Songs like Thriving by UPSAHL
Based on a tempo of (+/- 10%) and a similar genre
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UPSAHL
Thriving - Live
126 bpm • C Maj • 03:08 • -15.36db
10% Popularity • 59% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 59% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Mike Shinoda
Happy Endings
126 bpm • G Maj • 03:32 • -3.32db
51% Popularity • 65% Danceability • 88% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 65% Danceability • 88% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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stef
hi, my name is lonely.
126 bpm • G min • 02:50 • -5.1db
41% Popularity • 86% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 86% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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KiNG MALA
martyr
126 bpm • F min • 02:25 • -9.63db
54% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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G Flip
GAY 4 ME
126 bpm • G# min • 02:54 • -4.62db
53% Popularity • 68% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 68% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
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poutyface
Pretty Boy
126 bpm • C# Maj • 02:32 • -5db
44% Popularity • 54% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 54% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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UPSAHL
Thriving
126 bpm • G Maj • 02:15 • -5.23db
44% Popularity • 80% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 80% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Ashnikko
Toxic
126 bpm • D Maj • 02:42 • -6.38db
57% Popularity • 84% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 84% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Lenii
Take The Money
125 bpm • A min • 03:05 • -6.22db
35% Popularity • 71% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 71% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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EHLE
Needle Drip
125 bpm • G# min • 03:23 • -10.41db
21% Popularity • 79% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 79% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Zolita
Small Town Scandal
125 bpm • G Maj • 03:30 • -4.46db
45% Popularity • 64% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 64% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Lilyisthatyou
Gorgeous Gorgeous Girls
127 bpm • A min • 01:56 • -6.47db
46% Popularity • 88% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 88% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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UPSAHL
Melatonin - Live
127 bpm • A# min • 03:24 • -17.38db
10% Popularity • 67% Danceability • 46% Energy • 72% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 67% Danceability • 46% Energy • 72% Liveness
0% Instrumentalness • 81% Positiveness
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Elle Lexxa
Vacancy
125 bpm • C# min • 02:50 • -10.07db
26% Popularity • 75% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 75% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
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TIMMS
Itsy Bitsy
127 bpm • D min • 02:56 • -9db
34% Popularity • 76% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 76% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Abigail Barlow
Future Ex
125 bpm • C# Maj • 02:36 • -4.77db
41% Popularity • 85% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 85% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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FLAVIA
Gay For A Day
124 bpm • D Maj • 02:30 • -7.25db
23% Popularity • 78% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 78% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Sam Short
Naked
124 bpm • G# Maj • 02:13 • -9db
57% Popularity • 86% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 86% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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UPSAHL
Melatonin
127 bpm • A# min • 03:07 • -4.09db
33% Popularity • 78% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 78% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Ashnikko
Panic Attacks in Paradise
128 bpm • G# min • 03:04 • -5.11db
53% Popularity • 70% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 70% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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DEZI
Boba
124 bpm • G# Maj • 03:33 • -9db
30% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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girli
Dysmorphia
124 bpm • G Maj • 03:12 • -6.95db
42% Popularity • 69% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 69% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Zoe Clark
Hot Mess
124 bpm • C Maj • 03:02 • -6.41db
52% Popularity • 89% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
52% Popularity • 89% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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FLAVIA
Them
124 bpm • E min • 02:27 • -9.93db
40% Popularity • 82% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 82% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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UPSAHL
Lunatic
124 bpm • A min • 02:21 • -5db
46% Popularity • 72% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 72% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Ashnikko
Invitation
128 bpm • G# min • 02:39 • -6.91db
58% Popularity • 59% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 59% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Jaira Burns
Goddess
124 bpm • A# min • 03:07 • -9.08db
54% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
54% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Libby Larkin
NYC's better off without u
129 bpm • F Maj • 03:27 • -9db
31% Popularity • 70% Danceability • 67% Energy • 8% Liveness
8% Instrumentalness • 57% Positiveness
31% Popularity • 70% Danceability • 67% Energy • 8% Liveness
8% Instrumentalness • 57% Positiveness
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Cami Petyn
Care Less
123 bpm • A Maj • 02:38 • -7db
35% Popularity • 85% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 85% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Sarah Barrios
Thank God You Introduced Me to Your Sist...
123 bpm • G# Maj • 02:39 • -4.93db
45% Popularity • 70% Danceability • 74% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 70% Danceability • 74% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
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Halo Kitsch
Gross! (I think I'm in Love)
129 bpm • F# Maj • 02:04 • -6db
31% Popularity • 80% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 80% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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poutyface
NEVER FUCKIN KNOW
123 bpm • C# Maj • 02:44 • -10.25db
46% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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DEZI
Sinner
123 bpm • A# Maj • 02:54 • -7db
46% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
46% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Elle Lexxa
Obsessed
129 bpm • G Maj • 03:29 • -8.78db
36% Popularity • 57% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 57% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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TIMMS
Are We There yet?
130 bpm • D Maj • 02:36 • -8db
32% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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lozeak
Word Vomit
130 bpm • G# Maj • 02:26 • -4.67db
34% Popularity • 61% Danceability • 84% Energy • 21% Liveness
1% Instrumentalness • 30% Positiveness
34% Popularity • 61% Danceability • 84% Energy • 21% Liveness
1% Instrumentalness • 30% Positiveness
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FLAVIA
EAT
130 bpm • G Maj • 03:06 • -6.85db
25% Popularity • 77% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 77% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Isaac Dunbar
fan behavior
130 bpm • F# Maj • 03:01 • -6.01db
52% Popularity • 80% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 80% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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UPSAHL
Smile For The Camera
130 bpm • F min • 02:53 • -3.26db
34% Popularity • 58% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 58% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Elliot Lee
Drama Queen
130 bpm • G min • 02:51 • -8.66db
34% Popularity • 76% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 76% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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NOT THE MAIN CHARACTERS
murder party
130 bpm • A min • 02:17 • -8.55db
48% Popularity • 72% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 72% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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REI AMI
DICTATOR
130 bpm • C# Maj • 03:01 • -6.91db
51% Popularity • 56% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 56% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Au/Ra
Dead Girl! (Shake My Head)
130 bpm • F min • 03:13 • -2.61db
31% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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JESSIA
I Should Quit
130 bpm • A Maj • 02:30 • -7.1db
33% Popularity • 76% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 76% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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UPSAHL
Into My Body
122 bpm • C# min • 02:24 • -6.25db
40% Popularity • 75% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 75% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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K.Flay
TGIF
130 bpm • C min • 03:19 • -7.52db
40% Popularity • 59% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 59% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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margø
the other side
130 bpm • C# min • 03:03 • -4.42db
41% Popularity • 69% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 69% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Devon Cole
W.I.T.C.H.
122 bpm • G Maj • 02:12 • -4db
66% Popularity • 87% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
66% Popularity • 87% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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KiNG MALA
sugarblind
122 bpm • F# min • 03:29 • -8.42db
33% Popularity • 67% Danceability • 51% Energy • 64% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 67% Danceability • 51% Energy • 64% Liveness
0% Instrumentalness • 41% Positiveness
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JESSIA
But I Don'T
122 bpm • C Maj • 02:17 • -10db
41% Popularity • 89% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 89% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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UPSAHL
Time of my Life
122 bpm • C Maj • 02:16 • -4.68db
43% Popularity • 80% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 80% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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ZAND
Inappropriate
131 bpm • C Maj • 03:48 • -6.43db
37% Popularity • 57% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 57% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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K.Flay
The President Has A Sex Tape
122 bpm • F# min • 02:51 • -5.4db
47% Popularity • 73% Danceability • 63% Energy • 16% Liveness
10% Instrumentalness • 65% Positiveness
47% Popularity • 73% Danceability • 63% Energy • 16% Liveness
10% Instrumentalness • 65% Positiveness
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Melody Federer
I Hate Love
132 bpm • E Maj • 03:06 • -6.36db
32% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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KiNG MALA
cult leader (King Kitty Remix)
132 bpm • C min • 02:43 • -9db
42% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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margø
cool on the internet
121 bpm • C min • 02:21 • -3.15db
50% Popularity • 72% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 72% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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ASTON
Killer Queen
132 bpm • G min • 03:06 • -5db
39% Popularity • 70% Danceability • 78% Energy • 29% Liveness
2% Instrumentalness • 35% Positiveness
39% Popularity • 70% Danceability • 78% Energy • 29% Liveness
2% Instrumentalness • 35% Positiveness
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bludnymph
Lights Out
132 bpm • C# Maj • 02:23 • -7.41db
59% Popularity • 82% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
59% Popularity • 82% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
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FLAVIA
Paris Girls
132 bpm • C Maj • 03:27 • -7.82db
18% Popularity • 72% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 72% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Lilyisthatyou
Bad Energy
132 bpm • F Maj • 02:22 • -5.74db
38% Popularity • 64% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 64% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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KiNG MALA
cult leader
132 bpm • C min • 02:43 • -9db
55% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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UPSAHL
Toast
132 bpm • C# Maj • 02:57 • -6.65db
30% Popularity • 55% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 55% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Marisa Maino
growing up can go to hell
132 bpm • A Maj • 03:55 • -8db
35% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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margø
MONSTERS IN MY MIND
120 bpm • G min • 02:04 • -7.36db
36% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Elliot Lee
Pink (Freak)
120 bpm • B min • 03:42 • -6.9db
39% Popularity • 72% Danceability • 68% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
39% Popularity • 72% Danceability • 68% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
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Tessa Violet
Breakdown
120 bpm • G# min • 03:38 • -7.26db
32% Popularity • 80% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 39% Positiveness
32% Popularity • 80% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 39% Positiveness
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KiNG MALA
sloppy
132 bpm • F# min • 02:46 • -7.56db
53% Popularity • 71% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 71% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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UPSAHL
Sunny D
132 bpm • C Maj • 03:23 • -4.83db
29% Popularity • 74% Danceability • 82% Energy • 94% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 74% Danceability • 82% Energy • 94% Liveness
0% Instrumentalness • 91% Positiveness
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girli
Letter to My Ex
120 bpm • A min • 02:50 • -8db
45% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Lilyisthatyou
Competition
120 bpm • C Maj • 03:06 • -5.47db
32% Popularity • 63% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 63% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Elliot Lee
Pink (Freak) - GIRLI Remix
120 bpm • G Maj • 03:42 • -7db
30% Popularity • 74% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 74% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Emei
Scatterbrain
120 bpm • A# min • 02:09 • -9.88db
66% Popularity • 94% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
66% Popularity • 94% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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FLETCHER
She Said
120 bpm • A# min • 02:47 • -5.65db
49% Popularity • 65% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 65% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Alexa Cappelli
Body Language
120 bpm • C# min • 02:53 • -5db
50% Popularity • 87% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 87% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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HAVEN
Anxiety Is My Boyfriend
120 bpm • B min • 02:14 • -6.43db
36% Popularity • 75% Danceability • 78% Energy • 90% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 75% Danceability • 78% Energy • 90% Liveness
0% Instrumentalness • 91% Positiveness
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Cloudy June
High Waist to Hell
120 bpm • F Maj • 03:14 • -7.1db
39% Popularity • 85% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 85% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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NOT THE MAIN CHARACTERS
lava
120 bpm • B min • 02:18 • -5.09db
24% Popularity • 93% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 93% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Jessie Paege
Full Course Meal
120 bpm • C min • 03:42 • -7.67db
26% Popularity • 74% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 74% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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UPSAHL
The Other Team
120 bpm • G# Maj • 02:51 • -5.31db
25% Popularity • 75% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 75% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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EMELINE
cinderella's dead
120 bpm • F# min • 02:00 • -6.18db
71% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
71% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Marisa Maino
drugs with god
120 bpm • A Maj • 03:15 • -6.05db
26% Popularity • 52% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 52% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Cami Petyn
No Sleep
133 bpm • B min • 03:06 • -8.93db
17% Popularity • 68% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 68% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Chloe Lilac
DOUCHEBAG
133 bpm • F# min • 02:18 • -7.01db
31% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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GALXARA
Go F*ck Myself (GFM)
119 bpm • C# Maj • 03:07 • -4db
43% Popularity • 78% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 78% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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ZAND
Boys Like U
119 bpm • A# min • 03:52 • -12.49db
42% Popularity • 74% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 74% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ashnikko
Special
133 bpm • B Maj • 02:44 • -7.66db
53% Popularity • 58% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
53% Popularity • 58% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Marisa Maino
i sleep fine
134 bpm • C Maj • 02:55 • -7db
21% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Devon Cole
Kissing Corner Booth
134 bpm • A Maj • 02:59 • -7.35db
33% Popularity • 77% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 77% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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YONAKA
Seize the Power
134 bpm • F min • 02:41 • -4.08db
55% Popularity • 63% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 63% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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LØLØ
hurt less
134 bpm • G Maj • 02:45 • -2.89db
38% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Em Beihold
Too Precious
118 bpm • G# Maj • 02:49 • -4.74db
52% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
52% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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ZAND
Religion
118 bpm • G Maj • 03:05 • -7.55db
46% Popularity • 68% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 68% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Devon Again
Burn Down
135 bpm • G# Maj • 02:35 • -5.13db
37% Popularity • 66% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 66% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Anna Sofia
Cruel World
135 bpm • B min • 03:03 • -6db
29% Popularity • 63% Danceability • 54% Energy • 29% Liveness
2% Instrumentalness • 60% Positiveness
29% Popularity • 63% Danceability • 54% Energy • 29% Liveness
2% Instrumentalness • 60% Positiveness
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Chloe Adams
Dead To Me
135 bpm • E min • 02:33 • -6db
58% Popularity • 86% Danceability • 40% Energy • 11% Liveness
13% Instrumentalness • 65% Positiveness
58% Popularity • 86% Danceability • 40% Energy • 11% Liveness
13% Instrumentalness • 65% Positiveness
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Ellise
Keep It to Myself
135 bpm • G# min • 03:12 • -6.29db
46% Popularity • 78% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 78% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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renforshort
feel good inc.
135 bpm • G# min • 03:19 • -6.03db
36% Popularity • 73% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 73% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Emei
Better People To Leave On Read
117 bpm • D min • 02:11 • -7.42db
67% Popularity • 60% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
67% Popularity • 60% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
