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Too Good at Goodbyes
Songs like
Too Good at Goodbyes
by
Alex Goot
Based on a tempo of (+/- 10%) and a similar genre
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Timeflies
Monsters
88 bpm • C# Maj • 03:45 • -3.91db
47% Popularity • 61% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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Chlara
The Nights
88 bpm • B Maj • 03:42 • -6.9db
50% Popularity • 55% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Brielle Von Hugel
After the Heartbreak
89 bpm • G Maj • 04:08 • -4.63db
40% Popularity • 59% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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3Kloudz
Electric Connection
89 bpm • F# min • 05:38 • -8.9db
17% Popularity • 52% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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The New Velvet
Hey Lady
89 bpm • F# Maj • 03:12 • -4db
24% Popularity • 53% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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After Romeo
Meet Me in My Dreams
87 bpm • F Maj • 04:13 • -4.38db
13% Popularity • 54% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 47% Positiveness
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Alex Goot
Too Good at Goodbyes
86 bpm • F Maj • 03:41 • -5.82db
15% Popularity • 36% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Luke Conard
Kiss You
90 bpm • D Maj • 03:04 • -3.34db
8% Popularity • 51% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Against The Current
Comeback Kid
90 bpm • C# min • 03:57 • -4.15db
35% Popularity • 65% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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ATC
I Wanna Get Better
90 bpm • E Maj • 03:19 • -3.56db
40% Popularity • 67% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Anna Blue
I Against Me
90 bpm • D Maj • 03:50 • -6db
38% Popularity • 59% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Heffron Drive
Passing Time
90 bpm • G min • 04:20 • -4.58db
34% Popularity • 62% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Hot Chelle Rae
Keep You With Me
90 bpm • G Maj • 03:29 • -4.79db
30% Popularity • 65% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Conard
Lighters
90 bpm • G Maj • 02:49 • -9.72db
26% Popularity • 63% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Alex & Sierra
Cheating
86 bpm • E Maj • 02:27 • -6.1db
25% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Madison Letter
Stay With Me / Me and My Broken Heart
86 bpm • B Maj • 02:47 • -10db
34% Popularity • 71% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Boyce Avenue
Demons
90 bpm • C Maj • 02:54 • -8.65db
60% Popularity • 68% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Jaclyn Davies
Shape of You / The Greatest / Closer
90 bpm • C Maj • 03:12 • -9.07db
16% Popularity • 58% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Cody Simpson
Pretty Brown Eyes - Acoustic Version
90 bpm • G# Maj • 03:07 • -8.12db
21% Popularity • 59% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Hollywood Ending
Kiss You
91 bpm • D Maj • 03:03 • -6.56db
16% Popularity • 65% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Alex & Sierra
Gravity
86 bpm • C Maj • 03:50 • -9db
40% Popularity • 35% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Goot
Problem
91 bpm • G# Maj • 03:03 • -12.16db
11% Popularity • 66% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Joey Stamper
Stay With Me Mash-Up
85 bpm • C Maj • 03:11 • -6.34db
13% Popularity • 29% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Sound Made Clearer
Perfect Two (Boy Version Extended)
85 bpm • A# Maj • 03:57 • -6.22db
21% Popularity • 31% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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A Rocket To The Moon
Like We Used To - Rainy Day Sessions [R...
85 bpm • D Maj • 03:28 • -5.08db
22% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Evan T
Best Years Of Our Lives
92 bpm • D Maj • 04:10 • -5.05db
34% Popularity • 58% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Alex & Sierra
I Love You
85 bpm • C Maj • 03:49 • -7db
48% Popularity • 52% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Goot
The A Team
85 bpm • A Maj • 03:08 • -10.5db
15% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Hannah's Yard
We Don't Talk Anymore - Acoustic
92 bpm • C# min • 03:07 • -8.76db
39% Popularity • 44% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Maddi Jane
These Days
92 bpm • C Maj • 03:36 • -10db
19% Popularity • 79% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Savella
One Step At A Time
92 bpm • G# Maj • 03:26 • -6.58db
39% Popularity • 66% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Finding Us
The Next Right Thing
92 bpm • C min • 03:43 • -6.16db
13% Popularity • 61% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Alex & Sierra
Almost Home
85 bpm • C# Maj • 03:23 • -9db
27% Popularity • 34% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Alex Goot
Cruel Summer
85 bpm • F# min • 02:58 • -6.09db
23% Popularity • 43% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ryan Cabrera
I See Love
84 bpm • D Maj • 03:05 • -3.98db
19% Popularity • 47% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Silver Trees
Paper Hearts
83 bpm • C# Maj • 03:19 • -8db
30% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Matt Beilis
Perfect for Me
93 bpm • A# Maj • 03:50 • -6.22db
22% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Hot Chelle Rae
Don't Say Goodnight
93 bpm • A# Maj • 03:31 • -4.98db
42% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Chase Holfelder
Waiting for the End
83 bpm • F# Maj • 03:06 • -8.65db
15% Popularity • 34% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Alex Goot
Stay With Me
85 bpm • D# Maj • 02:14 • -10.19db
18% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Joey Devries
Secret Love Song
93 bpm • C Maj • 04:00 • -7.18db
15% Popularity • 65% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Jason Walker
Everybody Lies
93 bpm • F# min • 03:50 • -6db
32% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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ATC
All Too Well
93 bpm • C Maj • 03:53 • -5.01db
28% Popularity • 65% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Jayesslee
Love Me Like You Do
93 bpm • G Maj • 04:02 • -6.97db
31% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Thomas Daniel
Symphony - Acoustic
83 bpm • G Maj • 03:12 • -10.57db
44% Popularity • 36% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Alex Goot
It Girl
92 bpm • E Maj • 03:08 • -5.92db
20% Popularity • 61% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Megan Lee
A Whole New World Aladdin Cover
93 bpm • C Maj • 03:00 • -4.84db
22% Popularity • 30% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Hot Chelle Rae
The Only One
94 bpm • G Maj • 02:49 • -6.07db
25% Popularity • 66% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Mark Kaltman
You Go I Go
94 bpm • C Maj • 04:09 • -6.07db
28% Popularity • 66% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Jayesslee
Perfect
83 bpm • B Maj • 04:08 • -15.48db
50% Popularity • 45% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Maddi Jane
Impossible
82 bpm • F min • 03:46 • -8.79db
36% Popularity • 58% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Alex Goot
Fireflies
92 bpm • D Maj • 03:35 • -8.24db
16% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Molly Hunt
Bleeding Out
82 bpm • G# Maj • 04:01 • -14db
27% Popularity • 43% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Samantha Harvey
Say You Won't Let Go
94 bpm • C# Maj • 03:31 • -7.35db
32% Popularity • 47% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Loza Rose
2000 DAYS
82 bpm • E min • 03:03 • -6.57db
10% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Harrison Craig
Take A Bow
82 bpm • B Maj • 03:43 • -8.82db
25% Popularity • 45% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Loving Caliber
Thinking About You
82 bpm • A# Maj • 03:43 • -3.24db
21% Popularity • 52% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Alex Goot
Unconditionally
94 bpm • E Maj • 03:39 • -7.74db
13% Popularity • 25% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Jennel Garcia
Zombie
82 bpm • A Maj • 03:05 • -6.47db
23% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Maddi Jane
Breakeven
95 bpm • D# Maj • 03:25 • -7db
42% Popularity • 48% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Savella
Kill Em With Kindness - Acoustic
95 bpm • B Maj • 03:32 • -14db
34% Popularity • 62% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Dave Days
Closer
95 bpm • A Maj • 03:38 • -8.93db
23% Popularity • 70% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Corey Tynan
Hold onto the Memories
82 bpm • F# Maj • 03:33 • -7.15db
22% Popularity • 38% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Alex Goot
Burn
83 bpm • G# Maj • 03:13 • -8.93db
18% Popularity • 36% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Thomas Daniel
Since U Been Gone - Acoustic Version
95 bpm • F Maj • 03:41 • -13.31db
42% Popularity • 54% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Anna Blue
Say Something
95 bpm • C min • 03:41 • -6.11db
33% Popularity • 56% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Boyce Avenue
A Thousand Miles
95 bpm • A Maj • 04:04 • -8db
43% Popularity • 56% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Btwn Us
Perfect / Can't Help Falling in Love
95 bpm • G# Maj • 03:15 • -7.39db
35% Popularity • 62% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Bella Ferraro
Forgot You
95 bpm • D Maj • 03:39 • -2db
19% Popularity • 65% Danceability • 84% Energy • 50% Liveness
0% Instrumentalness • 44% Positiveness
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Alex Goot
Closer
95 bpm • G# Maj • 03:19 • -6.25db
31% Popularity • 71% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Sabrina
We Don't Talk Anymore
95 bpm • B min • 03:52 • -9.43db
17% Popularity • 48% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Jibri Houston
Mirrors Lie
81 bpm • A# Maj • 03:42 • -4.54db
10% Popularity • 38% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Jayesslee
Be More Barrio
96 bpm • A# Maj • 02:53 • -4.02db
22% Popularity • 64% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Andre Veress
Enough Love
81 bpm • G min • 02:17 • -5.9db
8% Popularity • 49% Danceability • 75% Energy • 77% Liveness
0% Instrumentalness • 41% Positiveness
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Taylor Swift
Haunted - Acoustic Version
81 bpm • F Maj • 03:37 • -5.12db
48% Popularity • 57% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Alex Goot
Just Give Me a Reason
95 bpm • G Maj • 03:16 • -6.68db
22% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Sabrina
Cold Water
95 bpm • G# min • 03:04 • -9.74db
15% Popularity • 63% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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AJ Wray
Style Acoustic Version
96 bpm • A min • 03:15 • -8.11db
21% Popularity • 64% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Hearts & Colors
Steal My Girl
81 bpm • A Maj • 03:28 • -13db
43% Popularity • 64% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Faber Drive
Surrender Demo
81 bpm • E Maj • 02:12 • -6.75db
17% Popularity • 39% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Fancy Cars
I'll Follow - Acoustic Version
96 bpm • A# Maj • 03:18 • -4.08db
46% Popularity • 58% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Luke Conard
We Are Young
96 bpm • F Maj • 03:25 • -7.14db
19% Popularity • 46% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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ATC
See You Again
80 bpm • C Maj • 03:49 • -4.8db
28% Popularity • 54% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 39% Positiveness
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AJ Wray
Best of 2012 Mashup "Call Me Maybe" "Pay...
80 bpm • B Maj • 03:26 • -10db
32% Popularity • 31% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Loving Caliber
Still Thinking Of You
80 bpm • C Maj • 03:00 • -7.4db
40% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kurt Hugo Schneider
See You Again
80 bpm • A# Maj • 03:34 • -7.08db
17% Popularity • 68% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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Alex Goot
Hey, Soul Sister
97 bpm • E Maj • 03:37 • -5.63db
16% Popularity • 63% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Beth Crowley
Perfect Doesn't Last
97 bpm • A# Maj • 04:01 • -7.56db
34% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Maroon 5
Leaving California
97 bpm • D# Maj • 03:23 • -5.64db
48% Popularity • 50% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Shane Harper
Like I Did
98 bpm • C# Maj • 03:11 • -4db
34% Popularity • 59% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Jacquie
Tears Fall
98 bpm • C# min • 03:34 • -5.03db
24% Popularity • 62% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 20% Positiveness
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Reed Deming
Mercy on Me
98 bpm • C min • 03:06 • -4.59db
19% Popularity • 73% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Plug In Stereo
Wait for Me - EP Version
98 bpm • E Maj • 03:04 • -5.59db
13% Popularity • 58% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Against The Current
Brighter
79 bpm • A Maj • 03:34 • -5.01db
32% Popularity • 52% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Hannah's Yard
Don't Start Now - Acoustic
98 bpm • D Maj • 03:42 • -10.26db
37% Popularity • 43% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Jayesslee
Breakeven
79 bpm • A# Maj • 02:36 • -12.56db
34% Popularity • 55% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Hannah Trigwell
Torn
99 bpm • F Maj • 03:05 • -6.21db
34% Popularity • 37% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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River Paisley
Good Life - Acoustic Version
78 bpm • C# Maj • 03:16 • -5.13db
35% Popularity • 50% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Amanda Yang
Starships - Acoustic Version
99 bpm • C Maj • 03:26 • -8.64db
48% Popularity • 76% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Olivia Penalva
H.O.L.Y.
78 bpm • E Maj • 03:17 • -7db
21% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Too Good at Goodbyes