Songs like Ti-de by Kokoroko
Based on a tempo of (+/- 10%) and a similar genre
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Okvsho
Elyjah Slaps the Space
110 bpm • C# min • 01:29 • -9.96db
57% Popularity • 81% Danceability • 62% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
57% Popularity • 81% Danceability • 62% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
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Fazer
Wasi
110 bpm • A# min • 04:11 • -15.6db
31% Popularity • 70% Danceability • 45% Energy • 10% Liveness
89% Instrumentalness • 60% Positiveness
31% Popularity • 70% Danceability • 45% Energy • 10% Liveness
89% Instrumentalness • 60% Positiveness
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Phil Stroud
Banksia
110 bpm • D min • 06:30 • -12db
20% Popularity • 30% Danceability • 41% Energy • 19% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 30% Danceability • 41% Energy • 19% Liveness
88% Instrumentalness • 4% Positiveness
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Jembaa Groove
Bassa Bassa
110 bpm • D min • 05:01 • -12db
39% Popularity • 76% Danceability • 60% Energy • 7% Liveness
76% Instrumentalness • 92% Positiveness
39% Popularity • 76% Danceability • 60% Energy • 7% Liveness
76% Instrumentalness • 92% Positiveness
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Portico Quartet
Knee-Deep in the North Sea
110 bpm • C min • 04:47 • -12db
39% Popularity • 39% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
39% Popularity • 39% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Kokoroko
Ti-de
110 bpm • A min • 06:12 • -12.03db
52% Popularity • 77% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 43% Positiveness
52% Popularity • 77% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 43% Positiveness
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Chassol
Birds, Pt. I
110 bpm • G Maj • 03:59 • -12.21db
34% Popularity • 44% Danceability • 44% Energy • 11% Liveness
62% Instrumentalness • 5% Positiveness
34% Popularity • 44% Danceability • 44% Energy • 11% Liveness
62% Instrumentalness • 5% Positiveness
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Cochemea
Mitote
110 bpm • A# min • 03:33 • -10db
36% Popularity • 78% Danceability • 65% Energy • 5% Liveness
16% Instrumentalness • 58% Positiveness
36% Popularity • 78% Danceability • 65% Energy • 5% Liveness
16% Instrumentalness • 58% Positiveness
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Alice Coltrane
Turiya & Ramakrishna
110 bpm • F# Maj • 08:18 • -14.67db
54% Popularity • 42% Danceability • 30% Energy • 25% Liveness
90% Instrumentalness • 13% Positiveness
54% Popularity • 42% Danceability • 30% Energy • 25% Liveness
90% Instrumentalness • 13% Positiveness
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Donald Byrd
Where Are We Going?
109 bpm • F Maj • 04:37 • -11.95db
44% Popularity • 68% Danceability • 64% Energy • 10% Liveness
66% Instrumentalness • 89% Positiveness
44% Popularity • 68% Danceability • 64% Energy • 10% Liveness
66% Instrumentalness • 89% Positiveness
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Ebo Taylor
Atwer Abroba
110 bpm • F min • 08:12 • -7db
37% Popularity • 72% Danceability • 88% Energy • 10% Liveness
30% Instrumentalness • 85% Positiveness
37% Popularity • 72% Danceability • 88% Energy • 10% Liveness
30% Instrumentalness • 85% Positiveness
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Khruangbin
People Everywhere (Still Alive)
109 bpm • G Maj • 02:39 • -13.09db
71% Popularity • 55% Danceability • 65% Energy • 41% Liveness
66% Instrumentalness • 81% Positiveness
71% Popularity • 55% Danceability • 65% Energy • 41% Liveness
66% Instrumentalness • 81% Positiveness
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SAULT
Little Boy
111 bpm • G# Maj • 03:53 • -9db
45% Popularity • 85% Danceability • 47% Energy • 18% Liveness
4% Instrumentalness • 40% Positiveness
45% Popularity • 85% Danceability • 47% Energy • 18% Liveness
4% Instrumentalness • 40% Positiveness
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Jitwam
I'm a Rock
111 bpm • C# Maj • 03:24 • -7db
57% Popularity • 87% Danceability • 49% Energy • 10% Liveness
31% Instrumentalness • 52% Positiveness
57% Popularity • 87% Danceability • 49% Energy • 10% Liveness
31% Instrumentalness • 52% Positiveness
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Chassol
Pipornithology, Pt. 2
111 bpm • A# Maj • 02:28 • -11db
39% Popularity • 61% Danceability • 52% Energy • 8% Liveness
77% Instrumentalness • 73% Positiveness
39% Popularity • 61% Danceability • 52% Energy • 8% Liveness
77% Instrumentalness • 73% Positiveness
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Waaju
Listening Glasses
111 bpm • C# Maj • 06:08 • -15db
30% Popularity • 47% Danceability • 48% Energy • 4% Liveness
94% Instrumentalness • 81% Positiveness
30% Popularity • 47% Danceability • 48% Energy • 4% Liveness
94% Instrumentalness • 81% Positiveness
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Ebo Taylor
Saana
109 bpm • C Maj • 05:52 • -12.69db
30% Popularity • 68% Danceability • 57% Energy • 10% Liveness
29% Instrumentalness • 86% Positiveness
30% Popularity • 68% Danceability • 57% Energy • 10% Liveness
29% Instrumentalness • 86% Positiveness
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Vels Trio
Yellow Ochre, Pt. 1
111 bpm • G Maj • 03:03 • -12.96db
31% Popularity • 39% Danceability • 48% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
31% Popularity • 39% Danceability • 48% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
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Ashley Henry
Cranes (In the Sky)
111 bpm • F# Maj • 05:50 • -11db
25% Popularity • 52% Danceability • 68% Energy • 5% Liveness
93% Instrumentalness • 93% Positiveness
25% Popularity • 52% Danceability • 68% Energy • 5% Liveness
93% Instrumentalness • 93% Positiveness
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Greg Spero
Careless - Tiny Room Sessions
109 bpm • A# Maj • 02:03 • -10db
48% Popularity • 65% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
48% Popularity • 65% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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D'Angelo
Spanish Joint
112 bpm • C min • 05:44 • -8.91db
50% Popularity • 73% Danceability • 50% Energy • 13% Liveness
32% Instrumentalness • 78% Positiveness
50% Popularity • 73% Danceability • 50% Energy • 13% Liveness
32% Instrumentalness • 78% Positiveness
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Kutiman
Line 1
112 bpm • C Maj • 02:31 • -12.29db
24% Popularity • 41% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 57% Positiveness
24% Popularity • 41% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 57% Positiveness
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Oscar Jerome
Aya & Bartholomew
108 bpm • C min • 01:45 • -17.69db
35% Popularity • 55% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 53% Positiveness
35% Popularity • 55% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 53% Positiveness
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Tom Misch
Seagulls
112 bpm • A Maj • 01:30 • -11.67db
48% Popularity • 68% Danceability • 79% Energy • 45% Liveness
78% Instrumentalness • 34% Positiveness
48% Popularity • 68% Danceability • 79% Energy • 45% Liveness
78% Instrumentalness • 34% Positiveness
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![La cumbia me está llamando [Feat. La Perla] - Kaidi Tatham Remix cover art](https://i.scdn.co/image/ab67616d00001e02344b04b0877894a136bd1a47)
Nubya Garcia
La cumbia me está llamando [La Perla] -...
108 bpm • A# min • 05:07 • -10db
31% Popularity • 74% Danceability • 88% Energy • 14% Liveness
83% Instrumentalness • 43% Positiveness
31% Popularity • 74% Danceability • 88% Energy • 14% Liveness
83% Instrumentalness • 43% Positiveness
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Mildlife
The Magnificent Moon
112 bpm • F min • 08:52 • -6db
47% Popularity • 59% Danceability • 80% Energy • 16% Liveness
70% Instrumentalness • 64% Positiveness
47% Popularity • 59% Danceability • 80% Energy • 16% Liveness
70% Instrumentalness • 64% Positiveness
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HNNY
Cheer Up, My Brother
108 bpm • C min • 05:05 • -14.76db
56% Popularity • 76% Danceability • 26% Energy • 10% Liveness
24% Instrumentalness • 32% Positiveness
56% Popularity • 76% Danceability • 26% Energy • 10% Liveness
24% Instrumentalness • 32% Positiveness
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Leifur James
Mumma Don't Tell
108 bpm • C# Maj • 05:08 • -11.05db
46% Popularity • 59% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
46% Popularity • 59% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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Kokoroko
War Dance
112 bpm • D Maj • 05:38 • -9db
40% Popularity • 68% Danceability • 82% Energy • 10% Liveness
80% Instrumentalness • 59% Positiveness
40% Popularity • 68% Danceability • 82% Energy • 10% Liveness
80% Instrumentalness • 59% Positiveness
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Laurent Bardainne
Oh Yeah
108 bpm • C Maj • 03:40 • -11.16db
42% Popularity • 66% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 41% Positiveness
42% Popularity • 66% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 41% Positiveness
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Kamaal Williams
Shinjuku - DJ-Kicks
112 bpm • C# Maj • 02:12 • -14.06db
43% Popularity • 39% Danceability • 16% Energy • 14% Liveness
87% Instrumentalness • 14% Positiveness
43% Popularity • 39% Danceability • 16% Energy • 14% Liveness
87% Instrumentalness • 14% Positiveness
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Alice Coltrane
Blue Nile
112 bpm • B min • 07:01 • -13db
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
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Lord Echo
Life on Earth
112 bpm • A min • 02:33 • -8.46db
39% Popularity • 66% Danceability • 67% Energy • 30% Liveness
86% Instrumentalness • 78% Positiveness
39% Popularity • 66% Danceability • 67% Energy • 30% Liveness
86% Instrumentalness • 78% Positiveness
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Ruby Rushton
Sun Khosi
107 bpm • C# min • 03:56 • -11db
36% Popularity • 52% Danceability • 51% Energy • 8% Liveness
79% Instrumentalness • 41% Positiveness
36% Popularity • 52% Danceability • 51% Energy • 8% Liveness
79% Instrumentalness • 41% Positiveness
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Okvsho
Algoriddim (Interlude)
113 bpm • G Maj • 01:04 • -15.35db
39% Popularity • 81% Danceability • 56% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
39% Popularity • 81% Danceability • 56% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
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El Michels Affair
Unathi
107 bpm • E min • 03:33 • -7db
42% Popularity • 52% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 83% Positiveness
42% Popularity • 52% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 83% Positiveness
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Jembaa Groove
Mokole
107 bpm • A# min • 04:52 • -12.33db
32% Popularity • 78% Danceability • 55% Energy • 11% Liveness
74% Instrumentalness • 96% Positiveness
32% Popularity • 78% Danceability • 55% Energy • 11% Liveness
74% Instrumentalness • 96% Positiveness
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![Where Are You? (Love for JL) [feat. Copasetic & Lindsay Olsen] cover art](https://i.scdn.co/image/ab67616d00001e02851467e066b7acf88f6fc05c)
Joomanji
Where Are You? (Love for JL)
107 bpm • D Maj • 04:19 • -8db
39% Popularity • 44% Danceability • 53% Energy • 11% Liveness
34% Instrumentalness • 57% Positiveness
39% Popularity • 44% Danceability • 53% Energy • 11% Liveness
34% Instrumentalness • 57% Positiveness
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Ikebe Shakedown
Road Song
107 bpm • D min • 03:00 • -7.68db
50% Popularity • 63% Danceability • 74% Energy • 8% Liveness
80% Instrumentalness • 73% Positiveness
50% Popularity • 63% Danceability • 74% Energy • 8% Liveness
80% Instrumentalness • 73% Positiveness
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Manu Dibango
Coconut
114 bpm • G min • 02:11 • -7.2db
49% Popularity • 65% Danceability • 84% Energy • 5% Liveness
14% Instrumentalness • 96% Positiveness
49% Popularity • 65% Danceability • 84% Energy • 5% Liveness
14% Instrumentalness • 96% Positiveness
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Fazer
Blitzer
106 bpm • C min • 04:02 • -16.12db
18% Popularity • 70% Danceability • 41% Energy • 11% Liveness
84% Instrumentalness • 31% Positiveness
18% Popularity • 70% Danceability • 41% Energy • 11% Liveness
84% Instrumentalness • 31% Positiveness
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Romare
All Night
106 bpm • A# Maj • 04:54 • -9.3db
52% Popularity • 88% Danceability • 48% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
52% Popularity • 88% Danceability • 48% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
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Alabaster DePlume
Visit Croatia
106 bpm • C min • 04:50 • -15db
42% Popularity • 29% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
42% Popularity • 29% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Alfa Mist
Mulago
114 bpm • C# min • 04:07 • -13.63db
34% Popularity • 39% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
34% Popularity • 39% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Connan Mockasin
Charlotte's Thong
106 bpm • E min • 08:56 • -15.98db
47% Popularity • 80% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 69% Positiveness
47% Popularity • 80% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 69% Positiveness
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Okvsho
Je suis au jardin
114 bpm • A# min • 03:46 • -13db
46% Popularity • 78% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
46% Popularity • 78% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Joe Armon-Jones
Idiom
114 bpm • E min • 04:36 • -12.4db
35% Popularity • 55% Danceability • 48% Energy • 28% Liveness
91% Instrumentalness • 42% Positiveness
35% Popularity • 55% Danceability • 48% Energy • 28% Liveness
91% Instrumentalness • 42% Positiveness
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Jitwam
Opendoors
114 bpm • A min • 02:42 • -10.25db
71% Popularity • 72% Danceability • 52% Energy • 18% Liveness
28% Instrumentalness • 40% Positiveness
71% Popularity • 72% Danceability • 52% Energy • 18% Liveness
28% Instrumentalness • 40% Positiveness
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Khruangbin
Friday Morning
106 bpm • B min • 06:50 • -13.64db
45% Popularity • 44% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 44% Positiveness
45% Popularity • 44% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 44% Positiveness
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D'Angelo
Betray My Heart
106 bpm • C Maj • 05:55 • -11.17db
44% Popularity • 80% Danceability • 44% Energy • 13% Liveness
5% Instrumentalness • 59% Positiveness
44% Popularity • 80% Danceability • 44% Energy • 13% Liveness
5% Instrumentalness • 59% Positiveness
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SAULT
Wildfires
114 bpm • D# min • 03:26 • -8.27db
73% Popularity • 86% Danceability • 31% Energy • 9% Liveness
16% Instrumentalness • 50% Positiveness
73% Popularity • 86% Danceability • 31% Energy • 9% Liveness
16% Instrumentalness • 50% Positiveness
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Greg Foat
Symphonie Pacifique
114 bpm • A min • 04:54 • -12db
36% Popularity • 60% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
36% Popularity • 60% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
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Kamaal Williams
Street Dreams
105 bpm • C min • 02:12 • -18db
36% Popularity • 30% Danceability • 20% Energy • 17% Liveness
80% Instrumentalness • 6% Positiveness
36% Popularity • 30% Danceability • 20% Energy • 17% Liveness
80% Instrumentalness • 6% Positiveness
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Ebo Taylor
Aboa Kyirbin
105 bpm • F min • 05:09 • -10.51db
34% Popularity • 68% Danceability • 84% Energy • 7% Liveness
16% Instrumentalness • 95% Positiveness
34% Popularity • 68% Danceability • 84% Energy • 7% Liveness
16% Instrumentalness • 95% Positiveness
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Khruangbin
Time (You and I)
105 bpm • B Maj • 05:42 • -14db
62% Popularity • 75% Danceability • 49% Energy • 8% Liveness
15% Instrumentalness • 92% Positiveness
62% Popularity • 75% Danceability • 49% Energy • 8% Liveness
15% Instrumentalness • 92% Positiveness
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Alfa Mist
Run Outs
105 bpm • B min • 04:52 • -8.79db
36% Popularity • 42% Danceability • 62% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
36% Popularity • 42% Danceability • 62% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
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SAULT
Why Why Why Why Why
115 bpm • A min • 03:58 • -6.64db
69% Popularity • 80% Danceability • 61% Energy • 11% Liveness
6% Instrumentalness • 69% Positiveness
69% Popularity • 80% Danceability • 61% Energy • 11% Liveness
6% Instrumentalness • 69% Positiveness
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Okvsho
Joga Bonito
115 bpm • G# min • 04:47 • -12db
36% Popularity • 87% Danceability • 57% Energy • 18% Liveness
70% Instrumentalness • 67% Positiveness
36% Popularity • 87% Danceability • 57% Energy • 18% Liveness
70% Instrumentalness • 67% Positiveness
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Oscar Jerome
Use It
105 bpm • C# min • 05:53 • -13.4db
33% Popularity • 72% Danceability • 82% Energy • 6% Liveness
81% Instrumentalness • 78% Positiveness
33% Popularity • 72% Danceability • 82% Energy • 6% Liveness
81% Instrumentalness • 78% Positiveness
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Kadhja Bonet
For You - Many Selves Version
105 bpm • A min • 03:41 • -13.49db
52% Popularity • 75% Danceability • 39% Energy • 12% Liveness
11% Instrumentalness • 71% Positiveness
52% Popularity • 75% Danceability • 39% Energy • 12% Liveness
11% Instrumentalness • 71% Positiveness
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Jembaa Groove
Sweet My Ear
105 bpm • A min • 04:38 • -9.11db
40% Popularity • 66% Danceability • 66% Energy • 11% Liveness
3% Instrumentalness • 73% Positiveness
40% Popularity • 66% Danceability • 66% Energy • 11% Liveness
3% Instrumentalness • 73% Positiveness
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Gil Scott-Heron
Gun
105 bpm • D# Maj • 03:59 • -11db
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
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Makaya McCraven
The Jaunt
115 bpm • C# Maj • 02:42 • -9.74db
31% Popularity • 52% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 66% Positiveness
31% Popularity • 52% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 66% Positiveness
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Kondi Band
Yeanoh (Powe'hande Binga'dbe)
105 bpm • F# min • 05:26 • -11db
40% Popularity • 85% Danceability • 43% Energy • 35% Liveness
1% Instrumentalness • 59% Positiveness
40% Popularity • 85% Danceability • 43% Energy • 35% Liveness
1% Instrumentalness • 59% Positiveness
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Scrimshire
Theme for Us
105 bpm • B min • 07:28 • -9db
28% Popularity • 64% Danceability • 70% Energy • 61% Liveness
10% Instrumentalness • 69% Positiveness
28% Popularity • 64% Danceability • 70% Energy • 61% Liveness
10% Instrumentalness • 69% Positiveness
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Yussef Dayes
Welcome to the Hills
105 bpm • C# min • 07:17 • -14db
30% Popularity • 43% Danceability • 55% Energy • 92% Liveness
82% Instrumentalness • 53% Positiveness
30% Popularity • 43% Danceability • 55% Energy • 92% Liveness
82% Instrumentalness • 53% Positiveness
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Mulatu Astatke
Munayé (My Muna)
115 bpm • F Maj • 05:03 • -7.1db
45% Popularity • 83% Danceability • 50% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
45% Popularity • 83% Danceability • 50% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
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Manu Dibango
Groovy Flute
105 bpm • D# Maj • 02:33 • -9db
50% Popularity • 68% Danceability • 84% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
50% Popularity • 68% Danceability • 84% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
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Nu Genea
Ddoje Facce
105 bpm • D# min • 04:21 • -8.4db
51% Popularity • 90% Danceability • 46% Energy • 5% Liveness
26% Instrumentalness • 93% Positiveness
51% Popularity • 90% Danceability • 46% Energy • 5% Liveness
26% Instrumentalness • 93% Positiveness
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Oscar Jerome
Where Are Your Branches (Where Is Your F...
116 bpm • A# Maj • 05:28 • -12.75db
29% Popularity • 82% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
29% Popularity • 82% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
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Robohands
Nightshade
116 bpm • F Maj • 02:46 • -16.18db
48% Popularity • 83% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
48% Popularity • 83% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
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GODTET
Ensueño
116 bpm • A# Maj • 04:10 • -16.41db
38% Popularity • 70% Danceability • 33% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
38% Popularity • 70% Danceability • 33% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
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Mulatu Astatke
Yèkèrmo Sèw
116 bpm • D# Maj • 04:13 • -10db
47% Popularity • 61% Danceability • 53% Energy • 9% Liveness
72% Instrumentalness • 39% Positiveness
47% Popularity • 61% Danceability • 53% Energy • 9% Liveness
72% Instrumentalness • 39% Positiveness
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Biig Piig
Sunny
104 bpm • A min • 02:37 • -10.67db
63% Popularity • 72% Danceability • 53% Energy • 8% Liveness
82% Instrumentalness • 85% Positiveness
63% Popularity • 72% Danceability • 53% Energy • 8% Liveness
82% Instrumentalness • 85% Positiveness
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Manu Dibango
Besoka on Salsa
105 bpm • G min • 07:37 • -16.66db
32% Popularity • 66% Danceability • 35% Energy • 16% Liveness
86% Instrumentalness • 57% Positiveness
32% Popularity • 66% Danceability • 35% Energy • 16% Liveness
86% Instrumentalness • 57% Positiveness
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Nubiyan Twist
Basa Basa
116 bpm • G# Maj • 05:59 • -6.62db
21% Popularity • 61% Danceability • 78% Energy • 9% Liveness
14% Instrumentalness • 75% Positiveness
21% Popularity • 61% Danceability • 78% Energy • 9% Liveness
14% Instrumentalness • 75% Positiveness
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Snazzback
Flump - Ishmael Ensemble Rework
104 bpm • C# min • 04:33 • -15.47db
31% Popularity • 57% Danceability • 40% Energy • 9% Liveness
66% Instrumentalness • 20% Positiveness
31% Popularity • 57% Danceability • 40% Energy • 9% Liveness
66% Instrumentalness • 20% Positiveness
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Khruangbin
Pelota
104 bpm • A min • 02:47 • -12db
65% Popularity • 69% Danceability • 65% Energy • 8% Liveness
40% Instrumentalness • 96% Positiveness
65% Popularity • 69% Danceability • 65% Energy • 8% Liveness
40% Instrumentalness • 96% Positiveness
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Gábor Szabó
Stormy
116 bpm • E min • 03:18 • -19.61db
52% Popularity • 51% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
52% Popularity • 51% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
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L'éclair
Homo Sapiens
104 bpm • C Maj • 04:53 • -9.62db
38% Popularity • 73% Danceability • 61% Energy • 23% Liveness
91% Instrumentalness • 76% Positiveness
38% Popularity • 73% Danceability • 61% Energy • 23% Liveness
91% Instrumentalness • 76% Positiveness
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Robohands
Wildflower
117 bpm • E min • 02:58 • -13.84db
39% Popularity • 74% Danceability • 43% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
39% Popularity • 74% Danceability • 43% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
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Yin Yin
One Inch Punch
117 bpm • B min • 05:08 • -10.86db
50% Popularity • 71% Danceability • 69% Energy • 8% Liveness
80% Instrumentalness • 77% Positiveness
50% Popularity • 71% Danceability • 69% Energy • 8% Liveness
80% Instrumentalness • 77% Positiveness
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Oscar Jerome
No Need - Edit
117 bpm • B min • 03:26 • -11.53db
44% Popularity • 88% Danceability • 47% Energy • 28% Liveness
3% Instrumentalness • 56% Positiveness
44% Popularity • 88% Danceability • 47% Energy • 28% Liveness
3% Instrumentalness • 56% Positiveness
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Ezra Collective
Dark Side Riddim
117 bpm • A# min • 05:14 • -8.16db
36% Popularity • 73% Danceability • 65% Energy • 13% Liveness
86% Instrumentalness • 66% Positiveness
36% Popularity • 73% Danceability • 65% Energy • 13% Liveness
86% Instrumentalness • 66% Positiveness
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Alfa Mist
Keep On
103 bpm • C# min • 10:47 • -13.39db
48% Popularity • 61% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 47% Positiveness
48% Popularity • 61% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 47% Positiveness
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Kokoroko
Soul Searching
117 bpm • C# Maj • 03:35 • -9.46db
33% Popularity • 40% Danceability • 74% Energy • 8% Liveness
87% Instrumentalness • 42% Positiveness
33% Popularity • 40% Danceability • 74% Energy • 8% Liveness
87% Instrumentalness • 42% Positiveness
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Yussef Dayes
Raisins Under the Sun
103 bpm • C min • 04:31 • -12.96db
46% Popularity • 51% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 56% Positiveness
46% Popularity • 51% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 56% Positiveness
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Nubya Garcia
The Message Continues
117 bpm • C# Maj • 06:44 • -10.33db
35% Popularity • 43% Danceability • 58% Energy • 8% Liveness
74% Instrumentalness • 34% Positiveness
35% Popularity • 43% Danceability • 58% Energy • 8% Liveness
74% Instrumentalness • 34% Positiveness
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Oscar Jerome
No Need - Extended Mix
117 bpm • B min • 06:02 • -11db
36% Popularity • 87% Danceability • 56% Energy • 28% Liveness
10% Instrumentalness • 60% Positiveness
36% Popularity • 87% Danceability • 56% Energy • 28% Liveness
10% Instrumentalness • 60% Positiveness
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Menahan Street Band
Every Day a Dream
117 bpm • A# Maj • 03:53 • -7.16db
53% Popularity • 69% Danceability • 66% Energy • 11% Liveness
66% Instrumentalness • 70% Positiveness
53% Popularity • 69% Danceability • 66% Energy • 11% Liveness
66% Instrumentalness • 70% Positiveness
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Nérija
Blume
118 bpm • G Maj • 02:46 • -14.34db
21% Popularity • 40% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 40% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Skinshape
Sua Alma
103 bpm • F Maj • 04:42 • -6.4db
43% Popularity • 74% Danceability • 78% Energy • 27% Liveness
20% Instrumentalness • 92% Positiveness
43% Popularity • 74% Danceability • 78% Energy • 27% Liveness
20% Instrumentalness • 92% Positiveness
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Emma-Jean Thackray
Sun
118 bpm • D min • 03:06 • -9.89db
36% Popularity • 60% Danceability • 73% Energy • 14% Liveness
7% Instrumentalness • 53% Positiveness
36% Popularity • 60% Danceability • 73% Energy • 14% Liveness
7% Instrumentalness • 53% Positiveness
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Shuggie Otis
Aht Uh Mi Hed
103 bpm • F# min • 04:17 • -8.14db
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
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Kamaal Williams
Hold On
103 bpm • B Maj • 03:20 • -15.44db
42% Popularity • 30% Danceability • 24% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
42% Popularity • 30% Danceability • 24% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
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Ebo Taylor
Love and Death
102 bpm • C Maj • 06:55 • -7.21db
47% Popularity • 74% Danceability • 90% Energy • 12% Liveness
46% Instrumentalness • 87% Positiveness
47% Popularity • 74% Danceability • 90% Energy • 12% Liveness
46% Instrumentalness • 87% Positiveness
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Jorja Smith
Rose Rouge
118 bpm • D# min • 05:57 • -12.13db
51% Popularity • 66% Danceability • 70% Energy • 32% Liveness
33% Instrumentalness • 30% Positiveness
51% Popularity • 66% Danceability • 70% Energy • 32% Liveness
33% Instrumentalness • 30% Positiveness
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Nubya Garcia
Boundless Beings [Akenya]
118 bpm • C Maj • 02:46 • -10.05db
21% Popularity • 60% Danceability • 46% Energy • 11% Liveness
44% Instrumentalness • 15% Positiveness
21% Popularity • 60% Danceability • 46% Energy • 11% Liveness
44% Instrumentalness • 15% Positiveness
