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Tiger Man
Songs like
Tiger Man
by
Kim Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Gary Smith
South Bay Beatdown
137 bpm • A Maj • 02:58 • -9.95db
16% Popularity • 58% Danceability • 63% Energy • 12% Liveness
94% Instrumentalness • 77% Positiveness
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Kim Wilson
Tiger Man
137 bpm • G# Maj • 03:40 • -7.56db
9% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Lacy Gibson
Wish Me Well
138 bpm • C Maj • 02:57 • -15.22db
28% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
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Nick Moss & The Flip Tops
This Little Voice - Bonus Track
138 bpm • A Maj • 02:18 • -4.01db
11% Popularity • 52% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Rick Estrin & The Nightcats
So Long (for Jay P.)
136 bpm • F Maj • 03:23 • -6.05db
23% Popularity • 50% Danceability • 61% Energy • 7% Liveness
16% Instrumentalness • 91% Positiveness
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Eddie Shaw
Out Of Bad Luck
139 bpm • G Maj • 03:21 • -11.77db
26% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Hoochie Coochie Blues Band
Don´t Go No Further
135 bpm • B min • 02:37 • -8.78db
16% Popularity • 41% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Kim Wilson
Rumblin
138 bpm • A min • 02:34 • -5.2db
4% Popularity • 44% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Harmonica Shah
Baby, You Have Got to Change
135 bpm • C min • 04:46 • -4.09db
14% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Zuzu Bollin
Big Legs
139 bpm • F min • 02:37 • -13.78db
9% Popularity • 60% Danceability • 63% Energy • 30% Liveness
2% Instrumentalness • 68% Positiveness
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Rick Estrin & The Nightcats
The Blues Ain't Going Nowhere
135 bpm • G Maj • 05:08 • -4.85db
17% Popularity • 54% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Otis Grand
There Was A Time
135 bpm • C Maj • 03:53 • -6db
9% Popularity • 30% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Gary Smith
Minor Mambo
135 bpm • C Maj • 05:29 • -6.93db
19% Popularity • 67% Danceability • 70% Energy • 96% Liveness
60% Instrumentalness • 91% Positiveness
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Little Charlie & The Nightcats
If This Is Love
139 bpm • E min • 05:38 • -19db
21% Popularity • 55% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Hubert Sumlin
Pickin'
135 bpm • F Maj • 03:01 • -6db
18% Popularity • 70% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
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Detroit Junior
Some Nerve
134 bpm • D Maj • 03:05 • -14.22db
27% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Boy Arnold
Don't Stay Out All Night
140 bpm • D Maj • 03:16 • -7.51db
24% Popularity • 53% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Mark Hodgson
Tequila Quicksand
140 bpm • A Maj • 03:46 • -5.51db
12% Popularity • 40% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Kim Wilson
Baby Please Don't Lie to Me
134 bpm • C# Maj • 03:02 • -9.91db
6% Popularity • 60% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Johnnie Johnson
Real Good Woman
134 bpm • C Maj • 04:12 • -11db
9% Popularity • 68% Danceability • 62% Energy • 16% Liveness
2% Instrumentalness • 77% Positiveness
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Brandon Santini
Raise Your Window
140 bpm • A Maj • 04:09 • -6.2db
10% Popularity • 64% Danceability • 62% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
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Eddie Shaw
It's Alright
133 bpm • G Maj • 02:52 • -9.35db
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Boy Arnold
Move On Down The Road
134 bpm • G Maj • 03:00 • -11db
31% Popularity • 56% Danceability • 67% Energy • 14% Liveness
3% Instrumentalness • 87% Positiveness
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Big Jack Johnson
The Hully Gully Twist
141 bpm • A Maj • 05:32 • -10.56db
0% Popularity • 61% Danceability • 43% Energy • 18% Liveness
2% Instrumentalness • 90% Positiveness
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Kirk Fletcher
Club Zanzibar - Alternate Take
141 bpm • F# min • 03:36 • -7.55db
2% Popularity • 46% Danceability • 84% Energy • 45% Liveness
93% Instrumentalness • 95% Positiveness
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Roomful Of Blues
Every Dog Has Its Day
141 bpm • A min • 02:39 • -3.5db
34% Popularity • 68% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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William Clarke
Saturday Night Blues
132 bpm • F Maj • 02:40 • -6.1db
28% Popularity • 57% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Kim Wilson
Don't Bite the Hand That Feeds You
132 bpm • C min • 04:16 • -7.8db
8% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Big Pete
I Was Fooled
132 bpm • B min • 05:12 • -3.86db
13% Popularity • 44% Danceability • 90% Energy • 15% Liveness
8% Instrumentalness • 51% Positiveness
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Son Seals
I Can't Hold Out
142 bpm • C Maj • 04:14 • -13.06db
28% Popularity • 38% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
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Zuzu Bollin
Why Don't You Eat Where You Slept Last N...
132 bpm • A# Maj • 02:54 • -16.3db
25% Popularity • 61% Danceability • 40% Energy • 8% Liveness
68% Instrumentalness • 82% Positiveness
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Kirk Fletcher
Club Zanzibar
132 bpm • A# Maj • 03:26 • -6.45db
6% Popularity • 56% Danceability • 88% Energy • 12% Liveness
43% Instrumentalness • 95% Positiveness
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Byther Smith
I'm A Honey Bee
132 bpm • D Maj • 02:42 • -11db
28% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
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Paul Butterfield's Better Days
Too Many Drivers
132 bpm • D min • 03:21 • -13db
16% Popularity • 51% Danceability • 55% Energy • 29% Liveness
27% Instrumentalness • 76% Positiveness
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Hubert Sumlin
I'll Be Home On Tuesday - Take 2
132 bpm • C Maj • 03:25 • -10db
37% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
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Nick Moss Band
Lucky Guy
132 bpm • D Maj • 04:32 • -3db
30% Popularity • 49% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Willie J. Campbell
You Can't Stop Her
143 bpm • C min • 03:04 • -6.83db
1% Popularity • 65% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Kim Wilson
Play me
143 bpm • D Maj • 02:47 • -4.89db
3% Popularity • 42% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Snooky Pryor
Bottle It Up and Go
131 bpm • G# Maj • 03:02 • -11.63db
24% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Phillip Walker
Dressin' Tasty
131 bpm • G# Maj • 03:51 • -9.15db
13% Popularity • 48% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
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William Clarke
Gambling For My Bread
130 bpm • A# Maj • 03:25 • -12.78db
22% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Brandon Santini
Things You Putting Down
144 bpm • G Maj • 04:18 • -4.9db
11% Popularity • 59% Danceability • 68% Energy • 14% Liveness
3% Instrumentalness • 84% Positiveness
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Rod Piazza
4811 Watsworth
130 bpm • A min • 03:58 • -13.94db
14% Popularity • 44% Danceability • 34% Energy • 18% Liveness
27% Instrumentalness • 22% Positiveness
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Kim Wilson
From the Bottom
131 bpm • D Maj • 02:45 • -10.42db
4% Popularity • 75% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Son Seals
I Can't Hear Nothing But The Blues
144 bpm • D min • 06:35 • -9.58db
26% Popularity • 45% Danceability • 53% Energy • 28% Liveness
8% Instrumentalness • 74% Positiveness
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Homesick James
It Seem Like A Dream
130 bpm • C Maj • 02:40 • -6.43db
20% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Eddie Burns
Hastings Street Special
129 bpm • F Maj • 03:34 • -7.77db
13% Popularity • 67% Danceability • 84% Energy • 31% Liveness
91% Instrumentalness • 94% Positiveness
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Raful Neal
Blues On The Moon
145 bpm • A# min • 02:56 • -13db
31% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
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Rod Piazza
The Bounce
129 bpm • A Maj • 03:08 • -10db
19% Popularity • 58% Danceability • 71% Energy • 37% Liveness
86% Instrumentalness • 94% Positiveness
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William Clarke
Looking To The Future
145 bpm • A Maj • 04:07 • -13db
23% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Kim Wilson
Blue and Lonesome
145 bpm • A min • 05:05 • -9.48db
7% Popularity • 42% Danceability • 32% Energy • 16% Liveness
5% Instrumentalness • 43% Positiveness
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The Insomniacs
Hoodoo Man Blues
129 bpm • D Maj • 06:14 • -6.99db
9% Popularity • 45% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Thornetta Davis
I Gotta Sang the Blues
129 bpm • E min • 05:09 • -5.55db
4% Popularity • 60% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Son Seals
Mother-In-Law Blues
129 bpm • E Maj • 03:15 • -12.12db
31% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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Snooky Pryor
Keyhole in Your Door
129 bpm • G# Maj • 03:40 • -11.35db
10% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Buddy Guy
Too Late
146 bpm • G Maj • 02:45 • -5.43db
15% Popularity • 48% Danceability • 66% Energy • 43% Liveness
6% Instrumentalness • 42% Positiveness
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Johnny Copeland
Catch Up With The Blues
128 bpm • F min • 05:01 • -8.9db
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
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The Hollywood Blue Flames
Black Cat Bone
146 bpm • E min • 02:33 • -7.75db
1% Popularity • 60% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Sue Foley
Mean Old Lonesome Train
146 bpm • C min • 03:22 • -12.85db
10% Popularity • 64% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmy Rogers
Rock With You Baby
128 bpm • A# Maj • 04:12 • -11.08db
21% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
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Little Charlie & The Nightcats
Dump That Chump
147 bpm • F# min • 03:23 • -14db
28% Popularity • 67% Danceability • 55% Energy • 16% Liveness
2% Instrumentalness • 85% Positiveness
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Curtis Salgado
One Night Only
147 bpm • F Maj • 02:49 • -6.49db
30% Popularity • 53% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 89% Positiveness
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Kim Wilson
The Hustle Is On
147 bpm • F min • 02:51 • -9.45db
1% Popularity • 56% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Johnny Copeland
Rain
147 bpm • A Maj • 06:03 • -7db
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Lurrie Bell
Hey Hey Baby
127 bpm • C Maj • 03:11 • -4db
10% Popularity • 66% Danceability • 79% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
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Nick Curran & The Nightlifes
Crazy Mixed Up World
127 bpm • G Maj • 04:04 • -9.15db
3% Popularity • 68% Danceability • 46% Energy • 37% Liveness
15% Instrumentalness • 61% Positiveness
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Wentus Blues Band
Looking for Trouble
127 bpm • A# Maj • 04:24 • -5.04db
2% Popularity • 44% Danceability • 90% Energy • 97% Liveness
11% Instrumentalness • 79% Positiveness
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Queen Sylvia Embry
Blues This Morning
127 bpm • G Maj • 02:08 • -12db
28% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Kim Wilson
Edgier
148 bpm • D# Maj • 02:20 • -6.91db
5% Popularity • 30% Danceability • 84% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Kenny Neal
Hoodoo Moon
127 bpm • E Maj • 03:16 • -13.69db
21% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Hubert Sumlin
Easy, Hubert, Easy
127 bpm • B Maj • 03:53 • -11.64db
14% Popularity • 72% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
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Billy Branch
Nobody But You
148 bpm • A# Maj • 03:07 • -6.63db
25% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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J. B. Hutto
Lulu Belle's Here
148 bpm • G Maj • 03:41 • -9.19db
25% Popularity • 56% Danceability • 59% Energy • 22% Liveness
24% Instrumentalness • 62% Positiveness
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Soul Seven
Juke
148 bpm • A Maj • 02:46 • -10.49db
19% Popularity • 61% Danceability • 56% Energy • 12% Liveness
97% Instrumentalness • 70% Positiveness
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Son Seals
Going Home (Where Women Got Meat On Thei...
127 bpm • E min • 03:47 • -6.94db
12% Popularity • 69% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Kim Wilson
I'm Sorry
126 bpm • C Maj • 02:24 • -6.22db
2% Popularity • 56% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Boy Arnold
I Ain't Got You
126 bpm • A Maj • 03:15 • -9.25db
25% Popularity • 71% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Kirk Fletcher
Country Girl
126 bpm • D Maj • 04:59 • -6db
3% Popularity • 54% Danceability • 79% Energy • 28% Liveness
3% Instrumentalness • 56% Positiveness
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The Smokin' Joe Kubek Band
Texas Cadillac
126 bpm • E Maj • 04:12 • -9.57db
18% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Rob Stone
Cut the Heat On
149 bpm • A Maj • 03:40 • -5.43db
11% Popularity • 41% Danceability • 81% Energy • 6% Liveness
86% Instrumentalness • 57% Positiveness
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Johnny B. Moore
Knockin At Your Door
125 bpm • E Maj • 03:12 • -12.51db
8% Popularity • 71% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Kim Wilson
Ooh Baby (When You Squeeze Me)
126 bpm • D Maj • 04:17 • -9.96db
2% Popularity • 76% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Larry Garner
Miss boss
125 bpm • A Maj • 03:54 • -8.78db
11% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Johnnie Johnson
Beach Weather
125 bpm • G Maj • 04:15 • -8.05db
9% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Rick Estrin & The Nightcats
Back From The Dead
150 bpm • A Maj • 02:48 • -3.97db
14% Popularity • 46% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Cain
Drinking Straight Tequila
125 bpm • B min • 02:52 • -4.72db
29% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Bob Margolin
Moving South
125 bpm • B min • 03:57 • -8.06db
13% Popularity • 53% Danceability • 87% Energy • 24% Liveness
19% Instrumentalness • 92% Positiveness
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Mississippi Heat
Jean's Jive
125 bpm • G min • 03:08 • -5db
16% Popularity • 76% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 98% Positiveness
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The Hollywood Blue Flames
I'm A Lucky, Lucky Man
150 bpm • A Maj • 02:59 • -9.18db
1% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Lil Ed & The Blues Imperials
Old Oak Tree
125 bpm • G Maj • 04:31 • -11.09db
19% Popularity • 56% Danceability • 63% Energy • 30% Liveness
2% Instrumentalness • 55% Positiveness
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Zuzu Bollin
Hey Little Girl
125 bpm • C Maj • 03:38 • -14.35db
6% Popularity • 51% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmy Dawkins
Ruff Times
124 bpm • G Maj • 05:32 • -16.7db
23% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
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Pat Ramsey
It's About Time
124 bpm • D Maj • 03:27 • -4.85db
12% Popularity • 53% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Joe "Guitar" Hughes
A Blue Song
124 bpm • G Maj • 05:14 • -12db
27% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Diunna Greenleaf
Sunny Day Friends
124 bpm • C Maj • 03:40 • -4.66db
29% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Lil Ed & The Blues Imperials
You Don't Exist Any More
124 bpm • A Maj • 04:03 • -10.96db
23% Popularity • 72% Danceability • 58% Energy • 42% Liveness
1% Instrumentalness • 64% Positiveness
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Hubert Sumlin
It's You, My Baby
124 bpm • A Maj • 02:31 • -9db
17% Popularity • 70% Danceability • 62% Energy • 32% Liveness
2% Instrumentalness • 94% Positiveness
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Nick Moss Band
Before the Night Is Through
124 bpm • G min • 03:10 • -6db
10% Popularity • 65% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Siegel-Schwall Band
Going Back To Alabama
124 bpm • A# min • 03:39 • -7db
15% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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William Clarke
Sweet Angel's Gone
124 bpm • G Maj • 04:44 • -15db
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
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Tiger Man