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Tomahawk
Songs like
Tomahawk
by
Chris Janson
Based on a tempo of (+/- 10%) and a similar genre
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Tim Dugger
You Know Who We Are
172 bpm • G Maj • 03:30 • -4.71db
12% Popularity • 40% Danceability • 88% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
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Keith Anderson
I'll Bring the Music
172 bpm • F# Maj • 03:55 • -5.26db
21% Popularity • 48% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Easton Corbin
Yup
172 bpm • A# Maj • 03:13 • -6db
45% Popularity • 63% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Chris Janson
Tomahawk
172 bpm • G Maj • 03:52 • -5.15db
23% Popularity • 48% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Jade Eagleson
Hackin' Darts
170 bpm • E Maj • 02:58 • -6.22db
30% Popularity • 41% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Jason Pritchett
Already a Dead Man
174 bpm • C# min • 03:44 • -3.33db
26% Popularity • 44% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Buddy Brown
What Any Boy'd Do
170 bpm • D Maj • 03:32 • -7.86db
23% Popularity • 57% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Jason Aldean
She Loved Me
174 bpm • D Maj • 03:25 • -3.26db
12% Popularity • 42% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Trailer Choir
Rockin' the Beer Gut
174 bpm • C Maj • 03:07 • -3.96db
38% Popularity • 55% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Janson
Flag On The Wall
172 bpm • C Maj • 03:20 • -7.07db
23% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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A Thousand Horses
Trailer Trashed
170 bpm • B min • 02:43 • -3.95db
29% Popularity • 36% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
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Blake Shelton
Green
174 bpm • E Maj • 03:09 • -4.53db
27% Popularity • 50% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Andy Velo
Roll of a Dirt Road
170 bpm • C min • 03:26 • -6db
25% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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William Michael Morgan
Workin'
170 bpm • F Maj • 03:51 • -4.37db
19% Popularity • 53% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Sean Stemaly
If This Truck Could Talk
174 bpm • A# Maj • 03:12 • -4.2db
29% Popularity • 42% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Janson
Redneck Life
170 bpm • A Maj • 02:46 • -4.39db
43% Popularity • 51% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
70% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Blake Shelton
Boys 'Round Here
170 bpm • D Maj • 04:48 • -6.37db
66% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Kyle Park
Rednecks With Paychecks
170 bpm • G# Maj • 03:33 • -4.27db
31% Popularity • 44% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Joe Nichols
Size Matters (Someday)
175 bpm • F Maj • 02:51 • -5.39db
35% Popularity • 55% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Sterns County 17
Cowboy
175 bpm • G# Maj • 03:54 • -4.79db
27% Popularity • 37% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Janson
Everybody's Going Through Something
170 bpm • C Maj • 02:47 • -2.24db
19% Popularity • 47% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dry County
You Ain't Redneck
168 bpm • D min • 03:23 • -0.32db
20% Popularity • 42% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Eli Young Band
Oklahoma Girl
176 bpm • E min • 03:30 • -5.02db
39% Popularity • 36% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kip Moore
Somethin' 'Bout A Truck
176 bpm • B Maj • 03:33 • -5.42db
70% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Casey Donahew
Going Down Tonight
176 bpm • G Maj • 03:18 • -3.49db
27% Popularity • 47% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Buddy Brown
The Judge
176 bpm • C# Maj • 03:31 • -6.37db
31% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Janson
Cold Beer Truth
170 bpm • D# Maj • 02:54 • -3.83db
29% Popularity • 47% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Dustin Collins
The Barn
176 bpm • E Maj • 03:24 • -5.7db
16% Popularity • 50% Danceability • 90% Energy • 15% Liveness
2% Instrumentalness • 84% Positiveness
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Jason Aldean
One We Won't Forget
168 bpm • G# Maj • 03:16 • -2.81db
36% Popularity • 49% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Zach Dylan
Let the Bad Times Roll
176 bpm • G# Maj • 03:31 • -3.21db
22% Popularity • 50% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Trent Tomlinson
Hey Batter Batter
176 bpm • F# Maj • 03:54 • -4.79db
29% Popularity • 46% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Jon Pardi
Chasin' Them Better Days
168 bpm • G Maj • 04:23 • -5.02db
34% Popularity • 57% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Janson
I Ain't Livin' Long Like This
168 bpm • A Maj • 04:13 • -3.76db
24% Popularity • 39% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Wolfe
What Are You Doin' Right Now
168 bpm • A Maj • 03:29 • -2db
31% Popularity • 55% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Creed Fisher
Red, White & Blue Jeans
168 bpm • F# Maj • 03:55 • -4.33db
27% Popularity • 57% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Jade Eagleson
Rather Be Single
167 bpm • C# Maj • 02:49 • -3db
30% Popularity • 50% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Jerrod Niemann
Blue Bandana
168 bpm • A Maj • 03:27 • -5db
30% Popularity • 48% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kevin Fowler
Sellout Song
166 bpm • A Maj • 03:01 • -5.42db
20% Popularity • 62% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Janson
Power of Positive Drinkin'
168 bpm • B Maj • 03:30 • -4.89db
43% Popularity • 59% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Dustin Collins
I Like to Drink
166 bpm • F# Maj • 03:05 • -5.12db
18% Popularity • 50% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 66% Positiveness
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The Lost Trailers
Holler Back
178 bpm • D Maj • 03:10 • -2db
38% Popularity • 44% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Granger Smith
City Boy Stuck
166 bpm • G Maj • 04:25 • -4.93db
43% Popularity • 59% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Jon Pardi
Back On The Backroads
166 bpm • F# Maj • 03:45 • -4.66db
41% Popularity • 46% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Old Dominion
Chainsaw
166 bpm • A# Maj • 03:46 • -9db
28% Popularity • 52% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Janson
G.O.A.T.
176 bpm • B Maj • 03:07 • -5.43db
25% Popularity • 55% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 86% Positiveness
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Cole Swindell
Brought to You by Beer
166 bpm • E Maj • 03:10 • -3.5db
32% Popularity • 53% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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David Lee Murphy
Get Go
166 bpm • F# min • 04:09 • -3.9db
11% Popularity • 44% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Crossin Dixon
Guitar Slinger
179 bpm • F Maj • 03:23 • -3.42db
25% Popularity • 50% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Toby Keith
Ballad of Balad
179 bpm • D Maj • 03:50 • -6.8db
31% Popularity • 40% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Casey Donahew
12 Gauge
180 bpm • G Maj • 03:06 • -4.61db
30% Popularity • 50% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Easton Corbin
Guys And Girls
164 bpm • F Maj • 03:48 • -6db
27% Popularity • 63% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Travis Denning
Where That Beer's Been
164 bpm • G# Maj • 02:50 • -5.06db
25% Popularity • 48% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Kenny Chesney
Beer Can Chicken
164 bpm • G Maj • 04:07 • -4.61db
35% Popularity • 43% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Janson
Little Bit of Both
164 bpm • D Maj • 03:12 • -4.17db
33% Popularity • 56% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Brodie Stewart Band
Fine Lookin' Country Girl
164 bpm • F# Maj • 03:06 • -3.1db
18% Popularity • 44% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Jordan Rager
Whatever
164 bpm • C Maj • 03:01 • -5.83db
13% Popularity • 48% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Kyle Jennings
"Chose to Be a Man"
164 bpm • G Maj • 03:48 • -2.88db
20% Popularity • 49% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Blackjack Billy
Tread
164 bpm • G Maj • 02:44 • -4.09db
9% Popularity • 65% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Casey Donahew
That Got the Girl
164 bpm • G Maj • 03:36 • -3.61db
24% Popularity • 56% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Tyler Reeve
Bud-Wiser
164 bpm • C# Maj • 03:12 • -3.93db
23% Popularity • 52% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Gunnar & The Grizzly Boys
Forever Sounds Good to Me
164 bpm • C# Maj • 02:41 • -3.77db
18% Popularity • 48% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Bobby Wills
Down By The River
164 bpm • C Maj • 03:45 • -4db
28% Popularity • 50% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Josh Thompson
Down For A Get Down
164 bpm • D Maj • 02:30 • -4.2db
26% Popularity • 58% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Blackjack Billy
Get Some
181 bpm • C Maj • 03:36 • -4db
12% Popularity • 50% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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JB and the Moonshine Band
Yes
163 bpm • A Maj • 03:44 • -3.17db
27% Popularity • 39% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
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Jon Pardi
Drinkin' With Me
163 bpm • D Maj • 03:04 • -4.07db
36% Popularity • 51% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Easton Corbin
Real Good Country Song
182 bpm • G# Maj • 02:41 • -4.54db
38% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Janson
Beer Me
162 bpm • G# Maj • 02:40 • -4.03db
31% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Canaan Smith
American Muscle
162 bpm • C Maj • 02:30 • -3.75db
22% Popularity • 52% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Cody Hicks
Left Turn
162 bpm • F# Maj • 03:29 • -3.83db
30% Popularity • 49% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Simon Clow
Wiser Than Me
162 bpm • D Maj • 03:26 • -4.51db
20% Popularity • 55% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Dustin Collins
Cold Dead Hands
162 bpm • C# Maj • 03:19 • -5.62db
32% Popularity • 49% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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John King
On Your Lips
162 bpm • C# Maj • 03:23 • -3.76db
10% Popularity • 42% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Janson
Normal People
182 bpm • C Maj • 02:56 • -3.78db
22% Popularity • 50% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Glen Templeton
Devil In the Mirror
161 bpm • G Maj • 03:19 • -5.28db
14% Popularity • 44% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Thompson Square
Trans Am
184 bpm • C# Maj • 02:55 • -4.46db
22% Popularity • 53% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Jon Wolfe
Baby This and Baby That
184 bpm • D Maj • 03:00 • -4db
32% Popularity • 48% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Brett Kissel
Started with a Song
184 bpm • D Maj • 04:18 • -5.98db
30% Popularity • 40% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Casey Donahew
College Years
184 bpm • D Maj • 03:04 • -3.59db
26% Popularity • 50% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Chris Janson
Things You Can't Live Without
162 bpm • D Maj • 03:25 • -3db
32% Popularity • 37% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Trey Gallman
Down a Little Backroad
184 bpm • A min • 03:20 • -5.31db
16% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Dry County
God Loves All His Rednecks
184 bpm • F Maj • 03:49 • -4db
26% Popularity • 50% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Buddy Brown
Pedro
185 bpm • A# Maj • 03:50 • -8.24db
27% Popularity • 29% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Cagle
Got My Country On
160 bpm • G Maj • 03:53 • -5db
41% Popularity • 50% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Drew Parker
If It Don't Help
160 bpm • F# Maj • 03:01 • -3.69db
29% Popularity • 47% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Janson
Rowdy Gentle Man
184 bpm • C# min • 02:57 • -3.96db
30% Popularity • 44% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Blackjack Billy
God's Country
160 bpm • A Maj • 03:17 • -4.47db
8% Popularity • 62% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Andy Velo
Little Wildfire
160 bpm • C Maj • 03:25 • -4.25db
15% Popularity • 47% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Mike Ryan
Dry County Drive
160 bpm • F# min • 04:14 • -4db
33% Popularity • 43% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Tony Justice
Haulin' Ass
160 bpm • A# Maj • 03:51 • -4.59db
29% Popularity • 44% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Colby Yates
Right Amount of Renegade
160 bpm • B Maj • 03:14 • -7.69db
14% Popularity • 48% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Tony Young
Waitin' on Tom
160 bpm • A# Maj • 03:29 • -7.3db
18% Popularity • 62% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Janson
Check
160 bpm • D Maj • 02:43 • -2.45db
27% Popularity • 52% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Jake Owen
1972
160 bpm • D Maj • 03:25 • -3.35db
21% Popularity • 50% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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A Thousand Horses
Southernality
186 bpm • C Maj • 02:26 • -5.23db
13% Popularity • 39% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Blackjack Billy
Sugar Cane
186 bpm • C Maj • 03:13 • -4.49db
14% Popularity • 53% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Chancey Williams
She Loves Me Anyway
158 bpm • B Maj • 03:03 • -5.31db
26% Popularity • 54% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Casey Ashley
Fisherman
158 bpm • G Maj • 03:05 • -3.82db
25% Popularity • 46% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Tomahawk