Songs like This Side of Eternity by Rich Liverance
Based on a tempo of (+/- 10%) and a similar genre
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Neighbour Andy
Finding My Way to You
144 bpm • B Maj • 02:19 • -9.49db
24% Popularity • 59% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 59% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Rich Liverance
This Side of Eternity
144 bpm • F# Maj • 04:38 • -9.44db
26% Popularity • 55% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 44% Positiveness
26% Popularity • 55% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 44% Positiveness
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Nolen Durham
Maybelline Skies
144 bpm • F# Maj • 04:30 • -7.74db
14% Popularity • 60% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
14% Popularity • 60% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Seánie Bermingham
Perfect Among Mornings
144 bpm • F# Maj • 02:09 • -12.75db
37% Popularity • 58% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 58% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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June Shine
A Million Pennies
144 bpm • E Maj • 03:05 • -12.17db
9% Popularity • 53% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 53% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Sunset Beach Worship
Know You
144 bpm • G Maj • 03:11 • -15.41db
23% Popularity • 64% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 64% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Cosmo Bayes
Another Wave Goodbye
144 bpm • E Maj • 04:14 • -19.08db
14% Popularity • 56% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
14% Popularity • 56% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Kelsey Berrington
Build a Home
144 bpm • B Maj • 03:38 • -12.54db
12% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Noah Spencer
Never Mine
145 bpm • C Maj • 04:44 • -9.69db
22% Popularity • 66% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 66% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Wild Coast
Bottle Rocket (A Voice Memo)
143 bpm • F# Maj • 04:02 • -10.37db
28% Popularity • 70% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 70% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Embleton
Count on You
144 bpm • F Maj • 03:30 • -13.81db
8% Popularity • 37% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 37% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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School House
Impressionists
146 bpm • D# Maj • 03:20 • -10.01db
9% Popularity • 42% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 23% Positiveness
9% Popularity • 42% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 23% Positiveness
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Brian Bulger
Loaf of Bread
146 bpm • E Maj • 01:25 • -19.45db
28% Popularity • 56% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 56% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Johnny Horwood
Micky's song
147 bpm • G Maj • 03:52 • -9.74db
17% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Joe McLeod
1950's Chair
146 bpm • G# Maj • 04:13 • -6.94db
10% Popularity • 55% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 55% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Blue Water Highway
Old School
147 bpm • G Maj • 03:47 • -7.87db
17% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Richter
Can't Lose
147 bpm • D Maj • 03:25 • -11.45db
14% Popularity • 38% Danceability • 48% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
14% Popularity • 38% Danceability • 48% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
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Josepha Klein
Simple Thing
141 bpm • B Maj • 02:59 • -10db
16% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Wylder
Olive
141 bpm • D Maj • 02:43 • -12.26db
41% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Drew Erwin
The Boy That I Was
148 bpm • A# Maj • 03:31 • -11.64db
11% Popularity • 34% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 34% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Joel Knight
Loving Back
140 bpm • G Maj • 03:32 • -11.99db
18% Popularity • 60% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 60% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Dom Louis
In Love I Can
140 bpm • C Maj • 03:40 • -12.12db
19% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Sunset Beach Worship
The Vine
140 bpm • E Maj • 04:04 • -15.06db
16% Popularity • 69% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 69% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dan Bond
Better Late Than Never
140 bpm • A# Maj • 04:10 • -8.32db
12% Popularity • 62% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 62% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Luigi Ramon
Find Your Peace
140 bpm • C# Maj • 03:24 • -7.24db
23% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Half Gospel
Beggar
140 bpm • B Maj • 03:22 • -9.39db
28% Popularity • 76% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
28% Popularity • 76% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Eric Sorensen
Curtain Fall
140 bpm • C# min • 03:47 • -9.91db
18% Popularity • 57% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 57% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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The Band Willa
We'll Be Here Again
140 bpm • E Maj • 03:22 • -15.33db
25% Popularity • 55% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 11% Positiveness
25% Popularity • 55% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 11% Positiveness
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Adam Klassen
Move On
140 bpm • D Maj • 03:28 • -10.79db
9% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Hunter James and The Titanic
Bad at Love
140 bpm • C# min • 02:27 • -6.87db
23% Popularity • 55% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 48% Positiveness
23% Popularity • 55% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 48% Positiveness
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Joe McLeod
They Say Love
140 bpm • E Maj • 03:32 • -7.53db
10% Popularity • 28% Danceability • 37% Energy • 23% Liveness
1% Instrumentalness • 16% Positiveness
10% Popularity • 28% Danceability • 37% Energy • 23% Liveness
1% Instrumentalness • 16% Positiveness
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Oskar Strömberg
The Promised Land
140 bpm • F Maj • 04:54 • -10.97db
14% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Campbell Jensen
Run With You
149 bpm • E Maj • 04:28 • -11.36db
14% Popularity • 56% Danceability • 33% Energy • 12% Liveness
5% Instrumentalness • 45% Positiveness
14% Popularity • 56% Danceability • 33% Energy • 12% Liveness
5% Instrumentalness • 45% Positiveness
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Gijsbert Groeneveld
Miss You
139 bpm • D# Maj • 03:53 • -10.75db
20% Popularity • 52% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 52% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Worley
A Song I'm Not Proud Of
149 bpm • B Maj • 03:35 • -13.66db
11% Popularity • 63% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 63% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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After Kepler
Petoskey
149 bpm • E Maj • 02:28 • -8.94db
24% Popularity • 52% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 52% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Bryant Roses
One
139 bpm • A Maj • 02:44 • -13.29db
13% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Gabriel Zanetti
View
149 bpm • G Maj • 02:20 • -7.91db
17% Popularity • 60% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 60% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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ONE GLORY
Sail Away
139 bpm • A Maj • 04:08 • -11.62db
15% Popularity • 32% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
15% Popularity • 32% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
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Skyler Mayes
Memoriam
139 bpm • G Maj • 04:26 • -7.08db
26% Popularity • 55% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 55% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Nolan Taylor
Sorry
139 bpm • E Maj • 03:28 • -11.23db
32% Popularity • 56% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 56% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Mitch Fossier
Poster Child
139 bpm • C# Maj • 04:21 • -7.72db
10% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Martin Kerr
Always Come Back - Acoustic
139 bpm • A# Maj • 03:34 • -9.46db
30% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Mudhouse
Bruised and Bleeding
150 bpm • A Maj • 02:46 • -11.72db
31% Popularity • 60% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 60% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Ashtray Hearts
Reading Aloud
150 bpm • C min • 02:50 • -7.46db
10% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Crosby & Ellender
Your Guess
150 bpm • E Maj • 04:15 • -13.17db
10% Popularity • 40% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 40% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Lucas Powell
Firmament
150 bpm • D Maj • 04:39 • -13.57db
20% Popularity • 54% Danceability • 31% Energy • 11% Liveness
35% Instrumentalness • 47% Positiveness
20% Popularity • 54% Danceability • 31% Energy • 11% Liveness
35% Instrumentalness • 47% Positiveness
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Ken Presse
My Own Worst Enemy
150 bpm • F min • 03:45 • -11.56db
14% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sully Bright
Wooden Canoe
150 bpm • C# Maj • 03:36 • -15.19db
12% Popularity • 35% Danceability • 19% Energy • 10% Liveness
7% Instrumentalness • 14% Positiveness
12% Popularity • 35% Danceability • 19% Energy • 10% Liveness
7% Instrumentalness • 14% Positiveness
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She Returns From War
Edgefield
150 bpm • A Maj • 03:09 • -5.01db
15% Popularity • 58% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 58% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Joshua Burnell
Moonlighter's Child
150 bpm • F Maj • 05:44 • -8.51db
10% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Weavo
Old Ocoee River
150 bpm • A# Maj • 03:40 • -7.89db
9% Popularity • 46% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 46% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Mike Martinez
JUNE
150 bpm • F Maj • 02:47 • -7.63db
26% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Rob Tait
Space Fire
138 bpm • E Maj • 04:48 • -7.25db
15% Popularity • 55% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
15% Popularity • 55% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Kyle Church
Where Roots Begin to Grow
150 bpm • D Maj • 03:52 • -13.71db
12% Popularity • 46% Danceability • 30% Energy • 14% Liveness
4% Instrumentalness • 37% Positiveness
12% Popularity • 46% Danceability • 30% Energy • 14% Liveness
4% Instrumentalness • 37% Positiveness
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Josler Tudisco
Azusa
150 bpm • C# Maj • 04:28 • -15.72db
18% Popularity • 53% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 53% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Aaron James
Fake the Wolves
138 bpm • E min • 04:27 • -12.34db
10% Popularity • 56% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 19% Positiveness
10% Popularity • 56% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 19% Positiveness
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Robbie Burt
Coffee Cup
137 bpm • C Maj • 02:39 • -12.88db
12% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Cliff Miller
Crazy One
138 bpm • D Maj • 03:39 • -7.65db
36% Popularity • 43% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 43% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Liam Bauman
Nothing I Won't Do
137 bpm • D Maj • 03:50 • -10.41db
14% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Cedric Rosalind
Sit Still
137 bpm • D Maj • 04:20 • -8.34db
0% Popularity • 60% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 60% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Daniel Nunnelee
Colorado (The First Time) - Audiotree Li...
136 bpm • G Maj • 04:43 • -8.74db
11% Popularity • 46% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 46% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jack Boysel
Pilot House
136 bpm • C Maj • 03:45 • -10.97db
15% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Xavier Collins
Sarah
152 bpm • C# Maj • 04:44 • -14.24db
20% Popularity • 58% Danceability • 21% Energy • 10% Liveness
4% Instrumentalness • 27% Positiveness
20% Popularity • 58% Danceability • 21% Energy • 10% Liveness
4% Instrumentalness • 27% Positiveness
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Stronie
Say I Do
136 bpm • A Maj • 03:36 • -6.93db
31% Popularity • 32% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 32% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sunset Beach Worship
Faithful
136 bpm • C Maj • 04:41 • -11.87db
12% Popularity • 73% Danceability • 39% Energy • 15% Liveness
4% Instrumentalness • 33% Positiveness
12% Popularity • 73% Danceability • 39% Energy • 15% Liveness
4% Instrumentalness • 33% Positiveness
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William Sumner
Lee Ave
136 bpm • G Maj • 03:56 • -13.02db
9% Popularity • 57% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
9% Popularity • 57% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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Jeremy Edwards
Clear, Like A Bell
136 bpm • C Maj • 04:29 • -10.86db
11% Popularity • 66% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 66% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Cayson Renshaw
All the Time You Need
136 bpm • A# min • 02:33 • -11.77db
35% Popularity • 68% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 68% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Meekoh
Play it Back
153 bpm • G Maj • 03:03 • -6.38db
16% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Joe McLeod
Change Your Mind
136 bpm • A min • 03:17 • -6.71db
9% Popularity • 54% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 54% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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The Band Willa
Where We're Going
135 bpm • F# Maj • 03:12 • -11.35db
24% Popularity • 62% Danceability • 51% Energy • 14% Liveness
27% Instrumentalness • 50% Positiveness
24% Popularity • 62% Danceability • 51% Energy • 14% Liveness
27% Instrumentalness • 50% Positiveness
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Caleb J. Murphy
Trying
135 bpm • G Maj • 03:16 • -12.27db
26% Popularity • 55% Danceability • 32% Energy • 33% Liveness
1% Instrumentalness • 17% Positiveness
26% Popularity • 55% Danceability • 32% Energy • 33% Liveness
1% Instrumentalness • 17% Positiveness
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Reliable Child
Little Conversations
135 bpm • A Maj • 03:06 • -10.93db
18% Popularity • 70% Danceability • 63% Energy • 8% Liveness
9% Instrumentalness • 64% Positiveness
18% Popularity • 70% Danceability • 63% Energy • 8% Liveness
9% Instrumentalness • 64% Positiveness
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Aaron Rizzo
Arizona
135 bpm • D# Maj • 03:13 • -9.81db
11% Popularity • 55% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 55% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Flight by Nothing
World On Fire
135 bpm • A# Maj • 02:58 • -8.34db
22% Popularity • 61% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 61% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Melle
17 - Acoustic
135 bpm • G# Maj • 03:42 • -12.16db
39% Popularity • 63% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 63% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Mitch Fossier
If I Wasn't Faithful
154 bpm • D Maj • 04:11 • -10.27db
12% Popularity • 44% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 44% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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K Hard
Love's Mission
154 bpm • B Maj • 03:09 • -11.89db
20% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Third Floor
Circle Glasses
154 bpm • A# Maj • 04:01 • -12.22db
9% Popularity • 60% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 60% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Jack Rourke
See You Around (For Dad)
154 bpm • E Maj • 03:05 • -8.14db
29% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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WILD HORSES
Dear Loretta
135 bpm • E min • 04:27 • -10.8db
10% Popularity • 35% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 35% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Melle
Where We Came From
135 bpm • F Maj • 04:01 • -13.02db
35% Popularity • 50% Danceability • 35% Energy • 11% Liveness
5% Instrumentalness • 45% Positiveness
35% Popularity • 50% Danceability • 35% Energy • 11% Liveness
5% Instrumentalness • 45% Positiveness
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Medium Build
Never Learned To Dance (Live)
134 bpm • F Maj • 04:16 • -7.72db
17% Popularity • 38% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 38% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Emory Duncan
If You Say Goodbye To California
134 bpm • G Maj • 03:50 • -12.36db
21% Popularity • 74% Danceability • 32% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
21% Popularity • 74% Danceability • 32% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
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Emily Guy
Twenties
154 bpm • C Maj • 03:38 • -14.7db
13% Popularity • 59% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 59% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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ThroneRoom Family
Through The Storm
134 bpm • C# Maj • 05:33 • -12.04db
22% Popularity • 64% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 64% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Mitch Fossier
That's Enough
134 bpm • A Maj • 03:27 • -11.27db
9% Popularity • 65% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 65% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Brady Grey
Lillian
155 bpm • C min • 03:37 • -8.54db
20% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Hudson Freeman
Whenever You Get Old
133 bpm • G# Maj • 01:54 • -11.78db
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ben Trip
Like The Autumn Time
156 bpm • A Maj • 03:54 • -7.73db
9% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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PJ Aviles
(I Swear) It Gets Better
156 bpm • G min • 03:17 • -10.98db
13% Popularity • 58% Danceability • 57% Energy • 25% Liveness
5% Instrumentalness • 85% Positiveness
13% Popularity • 58% Danceability • 57% Energy • 25% Liveness
5% Instrumentalness • 85% Positiveness
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The Road
Back Again
156 bpm • B Maj • 02:45 • -14db
19% Popularity • 50% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
19% Popularity • 50% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Mitch Fossier
It's Time
134 bpm • G# Maj • 03:43 • -11.06db
11% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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WILD HORSES
Wedding Song
157 bpm • D Maj • 04:13 • -14.2db
10% Popularity • 34% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 34% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Brodie Barclay
Our Love Ignites
132 bpm • D Maj • 02:56 • -6.25db
21% Popularity • 42% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 42% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Kevin Paris
Way to the Way
132 bpm • D# Maj • 04:14 • -14.47db
13% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Flatliners
Quitters
132 bpm • F# Maj • 02:54 • -8.19db
36% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
