Songs like Three Latin Motets: II. Ave, Maria by Cecilia McDowall
Based on a tempo of (+/- 10%) and a similar genre
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VMF!
Gå och lägg dig klockan är mycket
134 bpm • C# min • 01:08 • -54.82db
10% Popularity • 18% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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James MacMillan
Who Shall Separate Us?
134 bpm • E Maj • 03:03 • -21.89db
8% Popularity • 16% Danceability • 20% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 20% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt 3. "Moses' S...
135 bpm • D# Maj • 01:15 • -20.38db
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Hugo Wolf
Six sacred Songs after Poems of Joseph v...
135 bpm • E Maj • 01:04 • -22.61db
18% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
18% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
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Pierre Max Dubois
Sonatine Tango for Bassoon and Piano: I....
133 bpm • A min • 01:08 • -22.11db
7% Popularity • 50% Danceability • 10% Energy • 14% Liveness
84% Instrumentalness • 45% Positiveness
7% Popularity • 50% Danceability • 10% Energy • 14% Liveness
84% Instrumentalness • 45% Positiveness
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Petr Fiala
Inter arma, silent Musae (When arms spea...
135 bpm • E min • 02:13 • -16.94db
10% Popularity • 29% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
10% Popularity • 29% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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Cecilia McDowall
Shipping Forecast: III. Naming
134 bpm • D Maj • 03:32 • -19.01db
0% Popularity • 24% Danceability • 22% Energy • 35% Liveness
28% Instrumentalness • 24% Positiveness
0% Popularity • 24% Danceability • 22% Energy • 35% Liveness
28% Instrumentalness • 24% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
133 bpm • D# Maj • 07:00 • -26.09db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
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Tom Davoren
Rondo Olympia
133 bpm • C Maj • 01:26 • -24.1db
16% Popularity • 61% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 84% Positiveness
16% Popularity • 61% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 84% Positiveness
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Charles Koechlin
Les Confidences d'un Joueur de Clarinett...
133 bpm • C# min • 01:09 • -19.41db
10% Popularity • 32% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
10% Popularity • 32% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Veljo Tormis
Looduspildid No. 3 "Sügismaastikud": Lo...
135 bpm • E min • 01:36 • -30.68db
13% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
13% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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Cecilia McDowall
A Prayer of St Columba - SA, Men
134 bpm • F Maj • 03:19 • -22.9db
0% Popularity • 17% Danceability • 12% Energy • 19% Liveness
83% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 12% Energy • 19% Liveness
83% Instrumentalness • 4% Positiveness
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Darius Milhaud
Scaramouche, Op. 165d: I. Vif
132 bpm • C Maj • 02:59 • -17.21db
10% Popularity • 46% Danceability • 25% Energy • 18% Liveness
70% Instrumentalness • 36% Positiveness
10% Popularity • 46% Danceability • 25% Energy • 18% Liveness
70% Instrumentalness • 36% Positiveness
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Soeui Lee
Three Bagatelles: No. 2, Divertimenti in...
132 bpm • A# min • 03:57 • -18.35db
22% Popularity • 27% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
22% Popularity • 27% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Aurelio Scotto
Orchestral Sketch n.°2
132 bpm • A min • 01:27 • -20.56db
15% Popularity • 46% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 25% Positiveness
15% Popularity • 46% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 25% Positiveness
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JALBOE
Marry Go Round
136 bpm • F Maj • 01:56 • -36.29db
7% Popularity • 15% Danceability • 0% Energy • 13% Liveness
99% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 0% Energy • 13% Liveness
99% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream: A Dance of Cl...
132 bpm • A# Maj • 01:40 • -18.3db
18% Popularity • 70% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
18% Popularity • 70% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
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Cecilia McDowall
Stabat Mater: II. Quis est homo
133 bpm • D min • 02:16 • -23.47db
5% Popularity • 16% Danceability • 7% Energy • 12% Liveness
24% Instrumentalness • 5% Positiveness
5% Popularity • 16% Danceability • 7% Energy • 12% Liveness
24% Instrumentalness • 5% Positiveness
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Paul Reade
Suite from "The Victorian Kitchen Garden...
136 bpm • G min • 02:52 • -38db
8% Popularity • 22% Danceability • 0% Energy • 7% Liveness
75% Instrumentalness • 15% Positiveness
8% Popularity • 22% Danceability • 0% Energy • 7% Liveness
75% Instrumentalness • 15% Positiveness
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Timothy Higgins
Higgins: Sonata for Alto Trombone I:I
136 bpm • A# Maj • 00:59 • -31.56db
12% Popularity • 26% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 80% Positiveness
12% Popularity • 26% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 80% Positiveness
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Dick Walter
Mini Sleeping Beauty
136 bpm • D# Maj • 01:02 • -24.05db
14% Popularity • 19% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Franz Schubert
Lacrimosa son io, D. 131b
136 bpm • D min • 04:20 • -26.94db
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
136 bpm • A Maj • 01:57 • -32.98db
13% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Cecilia McDowall
The Lord is Good
134 bpm • D Maj • 05:43 • -28.62db
3% Popularity • 16% Danceability • 2% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
3% Popularity • 16% Danceability • 2% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
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Hu-Wei Huang
Pictures from Bashu (arr. Yi-Wen Jiang f...
137 bpm • F Maj • 01:15 • -32.24db
7% Popularity • 23% Danceability • 3% Energy • 4% Liveness
67% Instrumentalness • 16% Positiveness
7% Popularity • 23% Danceability • 3% Energy • 4% Liveness
67% Instrumentalness • 16% Positiveness
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VÃtÄ›zslav Novák
Moravian-Slovak Suite, Op. 32 (version f...
137 bpm • D# Maj • 04:30 • -22.14db
16% Popularity • 18% Danceability • 6% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 6% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Lili Boulanger
Hymne au soleil
131 bpm • D Maj • 03:53 • -22.66db
18% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Aivars Kalējs
French Quadrilogy: No. 1, The Girl on a ...
131 bpm • D min • 02:39 • -23.34db
18% Popularity • 28% Danceability • 9% Energy • 9% Liveness
21% Instrumentalness • 12% Positiveness
18% Popularity • 28% Danceability • 9% Energy • 9% Liveness
21% Instrumentalness • 12% Positiveness
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Anton Bruckner
Tota pulchra es, WAB 46
131 bpm • C Maj • 05:20 • -23.67db
10% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Cecilia McDowall
Standing as I Do Before God
136 bpm • A min • 06:21 • -24.58db
1% Popularity • 22% Danceability • 6% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
1% Popularity • 22% Danceability • 6% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Andrea Gabrieli
Gabrieli, A: Intonatione del primo tono
130 bpm • D min • 01:00 • -34.86db
21% Popularity • 22% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
21% Popularity • 22% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
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Ottorino Respighi
Trittico botticelliano, P. 151: I. La pr...
130 bpm • A Maj • 06:05 • -21.8db
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
16% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
10% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Lili Boulanger
Deux Morceaux (arr. for brass ensemble b...
130 bpm • D# Maj • 02:55 • -26.77db
25% Popularity • 18% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Cecilia McDowall
Standing As I Do Before God
131 bpm • A min • 06:08 • -21.24db
0% Popularity • 21% Danceability • 11% Energy • 34% Liveness
4% Instrumentalness • 3% Positiveness
0% Popularity • 21% Danceability • 11% Energy • 34% Liveness
4% Instrumentalness • 3% Positiveness
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Carl Maria von Weber
Concertino for Horn and Orchestra, Op. 4...
138 bpm • E Maj • 01:53 • -26.63db
7% Popularity • 15% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
7% Popularity • 15% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Paule Maurice
Tableaux De Provence: V. Lou Cabridan
138 bpm • G# Maj • 03:47 • -17.08db
21% Popularity • 42% Danceability • 28% Energy • 14% Liveness
87% Instrumentalness • 28% Positiveness
21% Popularity • 42% Danceability • 28% Energy • 14% Liveness
87% Instrumentalness • 28% Positiveness
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Francis Poulenc
Trois mouvements perpétuels, FP 14b: I....
138 bpm • A# Maj • 01:29 • -25.68db
21% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
21% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
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Swedish Chamber Orchestra
Sov du lilla videung - Sing along
138 bpm • B Maj • 02:00 • -20.17db
12% Popularity • 15% Danceability • 10% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
12% Popularity • 15% Danceability • 10% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
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Toru Takemitsu
Wings (Version for Mixed Choir)
138 bpm • A Maj • 02:34 • -29.96db
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
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Cecilia McDowall
Colour is the Keyboard
131 bpm • G Maj • 05:32 • -23.21db
0% Popularity • 43% Danceability • 12% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
0% Popularity • 43% Danceability • 12% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Arnold Rosner
Variations on a Theme by Frank Martin, O...
138 bpm • A min • 02:16 • -23.84db
13% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Veljo Tormis
Looduspildid: No. 3. Sugismaastikud: Tuu...
139 bpm • D min • 01:12 • -26db
13% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
13% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
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James MacMillan
7 Last Words from the Cross: Woman, Beho...
129 bpm • G Maj • 05:52 • -17.44db
9% Popularity • 22% Danceability • 25% Energy • 60% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 25% Energy • 60% Liveness
1% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Woodland Suite: III. Moon-Fairy (Arr. Of...
139 bpm • A Maj • 02:08 • -34.07db
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Robert Schumann
Träumerei, Op. 15 No. 7
139 bpm • F Maj • 02:15 • -29db
16% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
16% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
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Cecilia McDowall
Stabat Mater: IV. Eia Mater, fons amoris
131 bpm • A# Maj • 03:47 • -23.13db
5% Popularity • 20% Danceability • 12% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
5% Popularity • 20% Danceability • 12% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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Colin Brumby
Danza
129 bpm • F Maj • 01:56 • -20.93db
10% Popularity • 28% Danceability • 4% Energy • 27% Liveness
74% Instrumentalness • 26% Positiveness
10% Popularity • 28% Danceability • 4% Energy • 27% Liveness
74% Instrumentalness • 26% Positiveness
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Yoshie Ueno
Slik som eg var
128 bpm • D min • 02:46 • -21.93db
9% Popularity • 25% Danceability • 3% Energy • 14% Liveness
86% Instrumentalness • 10% Positiveness
9% Popularity • 25% Danceability • 3% Energy • 14% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Frank Martin
Martin: Ballade II
129 bpm • G# min • 00:59 • -34.84db
4% Popularity • 17% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
4% Popularity • 17% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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William Lawes
6-Part Fantasy (Arr. P. Grainger for Sax...
141 bpm • G min • 07:33 • -17.48db
13% Popularity • 23% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
13% Popularity • 23% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
► Preview
Cecilia McDowall
Strange violin, are you following me_
129 bpm • G Maj • 10:18 • -22.47db
0% Popularity • 27% Danceability • 7% Energy • 63% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 7% Energy • 63% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
► Preview
Robert Parsons
A Songe Called Trumpetts
142 bpm • F# Maj • 01:39 • -39.92db
10% Popularity • 39% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
10% Popularity • 39% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
► Preview
Agneta Krilova
The Rose Petal Waltz
126 bpm • C# Maj • 04:00 • -21.86db
17% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
17% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Jules Demersseman
Fantasie Sur Un Théme Original
126 bpm • A# Maj • 06:34 • -17db
10% Popularity • 41% Danceability • 13% Energy • 11% Liveness
80% Instrumentalness • 27% Positiveness
10% Popularity • 41% Danceability • 13% Energy • 11% Liveness
80% Instrumentalness • 27% Positiveness
► Preview
Imogen Holst
Fall of the Leaf: II. Vivace
142 bpm • F Maj • 01:38 • -29.19db
18% Popularity • 47% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
18% Popularity • 47% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
► Preview
Cecilia McDowall
Christus natus est: III. Gaudete!
126 bpm • A min • 02:35 • -18.45db
0% Popularity • 31% Danceability • 18% Energy • 7% Liveness
79% Instrumentalness • 21% Positiveness
0% Popularity • 31% Danceability • 18% Energy • 7% Liveness
79% Instrumentalness • 21% Positiveness
► Preview
Johannes Brahms
Six Canonic Studies, Op. 56: No. 1, Con ...
126 bpm • C Maj • 03:04 • -32.3db
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
► Preview
Claude Debussy
Préludes, Book 1, L. 117: No. 11, La da...
143 bpm • F min • 03:04 • -27.62db
10% Popularity • 29% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 29% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Paolo Spoladore
Shir
126 bpm • G# Maj • 01:08 • -18db
19% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Gerard Pastor
Femina Feminae VI. L'ecole Buissonière
125 bpm • D Maj • 01:44 • -27.59db
7% Popularity • 50% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
7% Popularity • 50% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
► Preview
Cecilia McDowall
Anaphora
126 bpm • G Maj • 06:08 • -21.46db
0% Popularity • 42% Danceability • 3% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 42% Danceability • 3% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Timothy Higgins
Higgins: Sonata for Alto Trombone I:II
125 bpm • A# Maj • 02:13 • -29.54db
10% Popularity • 21% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Lorenzo Perosi
Missa Pontificalis: Benedictus
144 bpm • F Maj • 01:35 • -32.21db
21% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
21% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Manu Martin
Lim Fantasy of Companionship for Piano a...
124 bpm • C Maj • 01:27 • -13.32db
9% Popularity • 46% Danceability • 40% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
9% Popularity • 46% Danceability • 40% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
► Preview
Édouard Lalo
Suite No.2 from "Namouna": No. 3, Dolce ...
145 bpm • G Maj • 04:01 • -29.99db
7% Popularity • 25% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
7% Popularity • 25% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Fanny Mendelssohn
5 Lieder, Op. 10: No. 5, Bergeslust (Arr...
146 bpm • A Maj • 01:43 • -26.78db
9% Popularity • 22% Danceability • 5% Energy • 10% Liveness
21% Instrumentalness • 10% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 10% Liveness
21% Instrumentalness • 10% Positiveness
► Preview
Cecilia McDowall
Magnificat: VI. Deposuit Potentes
126 bpm • D Maj • 04:42 • -21.05db
0% Popularity • 23% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
0% Popularity • 23% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Charles Gounod
Gounod: Petite Symphonie in B-Flat for 9...
123 bpm • A# Maj • 05:41 • -19.43db
1% Popularity • 44% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 33% Positiveness
1% Popularity • 44% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 33% Positiveness
► Preview
Wiljami Niittykoski
Silia valssi mollissa for String Orchest...
146 bpm • G min • 01:43 • -21.12db
6% Popularity • 17% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
6% Popularity • 17% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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Oskar Böhme
Trumpet Concerto, Op. 18: III. Rondo. Al...
122 bpm • F Maj • 03:28 • -23.03db
12% Popularity • 39% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 55% Positiveness
12% Popularity • 39% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 55% Positiveness
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Andrew Lewinter
Quartet for Trumpet, Horn, Trombone & Pi...
147 bpm • F Maj • 04:26 • -17.14db
18% Popularity • 32% Danceability • 11% Energy • 16% Liveness
94% Instrumentalness • 17% Positiveness
18% Popularity • 32% Danceability • 11% Energy • 16% Liveness
94% Instrumentalness • 17% Positiveness
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Clement Woodcock
Hackney
147 bpm • C# Maj • 01:07 • -30.29db
11% Popularity • 52% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 89% Positiveness
11% Popularity • 52% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 89% Positiveness
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Cecilia McDowall
O Antiphon Sequence (2018): III. O Radix...
145 bpm • A# Maj • 02:42 • -37.74db
1% Popularity • 13% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
1% Popularity • 13% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Christopher H. Harris
Bring me all your dreams - SATB
147 bpm • E Maj • 04:06 • -32.9db
9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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The Elysian Singers of London / Matthew Greenall
Two songs to be sung of a summer night o...
122 bpm • A# Maj • 02:26 • -26.21db
7% Popularity • 25% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 25% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Anonymous
Improvisations for Organ
148 bpm • C Maj • 09:20 • -18.14db
7% Popularity • 12% Danceability • 12% Energy • 47% Liveness
82% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 12% Energy • 47% Liveness
82% Instrumentalness • 4% Positiveness
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David Hernando Vitores
Caprices pour Saxophone
121 bpm • C Maj • 04:04 • -30.62db
10% Popularity • 34% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 34% Positiveness
10% Popularity • 34% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 34% Positiveness
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Charles Gounod
Gounod: Petite Symphonie in B-Flat for 9...
121 bpm • A# Maj • 04:03 • -16.12db
1% Popularity • 65% Danceability • 18% Energy • 14% Liveness
80% Instrumentalness • 68% Positiveness
1% Popularity • 65% Danceability • 18% Energy • 14% Liveness
80% Instrumentalness • 68% Positiveness
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Cecilia McDowall
Stabat Mater: I. Stabat Mater dolorosa
122 bpm • F# min • 05:28 • -20.95db
6% Popularity • 17% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
6% Popularity • 17% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Alexandre Tansman
Sonatine pour basson et piano: III. Sche...
149 bpm • A min • 02:27 • -23.33db
12% Popularity • 47% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 58% Positiveness
12% Popularity • 47% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 58% Positiveness
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mantekito loko
carino es hola de un poco de ruido
120 bpm • D min • 01:55 • -24.42db
9% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
9% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Sanseti Sabaru
Mystic Raga Serenity
149 bpm • G min • 02:22 • -34.22db
10% Popularity • 13% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
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Orion King
Intend
151 bpm • C# Maj • 02:59 • -19.28db
16% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
16% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
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Johann Philipp Krieger
Bourrée in c minor
119 bpm • C min • 01:07 • -27db
12% Popularity • 50% Danceability • 0% Energy • 11% Liveness
41% Instrumentalness • 62% Positiveness
12% Popularity • 50% Danceability • 0% Energy • 11% Liveness
41% Instrumentalness • 62% Positiveness
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Manuel Ponce
Concierto Del Sur: II. Andante
118 bpm • C Maj • 06:25 • -24.71db
7% Popularity • 35% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
7% Popularity • 35% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Miljan Minic
Bright Horizon
118 bpm • C Maj • 01:37 • -38.78db
26% Popularity • 53% Danceability • 1% Energy • 13% Liveness
99% Instrumentalness • 31% Positiveness
26% Popularity • 53% Danceability • 1% Energy • 13% Liveness
99% Instrumentalness • 31% Positiveness
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Robert Stark
Serenade for Four Horns in E-Flat Major,...
118 bpm • F Maj • 01:17 • -26.49db
7% Popularity • 34% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
7% Popularity • 34% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
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Sanseti Sabaru
Ravi
151 bpm • D min • 02:10 • -33.62db
13% Popularity • 14% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
13% Popularity • 14% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
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William Mathias
Serenade: Allegretto
118 bpm • E min • 02:14 • -35db
14% Popularity • 31% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 13% Positiveness
14% Popularity • 31% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 13% Positiveness
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G. M. Rodriguez
Tango (La cumparsita)
118 bpm • A# Maj • 04:14 • -21.53db
11% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
11% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
117 bpm • C Maj • 04:50 • -29.77db
1% Popularity • 19% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
1% Popularity • 19% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness