 bpm • A min • 03:11 • -12.49db
32% Popularity • 60% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 60% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Laura Marling
Held Down
80 bpm • G Maj • 04:07 • -7.87db
44% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Ratboys
Elvis is in the Freezer
80 bpm • A Maj • 02:59 • -7db
44% Popularity • 49% Danceability • 61% Energy • 11% Liveness
59% Instrumentalness • 42% Positiveness
44% Popularity • 49% Danceability • 61% Energy • 11% Liveness
59% Instrumentalness • 42% Positiveness
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Arthur Russell
Words Of Love
80 bpm • B Maj • 03:00 • -12.01db
29% Popularity • 56% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 56% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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The McTague Twins
Peach Plum Pear
80 bpm • C# Maj • 03:31 • -14.69db
33% Popularity • 71% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 71% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Diane Cluck
Content to Reform
80 bpm • G# min • 02:26 • -11db
19% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Joanna Sternberg
The Song
80 bpm • G Maj • 04:40 • -16.5db
21% Popularity • 54% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 54% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Laura Marling
Blow By Blow
80 bpm • C Maj • 02:55 • -16.37db
31% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Julie Byrne
Moonless
80 bpm • F Maj • 03:46 • -13.62db
37% Popularity • 18% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
37% Popularity • 18% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Fiona Apple
Largo
65 bpm • G# Maj • 02:38 • -11.27db
39% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Dear Nora
shadows
80 bpm • E Maj • 03:59 • -15.53db
14% Popularity • 35% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
14% Popularity • 35% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Buck Meek
Candle
80 bpm • E Maj • 03:43 • -8.68db
35% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
35% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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![Holocene [feat. Weyes Blood] cover art](https://i.scdn.co/image/ab67616d00001e02e7fa902ce3278f262425c315)
Zella Day
Holocene
81 bpm • C# Maj • 04:26 • -10.06db
35% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Diane Cluck
Ink & Needles
81 bpm • G Maj • 03:23 • -28.51db
13% Popularity • 33% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 33% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Bedouine
The Wave
81 bpm • C Maj • 03:45 • -12.82db
35% Popularity • 55% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
35% Popularity • 55% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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Haley Heynderickx
First I'm Sorry
81 bpm • E Maj • 03:49 • -5db
34% Popularity • 29% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
34% Popularity • 29% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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Dear Nora
human futures
81 bpm • C# Maj • 01:41 • -16.1db
37% Popularity • 50% Danceability • 7% Energy • 18% Liveness
3% Instrumentalness • 37% Positiveness
37% Popularity • 50% Danceability • 7% Energy • 18% Liveness
3% Instrumentalness • 37% Positiveness
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Advance Base
Rabbits
82 bpm • E Maj • 04:57 • -9.63db
16% Popularity • 43% Danceability • 37% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
16% Popularity • 43% Danceability • 37% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Jeffrey Lewis
The Chelsea Hotel Oral Sex Song
82 bpm • C Maj • 07:03 • -15db
28% Popularity • 45% Danceability • 18% Energy • 11% Liveness
10% Instrumentalness • 52% Positiveness
28% Popularity • 45% Danceability • 18% Energy • 11% Liveness
10% Instrumentalness • 52% Positiveness
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Diane Cluck
Reveller
81 bpm • G# Maj • 02:16 • -16.36db
21% Popularity • 55% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 55% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Tele Novella
One Little Pearl
82 bpm • G# Maj • 03:00 • -8.41db
13% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Kurt Vile
Baby's Arms
82 bpm • B min • 04:44 • -6db
41% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Low
The Plan
83 bpm • G Maj • 03:40 • -16.39db
27% Popularity • 29% Danceability • 6% Energy • 12% Liveness
51% Instrumentalness • 20% Positiveness
27% Popularity • 29% Danceability • 6% Energy • 12% Liveness
51% Instrumentalness • 20% Positiveness
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Johanna Warren
Every Death
83 bpm • E min • 02:34 • -12.74db
12% Popularity • 33% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 33% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Better Oblivion Community Center
Forest Lawn
83 bpm • D Maj • 03:46 • -14db
37% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Connie Converse
How Sad, How Lovely
83 bpm • E min • 02:39 • -19db
36% Popularity • 41% Danceability • 13% Energy • 14% Liveness
30% Instrumentalness • 22% Positiveness
36% Popularity • 41% Danceability • 13% Energy • 14% Liveness
30% Instrumentalness • 22% Positiveness
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Chris Weisman
The Holy Life That's Coming
83 bpm • E Maj • 03:04 • -18.7db
11% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Weather Station
Traveller
62 bpm • G Maj • 02:38 • -16.45db
26% Popularity • 37% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
26% Popularity • 37% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Twain
Are We in Heaven?
84 bpm • G# Maj • 02:57 • -13.31db
24% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Christian Lee Hutson
Creature Feature
84 bpm • G Maj • 03:50 • -10.51db
19% Popularity • 56% Danceability • 72% Energy • 13% Liveness
10% Instrumentalness • 63% Positiveness
19% Popularity • 56% Danceability • 72% Energy • 13% Liveness
10% Instrumentalness • 63% Positiveness
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Laura Marling
Song For Our Daughter
84 bpm • C# Maj • 04:06 • -14db
35% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Choir Boy
Dark Room (Demo)
84 bpm • D Maj • 05:52 • -16.63db
20% Popularity • 47% Danceability • 14% Energy • 14% Liveness
44% Instrumentalness • 27% Positiveness
20% Popularity • 47% Danceability • 14% Energy • 14% Liveness
44% Instrumentalness • 27% Positiveness
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SASAMI
Take Care
84 bpm • A# Maj • 03:55 • -8db
35% Popularity • 60% Danceability • 59% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
35% Popularity • 60% Danceability • 59% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
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Tenci
My Heart Is An Open Field
84 bpm • D Maj • 03:30 • -15.2db
14% Popularity • 40% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
14% Popularity • 40% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
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Adrianne Lenker
Yuki Onna
84 bpm • D Maj • 03:04 • -15db
40% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Shana Cleveland
Don't Let Me Sleep
84 bpm • B min • 03:20 • -12.33db
26% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Joanna Sternberg
Nothing Makes My Heart Sing
84 bpm • C Maj • 03:04 • -12.73db
16% Popularity • 37% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 37% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Laura Marling
The End Of The Affair
85 bpm • A Maj • 03:24 • -16.91db
31% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Waxahatchee
Fire
85 bpm • G Maj • 03:37 • -11.81db
53% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Esther Rose
Always Changing
85 bpm • E Maj • 03:06 • -7.94db
32% Popularity • 61% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 61% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Papa M
Glad You're Here With Me
85 bpm • C Maj • 03:23 • -12.59db
28% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Julie Byrne
Portrait Of A Clear Day
85 bpm • A# Maj • 03:20 • -12.36db
32% Popularity • 38% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
32% Popularity • 38% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Better Oblivion Community Center
My City
85 bpm • A# Maj • 04:04 • -8.43db
41% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Casiotone For The Painfully Alone
Bobby Malone Moves Home
86 bpm • C Maj • 03:14 • -7.7db
35% Popularity • 54% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 54% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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Weyes Blood
Bad Magic
86 bpm • A Maj • 05:54 • -8db
23% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Joanna Sternberg
The Love I Give
86 bpm • C Maj • 02:05 • -12.29db
23% Popularity • 64% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 64% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Dear Nora
Girl from the North Country
86 bpm • G Maj • 03:39 • -17db
30% Popularity • 46% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
30% Popularity • 46% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
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Julie Byrne
Sleepwalker
87 bpm • F# Maj • 04:19 • -14db
38% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness