Songs like T.M.I. by Carner & Gregor
Based on a tempo of (+/- 10%) and a similar genre
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Carner & Gregor
Tie Me Up
137 bpm • E Maj • 04:56 • -10.48db
11% Popularity • 52% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 52% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 38% Positiveness
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Bubble Boy Original Company
One More Mile
137 bpm • F# min • 02:42 • -6.65db
7% Popularity • 71% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 71% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
21% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Stephanie J. Block
The Love of My Life
137 bpm • C Maj • 03:32 • -8.21db
14% Popularity • 76% Danceability • 38% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 76% Danceability • 38% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
16% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Underberg
Ready For This
137 bpm • C min • 03:29 • -4.87db
75% Popularity • 53% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
75% Popularity • 53% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Carner & Gregor
T.M.I.
137 bpm • D Maj • 03:49 • -14.32db
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Megan McGinnis
Mr. Girl Hater
138 bpm • G# min • 01:41 • -7.94db
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
35% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
22% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Jeanine Tesori
Ring of Keys
138 bpm • A Maj • 03:07 • -12db
38% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Kimiko Glenn
Separate Ways
136 bpm • G Maj • 02:08 • -14.44db
28% Popularity • 36% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 36% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Alexandra Socha
Good Girl
136 bpm • A Maj • 02:36 • -5db
22% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Andi Alhadeff
Lifesong
138 bpm • B min • 02:28 • -5.83db
7% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Hunter Bell
More Life
136 bpm • G Maj • 02:58 • -6db
13% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Christian Borle
Take It Like a Man
135 bpm • B Maj • 04:13 • -11db
45% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Company
Full Disclosure - Part 2
139 bpm • C min • 01:09 • -7.38db
37% Popularity • 59% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 59% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 96% Positiveness
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Ciara Renée
The Man I Know (Reprise)
139 bpm • C Maj • 02:29 • -11.99db
11% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Chris Miller
Lost
135 bpm • D Maj • 03:07 • -9db
12% Popularity • 77% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 77% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
26% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Alex Wyse
Right Here
140 bpm • A Maj • 04:32 • -11.19db
8% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Tammy Blanchard
Skid Row (Downtown)
134 bpm • A# Maj • 04:12 • -9db
39% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
33% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Carner & Gregor
Wall Lovin'
140 bpm • A Maj • 03:45 • -12.28db
14% Popularity • 62% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 62% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
22% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
22% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
21% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
34% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
29% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
31% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Miller
Spring Cleaning
133 bpm • F Maj • 03:02 • -7db
12% Popularity • 71% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 71% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
32% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
25% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Underberg
Finale
133 bpm • G# Maj • 03:50 • -5.52db
77% Popularity • 47% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
77% Popularity • 47% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Megan Hilty
Fragile Things
133 bpm • C# min • 02:29 • -8db
36% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
28% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Megan McGinnis
Who Is This Man?
132 bpm • D Maj • 01:58 • -9db
19% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
'It's about one moment' (Transition)
142 bpm • B Maj • 01:33 • -6.96db
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Paul F. Tompkins
The Butt of the Joke
142 bpm • A Maj • 01:57 • -8.53db
27% Popularity • 50% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 50% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
31% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Megan Hilty, Stephanie J. Block, Allison Janney and Ensemble
Shine Like The Sun
142 bpm • E Maj • 04:15 • -6.44db
32% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
34% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Maria Thayer
Stop Your Heart
132 bpm • C Maj • 01:40 • -14.85db
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Shoshana Bean
Maybe It Starts With Me
131 bpm • G# Maj • 02:50 • -6db
19% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Megan McGinnis
The Color of Your Eyes
131 bpm • F Maj • 03:01 • -10db
26% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Aaron Tveit
You Can't Tame Me
143 bpm • D# Maj • 03:23 • -12db
24% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
29% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
26% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Will Reynolds
Great Interest (Reprise)
130 bpm • D Maj • 02:35 • -9.84db
12% Popularity • 56% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 56% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 26% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
48% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Carner & Gregor
Too Much
130 bpm • G Maj • 07:20 • -10.5db
7% Popularity • 52% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 52% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Caitlin Kinnunen
You Happened
130 bpm • C Maj • 03:14 • -5.7db
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Etai Benson
Papi Hears the Ocean
130 bpm • C Maj • 02:59 • -11db
22% Popularity • 90% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 90% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Miller
Don't Say Me
130 bpm • A Maj • 03:37 • -6db
18% Popularity • 73% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 73% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Lea Michele
Sadie, Sadie
145 bpm • F min • 04:08 • -10db
25% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
34% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow - Reprise
145 bpm • D Maj • 01:09 • -11.76db
14% Popularity • 26% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 26% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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Rebecca Naomi Jones
Many A New Day
130 bpm • C Maj • 03:09 • -9.56db
24% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Carner & Gregor
Transition: Too Much
130 bpm • C Maj • 01:05 • -15.05db
4% Popularity • 64% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
4% Popularity • 64% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Heidi Blickenstaff
Today and Ev'ry Day
129 bpm • A Maj • 06:57 • -8db
25% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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David Hull
We're the Man!
129 bpm • C# min • 05:22 • -9.19db
8% Popularity • 61% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 61% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Bring It On: The Musical - Original Broadway Cast
It's All Happening
130 bpm • F# Maj • 05:45 • -4.34db
38% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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John Cariani
To Thine Own Self
129 bpm • G min • 03:58 • -7.8db
35% Popularity • 63% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 63% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Alice By Heart Original Cast Recording Company
Down the Hole
129 bpm • A Maj • 03:41 • -8db
23% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Carner & Gregor
Stay Awhile
128 bpm • D# Maj • 02:54 • -14.62db
12% Popularity • 53% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 53% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Aaron Reid
Effie White's Gonna Win/ You Are My Drea...
147 bpm • G Maj • 03:06 • -8.23db
10% Popularity • 38% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 38% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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'Something Rotten' Company
Finale
129 bpm • C Maj • 02:31 • -6.17db
33% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Anneliese Van Der Pol
Cute Boys with Short Haircuts
128 bpm • E Maj • 04:20 • -10db
17% Popularity • 41% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 41% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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'Come From Away' Company
38 Planes
128 bpm • D min • 01:09 • -9.02db
45% Popularity • 58% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 58% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Andy Walken
The Best Dad
127 bpm • G# Maj • 02:14 • -11db
24% Popularity • 39% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 39% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jessie Mueller
A Soft Place to Land
127 bpm • E Maj • 02:57 • -10.69db
45% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jennifer Damiano
Superboy and the Invisible Girl
127 bpm • D Maj • 02:08 • -6.77db
40% Popularity • 62% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 62% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Lauren Kennedy
Fly into the Future
128 bpm • C# Maj • 03:53 • -10.58db
16% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Erika Henningsen
Fearless
147 bpm • G Maj • 04:11 • -5.17db
48% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Laura Zakrin
Worst Team Ever
127 bpm • G# Maj • 04:15 • -7db
19% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Julia Murney
Queenie Was a Blonde
127 bpm • C min • 05:58 • -7.07db
22% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
