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To the Bitter End
Songs like
To the Bitter End
by
Bobby Hill
Based on a tempo of (+/- 10%) and a similar genre
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Bobby Hill
To the Bitter End
155 bpm • F Maj • 02:44 • -7.83db
1% Popularity • 52% Danceability • 72% Energy • 26% Liveness
7% Instrumentalness • 94% Positiveness
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Roy Redmond
Ain't That Terrible
156 bpm • A min • 02:32 • -7.58db
21% Popularity • 63% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Eddie Parker
Love You Baby
153 bpm • A# min • 02:47 • -10.05db
12% Popularity • 55% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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The Vibrations
Gonna Get Along Without You Now - Single...
154 bpm • F Maj • 02:08 • -10.55db
28% Popularity • 52% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Royal Esquires
Ain't Gonna Run
158 bpm • C Maj • 02:14 • -7.72db
20% Popularity • 54% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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The Tempests
Would You Believe
158 bpm • C Maj • 02:10 • -9.05db
7% Popularity • 33% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Mitch Ryder and The Detroit Wheels
Breakout
152 bpm • G min • 03:16 • -11db
16% Popularity • 61% Danceability • 74% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
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Percy Wiggins
That's Loving You
159 bpm • G Maj • 02:15 • -8.65db
19% Popularity • 37% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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The Combinations
What 'Cha Gonna Do
158 bpm • C Maj • 01:53 • -4.49db
13% Popularity • 34% Danceability • 86% Energy • 89% Liveness
4% Instrumentalness • 98% Positiveness
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Helen Shapiro
Stop and You'll Become Aware
151 bpm • C# Maj • 02:37 • -6.64db
11% Popularity • 34% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Drifters
You Got to Pay Your Dues
151 bpm • F Maj • 02:34 • -7.37db
20% Popularity • 54% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Brenda Holloway
Can't Hold The Feeling Back
150 bpm • D# Maj • 02:27 • -9db
11% Popularity • 42% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 64% Positiveness
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Cindy Scott
I Love You, Baby
149 bpm • C# Maj • 02:21 • -7.28db
14% Popularity • 46% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 61% Positiveness
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The Valentines
Breakaway
149 bpm • A min • 02:30 • -10db
19% Popularity • 69% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Archie Bell & The Drells
Here I Go Again
163 bpm • F min • 02:05 • -9db
40% Popularity • 48% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Chris Clark
Something's Wrong
147 bpm • F min • 02:46 • -5.88db
13% Popularity • 55% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Tempos
(Countdown) Here I Come
146 bpm • G Maj • 02:36 • -3.98db
8% Popularity • 51% Danceability • 69% Energy • 73% Liveness
0% Instrumentalness • 89% Positiveness
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Homer Banks
Hooked By Love
146 bpm • C Maj • 02:06 • -7.34db
8% Popularity • 73% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Gene Latter
Sign on the Dotted Line
146 bpm • A# Maj • 02:39 • -8.21db
21% Popularity • 48% Danceability • 75% Energy • 24% Liveness
1% Instrumentalness • 84% Positiveness
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The Carstairs
Stick by Me Baby
146 bpm • G# Maj • 03:25 • -7.28db
20% Popularity • 70% Danceability • 95% Energy • 5% Liveness
3% Instrumentalness • 74% Positiveness
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The Apollas
Mr. Creator
147 bpm • F# Maj • 02:38 • -4.18db
14% Popularity • 46% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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The Sequins
A Case of Love
146 bpm • F min • 02:21 • -5.07db
8% Popularity • 50% Danceability • 81% Energy • 20% Liveness
1% Instrumentalness • 89% Positiveness
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Jimmy Holiday
Ready, Willing And Able
165 bpm • G Maj • 02:33 • -9db
10% Popularity • 72% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 76% Positiveness
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The Soul Brothers Six
Thank You Baby for Loving Me
165 bpm • D Maj • 02:54 • -9.02db
9% Popularity • 60% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Arnell
Tough Girl
145 bpm • E min • 02:57 • -7.21db
8% Popularity • 49% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Little Anthony & The Imperials
Better Use Your Head
145 bpm • C# Maj • 02:50 • -12.29db
23% Popularity • 55% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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David & Ruben
I Love Her so Much It Hurts Me - Single ...
146 bpm • A min • 02:13 • -8.56db
17% Popularity • 50% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Herbert Hunter
I Was Born to Love You
145 bpm • C Maj • 02:25 • -5.7db
28% Popularity • 41% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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The Ravins
Your Love Is What I Want
145 bpm • G Maj • 02:13 • -7.83db
16% Popularity • 72% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The Contours
Move Mr. Man - Mono Single
145 bpm • F Maj • 02:15 • -9.69db
16% Popularity • 64% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Patterson
Till You Give In
145 bpm • G min • 02:00 • -6.61db
22% Popularity • 52% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Little Anthony & The Imperials
Better Use Your Head
145 bpm • A min • 02:53 • -11.72db
35% Popularity • 51% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Mitch Ryder and The Detroit Wheels
You Get Your Kicks
145 bpm • C# Maj • 03:09 • -12db
15% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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James Carr
That's What I Want to Know
145 bpm • G min • 01:57 • -7db
23% Popularity • 80% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Brenda Holloway
Baby I've Got It
144 bpm • A# Maj • 02:17 • -3.07db
25% Popularity • 70% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Conwell
Cigarette Ashes
144 bpm • C Maj • 02:10 • -4.1db
14% Popularity • 58% Danceability • 94% Energy • 12% Liveness
7% Instrumentalness • 51% Positiveness
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Bobby Garrett
My Little Girl
144 bpm • C Maj • 02:46 • -7.35db
15% Popularity • 55% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Lee Rogers
Cracked Up Over You
167 bpm • A# Maj • 02:06 • -6.82db
15% Popularity • 54% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Vickie Baines
Country Girl
144 bpm • C Maj • 02:17 • -5.04db
11% Popularity • 53% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Eddie Holman
Eddie's My Name
144 bpm • C# min • 02:54 • -6.57db
10% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Herbie Goins & The Night-Timers
Number One in Your Heart
168 bpm • A# Maj • 02:44 • -6.52db
20% Popularity • 44% Danceability • 94% Energy • 77% Liveness
6% Instrumentalness • 86% Positiveness
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Darrell Banks
Our Love (Is in the Pocket)
143 bpm • F Maj • 02:38 • -8db
22% Popularity • 46% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Levi Jackson
This Beautiful Day
143 bpm • G# Maj • 02:38 • -6.86db
11% Popularity • 54% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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The Outsiders
Lonely Man
143 bpm • C min • 03:05 • -10.79db
7% Popularity • 59% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Marie Knight
That's No Way To Treat A Girl
142 bpm • F Maj • 02:14 • -6.94db
13% Popularity • 56% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Damon Fox
Packing Up
142 bpm • C Maj • 01:53 • -8.57db
12% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Ben E. King
I Can't Break the News to Myself
142 bpm • A# Maj • 02:31 • -8.69db
17% Popularity • 47% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Ben Aiken
Satisfied
142 bpm • E min • 02:36 • -7.02db
12% Popularity • 65% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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The Apollas
You're Absolutely Right
142 bpm • D# Maj • 02:19 • -5.38db
14% Popularity • 49% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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The Velvelettes
Long Gone Lover
142 bpm • D Maj • 02:32 • -8.73db
13% Popularity • 54% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Maurice Williams & The Zodiacs
Being Without You
141 bpm • C Maj • 02:23 • -7.51db
15% Popularity • 54% Danceability • 74% Energy • 60% Liveness
14% Instrumentalness • 96% Positiveness
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Lorraine Chandler
I Can't Change
141 bpm • A# Maj • 02:24 • -5.99db
13% Popularity • 58% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Martha Reeves & The Vandellas
Show Me The Way
141 bpm • G min • 02:41 • -9.27db
16% Popularity • 59% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Little Jewel
I Want To
141 bpm • F Maj • 02:42 • -3.49db
11% Popularity • 51% Danceability • 94% Energy • 7% Liveness
4% Instrumentalness • 84% Positiveness
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Shane Martin
I Need You
141 bpm • A min • 02:06 • -9db
21% Popularity • 59% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Fathers' Angels
Bok To Bach
141 bpm • A Maj • 02:50 • -7.49db
12% Popularity • 62% Danceability • 87% Energy • 28% Liveness
88% Instrumentalness • 74% Positiveness
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The Sapphires
Slow Fizz
141 bpm • C# Maj • 02:24 • -10.13db
14% Popularity • 54% Danceability • 69% Energy • 12% Liveness
37% Instrumentalness • 78% Positiveness
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Stefan Taylor & The Signatures
A Little Bit Hurt
141 bpm • F Maj • 03:51 • -4.4db
11% Popularity • 72% Danceability • 81% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
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Martha Reeves & The Vandellas
Go Ahead And Laugh
170 bpm • C min • 02:45 • -9.03db
7% Popularity • 24% Danceability • 43% Energy • 72% Liveness
0% Instrumentalness • 49% Positiveness
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Baby Washington
Hush Heart
141 bpm • C# Maj • 02:11 • -12db
13% Popularity • 69% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Frank Wilson
My Sugar Baby
141 bpm • C Maj • 02:40 • -7.51db
27% Popularity • 46% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 90% Positiveness
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Shorty Long
Baby Come Home To Me
141 bpm • F Maj • 02:23 • -9.17db
11% Popularity • 68% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Alexander Patton
A Lil' Lovin' Sometimes
141 bpm • A# Maj • 02:22 • -4db
20% Popularity • 61% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Majestees
Take Back All Those Things
141 bpm • G# Maj • 01:59 • -4.01db
8% Popularity • 38% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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The Three Degrees
Contact
140 bpm • A# Maj • 02:33 • -5.9db
11% Popularity • 49% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 47% Positiveness
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The Olympics
The Same Old Thing
140 bpm • A# Maj • 02:16 • -8db
12% Popularity • 47% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
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Al Williams
I Am Nothing
140 bpm • C Maj • 02:08 • -10.05db
23% Popularity • 60% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 81% Positiveness
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Percy Milem
Call on Me
140 bpm • A min • 02:20 • -6.27db
17% Popularity • 64% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Curtis Lee
Is She in Your Town?
140 bpm • B min • 02:08 • -9db
15% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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The Casualeers
Dance Dance Dance - Mono
140 bpm • D# Maj • 02:41 • -9.35db
33% Popularity • 58% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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The Andantes
Like A Nightmare
172 bpm • A# Maj • 02:41 • -3db
7% Popularity • 48% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Tony & Tyrone
Please Operator
140 bpm • A# min • 02:49 • -7.5db
12% Popularity • 62% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Chuck Jackson
The Silencer
139 bpm • D Maj • 01:45 • -10db
18% Popularity • 64% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Sapphires
Evil One
139 bpm • D min • 02:05 • -11.02db
13% Popularity • 52% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Bobby Garrett
I Can't Get Away
139 bpm • A Maj • 03:12 • -7.18db
12% Popularity • 46% Danceability • 77% Energy • 73% Liveness
0% Instrumentalness • 86% Positiveness
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Carl Carlton
Competition Ain't Nothin' - Single Versi...
139 bpm • F# Maj • 02:32 • -8.78db
15% Popularity • 79% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The Dalton Boys
I've Been Cheated
139 bpm • F# min • 02:34 • -2.72db
9% Popularity • 43% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Bobby Goldsboro
Too Many People
139 bpm • A Maj • 02:30 • -9.55db
12% Popularity • 74% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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The Contours
Baby Hit And Run
138 bpm • C# Maj • 03:01 • -7db
12% Popularity • 56% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Alice Clark
You Hit Me (Right Where It Hurt Me)
139 bpm • D# Maj • 02:53 • -5db
30% Popularity • 59% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Chubby Checker
You Just Don't Know (What You Do To Me)
138 bpm • A Maj • 02:28 • -4.33db
15% Popularity • 63% Danceability • 80% Energy • 22% Liveness
3% Instrumentalness • 83% Positiveness
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The Ovations
They Say
138 bpm • D# min • 02:08 • -8.62db
17% Popularity • 64% Danceability • 48% Energy • 19% Liveness
29% Instrumentalness • 90% Positiveness
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Nancy Wilson
The End Of Our Love
138 bpm • C min • 02:22 • -8.67db
12% Popularity • 53% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
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Bobby Angelle
Too Much for You
138 bpm • D# Maj • 03:04 • -4db
11% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Albert Washington
I'm the Man
138 bpm • F Maj • 02:43 • -7db
15% Popularity • 80% Danceability • 60% Energy • 7% Liveness
69% Instrumentalness • 88% Positiveness
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Don Varner
Tear Stained Face
138 bpm • E min • 02:27 • -7.2db
6% Popularity • 69% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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The Underdogs
The Way You Do The Things You Do
138 bpm • C Maj • 02:41 • -6.76db
22% Popularity • 68% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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The Invitations
What's Wrong with Me Baby?
138 bpm • D Maj • 02:39 • -5.59db
14% Popularity • 59% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
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The Dells
Run For Cover
138 bpm • F Maj • 03:06 • -15.12db
29% Popularity • 52% Danceability • 50% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
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Linda Jones
I Just Can't Live My Life (Without You B...
138 bpm • F min • 02:30 • -6.24db
15% Popularity • 58% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Tommy Hunt
Crackin' Up
138 bpm • C min • 02:52 • -4.56db
8% Popularity • 54% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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The Vibrations
'Cause You're Mine
138 bpm • D# min • 02:10 • -7.32db
32% Popularity • 50% Danceability • 80% Energy • 40% Liveness
10% Instrumentalness • 96% Positiveness
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Edward Hamilton
Baby Don't You Weep
138 bpm • B Maj • 02:51 • -9db
14% Popularity • 53% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
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Tony Galla
In Love (Ktf Mix)
138 bpm • D Maj • 02:40 • -2.43db
11% Popularity • 48% Danceability • 89% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
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Baby Washington
A Handful Of Memories
137 bpm • A min • 02:19 • -10.6db
17% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Linda Jones
Just Cant Live My Life
138 bpm • F min • 02:30 • -7.5db
18% Popularity • 61% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Sidney Barnes
I Hurt on the Other Side (2019 Remaster)
137 bpm • G Maj • 02:56 • -10.97db
11% Popularity • 49% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Bob Brady
Everybody's Goin' to the Love-In
138 bpm • C Maj • 02:46 • -8.04db
14% Popularity • 53% Danceability • 60% Energy • 67% Liveness
0% Instrumentalness • 92% Positiveness
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The Invitations
Skiing in the Snow
137 bpm • C min • 02:39 • -5.62db
19% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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The Valentinos
Sweeter Than The Day Before
137 bpm • D Maj • 02:38 • -9db
18% Popularity • 58% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 90% Positiveness
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To the Bitter End