Songs like Three Romances for Violin & Piano, Op. 22: III. Leidenschaftlich schnell by Clara Schumann
Based on a tempo of (+/- 10%) and a similar genre
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Clara Schumann
3 Romances, Op. 22: No. 3, Leidenschaftl...
89 bpm • G Maj • 04:14 • -24db
11% Popularity • 16% Danceability • 10% Energy • 21% Liveness
83% Instrumentalness • 12% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 21% Liveness
83% Instrumentalness • 12% Positiveness
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Henryk Wieniawski
Legende, Op. 17
89 bpm • G min • 07:42 • -21.48db
17% Popularity • 17% Danceability • 12% Energy • 8% Liveness
51% Instrumentalness • 7% Positiveness
17% Popularity • 17% Danceability • 12% Energy • 8% Liveness
51% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
33% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
88 bpm • C min • 08:46 • -12db
17% Popularity • 20% Danceability • 24% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 24% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
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Wilhelm Stenhammar
String Quartet No. 2 in C Minor, Op. 14:...
88 bpm • F min • 07:03 • -19.12db
11% Popularity • 11% Danceability • 10% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 10% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Clara Schumann
Three Romances for Violin & Piano, Op. 2...
89 bpm • G Maj • 04:01 • -21.42db
11% Popularity • 14% Danceability • 13% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
11% Popularity • 14% Danceability • 13% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
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Maria Theresia von Paradis
Paradis: Sicilienne
88 bpm • D# Maj • 02:54 • -20.45db
17% Popularity • 25% Danceability • 15% Energy • 14% Liveness
4% Instrumentalness • 12% Positiveness
17% Popularity • 25% Danceability • 15% Energy • 14% Liveness
4% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Sérénade mélancolique, O...
88 bpm • A# min • 09:17 • -28.36db
16% Popularity • 14% Danceability • 6% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 6% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Wolfgang Amadeus Mozart
The Magic Flute, K. 620: Overture
90 bpm • D# Maj • 06:41 • -20db
45% Popularity • 31% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
45% Popularity • 31% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
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Claude Debussy
Suite bergamasque, L. 75 (Arr. for Orche...
90 bpm • F Maj • 04:17 • -20.71db
12% Popularity • 17% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
12% Popularity • 17% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Clara Schumann
3 romances, Op. 22: No. 1, Andante molto
90 bpm • C# Maj • 03:42 • -24.53db
4% Popularity • 15% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 15% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: II. Gagliarda: Alle...
90 bpm • D Maj • 03:34 • -21.17db
22% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
22% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
90 bpm • G# min • 10:44 • -30.2db
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Frédéric Chopin
12 Etudes, Op. 25: No. 7 in C Sharp Mino...
91 bpm • D min • 05:28 • -30.06db
6% Popularity • 14% Danceability • 2% Energy • 11% Liveness
61% Instrumentalness • 6% Positiveness
6% Popularity • 14% Danceability • 2% Energy • 11% Liveness
61% Instrumentalness • 6% Positiveness
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Clara Schumann
Piano Trio in G Minor, Op. 17: III. Anda...
91 bpm • G Maj • 05:10 • -21.91db
7% Popularity • 16% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
7% Popularity • 16% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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César Franck
Sonata in A Major: I. Allegretto ben mod...
87 bpm • A Maj • 06:42 • -22db
7% Popularity • 20% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Edward Elgar
Cello Concerto, Op. 85: III. Adagio
91 bpm • A# Maj • 04:31 • -34.1db
7% Popularity • 18% Danceability • 1% Energy • 12% Liveness
37% Instrumentalness • 3% Positiveness
7% Popularity • 18% Danceability • 1% Energy • 12% Liveness
37% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
91 bpm • A Maj • 05:44 • -21.15db
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
88 bpm • B Maj • 09:21 • -25.21db
20% Popularity • 14% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
20% Popularity • 14% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Pinchas Zukerman
3 Violin Duets (1996 Digital Remaster): ...
91 bpm • B min • 02:20 • -24db
26% Popularity • 12% Danceability • 11% Energy • 14% Liveness
75% Instrumentalness • 12% Positiveness
26% Popularity • 12% Danceability • 11% Energy • 14% Liveness
75% Instrumentalness • 12% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
29% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
29% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
91 bpm • G min • 02:47 • -23.25db
29% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
29% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Johann Christian Bach
Symphony in G Minor, Op. 6, No. 6, W. C1...
87 bpm • F# min • 03:23 • -19db
37% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
37% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
33% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
33% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
91 bpm • C# Maj • 02:08 • -30.66db
31% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Das wohltemperierte Klavier, Buch I: Pr�...
87 bpm • D# Maj • 03:28 • -24.5db
2% Popularity • 23% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
2% Popularity • 23% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 1. Mod...
87 bpm • D# min • 02:37 • -30.78db
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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John Field
Kamarinskaya (Air russe varie)
92 bpm • A# Maj • 03:05 • -28db
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Piano concerto No. 2 in G Minor, Op. 22:...
92 bpm • D# Maj • 05:52 • -29.92db
10% Popularity • 33% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
10% Popularity • 33% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
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AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Frederick Delius
Legende
86 bpm • G# Maj • 08:15 • -24db
14% Popularity • 17% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
33% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
17% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
17% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Come, Sweet Death, BWV 478 (Arr. for 5 C...
86 bpm • C min • 03:17 • -20.73db
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
25% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Prelude No. 1 in C-Sharp Mi...
85 bpm • C# min • 04:25 • -20.87db
25% Popularity • 34% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
25% Popularity • 34% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
93 bpm • E Maj • 02:41 • -25.03db
9% Popularity • 29% Danceability • 8% Energy • 7% Liveness
14% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 8% Energy • 7% Liveness
14% Instrumentalness • 4% Positiveness
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Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Clara Schumann
Concerto for Piano and Cello in A Minor,...
85 bpm • G# Maj • 02:53 • -27db
9% Popularity • 16% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Fantasia No. 3 in D Minor, K. 397
85 bpm • D Maj • 05:46 • -22.64db
22% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
22% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Gaspar Cassadó
Requiebros
84 bpm • D Maj • 04:23 • -17.33db
14% Popularity • 26% Danceability • 18% Energy • 26% Liveness
45% Instrumentalness • 24% Positiveness
14% Popularity • 26% Danceability • 18% Energy • 26% Liveness
45% Instrumentalness • 24% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
84 bpm • B Maj • 07:53 • -27db
44% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Schumann
Adagio and Allegro in A Flat Major, Op. ...
84 bpm • G# Maj • 04:17 • -29.59db
12% Popularity • 15% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
12% Popularity • 15% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Clara Schumann
3 Romances for Violin and Piano, Op. 22:...
93 bpm • G min • 02:45 • -26.8db
10% Popularity • 26% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
10% Popularity • 26% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
► Preview
Vladimir Ashkenazy
Piano Concerto No.2 in G Major, Op. 44: ...
94 bpm • D Maj • 09:34 • -18.61db
12% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
46% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
46% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
► Preview
Johannes Brahms
Symphony No. 4 in E Minor, Op. 98: IV. A...
84 bpm • E min • 09:11 • -19.19db
36% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
36% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
► Preview
Jean Sibelius
Symphony No. 5 in E-Flat Major, Op. 82: ...
94 bpm • G# Maj • 08:01 • -21db
42% Popularity • 16% Danceability • 14% Energy • 22% Liveness
92% Instrumentalness • 9% Positiveness
42% Popularity • 16% Danceability • 14% Energy • 22% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
On The Wings Of Song Op. 34 No. 2
84 bpm • D Maj • 03:47 • -19.93db
28% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
Piano Concerto in F-Sharp Minor, Op. 20:...
84 bpm • D Maj • 07:56 • -24.73db
25% Popularity • 13% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42, TH 116:...
94 bpm • C min • 03:22 • -26.72db
12% Popularity • 24% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
12% Popularity • 24% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
Johannes Brahms
Capriccio in B Minor, Op. 76, No. 2
84 bpm • B Maj • 03:33 • -31db
23% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
23% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
► Preview
Johann Sebastian Bach
Das wohltemperierte Klavier, Buch I: Fug...
84 bpm • C min • 01:38 • -22.11db
4% Popularity • 46% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 59% Positiveness
4% Popularity • 46% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 59% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:40 • -23.01db
22% Popularity • 45% Danceability • 14% Energy • 57% Liveness
85% Instrumentalness • 49% Positiveness
22% Popularity • 45% Danceability • 14% Energy • 57% Liveness
85% Instrumentalness • 49% Positiveness
► Preview
César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
50% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
50% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
► Preview
Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
AntonÃn Dvořák
Bagatelles, Op. 47, B. 79: No. 1. Allegr...
94 bpm • G min • 03:18 • -21.16db
16% Popularity • 19% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
16% Popularity • 19% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
Frédéric Chopin
24 Préludes, Op. 28: No. 15 in D-Flat M...
95 bpm • C# Maj • 04:51 • -26.15db
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Introduction et Rondo capriccioso in A M...
95 bpm • A min • 09:08 • -17.92db
0% Popularity • 36% Danceability • 21% Energy • 6% Liveness
86% Instrumentalness • 27% Positiveness
0% Popularity • 36% Danceability • 21% Energy • 6% Liveness
86% Instrumentalness • 27% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Clara Schumann
Piano Trio in G Minor, Op. 17: II. Scher...
83 bpm • D# Maj • 04:41 • -25db
11% Popularity • 27% Danceability • 5% Energy • 22% Liveness
57% Instrumentalness • 19% Positiveness
11% Popularity • 27% Danceability • 5% Energy • 22% Liveness
57% Instrumentalness • 19% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Scottish Fantasy, Op. 46: I. (a) ...
95 bpm • D# min • 04:07 • -23.62db
8% Popularity • 18% Danceability • 8% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 8% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
38% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
38% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
41% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75, CD 82: IV. Pas...
95 bpm • F# min • 03:43 • -31.14db
28% Popularity • 39% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
28% Popularity • 39% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 2. Canone
83 bpm • A# Maj • 02:42 • -23.33db
39% Popularity • 29% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 29% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
96 bpm • A# Maj • 05:55 • -31.12db
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Joseph Haydn
String Quartet No. 53 in D Major, Op. 64...
83 bpm • A Maj • 06:38 • -25.47db
21% Popularity • 11% Danceability • 6% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 6% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: A la manière de... Borodine, M. ...
83 bpm • F# Maj • 01:45 • -26.89db
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Peter Warlock
Capriol Suite: 6. Mattachins (Sword Danc...
82 bpm • F Maj • 00:59 • -16.82db
24% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
24% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
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Frederick Delius
Delius: 2 Aquarelles: No. 2, Gaily, But ...
83 bpm • D Maj • 02:04 • -20.06db
20% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
20% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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César Franck
Sonata for Violin and Piano in A Major: ...
96 bpm • A Maj • 06:25 • -15.52db
10% Popularity • 25% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 25% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • C Maj • 08:05 • -24db
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
82 bpm • C min • 06:06 • -24db
34% Popularity • 10% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Franz Liszt
Grandes études de Paganini, S.141: No. ...
96 bpm • G# min • 04:42 • -20.55db
31% Popularity • 30% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
31% Popularity • 30% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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Amy Beach
Romance, Op. 23 (Violin and Piano)
96 bpm • A Maj • 05:50 • -26db
4% Popularity • 20% Danceability • 4% Energy • 17% Liveness
1% Instrumentalness • 6% Positiveness
4% Popularity • 20% Danceability • 4% Energy • 17% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Zoltán Kocsis
Le tombeau de Couperin (arr. Z. Kocsis):...
97 bpm • G Maj • 05:11 • -30.45db
14% Popularity • 16% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
82 bpm • C min • 10:14 • -23.13db
19% Popularity • 14% Danceability • 6% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 6% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
