Songs like To Take Her Place - Mono; 1998 Remaster by Billy J. Kramer
Based on a tempo of (+/- 10%) and a similar genre
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Adam Faith
Singin' in the Rain - Mono Version; 1997...
152 bpm • D Maj • 02:05 • -7.63db
26% Popularity • 61% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 61% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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The Outsiders
Respectable
152 bpm • C Maj • 02:01 • -12.02db
28% Popularity • 48% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 48% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
If I Were A Carpenter
152 bpm • F# min • 02:55 • -4.77db
14% Popularity • 38% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 38% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Billy J. Kramer
Magic Carpet
151 bpm • A Maj • 01:55 • -8.3db
18% Popularity • 45% Danceability • 62% Energy • 21% Liveness
31% Instrumentalness • 96% Positiveness
18% Popularity • 45% Danceability • 62% Energy • 21% Liveness
31% Instrumentalness • 96% Positiveness
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The Gentrys
Keep On Dancing
153 bpm • A# Maj • 02:11 • -11db
36% Popularity • 35% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 35% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Hurricane Smith
Oh, Babe What Would You Say
152 bpm • C Maj • 03:29 • -7.11db
38% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Craig Douglas
Time
153 bpm • C Maj • 02:19 • -9.48db
36% Popularity • 24% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 24% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Bobby Rydell
Swingin' School
151 bpm • F Maj • 02:14 • -5.48db
10% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Move
Fire Brigade - 2007 Remaster
154 bpm • G Maj • 02:24 • -3.8db
28% Popularity • 33% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 33% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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The Outsiders
Time Won't Let Me
150 bpm • B min • 03:01 • -20.4db
41% Popularity • 44% Danceability • 42% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 44% Danceability • 42% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
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Alvin Stardust
I'm A Moody Guy (1961 Single Version)
154 bpm • D Maj • 02:34 • -6.6db
22% Popularity • 45% Danceability • 69% Energy • 39% Liveness
5% Instrumentalness • 86% Positiveness
22% Popularity • 45% Danceability • 69% Energy • 39% Liveness
5% Instrumentalness • 86% Positiveness
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Marty Wilde
Rubber Ball
150 bpm • A# Maj • 02:13 • -10.09db
26% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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The Bobby Fuller Four
Love's Made a Fool of You
150 bpm • A Maj • 01:59 • -8.96db
30% Popularity • 60% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 60% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Billy J. Kramer
Sugar Babe - Mono; 1997 Remaster
149 bpm • G Maj • 02:47 • -8.13db
0% Popularity • 49% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 49% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Rydell
Wild One
149 bpm • G Maj • 02:23 • -4.77db
17% Popularity • 60% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 60% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Buddy Holly & The Crickets
Peggy Sue
148 bpm • A Maj • 02:32 • -8.96db
23% Popularity • 60% Danceability • 50% Energy • 15% Liveness
2% Instrumentalness • 31% Positiveness
23% Popularity • 60% Danceability • 50% Energy • 15% Liveness
2% Instrumentalness • 31% Positiveness
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The Chiffons
Sweet Talkin' Guy
148 bpm • B min • 02:26 • -5db
46% Popularity • 54% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 54% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Gerry & The Pacemakers
I Like It (Main)
148 bpm • G Maj • 02:15 • -10.33db
39% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Jones
Good Timin'
147 bpm • D# Maj • 02:08 • -7.68db
46% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Billy J. Kramer
Down in the Boondocks - Mono
148 bpm • G Maj • 02:38 • -9.7db
7% Popularity • 65% Danceability • 50% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 65% Danceability • 50% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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John Leyton
Wild Wind
158 bpm • D Maj • 02:15 • -7db
19% Popularity • 17% Danceability • 70% Energy • 80% Liveness
5% Instrumentalness • 60% Positiveness
19% Popularity • 17% Danceability • 70% Energy • 80% Liveness
5% Instrumentalness • 60% Positiveness
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The Honeycombs
Colour Slide
146 bpm • C# Maj • 02:53 • -8.84db
11% Popularity • 30% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 30% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Del Shannon with Orchestra
Hey! Little Girl
158 bpm • G# Maj • 02:28 • -8.83db
20% Popularity • 46% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 46% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Craig Douglas
When My Little Girl Is Smiling
158 bpm • F Maj • 02:16 • -10.49db
36% Popularity • 32% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 32% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Archies
Melody Hill
146 bpm • G Maj • 02:24 • -8db
17% Popularity • 48% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 48% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Billy J. Kramer
Kinky Chinese Girl - Mono
148 bpm • E min • 02:44 • -6.93db
3% Popularity • 55% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
3% Popularity • 55% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Carole King
It Might as Well Rain Until September
146 bpm • C Maj • 02:27 • -6.72db
38% Popularity • 41% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 41% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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The Tornados
Telstar
145 bpm • A Maj • 03:18 • -10.11db
38% Popularity • 31% Danceability • 67% Energy • 36% Liveness
89% Instrumentalness • 77% Positiveness
38% Popularity • 31% Danceability • 67% Energy • 36% Liveness
89% Instrumentalness • 77% Positiveness
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The Reflections
(Just Like) Romeo & Juliet
145 bpm • D# Maj • 02:07 • -9db
31% Popularity • 77% Danceability • 86% Energy • 22% Liveness
58% Instrumentalness • 98% Positiveness
31% Popularity • 77% Danceability • 86% Energy • 22% Liveness
58% Instrumentalness • 98% Positiveness
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Tommy Boyce
Alice Long (You're Still My Favorite Gir...
144 bpm • C Maj • 02:51 • -6.44db
21% Popularity • 53% Danceability • 85% Energy • 11% Liveness
57% Instrumentalness • 78% Positiveness
21% Popularity • 53% Danceability • 85% Energy • 11% Liveness
57% Instrumentalness • 78% Positiveness
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The Cowsills
We Can Fly
144 bpm • F Maj • 02:15 • -10db
30% Popularity • 37% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 37% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Billy J. Kramer
My Girl Josephine
158 bpm • A Maj • 01:59 • -10.73db
3% Popularity • 53% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 53% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Cryan' Shames
I Wanna Meet You
143 bpm • F Maj • 02:06 • -10db
17% Popularity • 37% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 37% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Freddy Cannon
Way Down Yonder in New Orleans
143 bpm • G# Maj • 02:31 • -4db
25% Popularity • 45% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 45% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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We Five
You Were On My Mind
143 bpm • C# min • 02:35 • -8db
43% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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1910 Fruitgum Company
May I Take a Giant Step (Into Your Heart...
143 bpm • D Maj • 02:27 • -9.77db
16% Popularity • 64% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 64% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Tommy Roe
Everybody
142 bpm • B min • 01:59 • -8db
35% Popularity • 54% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 54% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Billy J. Kramer
Humdinger
144 bpm • A Maj • 01:48 • -8.87db
4% Popularity • 64% Danceability • 72% Energy • 16% Liveness
91% Instrumentalness • 97% Positiveness
4% Popularity • 64% Danceability • 72% Energy • 16% Liveness
91% Instrumentalness • 97% Positiveness
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Gerry & The Pacemakers
How Do You Do It? - Mono
142 bpm • A Maj • 01:54 • -6db
53% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Honeycombs
Have I the Right
142 bpm • C# min • 02:58 • -8.07db
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Johnny Kidd & The Pirates
I'll Never Get Over You
142 bpm • A Maj • 02:07 • -8db
23% Popularity • 46% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 46% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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The Fourmost
I'm In Love
142 bpm • C# min • 02:10 • -7.99db
20% Popularity • 53% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 53% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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The Rockin' Berries
What in the World's Come Over You
142 bpm • A Maj • 02:23 • -5.8db
9% Popularity • 26% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 26% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Buddy Holly & The Crickets
Peggy Sue Got Married
142 bpm • G# Maj • 02:04 • -8.71db
25% Popularity • 58% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 58% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Frank Ifield
Lovesick Blues - Alternate Version
163 bpm • D Maj • 02:18 • -9db
20% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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The New Seekers
What Have The Done To My Song Ma
141 bpm • A Maj • 03:15 • -9db
34% Popularity • 50% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 50% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Gene McDaniels
Point of No Return
141 bpm • F Maj • 02:19 • -8.39db
13% Popularity • 66% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 66% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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The Fourmost
Hello Little Girl
164 bpm • E Maj • 01:52 • -8.52db
26% Popularity • 40% Danceability • 80% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 40% Danceability • 80% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
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Marcie Blane
Bobby's Girl - Previously Unreleased Dem...
141 bpm • C Maj • 02:23 • -12db
29% Popularity • 56% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 56% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Billy J. Kramer
I'll Be on My Way
141 bpm • A Maj • 01:42 • -10db
22% Popularity • 34% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 34% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Frank Ifield
Waltzing Matilda
141 bpm • G# min • 02:27 • -7.72db
18% Popularity • 57% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 57% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Brian Hyland
The Joker Went Wild
140 bpm • G# Maj • 02:44 • -6db
29% Popularity • 70% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 70% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Heinz
Just Like Eddie
165 bpm • F Maj • 02:38 • -6.66db
21% Popularity • 33% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 33% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Kathy Kirby
Dance On
166 bpm • F min • 02:30 • -7db
22% Popularity • 39% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 39% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Brian Poole & The Tremeloes
Twist Little Sister
165 bpm • G Maj • 01:56 • -6.72db
14% Popularity • 50% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 50% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Gary Puckett & The Union Gap
I Just Don't Know What to Do With Myself
166 bpm • G Maj • 02:48 • -11.34db
30% Popularity • 36% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 36% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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The Buckinghams
Kind of a Drag
139 bpm • G Maj • 02:06 • -8db
42% Popularity • 27% Danceability • 78% Energy • 28% Liveness
1% Instrumentalness • 53% Positiveness
42% Popularity • 27% Danceability • 78% Energy • 28% Liveness
1% Instrumentalness • 53% Positiveness
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Petula Clark
A Sign of the Times
139 bpm • A# Maj • 02:52 • -10.18db
23% Popularity • 48% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 48% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Freddie & The Dreamers
Do the Freddie
138 bpm • F# Maj • 01:59 • -7.95db
16% Popularity • 41% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 41% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Brian Hyland
Warmed Over Kisses (Left Over Love)
138 bpm • F# Maj • 02:21 • -14.32db
19% Popularity • 61% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 61% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Brian Poole & The Tremeloes
Do You Love Me?
166 bpm • D Maj • 02:22 • -7.58db
34% Popularity • 43% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 43% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Terry Stafford
Suspicion
138 bpm • D Maj • 02:34 • -11db
45% Popularity • 60% Danceability • 57% Energy • 13% Liveness
29% Instrumentalness • 88% Positiveness
45% Popularity • 60% Danceability • 57% Energy • 13% Liveness
29% Instrumentalness • 88% Positiveness
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The Buckinghams
Kind of a Drag
139 bpm • G Maj • 02:07 • -9.31db
26% Popularity • 30% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 30% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Jimmy Justice
Ain't That Funny
138 bpm • A Maj • 02:08 • -4.14db
28% Popularity • 46% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 46% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Petula Clark
I Know a Place
138 bpm • E Maj • 02:41 • -9.08db
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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The Paramounts
Poison Ivy - 1998 Remaster
138 bpm • D Maj • 02:08 • -8.05db
17% Popularity • 57% Danceability • 72% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 57% Danceability • 72% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
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Billy J. Kramer
Do You Want to Know a Secret?
137 bpm • E Maj • 02:03 • -9.83db
37% Popularity • 53% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 53% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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The Honeycombs
That's the Way
137 bpm • F# Maj • 02:59 • -9.51db
21% Popularity • 45% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 45% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Eden Kane
Boys Cry
137 bpm • C Maj • 02:17 • -9db
27% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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1910 Fruitgum Company
Special Delivery - Remastered
137 bpm • A Maj • 02:38 • -13.09db
16% Popularity • 83% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 83% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Marty Wilde
Jezebel
137 bpm • F min • 02:54 • -8.26db
13% Popularity • 37% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 37% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Lou Christie
Lightning Strikes
137 bpm • D# Maj • 02:54 • -11.07db
18% Popularity • 60% Danceability • 64% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 60% Danceability • 64% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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The Turtles
You Baby (Mono)
136 bpm • B Maj • 02:18 • -8.45db
34% Popularity • 49% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 49% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Tommy Boyce
I Wonder What She's Doing Tonight?
137 bpm • A# Maj • 02:41 • -12db
40% Popularity • 57% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 57% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 97% Positiveness
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Eden Kane
Boys Cry (When No One Can See Them)
137 bpm • G Maj • 02:13 • -7.61db
16% Popularity • 38% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 38% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The Spencer Davis Group
Somebody Help Me
136 bpm • F Maj • 02:01 • -7.44db
34% Popularity • 65% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 65% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Tommy Roe
Party Girl
136 bpm • D Maj • 02:36 • -8.18db
21% Popularity • 59% Danceability • 76% Energy • 31% Liveness
3% Instrumentalness • 70% Positiveness
21% Popularity • 59% Danceability • 76% Energy • 31% Liveness
3% Instrumentalness • 70% Positiveness
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Jimmy Justice
When My Little Girl Is Smiling
170 bpm • C# min • 02:26 • -5.08db
29% Popularity • 35% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 35% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Billy J. Kramer
Sneakin' Around - 1998 Remaster
170 bpm • C Maj • 02:44 • -5.98db
3% Popularity • 36% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 36% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Petula Clark
My Love
170 bpm • A Maj • 02:44 • -8.34db
33% Popularity • 32% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 32% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Eden Kane
Get Lost
137 bpm • A Maj • 02:48 • -11db
17% Popularity • 64% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 64% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The Nashville Teens
Tobacco Road
135 bpm • G Maj • 02:27 • -9.67db
24% Popularity • 66% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 66% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Tommy Roe
Sheila
136 bpm • E Maj • 02:07 • -9db
45% Popularity • 42% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 42% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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The Fortunes
You've Got Your Troubles
136 bpm • B min • 03:21 • -11.48db
43% Popularity • 62% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 62% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Billy J. Kramer
They Remind Me of You
135 bpm • G Maj • 02:22 • -10.07db
14% Popularity • 46% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 46% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Gene McDaniels
Chip Chip
135 bpm • C# Maj • 02:21 • -11db
30% Popularity • 66% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 66% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Harpers Bizarre
59th Street Bridge Song (Feelin' Groovy)...
135 bpm • C# Maj • 02:39 • -13.28db
39% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Johnny Tillotson
Poetry In Motion
135 bpm • G# Maj • 02:34 • -7.42db
55% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Gene Vincent
Another Saturday Night
135 bpm • F Maj • 01:46 • -6.73db
16% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Kidd & The Pirates
Hungry For Love
135 bpm • F# Maj • 02:15 • -10db
10% Popularity • 59% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 59% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Small Faces
Sha La La La Lee - Mono Version
135 bpm • E Maj • 02:54 • -4.25db
32% Popularity • 47% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 47% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Freddie & The Dreamers
I Think of You
135 bpm • D# Maj • 02:15 • -11.66db
12% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Billy J. Kramer
Don't Do It No More
134 bpm • G Maj • 02:28 • -8.28db
7% Popularity • 62% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 62% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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The Searchers
When You Walk in the Room
134 bpm • A Maj • 02:22 • -8.99db
43% Popularity • 43% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 43% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Honeycombs
Leslie Anne
134 bpm • A# Maj • 01:59 • -10.3db
12% Popularity • 45% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 45% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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1910 Fruitgum Company
Simon Says
134 bpm • A Maj • 02:18 • -11db
39% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
39% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
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Lou Christie
Lightnin' Strikes
134 bpm • D# Maj • 03:01 • -8.46db
44% Popularity • 62% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 62% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Petula Clark
Round Every Corner
134 bpm • F# min • 02:33 • -8.61db
16% Popularity • 36% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 36% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 77% Positiveness
