Songs like Till There's Nothing Left by Cam
Based on a tempo of (+/- 10%) and a similar genre
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Morgan Wade
Run
76 bpm • C Maj • 03:32 • -7db
44% Popularity • 63% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 63% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Gabby Barrett
I Hope
76 bpm • F# Maj • 03:30 • -6.23db
72% Popularity • 47% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 47% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Smithfield
We'll Figure It Out
76 bpm • C# Maj • 03:12 • -9db
53% Popularity • 64% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 64% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Hunt
Kinfolks
76 bpm • C Maj • 03:01 • -5db
63% Popularity • 57% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
63% Popularity • 57% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Brett Young
Like I Loved You
76 bpm • C# Maj • 03:27 • -6.05db
63% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Young
Town Ain't Big Enough
76 bpm • F# Maj • 02:51 • -4db
37% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Maddie & Tae
Die From A Broken Heart
76 bpm • A Maj • 03:08 • -6.63db
69% Popularity • 60% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 60% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Cam
Till There's Nothing Left
76 bpm • D Maj • 03:15 • -7db
53% Popularity • 58% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 58% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Maren Morris
My Church
77 bpm • A Maj • 03:17 • -4.34db
66% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
66% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Ella Langley
Damn You
77 bpm • E Maj • 03:03 • -3db
57% Popularity • 58% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 58% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tenille Arts
Back Then, Right Now
77 bpm • F Maj • 03:02 • -3.23db
51% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Young
At the End of a Bar
76 bpm • D# Maj • 03:06 • -4.23db
56% Popularity • 49% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
56% Popularity • 49% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Doleac
Another
75 bpm • G Maj • 03:08 • -6.28db
48% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Cam
Village
77 bpm • G Maj • 03:55 • -9db
38% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Maren Morris
The Bones
77 bpm • B min • 03:17 • -6.64db
70% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Maddie & Tae
Heart They Didn't Break
77 bpm • C Maj • 03:10 • -5.54db
58% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
58% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Ashley Cooke
never til now
77 bpm • A# Maj • 02:53 • -7.55db
43% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Seaforth
Breakups
75 bpm • C# Maj • 03:43 • -6db
41% Popularity • 53% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 53% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Caylee Hammack
Small Town Hypocrite
74 bpm • D# Maj • 04:02 • -9db
31% Popularity • 44% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 44% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Scotty McCreery
This Is It
78 bpm • G# Maj • 03:50 • -6.79db
62% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Maren Morris
Rich
75 bpm • F Maj • 03:28 • -4.19db
57% Popularity • 56% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
57% Popularity • 56% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Kane Brown
Worship You
78 bpm • G# Maj • 03:25 • -7.01db
46% Popularity • 63% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 63% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Ashley Cooke
it's been a year
77 bpm • B Maj • 03:36 • -7.96db
45% Popularity • 36% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 36% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Ashley McBryde
One Night Standards
78 bpm • F Maj • 03:10 • -5.02db
58% Popularity • 54% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
58% Popularity • 54% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Cam
Palace - Cover
78 bpm • F# min • 03:49 • -11.18db
42% Popularity • 40% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 40% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Bryan Martin
Beauty in the Struggle
74 bpm • C# Maj • 02:32 • -7.5db
66% Popularity • 57% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
66% Popularity • 57% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Maren Morris
To Hell & Back
78 bpm • C Maj • 03:15 • -7db
52% Popularity • 46% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 46% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Ingrid Andress
More Hearts Than Mine
79 bpm • C Maj • 03:34 • -7.39db
66% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
66% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Abbott Band
Settle Me Down
73 bpm • E Maj • 02:57 • -6.74db
63% Popularity • 30% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 30% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Caylee Hammack
Small Town Hypocrite
73 bpm • D# Maj • 04:01 • -6.86db
46% Popularity • 41% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 41% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Maddie & Tae
Everywhere I'm Goin'
79 bpm • G Maj • 03:28 • -4.66db
40% Popularity • 52% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 52% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Morgan Wade
Take Me Away
79 bpm • A# Maj • 03:44 • -6db
52% Popularity • 42% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 42% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Miranda Lambert
Tin Man
79 bpm • C Maj • 04:19 • -10.92db
55% Popularity • 42% Danceability • 37% Energy • 7% Liveness
1% Instrumentalness • 29% Positiveness
55% Popularity • 42% Danceability • 37% Energy • 7% Liveness
1% Instrumentalness • 29% Positiveness
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Ingrid Andress
The Stranger
79 bpm • F# min • 03:11 • -6.99db
45% Popularity • 27% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 27% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Tiera Kennedy
Found It In You - Demo
79 bpm • F min • 03:14 • -5.82db
38% Popularity • 39% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 39% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Gabby Barrett
Pick Me Up
80 bpm • D Maj • 02:49 • -5db
57% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Elle King
Worth A Shot
80 bpm • C Maj • 03:31 • -5db
42% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Brantley Gilbert
Hard Days
72 bpm • G# Maj • 02:58 • -6.95db
38% Popularity • 31% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 31% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Miranda Lambert
Makin' Plans
80 bpm • A# Maj • 03:50 • -8.04db
50% Popularity • 44% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 44% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Scott
Nobody
80 bpm • F Maj • 02:42 • -7db
60% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Ingrid Andress
Wishful Drinking - Bonus Track
79 bpm • A# Maj • 03:14 • -7db
54% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Garrett Hedlund
Give In to Me
80 bpm • C Maj • 03:29 • -10.03db
53% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Hailey Whitters
Heartland
80 bpm • E Maj • 03:31 • -5.13db
33% Popularity • 62% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 62% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Spencer Crandall
Things I Can't Say
80 bpm • G# Maj • 02:44 • -4.22db
49% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
49% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Miranda Lambert
If I Was a Cowboy
80 bpm • F# min • 03:14 • -6db
57% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Cam
Happier For You
72 bpm • D Maj • 03:51 • -7.62db
27% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Brett Young
Mercy
72 bpm • E Maj • 03:37 • -7.91db
67% Popularity • 64% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
67% Popularity • 64% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Devin Dawson
All On Me
81 bpm • F Maj • 03:44 • -5.49db
58% Popularity • 63% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 63% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Tenille Arts
I Hate This
81 bpm • F# Maj • 03:08 • -6.84db
53% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mitchell Tenpenny
Truth About You
81 bpm • A# Maj • 03:23 • -4.65db
61% Popularity • 52% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 52% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Miranda Lambert
The House That Built Me
81 bpm • F Maj • 03:56 • -8.01db
66% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
66% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Megan Moroney
Wonder
81 bpm • G min • 03:42 • -8.18db
56% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
56% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Brett Young
Chapters
81 bpm • B Maj • 03:57 • -6.82db
53% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
53% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Ingrid Andress
Both
81 bpm • B Maj • 03:23 • -6db
39% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Keith Urban
Parallel Line
82 bpm • C Maj • 04:13 • -5.28db
53% Popularity • 62% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 62% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Brothers Osborne
I'm Not For Everyone
82 bpm • G Maj • 02:52 • -4.87db
64% Popularity • 59% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
64% Popularity • 59% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Miranda Lambert
Bluebird
82 bpm • G Maj • 03:29 • -5.99db
66% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
66% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Brett Young
You Didn’t
82 bpm • B Maj • 03:45 • -7.6db
61% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Cole Swindell
Single Saturday Night
82 bpm • G Maj • 03:09 • -5db
59% Popularity • 63% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 63% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Dylan Schneider
How Does It Sound
82 bpm • G Maj • 02:42 • -6db
60% Popularity • 54% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 54% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jake Owen
Made For You
82 bpm • C# Maj • 03:58 • -6.83db
68% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
68% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ashley McBryde
Girl Goin' Nowhere
82 bpm • B Maj • 03:27 • -12.92db
51% Popularity • 59% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
51% Popularity • 59% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Blake Shelton
Happy Anywhere
83 bpm • G# Maj • 02:51 • -6db
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Runaway June
Good, Bad & Ugly
82 bpm • A Maj • 03:04 • -5.75db
22% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Chris Young
Drowning
69 bpm • F Maj • 03:11 • -5.23db
49% Popularity • 26% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 26% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Dierks Bentley
Living
83 bpm • C# Maj • 03:42 • -6.33db
57% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Tenille Arts
Give It To Me Straight
83 bpm • C Maj • 03:14 • -4.1db
42% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Wrabel
london
84 bpm • A Maj • 04:26 • -7.67db
47% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Mickey Guyton
Lay It On Me
69 bpm • A# Maj • 03:09 • -4.45db
45% Popularity • 40% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 40% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Darius Rucker
If I Told You
84 bpm • A Maj • 03:32 • -7db
58% Popularity • 53% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 53% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Maren Morris
All My Favorite People
84 bpm • E Maj • 03:19 • -4db
52% Popularity • 42% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 42% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Dierks Bentley
I'll Be The Moon
84 bpm • D Maj • 03:30 • -8.34db
46% Popularity • 55% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 55% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Morgan Wallen
More Surprised Than Me
85 bpm • F# Maj • 02:37 • -6.05db
64% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
64% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Chase Rice
Lonely If You Are
85 bpm • G Maj • 02:56 • -5.1db
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Brett Eldredge
Good Day
85 bpm • A# Maj • 03:25 • -7.27db
51% Popularity • 51% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 51% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Mickey Guyton
What Are You Gonna Tell Her?
86 bpm • G Maj • 03:15 • -6.85db
22% Popularity • 51% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 51% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Cole Swindell
Break Up in the End
86 bpm • C# Maj • 03:19 • -8db
59% Popularity • 51% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 51% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Carrie Underwood
Church Bells
87 bpm • D# min • 03:13 • -1.77db
65% Popularity • 57% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 57% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Morgan Wade
Other Side
86 bpm • A# Maj • 03:12 • -4.95db
37% Popularity • 51% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 51% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Chase Rice
Forever To Go
89 bpm • C# Maj • 02:57 • -8.1db
49% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Josh Abbott Band
The Luckiest
87 bpm • F Maj • 03:53 • -5db
42% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Brett Eldredge
The Long Way
89 bpm • A# Maj • 03:28 • -8db
54% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
70% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:49 • -7.74db
60% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Jordan Davis
Selfish
90 bpm • G# Maj • 03:12 • -6.07db
58% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Miranda Lambert
Settling Down
90 bpm • F# min • 03:17 • -5.8db
55% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Brett Eldredge
Songs About You
90 bpm • G# Maj • 03:22 • -4.86db
42% Popularity • 65% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 65% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Jason Aldean
Drowns The Whiskey
90 bpm • G# Maj • 03:22 • -4.82db
59% Popularity • 55% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 55% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Tim McGraw
Undivided
90 bpm • A# Maj • 02:57 • -4.75db
49% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Parmalee
Just the Way
90 bpm • A Maj • 03:13 • -3.34db
68% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Maren Morris
80s Mercedes
91 bpm • A Maj • 03:31 • -5.41db
59% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Maddie & Tae
Trying On Rings
91 bpm • G Maj • 03:05 • -7.45db
42% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Morgan Evans
Over For You
91 bpm • E Maj • 03:05 • -8.97db
56% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
56% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Seaforth
Good Beer
91 bpm • F# Maj • 02:54 • -4.25db
46% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Thomas Rhett
Want It Again
91 bpm • A Maj • 02:52 • -9.14db
59% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
59% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness