Songs like Tomb by Angelo De Augustine
Based on a tempo of (+/- 10%) and a similar genre
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Angelo De Augustine
Tomb
86 bpm • A# Maj • 04:18 • -14.95db
43% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
43% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Julie Byrne
Sleepwalker
87 bpm • F# Maj • 04:19 • -14db
38% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Skullcrusher
It's Like a Secret
85 bpm • B Maj • 03:26 • -10.09db
29% Popularity • 37% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 37% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Bryce Dessner
Neptune
87 bpm • G Maj • 03:04 • -17.11db
34% Popularity • 25% Danceability • 14% Energy • 9% Liveness
9% Instrumentalness • 16% Positiveness
34% Popularity • 25% Danceability • 14% Energy • 9% Liveness
9% Instrumentalness • 16% Positiveness
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Alison Sudol
Wasteland
87 bpm • C# min • 04:00 • -14.2db
26% Popularity • 46% Danceability • 21% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
26% Popularity • 46% Danceability • 21% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
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Anna Leone
All That I Ever Did
87 bpm • G# Maj • 02:16 • -14.04db
42% Popularity • 52% Danceability • 25% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
42% Popularity • 52% Danceability • 25% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Angelo De Augustine
You Open to the Idea
85 bpm • F# Maj • 02:33 • -17.09db
28% Popularity • 56% Danceability • 15% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
28% Popularity • 56% Danceability • 15% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
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The Barr Brothers
Hideous Glorious Part 2
87 bpm • G Maj • 01:47 • -14db
46% Popularity • 47% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 40% Positiveness
46% Popularity • 47% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 40% Positiveness
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Jake Xerxes Fussell
Love Farewell
87 bpm • G# Maj • 03:58 • -15.9db
47% Popularity • 51% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 37% Positiveness
47% Popularity • 51% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 37% Positiveness
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Haley Heynderickx
No Face
87 bpm • F min • 01:56 • -11.58db
56% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Fenne Lily
I, Nietzsche
87 bpm • G# Maj • 03:44 • -8.58db
26% Popularity • 50% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 50% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Father John Misty
O I Long to Feel Your Arms Around Me
88 bpm • D Maj • 02:23 • -9db
47% Popularity • 43% Danceability • 45% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
47% Popularity • 43% Danceability • 45% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
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Phoebe Bridgers
Smoke Signals
88 bpm • A# Maj • 05:24 • -14.6db
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Angelo De Augustine
Naked Blade
88 bpm • G min • 03:32 • -12.84db
14% Popularity • 55% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 55% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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River Whyless
The Pool
88 bpm • G Maj • 04:02 • -9db
48% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Fleet Foxes
I'm Not My Season - Solstice Version
88 bpm • E Maj • 03:10 • -11.8db
42% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Adrianne Lenker
anything
84 bpm • D# Maj • 03:22 • -12.95db
72% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
72% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Paper Kites
Tenenbaum
89 bpm • C# Maj • 03:39 • -18.46db
43% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
43% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
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Sufjan Stevens
Reach Out
83 bpm • C Maj • 03:43 • -14db
43% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Angelo De Augustine
The Beginning and the End
88 bpm • F Maj • 03:33 • -16.17db
18% Popularity • 48% Danceability • 11% Energy • 12% Liveness
17% Instrumentalness • 17% Positiveness
18% Popularity • 48% Danceability • 11% Energy • 12% Liveness
17% Instrumentalness • 17% Positiveness
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Okay Kaya
Ascend and Try Again
83 bpm • A Maj • 02:13 • -11db
41% Popularity • 64% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
41% Popularity • 64% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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Philip Brooks
creek
90 bpm • G Maj • 02:33 • -15.94db
50% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
50% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Gregory Alan Isakov
San Luis
82 bpm • G min • 04:32 • -12.76db
72% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
72% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
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Fleet Foxes
In The Morning - Solstice Version
90 bpm • D# Maj • 02:12 • -10.53db
43% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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This Is The Kit
Two Wooden Spoons
90 bpm • G Maj • 02:48 • -19.57db
47% Popularity • 48% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 52% Positiveness
47% Popularity • 48% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 52% Positiveness
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Angelo De Augustine
You Needed Love, I Needed You
89 bpm • D Maj • 03:25 • -14db
51% Popularity • 52% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
51% Popularity • 52% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Okay Kaya
Believe
90 bpm • C Maj • 03:22 • -14.36db
48% Popularity • 45% Danceability • 18% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
48% Popularity • 45% Danceability • 18% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
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The Paper Kites
Tin Lover
90 bpm • C# Maj • 03:19 • -22.24db
41% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
41% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
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Ethan Gruska
Dialing Drunk
81 bpm • C# Maj • 03:15 • -17.92db
32% Popularity • 37% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 37% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Anna Leone
Your Light
81 bpm • C Maj • 02:40 • -12.16db
32% Popularity • 41% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 41% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Sufjan Stevens
Olympus
92 bpm • F Maj • 03:07 • -14.33db
40% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Angelo De Augustine
Time
82 bpm • D Maj • 03:56 • -13db
53% Popularity • 49% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
53% Popularity • 49% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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Whitney
FTA
92 bpm • F min • 02:27 • -12db
59% Popularity • 55% Danceability • 46% Energy • 28% Liveness
80% Instrumentalness • 33% Positiveness
59% Popularity • 55% Danceability • 46% Energy • 28% Liveness
80% Instrumentalness • 33% Positiveness
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Indigo Sparke
Wolf
80 bpm • B min • 04:05 • -16.54db
13% Popularity • 32% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 32% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Fleet Foxes
I'm Not My Season
92 bpm • E Maj • 03:11 • -15db
34% Popularity • 50% Danceability • 14% Energy • 65% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 50% Danceability • 14% Energy • 65% Liveness
0% Instrumentalness • 11% Positiveness
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Courtney Marie Andrews
If I Told
80 bpm • A# Maj • 04:58 • -15.34db
41% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Buck Meek
Candle
80 bpm • E Maj • 03:43 • -8.68db
35% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
35% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Angelo De Augustine
Effervescent Island
82 bpm • C Maj • 03:09 • -28.7db
16% Popularity • 43% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 33% Positiveness
16% Popularity • 43% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 33% Positiveness
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Sjowgren
Snow White
80 bpm • F# min • 01:02 • -12.88db
52% Popularity • 53% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
52% Popularity • 53% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Suki Waterhouse
Brutally
92 bpm • G Maj • 03:28 • -12db
54% Popularity • 55% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
54% Popularity • 55% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Adam Melchor
Real Estate
80 bpm • D Maj • 03:36 • -12.82db
53% Popularity • 49% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
53% Popularity • 49% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
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Bibio
Sleep On The Wing
80 bpm • A Maj • 03:30 • -11.51db
38% Popularity • 47% Danceability • 33% Energy • 13% Liveness
89% Instrumentalness • 36% Positiveness
38% Popularity • 47% Danceability • 33% Energy • 13% Liveness
89% Instrumentalness • 36% Positiveness
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Samia
Kill Her Freak Out
80 bpm • C Maj • 04:20 • -16.8db
46% Popularity • 27% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 27% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Angelo De Augustine
Santa Barbara
81 bpm • G min • 03:14 • -17.2db
45% Popularity • 53% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
45% Popularity • 53% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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M. Ward
Migration of Souls
80 bpm • B Maj • 03:28 • -16.73db
31% Popularity • 50% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
31% Popularity • 50% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
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Whitney
Forever Turned Around
93 bpm • G# Maj • 03:59 • -9.63db
34% Popularity • 65% Danceability • 39% Energy • 11% Liveness
57% Instrumentalness • 57% Positiveness
34% Popularity • 65% Danceability • 39% Energy • 11% Liveness
57% Instrumentalness • 57% Positiveness
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The Tallest Man On Earth
I Love You. It’s A Fever Dream.
93 bpm • G# Maj • 03:38 • -10db
41% Popularity • 58% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 58% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Hailaker
Wild
80 bpm • A Maj • 03:17 • -12.81db
38% Popularity • 44% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 44% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Haley Heynderickx
The Park
80 bpm • A min • 03:11 • -12.49db
33% Popularity • 60% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 60% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Angelo De Augustine
Most of the Time
92 bpm • F# Maj • 02:45 • -16.34db
15% Popularity • 58% Danceability • 14% Energy • 37% Liveness
79% Instrumentalness • 27% Positiveness
15% Popularity • 58% Danceability • 14% Energy • 37% Liveness
79% Instrumentalness • 27% Positiveness
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Big Red Machine
Forest Green
93 bpm • B Maj • 05:49 • -11db
37% Popularity • 62% Danceability • 55% Energy • 9% Liveness
59% Instrumentalness • 35% Positiveness
37% Popularity • 62% Danceability • 55% Energy • 9% Liveness
59% Instrumentalness • 35% Positiveness
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Fionn Regan
Collar of Fur
93 bpm • E Maj • 02:28 • -15db
33% Popularity • 32% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 47% Positiveness
33% Popularity • 32% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 47% Positiveness
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Hope Sandoval & The Warm Inventions
Drop
93 bpm • F Maj • 02:32 • -12.18db
45% Popularity • 27% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
45% Popularity • 27% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
54% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
54% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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Patrick Watson
A Mermaid in Lisbon
79 bpm • F# min • 03:28 • -11db
50% Popularity • 43% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 43% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Bonny Light Horseman
Bonny Light Horseman
79 bpm • B min • 04:30 • -6db
40% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Angelo De Augustine
Time - Live at Reservoir Session
79 bpm • D Maj • 04:02 • -12.09db
24% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Field Medic
chamomile
94 bpm • A Maj • 03:53 • -12.48db
29% Popularity • 49% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
29% Popularity • 49% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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S. Carey
Yellowstone
79 bpm • A# min • 03:50 • -11db
37% Popularity • 44% Danceability • 52% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
37% Popularity • 44% Danceability • 52% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
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Tomberlin
Natural Light
79 bpm • D# Maj • 02:42 • -11db
35% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Indigo Sparke
The Day I Drove the Car Around the Block
79 bpm • A# min • 04:14 • -16db
34% Popularity • 28% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 28% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Searows
House Song
79 bpm • D Maj • 04:54 • -19db
67% Popularity • 29% Danceability • 13% Energy • 10% Liveness
14% Instrumentalness • 12% Positiveness
67% Popularity • 29% Danceability • 13% Energy • 10% Liveness
14% Instrumentalness • 12% Positiveness
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Sufjan Stevens
Fictional California
79 bpm • G Maj • 02:50 • -13.72db
34% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Lizzy McAlpine
To the Mountains
79 bpm • E Maj • 03:13 • -14db
63% Popularity • 46% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 46% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Maybe Babs
Simple Life
94 bpm • C Maj • 04:12 • -14.27db
14% Popularity • 30% Danceability • 32% Energy • 13% Liveness
7% Instrumentalness • 34% Positiveness
14% Popularity • 30% Danceability • 32% Energy • 13% Liveness
7% Instrumentalness • 34% Positiveness
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Ethan Gruska
Crowded City Street
94 bpm • G Maj • 01:32 • -15.71db
21% Popularity • 43% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 43% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Fleet Foxes
Blue Spotted Tail - Solstice Version
78 bpm • G Maj • 03:08 • -19.67db
31% Popularity • 53% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 45% Positiveness
31% Popularity • 53% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 45% Positiveness
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Phoebe Bridgers
Demi Moore
78 bpm • D Maj • 03:18 • -13db
55% Popularity • 39% Danceability • 18% Energy • 10% Liveness
24% Instrumentalness • 19% Positiveness
55% Popularity • 39% Danceability • 18% Energy • 10% Liveness
24% Instrumentalness • 19% Positiveness
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Yo La Tengo
Our Way to Fall
78 bpm • C Maj • 04:18 • -14.65db
47% Popularity • 56% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
47% Popularity • 56% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
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Lucy Rose
White Car
95 bpm • F Maj • 03:26 • -15.49db
33% Popularity • 25% Danceability • 32% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
33% Popularity • 25% Danceability • 32% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Villagers
Dawning On Me
95 bpm • G Maj • 03:19 • -14.32db
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Grizzly Bear
Deep Blue Sea
78 bpm • F# min • 03:46 • -14db
34% Popularity • 55% Danceability • 22% Energy • 12% Liveness
58% Instrumentalness • 34% Positiveness
34% Popularity • 55% Danceability • 22% Energy • 12% Liveness
58% Instrumentalness • 34% Positiveness
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Angelo De Augustine
The Painter
95 bpm • D Maj • 03:11 • -11.27db
21% Popularity • 46% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 46% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Wet
Old Bone
95 bpm • F min • 03:07 • -13db
43% Popularity • 62% Danceability • 41% Energy • 27% Liveness
21% Instrumentalness • 23% Positiveness
43% Popularity • 62% Danceability • 41% Energy • 27% Liveness
21% Instrumentalness • 23% Positiveness
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Buck Meek
Halo Light
77 bpm • C# Maj • 03:50 • -11.75db
18% Popularity • 61% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 61% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Flyte
Archie, Marry Me
77 bpm • C# Maj • 02:29 • -8.39db
42% Popularity • 24% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 24% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Allie Crow Buckley
Cusco
77 bpm • C Maj • 04:17 • -9.53db
33% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
33% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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Julia Jacklin
to Perth, before the border closes
96 bpm • D Maj • 02:56 • -12.44db
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Angelo De Augustine
Old Hope
95 bpm • D# Maj • 01:58 • -15.92db
44% Popularity • 48% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
44% Popularity • 48% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
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Sufjan Stevens
Lost In The World
96 bpm • D# min • 03:10 • -14.31db
32% Popularity • 49% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 49% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Max GarcÃa Conover
5 to 4
96 bpm • G# Maj • 02:45 • -10.98db
28% Popularity • 32% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 32% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Taylor Vick
That's Life Honey
77 bpm • G# Maj • 03:02 • -10db
34% Popularity • 69% Danceability • 30% Energy • 14% Liveness
20% Instrumentalness • 60% Positiveness
34% Popularity • 69% Danceability • 30% Energy • 14% Liveness
20% Instrumentalness • 60% Positiveness
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Joan Shelley
Bed In The River
77 bpm • F Maj • 03:19 • -19.18db
29% Popularity • 45% Danceability • 6% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
29% Popularity • 45% Danceability • 6% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
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Tomberlin
Floor
96 bpm • A# Maj • 04:33 • -9.07db
28% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Angelo De Augustine
Crazy, Stoned, and Gone
95 bpm • F Maj • 02:41 • -12.41db
29% Popularity • 62% Danceability • 18% Energy • 11% Liveness
58% Instrumentalness • 36% Positiveness
29% Popularity • 62% Danceability • 18% Energy • 11% Liveness
58% Instrumentalness • 36% Positiveness
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Sufjan Stevens
It’s Your Own Body And Mind
96 bpm • C min • 02:27 • -12.94db
42% Popularity • 64% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
42% Popularity • 64% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
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Julie Byrne
Holiday
77 bpm • E Maj • 02:39 • -17.75db
38% Popularity • 44% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
38% Popularity • 44% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Ethan Gruska
What Are You Thinking Of?
77 bpm • A min • 03:44 • -21.04db
15% Popularity • 34% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 34% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Alice Phoebe Lou
Nostalgia
77 bpm • A Maj • 03:17 • -8.73db
48% Popularity • 34% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
48% Popularity • 34% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Yellow House
Love in the Time of Socialism
77 bpm • A# Maj • 04:11 • -9.59db
56% Popularity • 24% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
56% Popularity • 24% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Angelo De Augustine
Collections
96 bpm • G Maj • 02:22 • -16.44db
37% Popularity • 63% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
37% Popularity • 63% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Skullcrusher
Trace
96 bpm • F# Maj • 03:19 • -11.09db
32% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Christian Lee Hutson
Single For The Summer
97 bpm • D# Maj • 03:57 • -9.44db
25% Popularity • 48% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
25% Popularity • 48% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Tomberlin
collect caller
97 bpm • G# Maj • 03:01 • -16.63db
30% Popularity • 53% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
30% Popularity • 53% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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The Paper Kites
Never Heard a Sound
97 bpm • D Maj • 02:54 • -17.17db
34% Popularity • 52% Danceability • 15% Energy • 13% Liveness
32% Instrumentalness • 36% Positiveness
34% Popularity • 52% Danceability • 15% Energy • 13% Liveness
32% Instrumentalness • 36% Positiveness
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Sibylle Baier
Forget About
97 bpm • A# Maj • 02:31 • -17.25db
49% Popularity • 59% Danceability • 11% Energy • 11% Liveness
65% Instrumentalness • 28% Positiveness
49% Popularity • 59% Danceability • 11% Energy • 11% Liveness
65% Instrumentalness • 28% Positiveness
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Adrianne Lenker
Miss Misty
97 bpm • A# Maj • 02:47 • -13.58db
48% Popularity • 40% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 40% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Anna Mieke
Warped Window
97 bpm • G# Maj • 04:55 • -16.26db
53% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
