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This Will Be (An Everlasting Love)
Songs like
This Will Be (An Everlasting Love)
by
Natalie Cole
Based on a tempo of (+/- 10%) and a similar genre
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Natalie Cole
Two For The Blues
127 bpm • F# Maj • 04:22 • -7.02db
6% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Mary Wells
My Guy
127 bpm • A# Maj • 02:54 • -8db
65% Popularity • 69% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Roy Orbison
Oh, Pretty Woman
127 bpm • A Maj • 02:58 • -9.48db
77% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Donna Summer
On The Radio
127 bpm • E min • 04:01 • -13.92db
60% Popularity • 73% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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The Supremes
Come See About Me
126 bpm • G Maj • 02:43 • -11.74db
61% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Four Tops
I Can't Help Myself (Sugar Pie, Honey Bu...
128 bpm • C Maj • 02:40 • -9db
78% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Natalie Cole
Your Face Stays In My Mind
127 bpm • C Maj • 02:45 • -12db
17% Popularity • 84% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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The Trammps
Disco Inferno
128 bpm • F Maj • 03:38 • -6.34db
60% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Anita Ward
Ring My Bell
126 bpm • F min • 08:11 • -13.07db
62% Popularity • 78% Danceability • 56% Energy • 3% Liveness
9% Instrumentalness • 97% Positiveness
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Donna Summer
Last Dance - Single Version
126 bpm • D# Maj • 03:19 • -10.31db
57% Popularity • 34% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Martha Reeves & The Vandellas
Dancing In The Street
126 bpm • D Maj • 02:45 • -9.47db
64% Popularity • 56% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Earth, Wind & Fire
September
126 bpm • A Maj • 03:36 • -7.89db
83% Popularity • 67% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Natalie Cole
This Will Be (An Everlasting Love)
127 bpm • G# Maj • 02:51 • -11.15db
76% Popularity • 68% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Lionel Richie
Say You, Say Me
128 bpm • G# Maj • 04:01 • -11.11db
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Elton John
Your Song
128 bpm • D# Maj • 04:01 • -11.03db
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Bobby Hebb
Sunny
128 bpm • E min • 02:45 • -10.99db
70% Popularity • 71% Danceability • 34% Energy • 39% Liveness
1% Instrumentalness • 67% Positiveness
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The Monkees
Daydream Believer
126 bpm • G Maj • 02:59 • -10.3db
68% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Simon
You Can Call Me Al
128 bpm • F Maj • 04:40 • -8.12db
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Natalie Cole
All The Things You Are
128 bpm • F min • 03:05 • -6.87db
6% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Donna Summer
Last Dance
125 bpm • D# Maj • 04:56 • -13.4db
54% Popularity • 60% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Looking Glass
Brandy (You're a Fine Girl)
125 bpm • C# min • 03:06 • -11.37db
77% Popularity • 72% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Sam Cooke
(What A) Wonderful World - Mono
129 bpm • B Maj • 02:08 • -5.52db
75% Popularity • 69% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Shania Twain
Man! I Feel Like A Woman!
125 bpm • A# Maj • 03:53 • -3.34db
73% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Billy Joel
Uptown Girl
129 bpm • E Maj • 03:17 • -2.99db
84% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
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Earth, Wind & Fire
Let's Groove
125 bpm • B min • 05:39 • -8.7db
77% Popularity • 87% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Natalie Cole
Pink Cadillac
125 bpm • F min • 04:28 • -10.31db
40% Popularity • 90% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Wings
Silly Love Songs - 2014 Remaster
125 bpm • C Maj • 05:54 • -10.77db
62% Popularity • 74% Danceability • 47% Energy • 28% Liveness
9% Instrumentalness • 82% Positiveness
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KC & The Sunshine Band
Give It Up
125 bpm • D# Maj • 04:14 • -11.63db
70% Popularity • 86% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Beatles
Here Comes The Sun - Remastered 2009
129 bpm • A Maj • 03:05 • -10.48db
85% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Joel
Vienna
125 bpm • A# Maj • 03:34 • -6.66db
83% Popularity • 53% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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The Beach Boys
Wouldn't It Be Nice
125 bpm • F Maj • 02:33 • -7.06db
74% Popularity • 39% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Natalie Cole
Inseparable
129 bpm • G# Maj • 02:26 • -14.49db
43% Popularity • 44% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Captain & Tennille
Love Will Keep Us Together
130 bpm • E Maj • 03:25 • -4.33db
63% Popularity • 62% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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The Ronettes
Be My Baby
130 bpm • E Maj • 02:40 • -7.01db
76% Popularity • 51% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Beatles
Twist And Shout - Remastered 2009
125 bpm • D Maj • 02:35 • -9.2db
79% Popularity • 48% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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The O'Jays
Back Stabbers
124 bpm • A# Maj • 03:06 • -11.61db
59% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
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John Travolta
Summer Nights
124 bpm • D Maj • 03:36 • -9.42db
70% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Natalie Cole
Orange Colored Sky
124 bpm • G Maj • 02:27 • -9db
19% Popularity • 62% Danceability • 54% Energy • 55% Liveness
0% Instrumentalness • 44% Positiveness
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Duffy
Mercy
130 bpm • C Maj • 03:39 • -3.77db
70% Popularity • 79% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Marvin Gaye
Ain't No Mountain High Enough
130 bpm • G Maj • 02:31 • -10.87db
84% Popularity • 66% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 04:36 • -9.51db
59% Popularity • 68% Danceability • 57% Energy • 18% Liveness
9% Instrumentalness • 76% Positiveness
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The Drifters
Under the Boardwalk
124 bpm • G Maj • 02:41 • -13.64db
68% Popularity • 75% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Isley Brothers
This Old Heart Of Mine (Is Weak For You)
130 bpm • F Maj • 02:52 • -10.21db
67% Popularity • 63% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Natalie Cole
Coffee Time
130 bpm • G# Maj • 02:28 • -9db
39% Popularity • 75% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Stealers Wheel
Stuck In The Middle With You
124 bpm • G Maj • 03:28 • -9.14db
80% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Frankie Valli
Can't Take My Eyes off You
124 bpm • E Maj • 03:23 • -7.05db
74% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 03:26 • -12.32db
70% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Tiffany
I Think We're Alone Now
131 bpm • G Maj • 03:48 • -12.13db
70% Popularity • 75% Danceability • 72% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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Natalie Cole
Orange Colored Sky
124 bpm • E min • 02:27 • -12.06db
34% Popularity • 63% Danceability • 48% Energy • 64% Liveness
0% Instrumentalness • 45% Positiveness
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Jackie Wilson
I Get The Sweetest Feeling
124 bpm • F Maj • 02:58 • -9.23db
57% Popularity • 68% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Sylvester
You Make Me Feel (Mighty Real)
131 bpm • F min • 06:40 • -11.18db
61% Popularity • 63% Danceability • 85% Energy • 9% Liveness
30% Instrumentalness • 96% Positiveness
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Harold Melvin & The Blue Notes
The Love I Lost
123 bpm • D Maj • 06:24 • -4.53db
56% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Janet Jackson
Together Again
123 bpm • G Maj • 05:01 • -11.81db
64% Popularity • 86% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 48% Positiveness
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Marvin Gaye
Got To Give It Up
123 bpm • D Maj • 06:01 • -10db
58% Popularity • 84% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Sara Bareilles
Love Song
123 bpm • D min • 04:18 • -3.14db
73% Popularity • 58% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Billy Joel
My Life
131 bpm • D Maj • 04:44 • -12.88db
72% Popularity • 74% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Whitney Houston
Greatest Love of All
131 bpm • A Maj • 04:51 • -16.01db
68% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Natalie Cole
Miss You Like Crazy
131 bpm • D Maj • 03:54 • -6.25db
62% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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Fontella Bass
Rescue Me
123 bpm • E min • 02:51 • -9.47db
67% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Deniece Williams
Let's Hear It for the Boy
123 bpm • C Maj • 04:22 • -8.83db
64% Popularity • 81% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Elton John
Don't Go Breaking My Heart
131 bpm • F Maj • 04:35 • -8.82db
81% Popularity • 73% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The O'Jays
Love Train
123 bpm • C Maj • 02:58 • -9.63db
68% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Marvin Gaye
Got To Give It Up - Pt. 1
123 bpm • D Maj • 04:15 • -9.02db
68% Popularity • 86% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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John Paul Young
Love Is in the Air
123 bpm • C Maj • 03:28 • -14.26db
67% Popularity • 62% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Dionne Warwick
I'll Never Love This Way Again
132 bpm • B min • 03:31 • -10.54db
63% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Earth, Wind & Fire
After the Love Has Gone
132 bpm • F# Maj • 04:38 • -13.45db
67% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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Lionel Richie
Stuck On You
132 bpm • F Maj • 03:12 • -16.06db
71% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Archies
Sugar Sugar
122 bpm • D Maj • 02:47 • -7.26db
71% Popularity • 76% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Donny Hathaway
Jealous Guy
122 bpm • G Maj • 03:08 • -8.99db
58% Popularity • 46% Danceability • 48% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
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Ella Fitzgerald
Cheek To Cheek
122 bpm • C Maj • 05:53 • -13.4db
63% Popularity • 66% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Roberta Flack
Killing Me Softly With His Song
122 bpm • F min • 04:46 • -10.24db
73% Popularity • 48% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Earth, Wind & Fire
Boogie Wonderland
132 bpm • D min • 04:48 • -10.79db
76% Popularity • 80% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Natalie Cole
Party Lights
132 bpm • G Maj • 04:08 • -10.45db
6% Popularity • 65% Danceability • 81% Energy • 51% Liveness
0% Instrumentalness • 66% Positiveness
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Sheena Easton
Morning Train (Nine to Five) - Edit
122 bpm • F min • 03:20 • -8.87db
59% Popularity • 76% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Rick James
Super Freak
132 bpm • A min • 03:25 • -8.25db
72% Popularity • 84% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Peaches & Herb
Shake Your Groove Thing
133 bpm • A Maj • 05:46 • -6.65db
60% Popularity • 86% Danceability • 73% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
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Kool & The Gang
Celebration
122 bpm • C# Maj • 04:58 • -11.8db
71% Popularity • 88% Danceability • 66% Energy • 8% Liveness
5% Instrumentalness • 91% Positiveness
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Elton John
Bennie And The Jets - Remastered 2014
133 bpm • C Maj • 05:22 • -7.95db
74% Popularity • 66% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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The Spinners
Working My Way Back to You / Forgive Me,...
122 bpm • A min • 04:05 • -9.39db
50% Popularity • 84% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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The Marvelettes
Please Mr. Postman - Single Version / Mo...
122 bpm • D Maj • 02:28 • -5.26db
65% Popularity • 78% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Carl Carlton
Everlasting Love
121 bpm • E Maj • 02:33 • -4.77db
52% Popularity • 55% Danceability • 83% Energy • 37% Liveness
3% Instrumentalness • 40% Positiveness
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Four Tops
Baby I Need Your Loving
121 bpm • C min • 02:46 • -6.12db
63% Popularity • 63% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Roberta Flack
The Closer I Get to You
121 bpm • A Maj • 04:40 • -13.28db
57% Popularity • 49% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 23% Positiveness
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Amy Winehouse
Tears Dry On Their Own
122 bpm • C# min • 03:06 • -13.39db
72% Popularity • 63% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Carpenters
Please Mr. Postman
133 bpm • A Maj • 02:52 • -11.59db
64% Popularity • 66% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Cher
Believe
133 bpm • F# Maj • 03:59 • -6.72db
78% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Aretha Franklin
I Say a Little Prayer
133 bpm • A Maj • 03:36 • -14.05db
76% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Kool & The Gang
Celebration - Single Version
121 bpm • C# Maj • 03:38 • -7.12db
64% Popularity • 82% Danceability • 84% Energy • 12% Liveness
1% Instrumentalness • 95% Positiveness
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Lionel Richie
Dancing On The Ceiling
133 bpm • C Maj • 04:30 • -9db
68% Popularity • 70% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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George Harrison
My Sweet Lord (2014 Remaster)
121 bpm • C# min • 04:41 • -9.02db
75% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Commodores
Lady (You Bring Me Up)
121 bpm • C min • 04:53 • -9.43db
56% Popularity • 89% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Beach Boys
Good Vibrations - Remastered 2001
133 bpm • A# min • 03:39 • -7.67db
70% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ray Charles
Fever
134 bpm • B min • 03:30 • -10.21db
56% Popularity • 67% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Three Degrees
When Will I See You Again
121 bpm • A Maj • 02:58 • -9.25db
62% Popularity • 56% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Roberta Flack
The First Time Ever I Saw Your Face
121 bpm • C Maj • 04:20 • -21.64db
63% Popularity • 31% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Natalie Cole
Can We Get Together Again
121 bpm • C min • 03:08 • -10.31db
11% Popularity • 73% Danceability • 80% Energy • 15% Liveness
9% Instrumentalness • 94% Positiveness
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Donna Summer
Bad Girls
121 bpm • D min • 04:55 • -14.51db
61% Popularity • 86% Danceability • 70% Energy • 41% Liveness
2% Instrumentalness • 97% Positiveness
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This Will Be (An Everlasting Love)