Songs like Those Eyes - Sped Up by New West
Based on a tempo of (+/- 10%) and a similar genre
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Melanie Martinez
Pacify Her
158 bpm • A min • 03:40 • -6.02db
77% Popularity • 58% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
77% Popularity • 58% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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New West
Those Eyes (Sped Up)
158 bpm • A Maj • 03:05 • -6.76db
25% Popularity • 50% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 50% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Coyote Theory
This Side of Paradise
158 bpm • A Maj • 04:02 • -6.07db
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Rare Occasions
Notion
159 bpm • A Maj • 03:15 • -3.83db
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Alexander Stewart
blame's on me
159 bpm • C# min • 02:18 • -17.12db
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Chase Atlantic
Meddle About
160 bpm • E min • 03:23 • -6.41db
77% Popularity • 38% Danceability • 80% Energy • 32% Liveness
1% Instrumentalness • 37% Positiveness
77% Popularity • 38% Danceability • 80% Energy • 32% Liveness
1% Instrumentalness • 37% Positiveness
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Echosmith
Cool Kids - Sped Up
156 bpm • B Maj • 03:18 • -6db
50% Popularity • 65% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
50% Popularity • 65% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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New West
Those Eyes - Sped Up
158 bpm • A Maj • 02:47 • -6.66db
75% Popularity • 50% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
75% Popularity • 50% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Katy Perry
Wide Awake
160 bpm • F Maj • 03:40 • -5.1db
76% Popularity • 51% Danceability • 68% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
76% Popularity • 51% Danceability • 68% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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Hiko
Dancin Is What to Do (Sped Up) - Slay Sl...
156 bpm • D min • 01:18 • -5.21db
66% Popularity • 69% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
66% Popularity • 69% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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The Weeknd
Reminder
160 bpm • G# Maj • 03:38 • -6.92db
84% Popularity • 71% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
84% Popularity • 71% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Tate McRae
she's all i wanna be
160 bpm • D min • 03:27 • -5.32db
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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DJ Samentro
Cause All of the Small Things That You D...
155 bpm • G# Maj • 02:51 • -7.85db
46% Popularity • 40% Danceability • 36% Energy • 20% Liveness
10% Instrumentalness • 9% Positiveness
46% Popularity • 40% Danceability • 36% Energy • 20% Liveness
10% Instrumentalness • 9% Positiveness
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girl in red
i wanna be your girlfriend
156 bpm • G Maj • 03:24 • -14.32db
75% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Taylor Swift
The Way I Loved You (Taylor’s Version)
161 bpm • F Maj • 04:03 • -4.67db
78% Popularity • 40% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
78% Popularity • 40% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Lewis Hanton
Just Dance - Sped Up
155 bpm • A Maj • 02:12 • -5.95db
57% Popularity • 74% Danceability • 82% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
57% Popularity • 74% Danceability • 82% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
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Young the Giant
Mind Over Matter
155 bpm • C Maj • 04:04 • -4.45db
74% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
74% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ricky Montgomery
Mr. Loverman - sped up
161 bpm • E Maj • 02:55 • -4.82db
43% Popularity • 55% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 55% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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New West
Credits
154 bpm • A Maj • 02:53 • -7.87db
35% Popularity • 62% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 62% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Justin Bieber
Ghost
154 bpm • D Maj • 02:33 • -5.57db
87% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
87% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Cults
Always Forever
163 bpm • G# Maj • 03:43 • -5.93db
81% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
81% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
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DJ GreyttBlack
C o u n t i n g S t a r s s s
164 bpm • G min • 03:09 • -11.68db
53% Popularity • 65% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 65% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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girl in red
we fell in love in october - sped up
164 bpm • B Maj • 02:26 • -11.45db
48% Popularity • 46% Danceability • 53% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
48% Popularity • 46% Danceability • 53% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
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Henry Moodie
you were there for me
164 bpm • F# Maj • 03:15 • -4.4db
65% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
65% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Artemas
i like the way you kiss me
152 bpm • B Maj • 02:22 • -4.26db
95% Popularity • 60% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
95% Popularity • 60% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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Young the Giant
Mind Over Matter (Reprise)
152 bpm • C Maj • 03:50 • -6.35db
78% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
78% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Rex Orange County
Television / So Far So Good
165 bpm • F Maj • 04:22 • -7.75db
73% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
73% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Neoni
DARKSIDE
165 bpm • G min • 02:48 • -6.47db
75% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
75% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Regina Spektor
Two Birds
151 bpm • C Maj • 03:15 • -8.88db
73% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tom Odell
Black Friday
165 bpm • F# Maj • 03:41 • -12.4db
71% Popularity • 48% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
71% Popularity • 48% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
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Seafret
Atlantis
166 bpm • G# min • 03:49 • -7.99db
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Mac DeMarco
Heart To Heart
150 bpm • G# min • 03:31 • -16.13db
83% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
83% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Alec Benjamin
Let Me Down Slowly
150 bpm • C# min • 02:49 • -5.71db
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Loreen
Tattoo
150 bpm • D# min • 03:03 • -6.24db
83% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
83% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Selena Gomez
People You Know
150 bpm • G# min • 03:14 • -8.08db
78% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Sabrina Carpenter
Feather - Sped Up
150 bpm • C Maj • 02:33 • -5.1db
63% Popularity • 72% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
63% Popularity • 72% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Taylor Swift
Daylight
150 bpm • C Maj • 04:53 • -9.6db
81% Popularity • 56% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
81% Popularity • 56% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Lana Del Rey
Summertime Sadness - Sped Up
150 bpm • F min • 03:17 • -4.98db
66% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
66% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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James Arthur
Car's Outside
150 bpm • A Maj • 04:08 • -7.18db
84% Popularity • 34% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
84% Popularity • 34% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Farizki
I Was Never There - Sped Up
150 bpm • C Maj • 03:06 • -7.97db
57% Popularity • 29% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 29% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Isabel LaRosa
older sped up
148 bpm • F min • 02:05 • -7.65db
72% Popularity • 39% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
72% Popularity • 39% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Shawn Mendes
Mercy
148 bpm • B min • 03:28 • -4.95db
81% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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DJ GreyttBlack
N i g h t C h a n g e s s s s s
148 bpm • B Maj • 02:57 • -13.63db
53% Popularity • 58% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 58% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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MADAX
Daylight (Sped Up) - Oh I Love It and I ...
169 bpm • D min • 02:44 • -12.26db
50% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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James Arthur
Say You Won't Let Go - Sped-Up
167 bpm • D# Maj • 02:42 • -7.88db
52% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Ruelle
War Of Hearts
148 bpm • A min • 03:46 • -6.34db
70% Popularity • 48% Danceability • 78% Energy • 10% Liveness
55% Instrumentalness • 26% Positiveness
70% Popularity • 48% Danceability • 78% Energy • 10% Liveness
55% Instrumentalness • 26% Positiveness
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Olivia Rodrigo
1 step forward, 3 steps back
169 bpm • D Maj • 02:43 • -12.63db
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Steve Lacy
Bad Habit
169 bpm • C# Maj • 03:52 • -7.09db
79% Popularity • 69% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
79% Popularity • 69% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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Cafuné
Tek It - Sped Up
169 bpm • A# min • 02:46 • -5.05db
78% Popularity • 35% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
78% Popularity • 35% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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New West
Panic Attack
148 bpm • C Maj • 03:14 • -7.5db
31% Popularity • 36% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 36% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
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Franklaay
past lives - sped up
147 bpm • G Maj • 01:50 • -14db
47% Popularity • 54% Danceability • 39% Energy • 88% Liveness
92% Instrumentalness • 22% Positiveness
47% Popularity • 54% Danceability • 39% Energy • 88% Liveness
92% Instrumentalness • 22% Positiveness
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bbygirl
dangerous woman - sped up
147 bpm • F# min • 03:27 • -7.08db
49% Popularity • 66% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
49% Popularity • 66% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
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Olivia Rodrigo
happier
169 bpm • F# Maj • 02:55 • -9.72db
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Glass Animals
Heat Waves - Slowed
147 bpm • A Maj • 04:22 • -9.97db
67% Popularity • 63% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
67% Popularity • 63% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Cafuné
Tek It
147 bpm • G# Maj • 03:11 • -5.35db
78% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
78% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Kenya Grace
Strangers
170 bpm • B min • 02:52 • -8.31db
66% Popularity • 63% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 63% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Joji
Glimpse of Us
170 bpm • G# Maj • 03:53 • -9.26db
76% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
76% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Rosa Linn
SNAP
170 bpm • C Maj • 02:59 • -8.2db
85% Popularity • 56% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
85% Popularity • 56% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Swift
Cruel Summer
170 bpm • A Maj • 02:58 • -5.71db
96% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
96% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Chase Atlantic
Consume
146 bpm • A min • 04:27 • -5.32db
78% Popularity • 56% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
78% Popularity • 56% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Bruno Mars
Talking to the Moon
146 bpm • C# min • 03:37 • -4.72db
82% Popularity • 50% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
82% Popularity • 50% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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LonelyEve
The Hills X Where Have You Been - Sped U...
147 bpm • E min • 02:55 • -8.57db
59% Popularity • 49% Danceability • 43% Energy • 31% Liveness
6% Instrumentalness • 31% Positiveness
59% Popularity • 49% Danceability • 43% Energy • 31% Liveness
6% Instrumentalness • 31% Positiveness
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Steve Lacy
Dark Red
172 bpm • F# Maj • 02:53 • -4.02db
87% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
87% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Gustixa
Somewhere Only We Know
172 bpm • A# Maj • 03:04 • -7.38db
67% Popularity • 60% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
67% Popularity • 60% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Isabel LaRosa
eyes don't lie sped up
145 bpm • C Maj • 02:09 • -10.56db
69% Popularity • 57% Danceability • 56% Energy • 9% Liveness
12% Instrumentalness • 6% Positiveness
69% Popularity • 57% Danceability • 56% Energy • 9% Liveness
12% Instrumentalness • 6% Positiveness
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Cleffy
Meet you at the Graveyard
145 bpm • G# Maj • 02:52 • -12.47db
79% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
79% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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blackbear
idfc
145 bpm • E min • 03:27 • -9.12db
74% Popularity • 72% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
74% Popularity • 72% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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David Kushner
Mr. Forgettable
145 bpm • G# min • 03:07 • -9.23db
77% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
77% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Labrinth
Formula
145 bpm • B Maj • 01:31 • -6.07db
83% Popularity • 57% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 23% Positiveness
83% Popularity • 57% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 23% Positiveness
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MADAX
Accidentally in Love (Sped Up) - So She ...
173 bpm • B Maj • 02:32 • -8.1db
46% Popularity • 52% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 52% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Olivia Rodrigo
favorite crime
173 bpm • A Maj • 02:32 • -10.5db
85% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
85% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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badkarma
džanum - sped up
144 bpm • G# min • 02:36 • -14.33db
52% Popularity • 40% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
52% Popularity • 40% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
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Alec Benjamin
If We Have Each Other
173 bpm • A# min • 03:01 • -5.57db
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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FIFTY FIFTY
Cupid - Twin Ver. (FIFTY FIFTY) - Sped U...
144 bpm • B min • 02:25 • -5.6db
52% Popularity • 75% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 75% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Coldplay
Yellow
173 bpm • B Maj • 04:26 • -7.23db
89% Popularity • 43% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
89% Popularity • 43% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Beach Weather
Sex, Drugs, Etc.
144 bpm • E min • 03:16 • -5.09db
84% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
84% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
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Sped Up Songs + Nightcore
7 Years - Sped Up Version
144 bpm • C# Maj • 03:19 • -5.12db
58% Popularity • 70% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 70% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Beach Bunny
Prom Queen
144 bpm • E Maj • 02:16 • -7.49db
81% Popularity • 53% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
81% Popularity • 53% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
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Dybbukk Covers
Another Love - Sped Up
144 bpm • G min • 03:23 • -12.2db
57% Popularity • 43% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 43% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Artemas
if u think i'm pretty
144 bpm • G# Maj • 02:08 • -5.77db
84% Popularity • 54% Danceability • 62% Energy • 40% Liveness
2% Instrumentalness • 46% Positiveness
84% Popularity • 54% Danceability • 62% Energy • 40% Liveness
2% Instrumentalness • 46% Positiveness
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Demi Lovato
Heart Attack
174 bpm • G# Maj • 03:30 • -4.8db
81% Popularity • 50% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
81% Popularity • 50% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Harry Styles
As It Was
174 bpm • F# min • 02:47 • -5.34db
91% Popularity • 52% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
91% Popularity • 52% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Benson Boone
Ghost Town
174 bpm • C Maj • 03:13 • -10.06db
62% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
62% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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sped up + slowed
Another Love (Tom Odell) - sped up
143 bpm • G min • 03:23 • -11.83db
60% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
60% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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MADAX
Baby We Built This House (Sped Up) - Tak...
143 bpm • F# min • 01:37 • -8.14db
52% Popularity • 58% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 58% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Cigarettes After Sex
Cry
143 bpm • G Maj • 04:16 • -10.45db
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Reality Club
Anything You Want
176 bpm • F Maj • 03:56 • -7.6db
66% Popularity • 21% Danceability • 58% Energy • 17% Liveness
1% Instrumentalness • 31% Positiveness
66% Popularity • 21% Danceability • 58% Energy • 17% Liveness
1% Instrumentalness • 31% Positiveness
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Poo Bear
Hard 2 Face Reality
142 bpm • G Maj • 03:16 • -5.28db
64% Popularity • 62% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 62% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Olivia Rodrigo
Can’t Catch Me Now - from The Hunger G...
142 bpm • B min • 03:25 • -7.76db
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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yuji
Old Love
142 bpm • B Maj • 04:09 • -10.51db
74% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
