Songs like Till Forever Falls Apart by Ashe
Based on a tempo of (+/- 10%) and a similar genre
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Lana Del Rey
Say Yes To Heaven
100 bpm • F# min • 03:29 • -11.58db
86% Popularity • 49% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
86% Popularity • 49% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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SYML
You and I
100 bpm • F Maj • 03:13 • -10db
64% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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SZA
Nobody Gets Me
100 bpm • G Maj • 03:00 • -8.29db
85% Popularity • 36% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
85% Popularity • 36% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Gatlin
What If I Love You
101 bpm • B Maj • 02:38 • -8db
63% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Harry Styles
Adore You
99 bpm • G# Maj • 03:27 • -3.68db
84% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
84% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Stephen Sanchez
Until I Found You - Em Beihold Version
101 bpm • A# Maj • 02:56 • -5.34db
86% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
86% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ashe
Shitty Places, Pretty Faces
100 bpm • A Maj • 03:33 • -9.05db
31% Popularity • 57% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 57% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Labrinth
Never Felt So Alone
98 bpm • F Maj • 02:40 • -4.44db
76% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Ruth B.
Dandelions - slowed + reverb
102 bpm • G# min • 04:28 • -3.33db
65% Popularity • 33% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 33% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Swift
Nothing New (Taylor’s Version)
102 bpm • C Maj • 04:18 • -9.46db
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Stephen Sanchez
Please Don't Go Home Yet
98 bpm • C Maj • 03:34 • -10.59db
55% Popularity • 60% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 60% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Lewis Capaldi
Forget Me
102 bpm • C# min • 03:23 • -3.77db
77% Popularity • 66% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
77% Popularity • 66% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Ashe
When I'm Older
102 bpm • A# Maj • 02:50 • -12db
38% Popularity • 39% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 39% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lana Del Rey
Margaret
102 bpm • A Maj • 05:39 • -13.24db
81% Popularity • 45% Danceability • 25% Energy • 6% Liveness
13% Instrumentalness • 22% Positiveness
81% Popularity • 45% Danceability • 25% Energy • 6% Liveness
13% Instrumentalness • 22% Positiveness
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Coldplay
Sparks
103 bpm • C# Maj • 03:47 • -10.51db
86% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
86% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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flora cash
You're Somebody Else
103 bpm • C# Maj • 03:39 • -9.06db
69% Popularity • 71% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
69% Popularity • 71% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Jordy Searcy
Love & War in Your Twenties
103 bpm • D Maj • 04:10 • -9.69db
65% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
65% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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PUBLIC
Make You Mine
103 bpm • A Maj • 03:52 • -4.45db
74% Popularity • 61% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
74% Popularity • 61% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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FINNEAS
Only A Lifetime
103 bpm • D Maj • 04:16 • -13.86db
49% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Cigarettes After Sex
Sweet
97 bpm • F# Maj • 04:52 • -9.07db
82% Popularity • 45% Danceability • 51% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
82% Popularity • 45% Danceability • 51% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
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SYML
Where's My Love
104 bpm • C min • 03:22 • -10.11db
81% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
81% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Harry Styles
Sweet Creature
104 bpm • G Maj • 03:44 • -8.54db
73% Popularity • 43% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
73% Popularity • 43% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The 1975
About You
96 bpm • D Maj • 05:26 • -7.39db
80% Popularity • 42% Danceability • 76% Energy • 6% Liveness
80% Instrumentalness • 46% Positiveness
80% Popularity • 42% Danceability • 76% Energy • 6% Liveness
80% Instrumentalness • 46% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Benson Boone
NIGHTS LIKE THESE
96 bpm • G min • 02:52 • -6.02db
72% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
72% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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SYML
Where's My Love - Acoustic
104 bpm • D# Maj • 03:59 • -11.32db
74% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
74% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Harry Styles
Cherry
96 bpm • G Maj • 04:19 • -9.26db
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Lewis Capaldi
Grace
104 bpm • E Maj • 03:05 • -5.85db
71% Popularity • 72% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
71% Popularity • 72% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Novo Amor
Keep Me
105 bpm • C# Maj • 03:14 • -14.12db
66% Popularity • 57% Danceability • 13% Energy • 16% Liveness
6% Instrumentalness • 7% Positiveness
66% Popularity • 57% Danceability • 13% Energy • 16% Liveness
6% Instrumentalness • 7% Positiveness
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Stephen Sanchez
Until I Found You - Piano Version
95 bpm • G Maj • 03:04 • -10.45db
67% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
67% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Haley Joelle
Two Places at Once
105 bpm • D Maj • 03:19 • -9.96db
53% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Ashe
Angry Woman
105 bpm • G# Maj • 02:33 • -7.99db
47% Popularity • 65% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
47% Popularity • 65% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
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Benson Boone
Beautiful Things
105 bpm • A# Maj • 03:00 • -5.69db
65% Popularity • 47% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 47% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Lauren Spencer Smith
Bigger Person
105 bpm • G Maj • 02:41 • -8.16db
69% Popularity • 50% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 50% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Noah Kahan
Forever
95 bpm • C Maj • 04:28 • -10.86db
80% Popularity • 40% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
80% Popularity • 40% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Daughter
Medicine
95 bpm • D# Maj • 04:18 • -12.2db
65% Popularity • 22% Danceability • 32% Energy • 60% Liveness
24% Instrumentalness • 19% Positiveness
65% Popularity • 22% Danceability • 32% Energy • 60% Liveness
24% Instrumentalness • 19% Positiveness
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Cigarettes After Sex
Apocalypse
94 bpm • F Maj • 04:50 • -9.01db
89% Popularity • 37% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
89% Popularity • 37% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
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JVKE
golden hour
94 bpm • E Maj • 03:29 • -4.8db
80% Popularity • 52% Danceability • 59% Energy • 25% Liveness
16% Instrumentalness • 15% Positiveness
80% Popularity • 52% Danceability • 59% Energy • 25% Liveness
16% Instrumentalness • 15% Positiveness
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Sabrina Carpenter
Skin
106 bpm • G Maj • 02:57 • -5.37db
66% Popularity • 56% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
66% Popularity • 56% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Sara Kays
Smaller Than This
106 bpm • C# Maj • 03:28 • -9.18db
51% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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5 Seconds of Summer
Lover Of Mine
94 bpm • B min • 03:26 • -2.54db
59% Popularity • 55% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 55% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Mark Ambor
Good To Be
94 bpm • E Maj • 02:27 • -5.86db
76% Popularity • 66% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
76% Popularity • 66% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Stephen Sanchez
The Pool
94 bpm • D# Maj • 04:51 • -7.41db
59% Popularity • 44% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 44% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Cigarettes After Sex
K.
94 bpm • D# Maj • 05:20 • -10.26db
84% Popularity • 45% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 33% Positiveness
84% Popularity • 45% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 33% Positiveness
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Lewis Capaldi
Hold Me While You Wait
107 bpm • B Maj • 03:25 • -5.51db
78% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
78% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Novo Amor
Carry You
93 bpm • G Maj • 04:33 • -7.99db
67% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
67% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Dominic Fike
Elliot's Song
93 bpm • E Maj • 02:30 • -14.29db
63% Popularity • 39% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
63% Popularity • 39% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Jax
Like My Father
93 bpm • F Maj • 03:03 • -8.1db
68% Popularity • 49% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 49% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Reneé Rapp
Don't Tell My Mom
93 bpm • A Maj • 03:09 • -9db
60% Popularity • 71% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 71% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Maddie Zahm
Fat Funny Friend
108 bpm • C Maj • 03:19 • -7.89db
67% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
67% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Lana Del Rey
Brooklyn Baby
108 bpm • C# Maj • 05:51 • -6.7db
81% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
81% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Lewis Capaldi
Wish You The Best
108 bpm • D# Maj • 03:30 • -3.59db
80% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
80% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Conan Gray
Maniac
108 bpm • G# Maj • 03:05 • -5.46db
79% Popularity • 63% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
79% Popularity • 63% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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James Arthur
Can I Be Him
108 bpm • B Maj • 04:06 • -6.16db
79% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
79% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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dodie
She
92 bpm • D Maj • 03:33 • -15.05db
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Benson Boone
Work of Art
92 bpm • F# Maj • 02:49 • -6.94db
64% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Vancouver Sleep Clinic
Someone To Stay
109 bpm • C# Maj • 04:14 • -7.24db
75% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
75% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lizzy McAlpine
I Guess
92 bpm • E Maj • 03:44 • -8.73db
57% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
57% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
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Lana Del Rey
Cinnamon Girl
92 bpm • F# min • 05:00 • -10.61db
83% Popularity • 29% Danceability • 34% Energy • 14% Liveness
41% Instrumentalness • 14% Positiveness
83% Popularity • 29% Danceability • 34% Energy • 14% Liveness
41% Instrumentalness • 14% Positiveness
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Maddie Zahm
You Might Not Like Her
109 bpm • G Maj • 03:22 • -7.96db
56% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Wasia Project
ur so pretty
91 bpm • E Maj • 02:12 • -13db
70% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Stephen Sanchez
Evangeline
109 bpm • D# Maj • 02:57 • -7.13db
70% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
70% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Lauren Spencer Smith
Fingers Crossed
110 bpm • F Maj • 02:55 • -7.17db
74% Popularity • 61% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
74% Popularity • 61% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Schulte
Falling Apart
110 bpm • G min • 03:18 • -9.36db
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Conan Gray
Wish You Were Sober
91 bpm • D Maj • 02:48 • -5.23db
73% Popularity • 70% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
73% Popularity • 70% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Gracie Abrams
I miss you, I’m sorry
110 bpm • G Maj • 02:47 • -6.41db
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Adele
Love In The Dark
110 bpm • A min • 04:45 • -6.06db
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Lewis Capaldi
Someone You Loved
110 bpm • C# Maj • 03:02 • -5.68db
89% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
89% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Paloma Faith
Only Love Can Hurt Like This
91 bpm • G# Maj • 03:52 • -4.53db
81% Popularity • 57% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
81% Popularity • 57% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Mark Ambor
Belong Together
91 bpm • D Maj • 02:28 • -5.2db
85% Popularity • 65% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
85% Popularity • 65% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Ashe
Cold in California
110 bpm • A Maj • 03:27 • -8.05db
35% Popularity • 43% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 43% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Conan Gray
Comfort Crowd
91 bpm • C Maj • 02:54 • -6.75db
66% Popularity • 68% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
66% Popularity • 68% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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David Kushner
Miserable Man
110 bpm • A# Maj • 03:52 • -10.29db
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Chance Peña
War
110 bpm • G# Maj • 02:38 • -11.38db
72% Popularity • 60% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 20% Positiveness
72% Popularity • 60% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 20% Positiveness
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One Direction
Little Things
110 bpm • G Maj • 03:39 • -11.86db
73% Popularity • 71% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
73% Popularity • 71% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Sadie Jean
Just Because
90 bpm • D# Maj • 02:12 • -7.8db
67% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Taylor Swift
mirrorball
110 bpm • D Maj • 03:28 • -10.04db
77% Popularity • 55% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
77% Popularity • 55% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Billie Eilish
Male Fantasy
111 bpm • D Maj • 03:14 • -10.42db
69% Popularity • 69% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
69% Popularity • 69% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Orla Gartland
Why Am I Like This?
90 bpm • D Maj • 03:32 • -7.71db
58% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Clinton Kane
GO TO HELL
90 bpm • D Maj • 03:03 • -3db
48% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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NERIAH
Unfinished Business
90 bpm • G# min • 03:29 • -6.18db
60% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lewis Capaldi
Bruises
111 bpm • E Maj • 03:40 • -7.83db
81% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Taylor Swift
august
90 bpm • F Maj • 04:21 • -9.21db
87% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
87% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Novo Amor
Ontario
90 bpm • A# Maj • 03:12 • -13.89db
68% Popularity • 41% Danceability • 22% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
68% Popularity • 41% Danceability • 22% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ed Sheeran
Happier
90 bpm • C Maj • 03:27 • -7.36db
76% Popularity • 52% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
76% Popularity • 52% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Labrinth
Still Don't Know My Name
90 bpm • F Maj • 02:33 • -5.96db
76% Popularity • 32% Danceability • 63% Energy • 20% Liveness
26% Instrumentalness • 31% Positiveness
76% Popularity • 32% Danceability • 63% Energy • 20% Liveness
26% Instrumentalness • 31% Positiveness
