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To Sleep in a King Alone
Songs like
To Sleep in a King Alone
by
Hazlett
Based on a tempo of (+/- 10%) and a similar genre
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Israel Cannan
Walking On The Winds
125 bpm • D Maj • 04:00 • -11.09db
32% Popularity • 75% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Hazlett
To Sleep in a King Alone
125 bpm • A# Maj • 04:00 • -14.2db
39% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
55% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Freyr
Lights Out
125 bpm • D Maj • 03:17 • -16.47db
36% Popularity • 66% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
61% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Harrison Storm
My Way Home
124 bpm • G Maj • 03:37 • -11.11db
43% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jolé
Hopes
124 bpm • C# Maj • 03:10 • -5.52db
15% Popularity • 43% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Hazlett
Missionary Feelings
125 bpm • D Maj • 03:32 • -13.23db
62% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Steinza
I Know You
126 bpm • E Maj • 02:57 • -10.17db
49% Popularity • 60% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Paper Planes
Soft Sun
124 bpm • A# Maj • 01:47 • -15.94db
42% Popularity • 73% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
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John Vincent III
Back to My Ways
124 bpm • C min • 05:47 • -10.1db
43% Popularity • 33% Danceability • 34% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
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Michael Marcagi
The Other Side
124 bpm • E Maj • 02:44 • -9.98db
77% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
77% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Hazlett
Tell Me What You Dream About
126 bpm • G# Maj • 03:17 • -9.41db
50% Popularity • 76% Danceability • 64% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
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Vancouver Sleep Clinic
Middle Of Nowhere
124 bpm • G# Maj • 06:42 • -11.41db
51% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Lizzy McAlpine
Drunk, Running
124 bpm • C Maj • 04:05 • -9.59db
69% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Bo Staloch
Your Eyes Tell Stories
124 bpm • D# Maj • 05:20 • -11.05db
49% Popularity • 41% Danceability • 26% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Jolé
This City
127 bpm • G Maj • 03:20 • -8.68db
35% Popularity • 53% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Hunter Metts
Paper Moon
123 bpm • C min • 02:50 • -13db
40% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Steinza
The Former (Piano Version)
123 bpm • G Maj • 03:11 • -12db
35% Popularity • 53% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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This New Light
could you carry me?
127 bpm • D Maj • 03:23 • -11.42db
28% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Hazlett
Sugarcane
123 bpm • C min • 03:41 • -13.22db
35% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
58% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Richy Mitch & The Coal Miners
Solstice
127 bpm • G Maj • 05:06 • -16.8db
47% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Hayden Everett
Neptune
128 bpm • E Maj • 03:10 • -11.09db
29% Popularity • 63% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Edwin Raphael
Will You Think Of Me Later?
128 bpm • D# Maj • 02:15 • -7.33db
57% Popularity • 66% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 54% Positiveness
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Wild Rivers
Weatherman
122 bpm • F Maj • 03:05 • -9db
54% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Myles Smith
Behind
122 bpm • C min • 03:18 • -7.77db
62% Popularity • 59% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Brenn!
4runner
128 bpm • C# Maj • 04:25 • -10.65db
65% Popularity • 79% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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Twin Tacoma
Go Careful
122 bpm • B Maj • 02:52 • -12.52db
43% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Vincent Lima
See Me Too
122 bpm • A# Maj • 02:46 • -8db
42% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Salt Tree
Hold You Now
122 bpm • C min • 02:51 • -12.83db
35% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Stephen Sanchez
Hey Girl
122 bpm • F# min • 03:05 • -7.78db
67% Popularity • 39% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Woodlock
We Gotta Go
122 bpm • D# Maj • 04:12 • -10db
46% Popularity • 53% Danceability • 44% Energy • 16% Liveness
6% Instrumentalness • 23% Positiveness
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Ed Patrick
Canyon
121 bpm • D Maj • 02:32 • -16.56db
37% Popularity • 43% Danceability • 22% Energy • 34% Liveness
32% Instrumentalness • 43% Positiveness
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Hayden Calnin
Let's Dance
129 bpm • F# Maj • 04:01 • -8db
32% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Novo Amor
Embody Me
121 bpm • C Maj • 03:10 • -12.04db
59% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Salt Tree
Rising Again
128 bpm • C# Maj • 03:23 • -12db
48% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chance Peña
break up song
129 bpm • E Maj • 02:49 • -14.4db
51% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:17 • -9db
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Wild Rivers
Don't
121 bpm • C# Maj • 03:02 • -6db
50% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Hayden Calnin
I Believe in Something More
129 bpm • E Maj • 03:01 • -8.84db
36% Popularity • 55% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Edwin Raphael
Elephant Crossing~
121 bpm • D# Maj • 01:05 • -9.01db
63% Popularity • 71% Danceability • 43% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
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Dean Lewis
The Last Bit Of Us
120 bpm • G Maj • 03:22 • -9.5db
72% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Chance Peña
Bleeding Out
121 bpm • A min • 03:28 • -12.41db
73% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Ed Prosek
The Other Side
130 bpm • A Maj • 03:53 • -13db
45% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
50% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Ocie Elliott
Fame
130 bpm • D# Maj • 03:10 • -14db
59% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Chance Peña
i am not who i was
130 bpm • C Maj • 02:25 • -13.7db
85% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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John Vincent III
Slow Song
120 bpm • A# Maj • 04:51 • -7db
46% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Hot Left Pole
The Whole World
120 bpm • F Maj • 02:54 • -21.17db
35% Popularity • 72% Danceability • 16% Energy • 10% Liveness
8% Instrumentalness • 22% Positiveness
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Twiceyoung
Stay Right Here Until Morning
130 bpm • F Maj • 03:24 • -12.38db
29% Popularity • 31% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
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Andrew Belle
Swimmers (Hushed)
120 bpm • C# min • 03:01 • -15.18db
38% Popularity • 75% Danceability • 32% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
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Brenn!
Looking For
120 bpm • E Maj • 04:06 • -6.23db
51% Popularity • 64% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 41% Positiveness
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Salt Tree
Warm Ocean
120 bpm • G Maj • 03:21 • -8db
42% Popularity • 46% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Edwin Raphael
Denim Darlin'
120 bpm • C# Maj • 02:24 • -9.11db
45% Popularity • 55% Danceability • 33% Energy • 44% Liveness
68% Instrumentalness • 3% Positiveness
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Dustin Tebbutt
Changeophelia
120 bpm • C Maj • 04:06 • -12db
48% Popularity • 54% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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asiris
mi amor
120 bpm • G# Maj • 02:44 • -5.38db
51% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Justin Lee
Meet Me There
120 bpm • E Maj • 02:05 • -15.74db
35% Popularity • 72% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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This New Light
End of the Line
120 bpm • E Maj • 04:20 • -10.68db
43% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Riley Pearce
Nostalgia
120 bpm • D Maj • 04:01 • -14.3db
40% Popularity • 79% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Ed Prosek
Tell a Lie
120 bpm • G Maj • 03:13 • -11.65db
30% Popularity • 64% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Salt Tree
Kids
120 bpm • F# min • 02:50 • -10.56db
39% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Gregory Alan Isakov
Dark, Dark, Dark
130 bpm • D Maj • 02:59 • -8.19db
64% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Woodlock
I Loved You Then (And I Love You Still)
120 bpm • B Maj • 02:38 • -12db
63% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Cordelia
Little Life
131 bpm • B Maj • 04:30 • -15.61db
61% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The Native
Halfway House
120 bpm • E Maj • 02:17 • -13.54db
54% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Jolé
Seasons Change
131 bpm • A# Maj • 04:40 • -6.03db
37% Popularity • 42% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Wild Rivers
Everywhere I Go
119 bpm • F Maj • 02:56 • -7.38db
55% Popularity • 65% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
49% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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Luca Fogale
To Run
132 bpm • C Maj • 02:23 • -9.72db
35% Popularity • 33% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Richy Mitch & The Coal Miners
Swiss Woods
119 bpm • F# Maj • 02:18 • -16.65db
52% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Hayden Calnin
Majuy
132 bpm • C Maj • 03:55 • -8.47db
46% Popularity • 31% Danceability • 37% Energy • 7% Liveness
2% Instrumentalness • 9% Positiveness
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Jolé
Still
131 bpm • C# Maj • 03:47 • -13.52db
46% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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ASKYA
Standing Strong
132 bpm • G Maj • 03:46 • -14.51db
33% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Hazlett
Part Time Lovers
132 bpm • C Maj • 03:10 • -16.3db
55% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Tors
Miracle
132 bpm • C Maj • 03:02 • -4.24db
54% Popularity • 58% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Medium Build
Crying Over U
132 bpm • F Maj • 03:54 • -8.69db
50% Popularity • 57% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Chance Peña
Highs & Lows
132 bpm • D# Maj • 03:29 • -10.79db
61% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Stephen Sanchez
Mountain Peaks
118 bpm • G Maj • 03:28 • -8.14db
57% Popularity • 47% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Salt Tree
She Burns
118 bpm • E Maj • 03:17 • -12db
36% Popularity • 90% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Hazlett
Couldn't Be Done
118 bpm • G# Maj • 04:16 • -12.24db
33% Popularity • 62% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Axel Flóvent
Forest Fires
118 bpm • G min • 03:30 • -12db
62% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Portair
Places
118 bpm • B min • 03:32 • -13db
50% Popularity • 57% Danceability • 47% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
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Stephen Sanchez
See The Light
118 bpm • E Maj • 03:00 • -5.33db
68% Popularity • 73% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Gregory Alan Isakov
Southern Star
133 bpm • C Maj • 02:19 • -11db
68% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ed Prosek
Let Me Down Easy
133 bpm • C# Maj • 03:05 • -11.44db
37% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Hazlett
Cemetery
118 bpm • G# Maj • 02:52 • -15.36db
57% Popularity • 54% Danceability • 17% Energy • 27% Liveness
1% Instrumentalness • 23% Positiveness
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Josiah and the Bonnevilles
Blood Moon
133 bpm • G# Maj • 02:48 • -9.52db
68% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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John Vincent III
City Rain
117 bpm • C Maj • 04:45 • -8.37db
53% Popularity • 42% Danceability • 43% Energy • 17% Liveness
2% Instrumentalness • 30% Positiveness
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Ed Patrick
Nothing To Me Now
117 bpm • G# Maj • 02:25 • -18.59db
45% Popularity • 79% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 57% Positiveness
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Novo Amor
Anchor
117 bpm • A Maj • 04:17 • -11.48db
79% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Caamp
Strawberries
117 bpm • D# Maj • 03:39 • -19db
61% Popularity • 55% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Boundary Run
Make It Out
134 bpm • D Maj • 03:41 • -11.44db
48% Popularity • 25% Danceability • 29% Energy • 8% Liveness
42% Instrumentalness • 22% Positiveness
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Fabian Kuhn
Lost by the Sea
117 bpm • E Maj • 04:35 • -8.76db
25% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Chance Peña
Sleep Deprivation
134 bpm • D Maj • 02:35 • -11db
75% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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To Sleep in a King Alone