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Tomorrow Shall Be My Dancing Day
Songs like
Tomorrow Shall Be My Dancing Day
by
John Rutter
Based on a tempo of (+/- 10%) and a similar genre
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Jacobus Gallus
Pueri concinite
69 bpm • G Maj • 01:53 • -22db
28% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
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Eric Whitacre
Eric Whitacre: Lux aurumque
69 bpm • C# min • 03:48 • -26db
10% Popularity • 23% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Max Reger
Nachtlied, Op. 138, No. 3
69 bpm • B min • 03:01 • -25.5db
16% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
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Gottfried Heinrich Stölzel
Diomedes: Anna Magdalena Notenbuch (Clav...
69 bpm • C# Maj • 03:49 • -19.08db
21% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
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Paul Noble
Distant Land - Arr. for Concert/Wind Ban...
69 bpm • C# Maj • 06:20 • -15.25db
1% Popularity • 8% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
13% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Abendlied, Op. 69 No. 3
69 bpm • F Maj • 03:31 • -26.66db
37% Popularity • 20% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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Tomás Luis de Victoria
O vos omnes
69 bpm • C min • 04:08 • -24.39db
31% Popularity • 14% Danceability • 6% Energy • 7% Liveness
69% Instrumentalness • 4% Positiveness
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Olivier Messiaen
O Sacrum Convivium (Live): O sacrum conv...
68 bpm • F# Maj • 03:37 • -31.74db
11% Popularity • 6% Danceability • 2% Energy • 10% Liveness
70% Instrumentalness • 3% Positiveness
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Gabriel Jackson
O Sacrum Convivium
69 bpm • D# Maj • 06:22 • -36.59db
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Paul Noble
Five Meditations: IV. Lord, Make Me An I...
69 bpm • D# Maj • 03:00 • -18.95db
1% Popularity • 18% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
I Heard a Voice from Heaven
70 bpm • A# Maj • 04:53 • -26.23db
1% Popularity • 21% Danceability • 6% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Chamber Choir Ireland
Stanford: The Blue Bird
70 bpm • F# Maj • 03:28 • -36db
14% Popularity • 7% Danceability • 1% Energy • 6% Liveness
25% Instrumentalness • 3% Positiveness
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Sjaella
Abendliedchen
68 bpm • C Maj • 01:42 • -24.31db
35% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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John Tavener
2 Hymns to the Mother of God: Hymn for D...
68 bpm • G Maj • 03:36 • -30.2db
0% Popularity • 8% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Max Reger
M. Reger: Der Mond ist aufgegangen
68 bpm • E min • 05:55 • -34.35db
13% Popularity • 14% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Messe basse: Benedictus
70 bpm • G# Maj • 02:34 • -25db
13% Popularity • 20% Danceability • 5% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Johannes Brahms
O Schöne Nacht, Op. 92, No. 1
70 bpm • E Maj • 03:29 • -18.59db
16% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
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John Rutter
The Peace of God
70 bpm • F Maj • 03:06 • -21db
16% Popularity • 11% Danceability • 15% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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Blake R. Henson
My Flight for Heaven
70 bpm • C# Maj • 04:48 • -24.87db
16% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
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John Tavener
2 Hymns to the Mother of God: A Hymn to ...
68 bpm • A# Maj • 02:40 • -22.25db
4% Popularity • 23% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Leonard Bernstein
Chichester Psalms: I. Psalm 108 vs. 2, P...
70 bpm • D min • 03:39 • -19db
21% Popularity • 24% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Johann Abraham Peter Schulz
Her kjem me, dine arme smaa (Arr. Idunn ...
70 bpm • A Maj • 03:47 • -23db
12% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Johannes Brahms
Fest- und Gedenksprüche, Op. 109: I. Un...
70 bpm • F Maj • 02:10 • -19.75db
0% Popularity • 25% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Orlande de Lassus
Adoramus te, Christe, LV 1083
70 bpm • F Maj • 01:43 • -29db
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
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John Rutter
Magnificat: V. Fecit potentiam
70 bpm • F# min • 03:37 • -23.14db
8% Popularity • 30% Danceability • 9% Energy • 18% Liveness
7% Instrumentalness • 4% Positiveness
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Sjaella
O du stille Zeit
70 bpm • A# Maj • 02:29 • -23db
27% Popularity • 23% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
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James Whitbourn
Son of God Mass: Agnus Dei
70 bpm • C min • 02:20 • -31.76db
35% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Ave Maria: Ave Maria (for 4 voices)
70 bpm • F min • 01:52 • -30.05db
13% Popularity • 24% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Herbert Howells
Magnificat & Nunc dimittis "Gloucester S...
68 bpm • F# min • 04:13 • -19.48db
1% Popularity • 13% Danceability • 14% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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John Sheppard
In manus tuas Domine: In manus tuas
68 bpm • F# Maj • 04:07 • -31.38db
3% Popularity • 8% Danceability • 2% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
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John Rutter
Mass of the Children: Sanctus and Benedi...
70 bpm • D Maj • 07:12 • -20.79db
18% Popularity • 9% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Benjamin Britten
Benjamin Britten: A Hymn to the Virgin
71 bpm • A min • 03:21 • -25.89db
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Josquin des Prez
Ave Maria, Virgo Serena
71 bpm • C Maj • 05:55 • -19.83db
18% Popularity • 17% Danceability • 11% Energy • 6% Liveness
14% Instrumentalness • 6% Positiveness
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Hubert Parry
I Was Glad
67 bpm • A# Maj • 07:28 • -15.27db
11% Popularity • 8% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Across The Vast, Eternal Sky
67 bpm • B Maj • 04:38 • -17.33db
28% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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John Rutter
A Choral Amen
71 bpm • E Maj • 01:08 • -21.32db
19% Popularity • 23% Danceability • 12% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Frederick Delius
To be Sung of a Summer Night on the Wate...
67 bpm • C# min • 02:14 • -25.36db
10% Popularity • 25% Danceability • 13% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
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The Concordia Choir
When Jesus Wept
71 bpm • E min • 01:45 • -30db
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
71 bpm • G Maj • 05:52 • -25.58db
14% Popularity • 16% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Traditional
Deep River
71 bpm • C# Maj • 05:04 • -27.96db
5% Popularity • 11% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Michael Praetorius
Es ist ein Ros' entsprungen (Arr. J. Rut...
67 bpm • E Maj • 03:23 • -28.5db
17% Popularity • 26% Danceability • 4% Energy • 6% Liveness
68% Instrumentalness • 5% Positiveness
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John Rutter
A flower remembered
71 bpm • A# Maj • 03:05 • -28.06db
14% Popularity • 44% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Requiem, Op. 48: Sanctus
67 bpm • D# Maj • 03:08 • -19.14db
19% Popularity • 23% Danceability • 10% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
22% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere mei
71 bpm • F# min • 14:04 • -27.42db
12% Popularity • 8% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Organist Giles Taylor
Jesu Joy of Man's Desiring
71 bpm • G Maj • 03:34 • -18.99db
16% Popularity • 15% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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The Tallis Scholars
Gibbons: The Silver Swan
71 bpm • E Maj • 01:42 • -28.06db
32% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Tantum ergo, Op. 65, No. 2
67 bpm • E Maj • 02:33 • -24.54db
18% Popularity • 19% Danceability • 5% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
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John Goss
These are they which follow the lamb
72 bpm • E Maj • 01:44 • -25.82db
3% Popularity • 20% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Gloria: Domine Deus, Rex coelestis
66 bpm • B Maj • 04:05 • -30db
29% Popularity • 28% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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John Rutter
Lord, make me an instrument of thy peace
72 bpm • E Maj • 02:56 • -31.21db
12% Popularity • 40% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 14% Positiveness
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Eric Whitacre
Whitacre: The Seal Lullaby
66 bpm • C# Maj • 04:13 • -30db
45% Popularity • 23% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
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Jacobus Gallus
Confirma hoc Deus
66 bpm • A Maj • 01:29 • -24.14db
41% Popularity • 22% Danceability • 11% Energy • 5% Liveness
93% Instrumentalness • 9% Positiveness
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John Sheppard
In pace
66 bpm • F# Maj • 05:19 • -30.8db
15% Popularity • 12% Danceability • 6% Energy • 20% Liveness
20% Instrumentalness • 5% Positiveness
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Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
66 bpm • D# Maj • 03:56 • -24db
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
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John Rutter
Wings of the morning
72 bpm • G# Maj • 05:44 • -23.25db
10% Popularity • 12% Danceability • 7% Energy • 10% Liveness
16% Instrumentalness • 5% Positiveness
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Eric Whitacre
Whitacre: Lux Aurumque
72 bpm • C# min • 04:15 • -28.43db
41% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
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William Henry Harris
Holy Is the True Light
72 bpm • D min • 01:54 • -21.55db
17% Popularity • 9% Danceability • 15% Energy • 12% Liveness
36% Instrumentalness • 3% Positiveness
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George Shearing
Songs and Sonnets from Shakespeare: V. W...
66 bpm • G# Maj • 05:00 • -27.4db
13% Popularity • 9% Danceability • 3% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Officium defunctorum: Parce mihi Domine:...
66 bpm • A# Maj • 05:21 • -36.59db
26% Popularity • 14% Danceability • 1% Energy • 12% Liveness
24% Instrumentalness • 3% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
72 bpm • C# Maj • 04:38 • -24.41db
12% Popularity • 7% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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John Rutter
Requiem: The Lord is my Shepherd
72 bpm • C Maj • 05:10 • -26.27db
11% Popularity • 14% Danceability • 7% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
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Melchior Franck
Ein feste Burg ist unser Gott in F Major
66 bpm • C Maj • 01:11 • -18db
24% Popularity • 26% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
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The Tallis Scholars
Allegri: Miserere - 05. Auditui Meo Dabi...
66 bpm • A Maj • 01:11 • -26db
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem (Version for A Cappella Choir): ...
72 bpm • G Maj • 01:49 • -23.26db
10% Popularity • 14% Danceability • 13% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Paul Mealor
The Beatitudes
66 bpm • B Maj • 05:56 • -26.17db
14% Popularity • 16% Danceability • 1% Energy • 14% Liveness
14% Instrumentalness • 4% Positiveness
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Monks And Choirboys Of Downside Abbey
Cantique De Jean Racine
73 bpm • C# Maj • 05:13 • -21.9db
17% Popularity • 6% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe solennelle, Op. 16: I. Kyrie
73 bpm • C# min • 05:37 • -20.81db
10% Popularity • 7% Danceability • 14% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Jubilate Deo omnis terra, Ch.136 (Arr. f...
73 bpm • B Maj • 05:08 • -21db
17% Popularity • 14% Danceability • 14% Energy • 8% Liveness
83% Instrumentalness • 13% Positiveness
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Frederick Delius
To be Sung of a Summer Night on the Wate...
73 bpm • G# Maj • 02:19 • -24.95db
3% Popularity • 26% Danceability • 18% Energy • 22% Liveness
41% Instrumentalness • 11% Positiveness
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Herbert Howells
Requiem (Version for A Cappella Choir): ...
66 bpm • D Maj • 03:34 • -24.75db
0% Popularity • 19% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Temun�...
73 bpm • G Maj • 01:45 • -29.53db
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Paul Noble
Five Meditations: V. The Lord Bless You ...
73 bpm • F Maj • 02:45 • -25.77db
1% Popularity • 13% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: II. N...
65 bpm • E min • 02:58 • -22db
12% Popularity • 16% Danceability • 18% Energy • 14% Liveness
24% Instrumentalness • 3% Positiveness
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
73 bpm • G Maj • 02:25 • -27.09db
23% Popularity • 22% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
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John Rutter
Magnificat: III. Quia fecit mihi magna
65 bpm • G Maj • 05:22 • -22.16db
8% Popularity • 8% Danceability • 7% Energy • 33% Liveness
83% Instrumentalness • 4% Positiveness
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Michael Praetorius
Det ar en ros utsprungen (Behold a Rose ...
65 bpm • C min • 03:51 • -36db
12% Popularity • 17% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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The Cambridge Singers
Christ Our Emmanuel
73 bpm • D min • 04:41 • -27.47db
22% Popularity • 18% Danceability • 4% Energy • 7% Liveness
8% Instrumentalness • 6% Positiveness
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Paul Noble
Mass of the Children: Agnus Dei - Arr. f...
73 bpm • G Maj • 06:00 • -22.86db
0% Popularity • 7% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Alleluia laus et gloria, IOL 8
65 bpm • A# Maj • 00:56 • -23.01db
39% Popularity • 26% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Richard Dering
Factum est silentium
74 bpm • E Maj • 03:08 • -21.6db
0% Popularity • 13% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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John Rutter
Hymn to the Creator of Light
73 bpm • E Maj • 07:17 • -26.51db
7% Popularity • 7% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
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Irish folk tune
An Irish Blessing
74 bpm • A# Maj • 03:12 • -27.99db
30% Popularity • 19% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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João IV of Portugal
Crux fidelis
74 bpm • F Maj • 02:20 • -34db
33% Popularity • 19% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Samuel Barber
Agnus Dei (Arr. from Adagio for Strings,...
74 bpm • F# Maj • 06:30 • -26.98db
14% Popularity • 7% Danceability • 4% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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Herbert Howells
Nunc dimittis
74 bpm • D min • 03:06 • -18.64db
1% Popularity • 10% Danceability • 18% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
64 bpm • C Maj • 01:10 • -18.12db
31% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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John Rutter
Visions: III. Lament for Jerusalem
74 bpm • G min • 06:50 • -26.3db
8% Popularity • 13% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Benjamin Britten
Gloriana, Op. 53: Choral Dances: No. 4. ...
75 bpm • D Maj • 01:05 • -21.44db
12% Popularity • 26% Danceability • 12% Energy • 31% Liveness
6% Instrumentalness • 10% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Chapel Choir of University College, Hurham
Stainer: God so loved the world
75 bpm • D Maj • 03:36 • -30db
14% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
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Paul Noble
Believe In Springtime - Arr. for Concert...
64 bpm • A# Maj • 03:20 • -19.94db
2% Popularity • 9% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Charles Villiers Stanford
8 Part-Songs, Op. 119: III. The Blue Bir...
64 bpm • F# Maj • 03:43 • -18.9db
11% Popularity • 20% Danceability • 12% Energy • 20% Liveness
66% Instrumentalness • 4% Positiveness
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John Rutter
I believe in springtime
75 bpm • C Maj • 03:10 • -27.26db
10% Popularity • 24% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
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Stephen Paulus
Pilgrims' Hymn
75 bpm • F# Maj • 03:48 • -24.06db
14% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
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Tomorrow Shall Be My Dancing Day