Songs like This Is Where We Come In by The James Hunter Six
Based on a tempo of (+/- 10%) and a similar genre
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Bettye Swann
(My Heart Is) Closed For The Season
108 bpm • G min • 03:02 • -10.19db
33% Popularity • 72% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 72% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Sharon Jones
Heaven Bound
108 bpm • E min • 02:04 • -12.6db
37% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Tibbs
Betty One-Shoe
108 bpm • D Maj • 03:57 • -7.28db
28% Popularity • 60% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 60% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Earl King
Mama & Papa
108 bpm • A Maj • 03:05 • -7.61db
25% Popularity • 79% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 79% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The James Hunter Six
This Is Where We Come In
108 bpm • B min • 04:31 • -9db
35% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Mose Allison
Your Mind Is on Vacation
108 bpm • G# Maj • 02:37 • -20.84db
41% Popularity • 78% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 73% Positiveness
41% Popularity • 78% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 73% Positiveness
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Rosco Gordon
No More Doggin'
107 bpm • G# Maj • 02:37 • -15db
37% Popularity • 78% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 78% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Roberta Flack
Compared to What
109 bpm • F min • 05:16 • -14db
44% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jr. Walker & The All Stars
Home Cookin'
109 bpm • C# Maj • 02:58 • -10db
32% Popularity • 71% Danceability • 63% Energy • 28% Liveness
1% Instrumentalness • 81% Positiveness
32% Popularity • 71% Danceability • 63% Energy • 28% Liveness
1% Instrumentalness • 81% Positiveness
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Bo Diddley
Our Love Will Never Go
109 bpm • D# Maj • 02:40 • -10.12db
39% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Charles Bradley
Why Is It So Hard
107 bpm • D# Maj • 04:09 • -8db
45% Popularity • 45% Danceability • 52% Energy • 34% Liveness
5% Instrumentalness • 61% Positiveness
45% Popularity • 45% Danceability • 52% Energy • 34% Liveness
5% Instrumentalness • 61% Positiveness
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Diplomats of Solid Sound
Soul Connection
109 bpm • D Maj • 02:29 • -6.14db
44% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Little Willie John
Need Your Love So Bad
107 bpm • C# Maj • 02:16 • -10.66db
46% Popularity • 60% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 60% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Brenton Wood
Great Big Bundle Of Love
109 bpm • F min • 02:18 • -5.24db
46% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Malted Milk
Midnight Tonic
107 bpm • G# Maj • 04:03 • -9.72db
31% Popularity • 74% Danceability • 37% Energy • 17% Liveness
19% Instrumentalness • 55% Positiveness
31% Popularity • 74% Danceability • 37% Energy • 17% Liveness
19% Instrumentalness • 55% Positiveness
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Ella Fitzgerald
Sunshine of Your Love
109 bpm • G# Maj • 03:17 • -8.06db
38% Popularity • 51% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 51% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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James Hunter
People Gonna Talk
109 bpm • G Maj • 03:15 • -9.6db
39% Popularity • 92% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 92% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Wilbert Harrison
Let's Work Together
109 bpm • G Maj • 05:35 • -6db
35% Popularity • 80% Danceability • 82% Energy • 7% Liveness
6% Instrumentalness • 97% Positiveness
35% Popularity • 80% Danceability • 82% Energy • 7% Liveness
6% Instrumentalness • 97% Positiveness
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Jr. Walker & The All Stars
Cleo's Mood
106 bpm • D# min • 02:41 • -7.52db
43% Popularity • 73% Danceability • 40% Energy • 17% Liveness
32% Instrumentalness • 85% Positiveness
43% Popularity • 73% Danceability • 40% Energy • 17% Liveness
32% Instrumentalness • 85% Positiveness
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The Emotions
I Like It
106 bpm • C Maj • 02:27 • -13.92db
35% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Otis Clay
Trying To Live My Life Without You
106 bpm • D# Maj • 02:53 • -7.02db
14% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Irma Thomas
It's Raining
106 bpm • G Maj • 02:08 • -12db
45% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Mose Allison
I Don't Worry About a Thing
110 bpm • F Maj • 02:17 • -18db
40% Popularity • 76% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 76% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Alvin Robinson
I'm Just a Down Home Girl
106 bpm • F min • 03:02 • -10.13db
27% Popularity • 68% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 68% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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The Meltdown
Hold On To Hope
110 bpm • D min • 03:57 • -6.62db
36% Popularity • 89% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
36% Popularity • 89% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
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Mable John
Sorry About That - Take 1
106 bpm • A min • 02:19 • -11.88db
40% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Ruby Johnson
I'd Rather Fight Than Switch - Take 1
106 bpm • A# Maj • 02:17 • -9.79db
31% Popularity • 73% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 73% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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The James Hunter Six
Baby Don't Do It
110 bpm • A Maj • 03:23 • -6.93db
15% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Nappy Brown
My Baby
110 bpm • C# Maj • 02:34 • -13.45db
25% Popularity • 76% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 76% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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St. Paul & The Broken Bones
Call Me
110 bpm • G Maj • 02:51 • -4db
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
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Betty Everett
You're No Good
110 bpm • A# min • 02:16 • -9.78db
41% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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Sugar Pie DeSanto
It's Done And Forgotten
106 bpm • A min • 02:33 • -4.66db
33% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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The Como Mamas
Move Upstairs
111 bpm • G min • 03:33 • -8db
28% Popularity • 65% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 65% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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The James Hunter Six
Ain't Goin' Up in One of Those Things
110 bpm • D Maj • 02:21 • -5.05db
12% Popularity • 70% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 70% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Bobby Hebb
You Don't Know What You Got Until You Lo...
105 bpm • E min • 02:32 • -11.19db
33% Popularity • 54% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 54% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Eddie Bo
Check Mr. Popeye - Pt. 1
111 bpm • C Maj • 02:16 • -9db
31% Popularity • 83% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 83% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Gil Scott-Heron
Gun
105 bpm • D# Maj • 03:59 • -11db
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
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LaVern Baker
You're the Boss
111 bpm • C# Maj • 02:21 • -10db
29% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Darondo
Qualified
105 bpm • G# Maj • 02:52 • -9db
39% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness
39% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness
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The James Hunter Six
Who's Foolin' Who
106 bpm • F# min • 02:55 • -12.65db
16% Popularity • 73% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 73% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Marion Black
Who Knows
111 bpm • D min • 02:18 • -8db
68% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
68% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Spencer Wiggins
Lonely Man
111 bpm • F# Maj • 02:12 • -7db
27% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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James Carr
Pouring Water on a Drowning Man
111 bpm • C Maj • 02:39 • -7.82db
35% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Irma Thomas
Cheater Man - Alternate Mix
111 bpm • C# Maj • 02:32 • -11.34db
30% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Durand Jones & The Indications
Smile
105 bpm • B min • 03:49 • -8db
49% Popularity • 68% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 68% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
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The James Hunter Six
Let The Monkey Ride
111 bpm • D Maj • 03:35 • -10db
16% Popularity • 84% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 84% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Sweet Inspirations
I'm Blue
112 bpm • D Maj • 02:09 • -19db
29% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Michael Kiwanuka
Bones
112 bpm • A# Maj • 03:45 • -9.44db
45% Popularity • 64% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 64% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Laura Lee
It Ain't What You Do (But How You Do It)
112 bpm • F min • 02:03 • -13db
27% Popularity • 83% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 83% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 90% Positiveness
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Ruby Johnson
Weak Spot
112 bpm • F Maj • 02:31 • -8.87db
27% Popularity • 66% Danceability • 50% Energy • 52% Liveness
4% Instrumentalness • 73% Positiveness
27% Popularity • 66% Danceability • 50% Energy • 52% Liveness
4% Instrumentalness • 73% Positiveness
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Sugar Pie DeSanto
Going Back To Where I Belong
104 bpm • G min • 02:28 • -6db
49% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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The James Hunter Six
Carina
104 bpm • D min • 04:31 • -8.11db
18% Popularity • 88% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 88% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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LaVern Baker
You'd Better Find Yourself Another Fool
112 bpm • F Maj • 02:01 • -7db
23% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Fred Williams
Tell Her
112 bpm • F min • 02:25 • -10db
50% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Ephemerals
Call It What You Want
104 bpm • E min • 02:34 • -5.83db
29% Popularity • 63% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 94% Positiveness
29% Popularity • 63% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 94% Positiveness
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Soul Scratch
The Road Looks Long
104 bpm • C# min • 02:51 • -7.03db
30% Popularity • 69% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 90% Positiveness
30% Popularity • 69% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 90% Positiveness
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Sugar Pie DeSanto
Strange Feeling
104 bpm • F Maj • 02:22 • -8.41db
35% Popularity • 60% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 60% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The James Hunter Six
I Can Change Your Mind
112 bpm • G Maj • 02:35 • -7db
37% Popularity • 84% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 84% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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The Bamboos
Hard Up
104 bpm • B min • 04:15 • -4.03db
45% Popularity • 78% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
45% Popularity • 78% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
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Dyke & The Blazers
Let A Woman Be A Woman - Let A Man Be A ...
112 bpm • A min • 03:13 • -11.01db
48% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Sam & Dave
Don't Turn Your Heater On
112 bpm • G# Maj • 02:15 • -13.94db
36% Popularity • 92% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 92% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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LaVern Baker
You're the Boss
112 bpm • C# Maj • 02:16 • -7db
32% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Bettye Swann
Tell It Like It Is
104 bpm • A# Maj • 02:55 • -14db
38% Popularity • 48% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
38% Popularity • 48% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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The James Hunter Six
Show Her
112 bpm • F min • 02:36 • -8.37db
29% Popularity • 92% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 92% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Womack
California Dreamin'
112 bpm • F# min • 03:20 • -13.16db
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
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James Hunter
Tell Her
113 bpm • G Maj • 03:24 • -9db
29% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Sam & Dave
Wrap It Up - LP / Single Version
113 bpm • C# Maj • 02:30 • -12db
43% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Benji Hughes
Freaky Feedback Blues
103 bpm • E Maj • 03:44 • -10db
51% Popularity • 92% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 92% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Bettye Swann
I'm Lonely For You
103 bpm • A min • 02:43 • -12.42db
30% Popularity • 57% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 57% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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Nappy Brown
Well, Well, Well Baby LA
113 bpm • C min • 02:38 • -11db
25% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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The James Hunter Six
Blisters
112 bpm • A Maj • 02:46 • -9.32db
26% Popularity • 70% Danceability • 52% Energy • 10% Liveness
79% Instrumentalness • 87% Positiveness
26% Popularity • 70% Danceability • 52% Energy • 10% Liveness
79% Instrumentalness • 87% Positiveness
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Candi Staton
I'm Just a Prisoner (Of Your Good Lovin'...
113 bpm • A Maj • 03:12 • -15db
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Breakestra
Hiding
103 bpm • D Maj • 04:31 • -4db
38% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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James Hunter
Carina
114 bpm • F Maj • 04:10 • -9.32db
44% Popularity • 87% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 87% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Nicole Willis
Together We Climb
114 bpm • E min • 04:33 • -7.39db
15% Popularity • 63% Danceability • 52% Energy • 5% Liveness
1% Instrumentalness • 62% Positiveness
15% Popularity • 63% Danceability • 52% Energy • 5% Liveness
1% Instrumentalness • 62% Positiveness
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J.J. Cale
Cajun Moon
102 bpm • C# Maj • 02:11 • -15.34db
61% Popularity • 80% Danceability • 55% Energy • 16% Liveness
16% Instrumentalness • 75% Positiveness
61% Popularity • 80% Danceability • 55% Energy • 16% Liveness
16% Instrumentalness • 75% Positiveness
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The James Hunter Six
Light of My Life
112 bpm • A# Maj • 03:15 • -8db
41% Popularity • 86% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
41% Popularity • 86% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Candi Staton
I'd Rather Be an Old Man's Sweetheart (T...
103 bpm • A# Maj • 02:09 • -16db
33% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Marlena Shaw
Liberation Conversation
114 bpm • A# min • 02:02 • -10db
39% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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Jo Ann Hamilton
September
114 bpm • A min • 03:02 • -8.99db
11% Popularity • 84% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 84% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Nick Waterhouse
The Spanish Look
114 bpm • E Maj • 02:56 • -7.52db
32% Popularity • 53% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 53% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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The California Honeydrops
When It Was Wrong
114 bpm • G# min • 04:32 • -6db
54% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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The James Hunter Six
Minute By Minute
104 bpm • G# min • 03:39 • -7db
29% Popularity • 85% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 85% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Bobby Womack
Fly Me To The Moon (In Other Words)
114 bpm • D# Maj • 02:08 • -11.12db
62% Popularity • 59% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
62% Popularity • 59% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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Mel Brown
Chicken Fat
102 bpm • A Maj • 04:14 • -9db
40% Popularity • 58% Danceability • 87% Energy • 45% Liveness
92% Instrumentalness • 90% Positiveness
40% Popularity • 58% Danceability • 87% Energy • 45% Liveness
92% Instrumentalness • 90% Positiveness
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Sly & The Family Stone
If You Want Me to Stay
102 bpm • B min • 03:00 • -11.57db
66% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Camille Yarbrough
Take Yo' Praise
101 bpm • C# Maj • 04:13 • -14.49db
60% Popularity • 80% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
60% Popularity • 80% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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James Carr
I'm a Fool for You
101 bpm • A# Maj • 02:00 • -5.03db
31% Popularity • 60% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 60% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The James Hunter Six
So They Say
113 bpm • E min • 03:13 • -10.57db
14% Popularity • 84% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
14% Popularity • 84% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Charles Bradley
No Time for Dreaming
101 bpm • C Maj • 02:52 • -7.77db
59% Popularity • 72% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
59% Popularity • 72% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
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Slim Harpo
Mohair Sam - Single Version
115 bpm • A# min • 02:32 • -11.74db
39% Popularity • 84% Danceability • 49% Energy • 3% Liveness
2% Instrumentalness • 96% Positiveness
39% Popularity • 84% Danceability • 49% Energy • 3% Liveness
2% Instrumentalness • 96% Positiveness
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Ruth Brown
I Don't Know
101 bpm • G# Maj • 02:53 • -8db
50% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bobby Hebb
Different Strokes
116 bpm • G Maj • 02:35 • -6.86db
18% Popularity • 83% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 83% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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DeRobert & The Half-Truths
Beg Me
116 bpm • A# min • 02:12 • -9.37db
30% Popularity • 84% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 84% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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The James Hunter Six
One Way Love
104 bpm • G Maj • 03:06 • -7db
12% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Charles Bradley
Fly Little Girl
115 bpm • C Maj • 03:19 • -6.9db
25% Popularity • 42% Danceability • 58% Energy • 77% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 42% Danceability • 58% Energy • 77% Liveness
0% Instrumentalness • 51% Positiveness
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Gwen McCrae
It's Worth the Hurt
101 bpm • G# Maj • 02:16 • -15.99db
33% Popularity • 62% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 62% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Nick Waterhouse
Stanyan Street
116 bpm • C Maj • 07:47 • -11db
35% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness