Songs like Time After Time - Live at the Sahara Hotel, Las Vegas, NV - April 1964 by Tony Bennett
Based on a tempo of (+/- 10%) and a similar genre
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Melody Gardot
Goodnite
111 bpm • D min • 03:04 • -11.99db
52% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Erin Boheme
One Night With Frank
111 bpm • C# Maj • 04:14 • -15db
37% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ella Fitzgerald
All The Things You Are
111 bpm • C# Maj • 03:15 • -14.49db
50% Popularity • 45% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 45% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Dinah Washington
September In The Rain
111 bpm • C# Maj • 02:09 • -13.12db
61% Popularity • 40% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 40% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Etta Jones
My Gentleman Friend
111 bpm • G min • 02:18 • -13.12db
43% Popularity • 61% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 61% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Andrea Bocelli
New York, New York - Live At Central Par...
111 bpm • D Maj • 03:26 • -8.92db
34% Popularity • 36% Danceability • 60% Energy • 100% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 36% Danceability • 60% Energy • 100% Liveness
0% Instrumentalness • 54% Positiveness
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Madeleine Peyroux
(Getting Some) Fun out of Life
111 bpm • E min • 03:12 • -9.62db
58% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Tony Bennett
Speak Low
112 bpm • E min • 03:54 • -13.8db
37% Popularity • 43% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 43% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Arthur Prysock
I'm Through With Love
112 bpm • D# Maj • 03:42 • -28.07db
39% Popularity • 48% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
39% Popularity • 48% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
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Ernestine Anderson
Love for Sale
110 bpm • G# Maj • 02:14 • -6.54db
42% Popularity • 59% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 59% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Dionne Warwick
What the World Needs Now (Is Love)
112 bpm • B min • 03:09 • -12.75db
54% Popularity • 59% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 59% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Karen Souza
Everybody Knows
110 bpm • C Maj • 02:48 • -11.41db
48% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tony DeSare
I Wish You Love
112 bpm • G# Maj • 03:00 • -14db
40% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Tony Bennett
The Shadow of Your Smile (Love Theme fro...
110 bpm • G Maj • 03:37 • -17.25db
40% Popularity • 31% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
40% Popularity • 31% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
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Flora MartÃnez
Blue Moon
110 bpm • C# Maj • 03:00 • -12db
60% Popularity • 86% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 86% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Natalie Cole
They Can't Take That Away From Me
110 bpm • D Maj • 03:11 • -8db
40% Popularity • 63% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 63% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Madeleine Peyroux
I'm All Right
110 bpm • A Maj • 03:26 • -12db
48% Popularity • 71% Danceability • 38% Energy • 34% Liveness
10% Instrumentalness • 31% Positiveness
48% Popularity • 71% Danceability • 38% Energy • 34% Liveness
10% Instrumentalness • 31% Positiveness
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Eliane Elias
You’re Getting To Be A Habit With Me
112 bpm • F Maj • 03:50 • -11.64db
35% Popularity • 83% Danceability • 43% Energy • 17% Liveness
35% Instrumentalness • 62% Positiveness
35% Popularity • 83% Danceability • 43% Energy • 17% Liveness
35% Instrumentalness • 62% Positiveness
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Tony DeSare
All of Me
112 bpm • C Maj • 03:26 • -14.22db
34% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Tony Bennett
Who Can I Turn To (When Nobody Needs Me)
112 bpm • D# Maj • 02:55 • -12db
33% Popularity • 24% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 24% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 13% Positiveness
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Nat King Cole
Stardust
110 bpm • G Maj • 03:15 • -13.16db
56% Popularity • 26% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
56% Popularity • 26% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Harry Connick, Jr.
A Wink and a Smile
112 bpm • G Maj • 02:46 • -13.66db
54% Popularity • 73% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 73% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Alexis Cole
A Beautiful Friendship
110 bpm • G Maj • 04:18 • -9db
37% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jimmy Durante
Try a Little Tenderness
110 bpm • C# Maj • 02:52 • -14.79db
25% Popularity • 38% Danceability • 24% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 38% Danceability • 24% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
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Frank Sinatra Jr.
What a Difference a Day Makes
110 bpm • F Maj • 03:04 • -12db
42% Popularity • 40% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 40% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Tony Bennett
The Way You Look Tonight
112 bpm • C Maj • 03:23 • -22.05db
61% Popularity • 42% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
61% Popularity • 42% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Frank Sinatra
The Best Is Yet To Come
110 bpm • G# Maj • 02:53 • -13db
51% Popularity • 66% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 66% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Amy Winehouse
Someone To Watch Over Me - Demo
110 bpm • F Maj • 04:28 • -12db
50% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Platters
Remember When
113 bpm • F Maj • 02:52 • -11.69db
42% Popularity • 32% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 32% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dave Brubeck
That Old Black Magic
109 bpm • G# Maj • 03:18 • -13db
27% Popularity • 55% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 55% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Count Basie
Life Is a Song (Let's Sing It Together) ...
109 bpm • A min • 02:55 • -13.42db
16% Popularity • 48% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 48% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Blossom Dearie
Something Happens To Me
113 bpm • F Maj • 02:04 • -14.42db
41% Popularity • 55% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 55% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Frank Sinatra
New York, New York
109 bpm • D Maj • 03:30 • -8.47db
54% Popularity • 44% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 44% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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June Christy
How High The Moon - Remastered
113 bpm • F min • 02:33 • -8db
37% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Tommy Dorsey
On the Sunny Side of the Street
113 bpm • D# Maj • 03:14 • -13.02db
35% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Melody Gardot
Baby I'm A Fool
113 bpm • A# min • 03:30 • -13.13db
54% Popularity • 52% Danceability • 24% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
54% Popularity • 52% Danceability • 24% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
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Louis Armstrong
C'est si bon
113 bpm • C min • 03:03 • -12db
60% Popularity • 60% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 60% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Glenn Miller
Tuxedo Junction
114 bpm • A# Maj • 03:25 • -16db
37% Popularity • 71% Danceability • 11% Energy • 18% Liveness
72% Instrumentalness • 41% Positiveness
37% Popularity • 71% Danceability • 11% Energy • 18% Liveness
72% Instrumentalness • 41% Positiveness
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Liza Minnelli
New York, New York
108 bpm • C# Maj • 03:17 • -9.69db
43% Popularity • 55% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 55% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Artie Shaw
Where Or When
108 bpm • D min • 03:17 • -8.57db
34% Popularity • 49% Danceability • 27% Energy • 25% Liveness
1% Instrumentalness • 33% Positiveness
34% Popularity • 49% Danceability • 27% Energy • 25% Liveness
1% Instrumentalness • 33% Positiveness
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Betty Carter
This Is Always
114 bpm • E min • 03:11 • -19.69db
51% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Heather Rigdon
Young & Naïve
108 bpm • F# min • 02:49 • -12.57db
61% Popularity • 76% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 76% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Glenn Miller Orchestra
Blue Moon
114 bpm • C# Maj • 02:54 • -11.88db
24% Popularity • 48% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 48% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Eliane Elias
Save Your Love For Me
114 bpm • G# Maj • 04:00 • -14db
49% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lauren Henderson
I Wish You Love
114 bpm • G# Maj • 03:05 • -13.68db
37% Popularity • 70% Danceability • 38% Energy • 12% Liveness
13% Instrumentalness • 67% Positiveness
37% Popularity • 70% Danceability • 38% Energy • 12% Liveness
13% Instrumentalness • 67% Positiveness
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Tommy Dorsey
On the Sunny Side of the Street
108 bpm • D# Maj • 03:27 • -14.18db
32% Popularity • 65% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 65% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Al Martino
This Is My Song - Remastered
108 bpm • A# Maj • 02:26 • -17.46db
35% Popularity • 28% Danceability • 30% Energy • 15% Liveness
21% Instrumentalness • 49% Positiveness
35% Popularity • 28% Danceability • 30% Energy • 15% Liveness
21% Instrumentalness • 49% Positiveness
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Ernestine Anderson
Moonlight In Vermont
108 bpm • A# min • 02:38 • -25.4db
47% Popularity • 35% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 35% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Dave Brubeck
Weep No More
108 bpm • F min • 02:48 • -23.15db
37% Popularity • 44% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 44% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Eliane Elias
A Man And A Woman
114 bpm • G Maj • 03:16 • -14db
35% Popularity • 53% Danceability • 36% Energy • 9% Liveness
15% Instrumentalness • 31% Positiveness
35% Popularity • 53% Danceability • 36% Energy • 9% Liveness
15% Instrumentalness • 31% Positiveness
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Frank Sinatra Jr.
The People You Never Get to Love
115 bpm • E Maj • 04:28 • -17.25db
20% Popularity • 41% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 41% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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June Christy
Softly As In A Morning Sunrise - Mono
115 bpm • F min • 02:14 • -11.01db
32% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Johnny Mathis
Over the Rainbow
115 bpm • D# Maj • 04:52 • -12.55db
45% Popularity • 24% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 24% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Heather Rigdon
And so It Goes
115 bpm • G min • 02:31 • -7.31db
52% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Cole Porter
So in Love
115 bpm • G# Maj • 02:49 • -14.55db
27% Popularity • 25% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 22% Positiveness
27% Popularity • 25% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 22% Positiveness
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Eliane Elias
Call Me
107 bpm • F min • 04:10 • -17db
48% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Flora MartÃnez
You Belong To My Heart - Solamente una V...
115 bpm • G Maj • 02:43 • -16.1db
52% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Artie Shaw
Deep Purple
115 bpm • A# Maj • 03:13 • -15.2db
31% Popularity • 58% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 58% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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The Platters
Twilight Time - Single Version
116 bpm • A Maj • 02:48 • -12.56db
59% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Tony Bennett
Somewhere over the Rainbow
116 bpm • A# Maj • 03:57 • -10.95db
34% Popularity • 46% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 46% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Lara Louise
It Had To Be You
116 bpm • C# Maj • 02:38 • -13.98db
53% Popularity • 68% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 68% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Rosemary Clooney
You Make Me Feel so Young
116 bpm • F Maj • 02:52 • -9.3db
43% Popularity • 64% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 64% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Blossom Dearie
I Wish You Love
116 bpm • C# Maj • 02:09 • -15.99db
43% Popularity • 61% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 61% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Count Basie
I Guess I'll Have to Change My Plans - 1...
106 bpm • C Maj • 01:45 • -13.84db
12% Popularity • 43% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 43% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Bobby Darin
A Nightingale Sang In Berkeley Square - ...
116 bpm • C# Maj • 03:02 • -12db
43% Popularity • 56% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 56% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Dakota Staton
The Song Is Ended
106 bpm • G min • 02:49 • -14.69db
24% Popularity • 67% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 67% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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Artie Shaw
Moonglow
106 bpm • A# Maj • 03:33 • -18.84db
49% Popularity • 53% Danceability • 11% Energy • 28% Liveness
44% Instrumentalness • 39% Positiveness
49% Popularity • 53% Danceability • 11% Energy • 28% Liveness
44% Instrumentalness • 39% Positiveness
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Ella Fitzgerald
Night And Day
117 bpm • G# Maj • 03:06 • -14.62db
55% Popularity • 44% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 44% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Blossom Dearie
It Might As Well Be Spring
117 bpm • F# Maj • 03:11 • -20.05db
38% Popularity • 44% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 44% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Mel Tormé
Don't Get Around Much Anymore
117 bpm • E min • 02:30 • -13.34db
32% Popularity • 55% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 55% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Cole Porter
Night and Day
117 bpm • G Maj • 02:42 • -10.78db
31% Popularity • 50% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
31% Popularity • 50% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
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Dakota Staton
You Don't Know What Love Is
117 bpm • B min • 02:25 • -19.92db
32% Popularity • 43% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 43% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Flora MartÃnez
Lover Man (Oh, Where Can You Be?)
105 bpm • G Maj • 03:03 • -12.46db
47% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Jeri Southern
Let's Fly Away
117 bpm • D Maj • 02:31 • -8.46db
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Lorez Alexandria
But Beautiful
105 bpm • C Maj • 04:15 • -17db
39% Popularity • 51% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 51% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Henry Mancini
Breakfast At Tiffany's
118 bpm • F min • 02:46 • -18.58db
38% Popularity • 34% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
38% Popularity • 34% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Glenn Miller
When You Wish Upon A Star
105 bpm • D# Maj • 02:50 • -12.13db
39% Popularity • 43% Danceability • 21% Energy • 58% Liveness
3% Instrumentalness • 40% Positiveness
39% Popularity • 43% Danceability • 21% Energy • 58% Liveness
3% Instrumentalness • 40% Positiveness
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Svetlana
Moonlight
105 bpm • F Maj • 05:59 • -11db
37% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Molly Johnson
Lucky
118 bpm • G# Maj • 02:40 • -7.99db
43% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ella Fitzgerald
They Can't Take That Away From Me
105 bpm • D# Maj • 04:39 • -15.31db
58% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Etta Jones
Through A Long And Sleepless Night
118 bpm • A min • 02:55 • -18.82db
29% Popularity • 54% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 54% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Susie Arioli
Loverboy
118 bpm • F Maj • 03:56 • -9.13db
30% Popularity • 62% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 62% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Eliane Elias
Time Alone
105 bpm • A# Maj • 06:36 • -18.57db
41% Popularity • 29% Danceability • 13% Energy • 22% Liveness
38% Instrumentalness • 6% Positiveness
41% Popularity • 29% Danceability • 13% Energy • 22% Liveness
38% Instrumentalness • 6% Positiveness
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Jimmy Durante
Once to Every Heart
105 bpm • F# Maj • 02:55 • -11.31db
22% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Stan Getz
Moonlight In Vermont
118 bpm • C# Maj • 02:27 • -10.93db
51% Popularity • 34% Danceability • 35% Energy • 22% Liveness
7% Instrumentalness • 34% Positiveness
51% Popularity • 34% Danceability • 35% Energy • 22% Liveness
7% Instrumentalness • 34% Positiveness
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Samara Joy
Stardust
118 bpm • G Maj • 03:53 • -14db
45% Popularity • 48% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 48% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tony Bennett
Steppin' Out with My Baby
104 bpm • D Maj • 02:02 • -9db
42% Popularity • 76% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 76% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Patti Page
Old Cape Cod
104 bpm • C min • 03:07 • -15.85db
35% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Eliane Elias
Falling In Love With Love
118 bpm • G# Maj • 06:26 • -22.16db
28% Popularity • 47% Danceability • 26% Energy • 17% Liveness
94% Instrumentalness • 53% Positiveness
28% Popularity • 47% Danceability • 26% Energy • 17% Liveness
94% Instrumentalness • 53% Positiveness
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Etta Jones
If I Had You
118 bpm • D min • 03:50 • -23db
50% Popularity • 52% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
50% Popularity • 52% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Lorez Alexandria
The Best Is Yet To Come
118 bpm • F Maj • 02:44 • -15db
38% Popularity • 77% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 77% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Benny Goodman
And the Angels Sing - Remastered
118 bpm • A# Maj • 03:10 • -11.81db
32% Popularity • 61% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
32% Popularity • 61% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
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Tony Bennett
The Way You Look Tonight
118 bpm • G Maj • 03:53 • -14.22db
34% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Hot Sardines
Sweet Pea
104 bpm • F Maj • 02:21 • -14db
48% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Tommy Dorsey
I'm Gettin' Sentimental Over You
104 bpm • A Maj • 03:37 • -16.84db
31% Popularity • 51% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
31% Popularity • 51% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Dakota Staton
Misty - Remastered
119 bpm • B Maj • 02:35 • -20.03db
44% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Etta Jones
Maybe You'll Be There
119 bpm • G# Maj • 03:39 • -18.02db
35% Popularity • 51% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 51% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Kay Starr
Baby, Won't You Please Come Home - Remas...
103 bpm • A Maj • 02:22 • -13.52db
35% Popularity • 69% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 69% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
