Songs like Three Nights of Madness by Mon Rovîa
Based on a tempo of (+/- 10%) and a similar genre
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HAFFWAY
You Never Get Me High
145 bpm • D Maj • 03:13 • -9.06db
39% Popularity • 59% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 59% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Mon Rovîa
Three Nights of Madness
145 bpm • B Maj • 02:47 • -9.81db
31% Popularity • 68% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 68% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Okay Alright
even the little things
145 bpm • D Maj • 04:13 • -10.27db
21% Popularity • 50% Danceability • 51% Energy • 14% Liveness
17% Instrumentalness • 25% Positiveness
21% Popularity • 50% Danceability • 51% Energy • 14% Liveness
17% Instrumentalness • 25% Positiveness
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Cece Coakley
My Friend
145 bpm • D Maj • 03:20 • -10.88db
16% Popularity • 63% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
16% Popularity • 63% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Baerd
A Month Ago
145 bpm • E Maj • 02:41 • -11.03db
18% Popularity • 48% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 48% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Welcome Stranger
See You Still
145 bpm • G Maj • 03:27 • -9db
22% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Hailaker
Makeweight
145 bpm • F Maj • 03:38 • -6.08db
31% Popularity • 49% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 49% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Mon Rovîa
To Watch the World Spin Without You
145 bpm • D Maj • 02:32 • -9.25db
62% Popularity • 76% Danceability • 32% Energy • 13% Liveness
14% Instrumentalness • 36% Positiveness
62% Popularity • 76% Danceability • 32% Energy • 13% Liveness
14% Instrumentalness • 36% Positiveness
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Twin Tacoma
I'm Alright
146 bpm • E Maj • 02:02 • -18.57db
36% Popularity • 43% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
36% Popularity • 43% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
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India Thieriot
The Favorite
146 bpm • G Maj • 03:05 • -12.57db
26% Popularity • 64% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 64% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Hazlett
Do You Haunt Me
144 bpm • G Maj • 03:13 • -14.9db
56% Popularity • 54% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
56% Popularity • 54% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
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Elias Hix
Aspen Jane
144 bpm • D Maj • 04:23 • -11.97db
23% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
23% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Keni Titus
kid
146 bpm • A Maj • 03:11 • -10.82db
39% Popularity • 49% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 49% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Mon Rovîa
Love on the Line
145 bpm • F# Maj • 02:53 • -10.19db
41% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Rhineland
Halifax
146 bpm • D Maj • 02:46 • -12db
35% Popularity • 60% Danceability • 34% Energy • 10% Liveness
12% Instrumentalness • 32% Positiveness
35% Popularity • 60% Danceability • 34% Energy • 10% Liveness
12% Instrumentalness • 32% Positiveness
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Cayson Renshaw
If You Had a Long Day
144 bpm • D Maj • 02:21 • -14.55db
20% Popularity • 68% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 52% Positiveness
20% Popularity • 68% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 52% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
40% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Elias Hix
Miss Maine
144 bpm • G Maj • 03:21 • -9.3db
45% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Evan Crommett
Queen Anne's Lace
144 bpm • D# Maj • 03:26 • -13.32db
15% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Mon Rovîa
Still Darkness
145 bpm • G# Maj • 02:33 • -17.74db
35% Popularity • 64% Danceability • 15% Energy • 8% Liveness
47% Instrumentalness • 50% Positiveness
35% Popularity • 64% Danceability • 15% Energy • 8% Liveness
47% Instrumentalness • 50% Positiveness
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Little Green
dreambird
144 bpm • D min • 01:26 • -13.98db
25% Popularity • 51% Danceability • 22% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
25% Popularity • 51% Danceability • 22% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
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Hayden Everett
Seize The Sun
143 bpm • A# Maj • 03:39 • -9.68db
43% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Bebe Stockwell
Call Me By Your Name
143 bpm • G Maj • 04:15 • -11.04db
42% Popularity • 48% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 48% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Hans Williams
No Wonder
143 bpm • A Maj • 03:09 • -8.38db
52% Popularity • 67% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 67% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Hunter Metts
On The Avenue
148 bpm • C Maj • 03:28 • -12.42db
40% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Mon Rovîa
Vulture Culture
144 bpm • D Maj • 03:15 • -13.45db
35% Popularity • 52% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 52% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Ava Beathard
Wet T-Shirt
148 bpm • G Maj • 04:25 • -13.18db
24% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Cece Coakley
Perfect Strangers
142 bpm • A Maj • 03:07 • -12.38db
27% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Waves Rush In
Under The Static
148 bpm • E Maj • 01:15 • -13.98db
25% Popularity • 50% Danceability • 22% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
25% Popularity • 50% Danceability • 22% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Joe Jenneman
Bring Me Back
142 bpm • C Maj • 02:45 • -8.28db
43% Popularity • 66% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 66% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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barrett
Solid Ground
148 bpm • C# Maj • 03:53 • -7.81db
34% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Mon Rovîa
Hardest Days (interlude)
146 bpm • A min • 02:16 • -10.89db
29% Popularity • 68% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
29% Popularity • 68% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Fritz Hager
Bad Friend
142 bpm • F# min • 03:21 • -11.89db
32% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Steinza
Kiss On The Cheek
142 bpm • G Maj • 03:04 • -12.69db
23% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Caiola
Buzzcut Kid
149 bpm • F Maj • 03:55 • -8.81db
40% Popularity • 64% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 64% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Philip Brooks
red dress
141 bpm • C Maj • 02:42 • -15.32db
32% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Sfven
Someone Else
149 bpm • F# Maj • 01:41 • -11.62db
35% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Mon Rovîa
Devil Swear I've Seen
146 bpm • E min • 03:39 • -12.98db
40% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas LaVine
Crumble
150 bpm • C# Maj • 03:58 • -10.33db
37% Popularity • 47% Danceability • 47% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
37% Popularity • 47% Danceability • 47% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Steinza
23
149 bpm • G# Maj • 02:31 • -12.29db
37% Popularity • 64% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 64% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Bo Staloch
Birds Of San Francisco
150 bpm • F# Maj • 03:30 • -9.12db
40% Popularity • 47% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 47% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Ethan Tasch
Wherever I Am
150 bpm • C Maj • 03:28 • -9.63db
45% Popularity • 60% Danceability • 59% Energy • 17% Liveness
23% Instrumentalness • 54% Positiveness
45% Popularity • 60% Danceability • 59% Energy • 17% Liveness
23% Instrumentalness • 54% Positiveness
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Nate Traveller
Somewhere Safe
150 bpm • F Maj • 02:23 • -9.61db
27% Popularity • 69% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
27% Popularity • 69% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Mon Rovîa
Winter Wash 24
144 bpm • G# Maj • 03:35 • -12.33db
46% Popularity • 63% Danceability • 44% Energy • 12% Liveness
10% Instrumentalness • 50% Positiveness
46% Popularity • 63% Danceability • 44% Energy • 12% Liveness
10% Instrumentalness • 50% Positiveness
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Summer Dregs
Remember This House (Remix)
150 bpm • E min • 03:20 • -11.35db
30% Popularity • 72% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 72% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Steinza
Praying Again
150 bpm • F Maj • 03:31 • -16.49db
28% Popularity • 57% Danceability • 33% Energy • 15% Liveness
12% Instrumentalness • 27% Positiveness
28% Popularity • 57% Danceability • 33% Energy • 15% Liveness
12% Instrumentalness • 27% Positiveness
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Cece Coakley
She's Not Me
140 bpm • G Maj • 02:40 • -8.92db
21% Popularity • 67% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 67% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Clint.
OLD NEWS
140 bpm • G# Maj • 02:25 • -9.71db
29% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Thomas Ewing
Colorado Woman
140 bpm • E Maj • 02:02 • -11.11db
23% Popularity • 73% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 73% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Mon Rovîa
Dead Man Walking.
146 bpm • F# Maj • 02:54 • -12.21db
49% Popularity • 60% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 60% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Swimmingly
I've Got A Bad Bad Feeling
140 bpm • F# Maj • 02:54 • -14.18db
14% Popularity • 66% Danceability • 28% Energy • 14% Liveness
5% Instrumentalness • 39% Positiveness
14% Popularity • 66% Danceability • 28% Energy • 14% Liveness
5% Instrumentalness • 39% Positiveness
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Elias Hix
Thinner
140 bpm • D Maj • 03:13 • -10.97db
28% Popularity • 36% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 36% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Hayden Everett
By the End
140 bpm • E Maj • 03:32 • -12.12db
27% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Vintz Desert
River of Gold
151 bpm • D Maj • 03:15 • -14.77db
28% Popularity • 44% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 44% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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harper
styrofoam
139 bpm • G# min • 03:04 • -7.8db
24% Popularity • 66% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 66% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Mon Rovîa
They're Not There.
143 bpm • A Maj • 02:40 • -12.9db
40% Popularity • 54% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 48% Positiveness
40% Popularity • 54% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 48% Positiveness
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Hans Williams
The Trek
139 bpm • G# Maj • 04:42 • -7.55db
38% Popularity • 45% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 45% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Bebe Stockwell
Love Me Back
152 bpm • G min • 02:28 • -14.54db
50% Popularity • 49% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 49% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Jake Minch
bike ride
138 bpm • C Maj • 03:07 • -13.06db
33% Popularity • 44% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 44% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Elias Hix
Dogwood Trees
152 bpm • C# Maj • 04:35 • -9.81db
31% Popularity • 48% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 48% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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Lost Mary
Blinding Light
138 bpm • A Maj • 03:50 • -17.51db
37% Popularity • 62% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 62% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
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Mon Rovîa
Apart From, a Part Of, You.
142 bpm • D min • 02:16 • -9.53db
45% Popularity • 56% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 56% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Son of Cloud
All That I Want
138 bpm • G Maj • 03:56 • -12.26db
27% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Fai Laci
Your Song
153 bpm • D# Maj • 02:33 • -12.99db
35% Popularity • 58% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 34% Positiveness
35% Popularity • 58% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 34% Positiveness
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Jackson Wooten
Lovely Day
153 bpm • G Maj • 03:46 • -10.06db
19% Popularity • 50% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 50% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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j solomon
Doggone
137 bpm • A Maj • 03:21 • -9.41db
17% Popularity • 55% Danceability • 42% Energy • 9% Liveness
5% Instrumentalness • 25% Positiveness
17% Popularity • 55% Danceability • 42% Energy • 9% Liveness
5% Instrumentalness • 25% Positiveness
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Fairhazel
It Takes Time
153 bpm • D Maj • 03:20 • -12.96db
19% Popularity • 43% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 43% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Mon Rovîa
Self Hurt and Heartbreak - Audiotree Liv...
142 bpm • C# Maj • 04:21 • -10.01db
29% Popularity • 62% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 62% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
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Steinza
Through The Book
137 bpm • E Maj • 03:14 • -16.65db
35% Popularity • 78% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
35% Popularity • 78% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
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Wormy
Big Mountain
137 bpm • C Maj • 04:47 • -9.22db
34% Popularity • 54% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
34% Popularity • 54% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Juniper
Paint Me
154 bpm • G Maj • 03:45 • -6.31db
26% Popularity • 59% Danceability • 89% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
26% Popularity • 59% Danceability • 89% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
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Lost Mary
Big Blue House
136 bpm • C min • 02:45 • -14.06db
52% Popularity • 64% Danceability • 16% Energy • 12% Liveness
5% Instrumentalness • 20% Positiveness
52% Popularity • 64% Danceability • 16% Energy • 12% Liveness
5% Instrumentalness • 20% Positiveness
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Ethan Tasch
He's Getting Away!
154 bpm • D Maj • 02:30 • -9.61db
44% Popularity • 62% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 76% Positiveness
44% Popularity • 62% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 76% Positiveness
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Mon Rovîa
Big Love Ahead
149 bpm • F Maj • 01:48 • -6.78db
54% Popularity • 55% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
54% Popularity • 55% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Steinza
Tricked
154 bpm • B Maj • 03:25 • -16.31db
37% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Briston Maroney
The Idea
136 bpm • C Maj • 03:28 • -13.27db
26% Popularity • 46% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 46% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 29% Positiveness
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Penny and Sparrow
Over-Under-Lude
136 bpm • F Maj • 01:37 • -9.69db
22% Popularity • 54% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 54% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Philip Brooks
didn't you believe in me?
155 bpm • B min • 02:15 • -11.14db
35% Popularity • 51% Danceability • 52% Energy • 7% Liveness
46% Instrumentalness • 77% Positiveness
35% Popularity • 51% Danceability • 52% Energy • 7% Liveness
46% Instrumentalness • 77% Positiveness
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Kindred Valley
Hangin' on the Wall
155 bpm • G# Maj • 03:46 • -10.43db
42% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Mon Rovîa
Cleopatra
141 bpm • G Maj • 03:53 • -13.04db
43% Popularity • 75% Danceability • 37% Energy • 14% Liveness
17% Instrumentalness • 52% Positiveness
43% Popularity • 75% Danceability • 37% Energy • 14% Liveness
17% Instrumentalness • 52% Positiveness
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Jacob Slade
Soft Spoken
155 bpm • C# Maj • 04:33 • -14.57db
26% Popularity • 38% Danceability • 31% Energy • 13% Liveness
5% Instrumentalness • 20% Positiveness
26% Popularity • 38% Danceability • 31% Energy • 13% Liveness
5% Instrumentalness • 20% Positiveness
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Gerry
Sophie from Church
136 bpm • D# Maj • 06:10 • -7.17db
27% Popularity • 39% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 39% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Nat Lefkoff
Great White Plains
156 bpm • G min • 03:22 • -10.7db
38% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Liang Lawrence
(not) a love song - live & acoustic
156 bpm • E Maj • 02:49 • -14.73db
30% Popularity • 34% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 34% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Max Helgemo
Uncovered
135 bpm • F Maj • 03:44 • -11.65db
11% Popularity • 56% Danceability • 33% Energy • 12% Liveness
23% Instrumentalness • 48% Positiveness
11% Popularity • 56% Danceability • 33% Energy • 12% Liveness
23% Instrumentalness • 48% Positiveness
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Mon Rovîa
Remember This House
150 bpm • E min • 03:51 • -7db
30% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Caiola
Hydroplane
135 bpm • D# Maj • 03:49 • -9.44db
48% Popularity • 67% Danceability • 43% Energy • 12% Liveness
12% Instrumentalness • 14% Positiveness
48% Popularity • 67% Danceability • 43% Energy • 12% Liveness
12% Instrumentalness • 14% Positiveness
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yh ambiance
Didn't I
135 bpm • G Maj • 02:24 • -18.25db
15% Popularity • 61% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 61% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Ruby Waters
Long Way Down (Outro)
135 bpm • A Maj • 01:30 • -12.45db
26% Popularity • 42% Danceability • 30% Energy • 13% Liveness
7% Instrumentalness • 17% Positiveness
26% Popularity • 42% Danceability • 30% Energy • 13% Liveness
7% Instrumentalness • 17% Positiveness
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harf.
Tree, So Tall
135 bpm • E Maj • 02:36 • -12.59db
36% Popularity • 52% Danceability • 32% Energy • 31% Liveness
1% Instrumentalness • 16% Positiveness
36% Popularity • 52% Danceability • 32% Energy • 31% Liveness
1% Instrumentalness • 16% Positiveness
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Welcome Stranger
Bad Bet
156 bpm • G# Maj • 03:11 • -7.63db
21% Popularity • 48% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 48% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Mon Rovîa
Damn These Forces
140 bpm • C Maj • 03:30 • -10.08db
48% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Laura Lucas
I Imagine You Are Happy
135 bpm • A Maj • 03:37 • -12.85db
36% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jolé
Let Go
156 bpm • C# min • 03:04 • -7.69db
37% Popularity • 52% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 48% Positiveness
37% Popularity • 52% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 48% Positiveness
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Hans Williams
More Than One Way Home
134 bpm • F# Maj • 04:12 • -12.16db
60% Popularity • 45% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
60% Popularity • 45% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Field Guide
Tupperware
156 bpm • E Maj • 03:06 • -12.44db
27% Popularity • 64% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 64% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Band Willa
When I Saw You
158 bpm • F# Maj • 02:47 • -11.48db
26% Popularity • 68% Danceability • 26% Energy • 15% Liveness
30% Instrumentalness • 44% Positiveness
26% Popularity • 68% Danceability • 26% Energy • 15% Liveness
30% Instrumentalness • 44% Positiveness
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Mon Rovîa
Mwen Leve Jem Anle
140 bpm • C# min • 02:20 • -10db
29% Popularity • 76% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
29% Popularity • 76% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
