Songs like Throw This Poor Dog A Bone by Percy Welsh
Based on a tempo of (+/- 10%) and a similar genre
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Percy Welsh
Throw This Poor Dog A Bone
116 bpm • D# Maj • 02:29 • -5.09db
1% Popularity • 64% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
1% Popularity • 64% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Fay Cooper
Lot's Of Folks Do-Others Don't
116 bpm • B min • 02:40 • -10db
19% Popularity • 81% Danceability • 35% Energy • 5% Liveness
2% Instrumentalness • 76% Positiveness
19% Popularity • 81% Danceability • 35% Energy • 5% Liveness
2% Instrumentalness • 76% Positiveness
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Eddie Jefferson
Some Other Time
116 bpm • A Maj • 01:57 • -6.3db
8% Popularity • 74% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 74% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Louis Jordan
I've Found My Peace Of Mind
116 bpm • F Maj • 02:17 • -6.81db
11% Popularity • 66% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 66% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Mamie Perry
My Baby Waited Too Long
116 bpm • G min • 02:46 • -8db
9% Popularity • 64% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
9% Popularity • 64% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Johnny Thunder
Al-La-Wetta
116 bpm • G Maj • 02:16 • -11.28db
7% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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T-Bone Walker
Left Home When I Was A Kid - Remastered ...
116 bpm • C min • 03:10 • -7.15db
12% Popularity • 65% Danceability • 81% Energy • 62% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 65% Danceability • 81% Energy • 62% Liveness
0% Instrumentalness • 90% Positiveness
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Fenton Robinson
Say You're Leavin'
116 bpm • G min • 02:37 • -9.22db
7% Popularity • 39% Danceability • 58% Energy • 12% Liveness
31% Instrumentalness • 75% Positiveness
7% Popularity • 39% Danceability • 58% Energy • 12% Liveness
31% Instrumentalness • 75% Positiveness
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Clarence Carter
Let's Start Doing
115 bpm • C# Maj • 02:51 • -11.5db
10% Popularity • 80% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 98% Positiveness
10% Popularity • 80% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 98% Positiveness
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Titus Turner
Coralee
115 bpm • F min • 02:35 • -5db
12% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Kenner
Packing Up
117 bpm • D# Maj • 02:43 • -10.37db
11% Popularity • 74% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 74% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy Reed
In The Morning
115 bpm • A Maj • 02:23 • -14.07db
8% Popularity • 66% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 66% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Brook Benton
Ain't It Good - Remastered
115 bpm • G Maj • 02:35 • -6.18db
11% Popularity • 78% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 78% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Duke And The Drivers
Slow Motion
115 bpm • G Maj • 04:14 • -3.66db
13% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Little Jerry Williams
I'm the Lover Man
115 bpm • E min • 02:36 • -8db
11% Popularity • 85% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 85% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Crescents
Here You Come Again
115 bpm • D# Maj • 02:34 • -10.23db
9% Popularity • 58% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 58% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Baby Washington
Doodlin'
114 bpm • D Maj • 02:29 • -9db
12% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Bobby Hebb
Betty Jo From Ohio
118 bpm • E Maj • 02:20 • -5.18db
12% Popularity • 68% Danceability • 76% Energy • 11% Liveness
74% Instrumentalness • 93% Positiveness
12% Popularity • 68% Danceability • 76% Energy • 11% Liveness
74% Instrumentalness • 93% Positiveness
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The Contours
The Old Miner
114 bpm • E Maj • 02:32 • -10.49db
11% Popularity • 75% Danceability • 47% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 75% Danceability • 47% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
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Garnet Mimms & The Enchanters
Keep On Smilin'
114 bpm • A Maj • 02:51 • -12db
15% Popularity • 62% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 62% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Swamp Dogg
Captain of Your Ship
114 bpm • C Maj • 02:00 • -8.75db
10% Popularity • 90% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 90% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Carla Thomas
Sweet Sensation
118 bpm • B min • 02:47 • -12.25db
7% Popularity • 67% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 67% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Chuck Berry
In-Go
118 bpm • B Maj • 02:27 • -11.12db
10% Popularity • 74% Danceability • 51% Energy • 17% Liveness
84% Instrumentalness • 88% Positiveness
10% Popularity • 74% Danceability • 51% Energy • 17% Liveness
84% Instrumentalness • 88% Positiveness
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Sam & Dave
I Thank You - Re-Recorded
118 bpm • G# Maj • 02:51 • -7.26db
9% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Willie Mitchell
Buster Browne
118 bpm • G Maj • 02:08 • -7.06db
7% Popularity • 82% Danceability • 64% Energy • 4% Liveness
66% Instrumentalness • 78% Positiveness
7% Popularity • 82% Danceability • 64% Energy • 4% Liveness
66% Instrumentalness • 78% Positiveness
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Little Jimmy Ray
You Need to Fall in Love
118 bpm • A Maj • 02:29 • -6.28db
12% Popularity • 63% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 63% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Sam and The Soul Walkers
Soul Walk
118 bpm • C# min • 02:18 • -8.74db
8% Popularity • 70% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 70% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Black's Combo
Do It - Rat Now
114 bpm • G Maj • 02:11 • -4.01db
11% Popularity • 86% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
11% Popularity • 86% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
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Zilla Mayes
I Love You Still
114 bpm • C Maj • 03:36 • -10.74db
9% Popularity • 53% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 53% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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The Kevin Fingier Collective
So I Can Free Myself
114 bpm • G min • 02:33 • -4.21db
9% Popularity • 73% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 73% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Sugar Pie DeSanto
Good Timing
114 bpm • E min • 02:24 • -6.97db
9% Popularity • 57% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 57% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Donnie Elbert
Baby, Let Me Love You Tonigte
114 bpm • A min • 02:37 • -6.53db
10% Popularity • 58% Danceability • 54% Energy • 9% Liveness
8% Instrumentalness • 75% Positiveness
10% Popularity • 58% Danceability • 54% Energy • 9% Liveness
8% Instrumentalness • 75% Positiveness
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Johnny Adams
Life Is A Struggle
119 bpm • A# Maj • 02:39 • -6.12db
8% Popularity • 73% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 73% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Amen Corner
Expressway To Your Heart
119 bpm • G Maj • 02:32 • -5.54db
23% Popularity • 38% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 38% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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George Jackson
Soul Lovin'
113 bpm • C Maj • 02:07 • -7.99db
9% Popularity • 81% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 81% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Huey "Piano" Smith
I Think You're Jiving Me
119 bpm • C Maj • 02:27 • -9.14db
17% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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O.V. Wright
Gonna Forget About You
119 bpm • D Maj • 02:14 • -12.87db
10% Popularity • 75% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
10% Popularity • 75% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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The Hi-Stakes
Why Do I Have To Give A Reason
119 bpm • F min • 02:34 • -8.07db
8% Popularity • 86% Danceability • 42% Energy • 12% Liveness
7% Instrumentalness • 65% Positiveness
8% Popularity • 86% Danceability • 42% Energy • 12% Liveness
7% Instrumentalness • 65% Positiveness
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Jackie Wilson
3 Days 1 Hour 30 Minutes
119 bpm • A Maj • 02:04 • -7.42db
10% Popularity • 73% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 73% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
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Mable John
My Thanks
119 bpm • G# Maj • 02:33 • -10.66db
10% Popularity • 82% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 82% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Willie Wright
Gibble Gobble
119 bpm • F Maj • 03:02 • -8.51db
12% Popularity • 48% Danceability • 77% Energy • 46% Liveness
70% Instrumentalness • 69% Positiveness
12% Popularity • 48% Danceability • 77% Energy • 46% Liveness
70% Instrumentalness • 69% Positiveness
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Art Neville
Rockin' Pneumonia And The Boogie-Woogie ...
120 bpm • C Maj • 02:10 • -10.68db
13% Popularity • 80% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 80% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Abner Jay
My Mule
113 bpm • D# Maj • 02:10 • -6.41db
8% Popularity • 89% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 89% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Hi-Stakes
As Hip As It Gets
119 bpm • F Maj • 02:26 • -11.87db
13% Popularity • 79% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 79% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Garnet Mimms & The Enchanters
So Close
120 bpm • G Maj • 02:12 • -11.96db
9% Popularity • 75% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 75% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
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Fats Domino
Ain't That a Shame (Live)
120 bpm • A# Maj • 02:14 • -9.48db
13% Popularity • 53% Danceability • 63% Energy • 84% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 53% Danceability • 63% Energy • 84% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny "Guitar" Watson
Posin'
120 bpm • D Maj • 02:40 • -7.94db
10% Popularity • 68% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 68% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Chuck Berry
Do You Love Me
120 bpm • D Maj • 02:18 • -10.78db
8% Popularity • 61% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 61% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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B.B. King
Army of the Lord
112 bpm • F Maj • 03:38 • -6.69db
9% Popularity • 53% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 53% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Homer Walker Junior
Do Uncle Willie's Dance
120 bpm • C# min • 02:14 • -20.34db
9% Popularity • 57% Danceability • 42% Energy • 9% Liveness
78% Instrumentalness • 93% Positiveness
9% Popularity • 57% Danceability • 42% Energy • 9% Liveness
78% Instrumentalness • 93% Positiveness
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Jerry Butler
Ain't That Loving You Baby
120 bpm • F Maj • 02:44 • -8.95db
9% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Dutch Tilders
High Heel Sneakers
112 bpm • A Maj • 02:46 • -11.33db
11% Popularity • 73% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 73% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Johnnie Taylor
I Had A Fight With Love
112 bpm • G Maj • 03:03 • -13.8db
19% Popularity • 87% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 87% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:13 • -4.51db
24% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
24% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
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Clarence "Frogman" Henry
Long Lost And Worried
112 bpm • G# Maj • 02:08 • -6.32db
13% Popularity • 49% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 49% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Brian Auger
Up Above My Head
112 bpm • C# Maj • 02:38 • -14.71db
13% Popularity • 52% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 52% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Art Neville
Standing On The Highway
112 bpm • G Maj • 02:11 • -14.83db
10% Popularity • 75% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 75% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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The Hi-Stakes
Be My Girl
112 bpm • G min • 03:13 • -8.47db
13% Popularity • 58% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 58% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Sam & Dave
I'll Never Never Never
111 bpm • E min • 02:17 • -5.52db
15% Popularity • 65% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 65% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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The Temprees
Wrap Me In Love
121 bpm • A Maj • 02:37 • -10.76db
9% Popularity • 82% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 82% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Starship Music
Jesus gives Joy
111 bpm • G# Maj • 01:09 • -9.16db
22% Popularity • 26% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 26% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Irma Thomas
Cheater Man - Alternate Mix
111 bpm • C# Maj • 02:32 • -11.34db
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Robert Tanner
Tell Me Your Name
111 bpm • G# min • 02:13 • -9.55db
14% Popularity • 66% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 66% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Charles Sheffield
I Would Be A Sinner
111 bpm • F Maj • 02:03 • -8.64db
14% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Sister Rosetta Tharpe
Don't Leave Me Here To Cry
111 bpm • F Maj • 03:07 • -4.68db
1% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Sugar Pie DeSanto
She's Got Everything
111 bpm • C Maj • 02:33 • -8.27db
14% Popularity • 75% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 75% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Fontella Bass
My Good Loving
121 bpm • D# Maj • 02:25 • -9.22db
8% Popularity • 81% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 81% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Mary Wells
Stop Takin Me For Granted
111 bpm • D Maj • 02:17 • -7.76db
9% Popularity • 61% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 61% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Vernon Green
A Lover's Prayer
122 bpm • F min • 02:48 • -11.26db
10% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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George Jackson
I Can't Leave Your Love Alone
111 bpm • D Maj • 02:39 • -6.41db
9% Popularity • 72% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 72% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Intruders
Dance Boy
122 bpm • G Maj • 02:13 • -6.95db
7% Popularity • 73% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 73% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Carlton Heston
When My Time Is Through
122 bpm • A# min • 01:31 • -5.99db
8% Popularity • 51% Danceability • 76% Energy • 19% Liveness
88% Instrumentalness • 81% Positiveness
8% Popularity • 51% Danceability • 76% Energy • 19% Liveness
88% Instrumentalness • 81% Positiveness
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The Boogie Checkers
Come Here Baby
111 bpm • F min • 03:22 • -8.19db
7% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Swamp Dogg
Honky Tonk Woman
122 bpm • F# min • 03:28 • -10.44db
9% Popularity • 79% Danceability • 71% Energy • 9% Liveness
8% Instrumentalness • 96% Positiveness
9% Popularity • 79% Danceability • 71% Energy • 9% Liveness
8% Instrumentalness • 96% Positiveness
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Jimmy "Bo" Horne
If You Want My Love
110 bpm • C min • 02:26 • -5.98db
15% Popularity • 53% Danceability • 62% Energy • 32% Liveness
2% Instrumentalness • 93% Positiveness
15% Popularity • 53% Danceability • 62% Energy • 32% Liveness
2% Instrumentalness • 93% Positiveness
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Earl Hooker
The Bright Sound
122 bpm • D min • 02:13 • -5.7db
22% Popularity • 61% Danceability • 67% Energy • 9% Liveness
74% Instrumentalness • 93% Positiveness
22% Popularity • 61% Danceability • 67% Energy • 9% Liveness
74% Instrumentalness • 93% Positiveness
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Clifton Chenier
Just Keep on Scratching
122 bpm • F min • 02:52 • -12.04db
8% Popularity • 50% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 50% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Jackson and the Janks
Sleep On, Mother
122 bpm • C Maj • 04:23 • -8.44db
9% Popularity • 67% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 67% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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NDOG Band
Fool 4 You - Radio Edit
110 bpm • C# min • 03:29 • -9db
8% Popularity • 57% Danceability • 66% Energy • 14% Liveness
68% Instrumentalness • 48% Positiveness
8% Popularity • 57% Danceability • 66% Energy • 14% Liveness
68% Instrumentalness • 48% Positiveness
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Huey "Piano" Smith
She Got Low Down
122 bpm • D# Maj • 02:34 • -9.88db
9% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Elmore James
So Unkind
110 bpm • A min • 02:28 • -10.84db
11% Popularity • 55% Danceability • 52% Energy • 23% Liveness
4% Instrumentalness • 89% Positiveness
11% Popularity • 55% Danceability • 52% Energy • 23% Liveness
4% Instrumentalness • 89% Positiveness
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Freddy Cole
A Man Shouldn't Be Lonely
110 bpm • A min • 03:03 • -14.37db
10% Popularity • 74% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 74% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Mighty Hannibal
Goodtimes Living & Loving
110 bpm • B min • 01:59 • -13.34db
13% Popularity • 57% Danceability • 53% Energy • 21% Liveness
1% Instrumentalness • 78% Positiveness
13% Popularity • 57% Danceability • 53% Energy • 21% Liveness
1% Instrumentalness • 78% Positiveness
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Gladys Knight
Stop Running Around
123 bpm • G# Maj • 02:10 • -7.99db
11% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Phyllis Dillon
Humpty Dumpty
123 bpm • F# Maj • 02:28 • -9.55db
9% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Poor Boys Pride
Soulride
123 bpm • E Maj • 02:47 • -10db
10% Popularity • 52% Danceability • 65% Energy • 20% Liveness
70% Instrumentalness • 93% Positiveness
10% Popularity • 52% Danceability • 65% Energy • 20% Liveness
70% Instrumentalness • 93% Positiveness
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Esther Phillips
Wild Child
123 bpm • F Maj • 02:17 • -6.52db
9% Popularity • 59% Danceability • 82% Energy • 19% Liveness
10% Instrumentalness • 68% Positiveness
9% Popularity • 59% Danceability • 82% Energy • 19% Liveness
10% Instrumentalness • 68% Positiveness
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Gene Chandler
Wonderful, Wonderful
123 bpm • C# min • 03:02 • -1.34db
14% Popularity • 52% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 52% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Don Gardner
I'm in Such Misery
123 bpm • G min • 02:11 • -4db
8% Popularity • 77% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 77% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Ruth Brown
Try Me and See
123 bpm • G Maj • 02:11 • -7.65db
8% Popularity • 61% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 61% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 77% Positiveness
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Arthur Alexander
I Hope They Get Their Eyes Full
123 bpm • F min • 02:36 • -9.39db
12% Popularity • 70% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 70% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Nolen
The Way You Do
123 bpm • F Maj • 02:29 • -5.17db
26% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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The Diplomats
Cards on the Table
123 bpm • C min • 02:43 • -6.38db
15% Popularity • 68% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 68% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Bo
Now Let's Popeye - Pt. 2
109 bpm • A min • 02:40 • -10db
10% Popularity • 73% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 73% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Sammy Myers
Omalicha
109 bpm • D# Maj • 02:22 • -4.69db
16% Popularity • 90% Danceability • 76% Energy • 8% Liveness
83% Instrumentalness • 90% Positiveness
16% Popularity • 90% Danceability • 76% Energy • 8% Liveness
83% Instrumentalness • 90% Positiveness
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Charles Sheffield
Rock 'n' Roll Train
123 bpm • D# Maj • 02:15 • -8.46db
13% Popularity • 64% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 64% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Allen Toussaint
How to Pick a Winner - Remastered
109 bpm • G# Maj • 02:38 • -5.8db
21% Popularity • 81% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 81% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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La Ratte
I Want You
109 bpm • C Maj • 05:36 • -10.18db
7% Popularity • 62% Danceability • 54% Energy • 13% Liveness
48% Instrumentalness • 50% Positiveness
7% Popularity • 62% Danceability • 54% Energy • 13% Liveness
48% Instrumentalness • 50% Positiveness
