Songs like this sucks. by Virginia To Vegas
Based on a tempo of (+/- 10%) and a similar genre
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Leah Sykes
Sorry to the Waitress
100 bpm • D# Maj • 02:57 • -5db
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Virginia To Vegas
this sucks.
100 bpm • F# Maj • 03:14 • -4.79db
26% Popularity • 65% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 65% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Hastings
Heart’s Not In It
100 bpm • B min • 02:39 • -5db
27% Popularity • 58% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 58% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Scott Helman
Good Problems
100 bpm • D Maj • 03:12 • -5db
15% Popularity • 71% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 71% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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CAL
Test Drive
100 bpm • C# Maj • 02:33 • -7.02db
11% Popularity • 80% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 80% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Taylor Edwards
Catch Myself
100 bpm • D Maj • 02:55 • -6.09db
28% Popularity • 67% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 67% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Love and Theft
Accidentally on Purpose
100 bpm • C# Maj • 03:04 • -4.8db
19% Popularity • 85% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 85% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Virginia To Vegas
Don't Fight The Music
100 bpm • F# min • 03:37 • -5.5db
25% Popularity • 60% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 60% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Loote
Heart's Not In It
100 bpm • G Maj • 02:25 • -9.08db
38% Popularity • 86% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 86% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Alexa Cappelli
SAY SOMETHING
100 bpm • C# Maj • 02:55 • -5db
40% Popularity • 80% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 80% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Laur Elle
All That We Didn't
100 bpm • C Maj • 03:38 • -7.21db
15% Popularity • 69% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 69% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Scott Helman
Wait No More
100 bpm • G# Maj • 02:44 • -6.63db
34% Popularity • 76% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 76% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Love and Theft
Mirror Mirror
100 bpm • A# Maj • 02:39 • -7.31db
12% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Tigerlily
Me, You & Tequila
100 bpm • F Maj • 03:21 • -4.25db
26% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Virginia To Vegas
Just Friends
100 bpm • G Maj • 02:48 • -7.56db
54% Popularity • 79% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
54% Popularity • 79% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Loote
Exes
100 bpm • B Maj • 02:08 • -6.85db
31% Popularity • 74% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 74% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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salem ilese
Ben & Jerry
99 bpm • G Maj • 02:38 • -6db
34% Popularity • 70% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 70% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Scott Helman
Good Problems - Remix
101 bpm • B min • 03:04 • -5.51db
13% Popularity • 79% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 79% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Walk off the Earth
You Give Me More
99 bpm • D Maj • 02:58 • -7.83db
24% Popularity • 70% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 70% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Willie Shaw
Needed Somebody
101 bpm • A# Maj • 03:09 • -4.41db
33% Popularity • 65% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 65% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Virginia To Vegas
F*** Me Up
100 bpm • B min • 03:02 • -5db
33% Popularity • 64% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 64% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Loote
Tell Me Why
101 bpm • G Maj • 03:17 • -8.19db
36% Popularity • 78% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 78% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Mat Kearney
I Don't Really Care
99 bpm • A Maj • 02:58 • -7db
33% Popularity • 41% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
33% Popularity • 41% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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Scott Helman
Everything Sucks
99 bpm • C Maj • 03:05 • -5.52db
26% Popularity • 64% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 64% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
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Dan Talevski
Back To Me
101 bpm • G Maj • 02:58 • -5.83db
16% Popularity • 51% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 51% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Blake Rose
Lost - Lucian Remix
102 bpm • E Maj • 02:32 • -6.46db
28% Popularity • 71% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 71% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Virginia To Vegas
betterman
100 bpm • C Maj • 03:08 • -6.15db
45% Popularity • 62% Danceability • 80% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 62% Danceability • 80% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
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Young Bombs
High Road
98 bpm • C Maj • 02:35 • -4.54db
42% Popularity • 59% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 59% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Liddy Clark
Nothing Like New York
98 bpm • G Maj • 03:19 • -7.12db
11% Popularity • 62% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 62% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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19&YOU
Best Dress
98 bpm • A Maj • 03:11 • -8.74db
29% Popularity • 64% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 64% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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GUNNAR
Dance Alone
98 bpm • C# Maj • 03:11 • -6.68db
31% Popularity • 58% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 58% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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David Archuleta
Movin'
98 bpm • A Maj • 02:38 • -6.1db
18% Popularity • 84% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 84% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Virginia To Vegas
flyby.
101 bpm • G Maj • 03:05 • -6.39db
32% Popularity • 70% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 70% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Turley
The Problem
98 bpm • C Maj • 03:23 • -6.82db
33% Popularity • 70% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 70% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Young Bombs
Wrong Side of Love
102 bpm • D Maj • 03:49 • -4.12db
44% Popularity • 56% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 56% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Seaforth
Dr. Phil
102 bpm • C# Maj • 02:38 • -4.62db
25% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Motel 7
Messing With Fire
98 bpm • A# Maj • 03:06 • -5.79db
18% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Taylor Edwards
Mean To Me
98 bpm • F Maj • 03:01 • -7db
28% Popularity • 62% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 62% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Virginia To Vegas
Just Friends - Tep No Remix
102 bpm • G Maj • 03:18 • -6.93db
32% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ricky Himself
F'd Up (but it's true)
102 bpm • F# Maj • 03:17 • -5.06db
18% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Sam Hunt
23
98 bpm • D# Maj • 02:59 • -5.14db
67% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
67% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Hunter Hayes
The One That Got Away
102 bpm • C Maj • 02:54 • -6db
22% Popularity • 57% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 57% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Sebastian
Wasted On Me
98 bpm • D Maj • 03:25 • -6db
16% Popularity • 64% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 64% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Taylor Edwards
Not Supposed To Know Each Other
98 bpm • D Maj • 02:41 • -4db
44% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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BEXAR
Carry You Home
98 bpm • B Maj • 03:20 • -5.66db
13% Popularity • 62% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 62% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Virginia To Vegas
Selfish
102 bpm • G# min • 03:31 • -5.38db
39% Popularity • 68% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 68% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Captain Cuts
Stuck In My Head
102 bpm • D# Maj • 02:41 • -5.24db
34% Popularity • 58% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 58% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Loote
Who You Are
102 bpm • C Maj • 03:15 • -11db
25% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Young Bombs
Wrong Side of Love - Deerock x Wyle Rem...
102 bpm • B min • 03:06 • -5.55db
34% Popularity • 58% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 58% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Matthew
Summer 16
98 bpm • C# Maj • 03:45 • -6.37db
20% Popularity • 47% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 47% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 14% Positiveness
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Dan + Shay
Good Things
97 bpm • B Maj • 02:28 • -6db
53% Popularity • 53% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 53% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Virginia To Vegas
Emotions
102 bpm • A min • 03:10 • -5.09db
24% Popularity • 71% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 71% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Sam DeRosa
Pill For This
103 bpm • G Maj • 02:56 • -8db
25% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Judd
I Hate Being Single
103 bpm • F# min • 03:05 • -6db
16% Popularity • 76% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 76% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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CAL
In the Water - MASS AVE Remix
97 bpm • E Maj • 02:48 • -6.68db
23% Popularity • 67% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 67% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Loote
This Is How U Feel
103 bpm • G# Maj • 03:04 • -8.36db
40% Popularity • 78% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 78% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Leah Mason
Habit
97 bpm • G Maj • 02:49 • -7.05db
35% Popularity • 67% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 67% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Frank Legeay
Here to Talk
97 bpm • D Maj • 03:13 • -4.14db
19% Popularity • 76% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 76% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Adam Turley
Feeling Myself
97 bpm • G# Maj • 02:40 • -5.38db
23% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Virginia To Vegas
Lights Out
97 bpm • F min • 03:32 • -6.66db
37% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Hastings
Hurt My Feelings
97 bpm • F Maj • 02:56 • -4.49db
31% Popularity • 73% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 73% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Fly By Midnight
Caffeine
97 bpm • C Maj • 03:02 • -8.13db
41% Popularity • 49% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 49% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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New Rules
Love You Like That
104 bpm • E Maj • 02:24 • -4.51db
39% Popularity • 75% Danceability • 74% Energy • 20% Liveness
5% Instrumentalness • 93% Positiveness
39% Popularity • 75% Danceability • 74% Energy • 20% Liveness
5% Instrumentalness • 93% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
41% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Daya
Tokyo Drifting
104 bpm • D Maj • 03:23 • -5.37db
28% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Virginia To Vegas
Palm Springs (the way you made me feel)
104 bpm • B Maj • 02:50 • -5.66db
40% Popularity • 78% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 78% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Nox Holloway
Sapphire
104 bpm • G# Maj • 03:18 • -8.2db
12% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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CVBZ
Louder
104 bpm • E min • 03:13 • -5.17db
41% Popularity • 63% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 63% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
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Jake Scott
Texas Girl
104 bpm • F# min • 02:52 • -7.01db
36% Popularity • 70% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 70% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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MacKenzie Porter
Drive Thru
104 bpm • C# Maj • 02:38 • -3.42db
21% Popularity • 68% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 68% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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elijah woods
lights
96 bpm • F# min • 02:54 • -8.01db
45% Popularity • 54% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 54% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Lost Kings
PS I Love You
96 bpm • G# Maj • 03:01 • -6.62db
27% Popularity • 78% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 78% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Virginia To Vegas
what are we
96 bpm • F# Maj • 03:20 • -6db
44% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Loren Gray
Piece of Work
96 bpm • B min • 03:05 • -4db
30% Popularity • 65% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 65% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Parmalee
Greatest Hits
96 bpm • G min • 03:04 • -5.48db
40% Popularity • 58% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 58% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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MacKenzie Porter
Seeing Other People
96 bpm • C# Maj • 03:02 • -4db
38% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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19&YOU
BORED!
96 bpm • A# Maj • 03:32 • -6db
33% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jake Scott
Like No One Does
105 bpm • A# Maj • 02:38 • -12.82db
53% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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LØLØ
Hate U
105 bpm • A Maj • 02:46 • -4db
42% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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David Archuleta
Be That For You
105 bpm • C# Maj • 03:22 • -3.61db
25% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Rajiv Dhall
Muscle Memory
105 bpm • D# Maj • 02:28 • -5.77db
15% Popularity • 80% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 80% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Virginia To Vegas
Polaroid
105 bpm • G Maj • 02:48 • -6.39db
18% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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We Three
3 Am
105 bpm • G min • 02:30 • -6db
36% Popularity • 72% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 72% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Wrabel
back to back - Japanese Wallpaper Remix
105 bpm • F# Maj • 03:40 • -7.6db
15% Popularity • 65% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 65% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Edwards
Hard Feelings
105 bpm • G Maj • 03:37 • -5.24db
30% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Mack
She Wins, I Lose
105 bpm • D Maj • 02:57 • -6db
41% Popularity • 67% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 67% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Jake Scott
Goldenboy
105 bpm • G Maj • 03:28 • -7.9db
26% Popularity • 69% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 69% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Jessica Andrea
Hands
105 bpm • G min • 03:39 • -5.91db
22% Popularity • 71% Danceability • 63% Energy • 53% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 71% Danceability • 63% Energy • 53% Liveness
0% Instrumentalness • 34% Positiveness
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Virginia To Vegas
Yesterday
105 bpm • G Maj • 02:58 • -7.46db
31% Popularity • 78% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 78% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Adam Doleac
Famous - MCV Remix
95 bpm • G Maj • 03:11 • -9.26db
39% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Starletta
Leave Me When I'm Low
95 bpm • F Maj • 04:05 • -6.31db
12% Popularity • 54% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 54% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Kyle Hume
Those Nights
95 bpm • F# Maj • 02:48 • -4.75db
31% Popularity • 64% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 64% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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CVBZ
Love Better
95 bpm • D Maj • 03:15 • -5.33db
48% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Kelsea Ballerini
I Quit Drinking
95 bpm • C# Maj • 02:51 • -7db
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Valley
Cure
95 bpm • C# Maj • 02:28 • -6.59db
42% Popularity • 60% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 60% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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salem ilese
About a Breakup
95 bpm • A# Maj • 02:42 • -9.46db
29% Popularity • 52% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 52% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Blake Rose
Lost - Remix
95 bpm • B Maj • 02:34 • -8.48db
30% Popularity • 50% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 50% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
