Songs like Too Late Now by Jimmy Raney
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Raney
Imagination
61 bpm • G Maj • 04:40 • -17.75db
1% Popularity • 43% Danceability • 13% Energy • 10% Liveness
68% Instrumentalness • 39% Positiveness
1% Popularity • 43% Danceability • 13% Energy • 10% Liveness
68% Instrumentalness • 39% Positiveness
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Freddie Redd Trio
Beautiful Adela
60 bpm • G Maj • 03:17 • -14.35db
32% Popularity • 70% Danceability • 17% Energy • 26% Liveness
91% Instrumentalness • 17% Positiveness
32% Popularity • 70% Danceability • 17% Energy • 26% Liveness
91% Instrumentalness • 17% Positiveness
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Hank Mobley
I See Your Face Before Me - Remastered
62 bpm • C min • 05:29 • -11.49db
34% Popularity • 41% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
34% Popularity • 41% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Jackie McLean
Subdued - Remastered 1999 / Rudy Van Gel...
60 bpm • F Maj • 05:54 • -11.41db
23% Popularity • 56% Danceability • 22% Energy • 12% Liveness
77% Instrumentalness • 36% Positiveness
23% Popularity • 56% Danceability • 22% Energy • 12% Liveness
77% Instrumentalness • 36% Positiveness
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Lee Morgan
I Remember Clifford - Rudy Van Gelder Ed...
62 bpm • C min • 07:09 • -9db
49% Popularity • 38% Danceability • 28% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
49% Popularity • 38% Danceability • 28% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
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Bud Shank
A Sinner Kissed an Angel
62 bpm • G Maj • 03:20 • -13db
25% Popularity • 50% Danceability • 18% Energy • 18% Liveness
70% Instrumentalness • 25% Positiveness
25% Popularity • 50% Danceability • 18% Energy • 18% Liveness
70% Instrumentalness • 25% Positiveness
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Jimmy Raney
Too Late Now
61 bpm • F Maj • 04:17 • -22.18db
12% Popularity • 43% Danceability • 12% Energy • 9% Liveness
54% Instrumentalness • 25% Positiveness
12% Popularity • 43% Danceability • 12% Energy • 9% Liveness
54% Instrumentalness • 25% Positiveness
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Kenny Drew
Angie
63 bpm • F Maj • 05:38 • -21.85db
24% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
24% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Stan Getz Quintet
The Nearness Of You
59 bpm • A# Maj • 03:41 • -18.61db
7% Popularity • 32% Danceability • 11% Energy • 10% Liveness
40% Instrumentalness • 30% Positiveness
7% Popularity • 32% Danceability • 11% Energy • 10% Liveness
40% Instrumentalness • 30% Positiveness
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The Ben Webster Quintet
Ill Wind
63 bpm • C# Maj • 03:34 • -18.5db
25% Popularity • 50% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
25% Popularity • 50% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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Curtis Fuller
Here's To My Lady
59 bpm • D# Maj • 06:43 • -16.45db
8% Popularity • 49% Danceability • 19% Energy • 11% Liveness
50% Instrumentalness • 36% Positiveness
8% Popularity • 49% Danceability • 19% Energy • 11% Liveness
50% Instrumentalness • 36% Positiveness
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Booker Little
Moonlight Becomes You
59 bpm • G# Maj • 05:40 • -14db
10% Popularity • 48% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 51% Positiveness
10% Popularity • 48% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 51% Positiveness
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Jimmy Raney
What's New
61 bpm • B Maj • 04:22 • -20.06db
0% Popularity • 55% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 42% Positiveness
0% Popularity • 55% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 42% Positiveness
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Junior Mance
Blues For Beverlee
64 bpm • G Maj • 07:52 • -21.87db
20% Popularity • 54% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 12% Positiveness
20% Popularity • 54% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 12% Positiveness
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Don Thompson
You Are Too Beautiful
65 bpm • G min • 06:34 • -37.25db
30% Popularity • 42% Danceability • 1% Energy • 68% Liveness
94% Instrumentalness • 31% Positiveness
30% Popularity • 42% Danceability • 1% Energy • 68% Liveness
94% Instrumentalness • 31% Positiveness
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Wes Montgomery Trio
Satin Doll - Take 7
65 bpm • C Maj • 03:56 • -23db
42% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
42% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
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Miles Davis Quartet
You Don't Know What Love Is
65 bpm • D# Maj • 04:23 • -19.44db
25% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Phil Woods
Hindsight
65 bpm • G# Maj • 06:31 • -19.41db
32% Popularity • 43% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
32% Popularity • 43% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
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Jimmy Raney
Imagination
60 bpm • G Maj • 04:37 • -19.07db
5% Popularity • 51% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
5% Popularity • 51% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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Warne Marsh
Tschaikovsky's Opus #42, Third Movement
66 bpm • C min • 04:00 • -22.17db
21% Popularity • 40% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
21% Popularity • 40% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
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Don Byas
Laura
66 bpm • C Maj • 04:14 • -10.43db
18% Popularity • 42% Danceability • 25% Energy • 10% Liveness
77% Instrumentalness • 40% Positiveness
18% Popularity • 42% Danceability • 25% Energy • 10% Liveness
77% Instrumentalness • 40% Positiveness
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Sonny Criss
We'll Be Together Again
67 bpm • C Maj • 02:59 • -14.1db
35% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
35% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
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Dizzy Reece
'Round About Midnight
55 bpm • A# min • 04:48 • -13.08db
34% Popularity • 42% Danceability • 18% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
34% Popularity • 42% Danceability • 18% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
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Earl Hines
Fantastic, That's You
68 bpm • C Maj • 04:10 • -19db
43% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
43% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
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Jimmy Raney
Someone to Watch over Me
64 bpm • D# Maj • 04:02 • -16.77db
5% Popularity • 56% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 39% Positiveness
5% Popularity • 56% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 39% Positiveness
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Wes Montgomery Trio
Satin Doll - Take 5
68 bpm • C Maj • 04:06 • -20.14db
34% Popularity • 60% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 60% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Kenny Drew Trio
I Didn't Know What Time It Was
68 bpm • A min • 04:03 • -17.61db
22% Popularity • 48% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
22% Popularity • 48% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
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Bob Brookmeyer
Misty
54 bpm • D# min • 05:17 • -17.9db
34% Popularity • 38% Danceability • 8% Energy • 10% Liveness
21% Instrumentalness • 15% Positiveness
34% Popularity • 38% Danceability • 8% Energy • 10% Liveness
21% Instrumentalness • 15% Positiveness
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Tina Brooks
Everything Happens To Me
69 bpm • C min • 06:10 • -14.89db
15% Popularity • 53% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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Hampton Hawes Trio
Easy Living
69 bpm • F min • 04:49 • -23db
27% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
27% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Duke Jordan
Embraceable You
70 bpm • D min • 07:30 • -14.82db
25% Popularity • 60% Danceability • 12% Energy • 13% Liveness
7% Instrumentalness • 36% Positiveness
25% Popularity • 60% Danceability • 12% Energy • 13% Liveness
7% Instrumentalness • 36% Positiveness
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Eliane Elias
Moments
53 bpm • G# min • 09:13 • -24.7db
2% Popularity • 33% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
2% Popularity • 33% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Johnny Hodges & His Orchestra
Blues-A-Plenty
70 bpm • C# Maj • 03:23 • -15.18db
28% Popularity • 48% Danceability • 14% Energy • 31% Liveness
15% Instrumentalness • 47% Positiveness
28% Popularity • 48% Danceability • 14% Energy • 31% Liveness
15% Instrumentalness • 47% Positiveness
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Toots Thielemans
Stars Fell On Alabama
70 bpm • F min • 03:12 • -12.58db
33% Popularity • 55% Danceability • 31% Energy • 31% Liveness
72% Instrumentalness • 42% Positiveness
33% Popularity • 55% Danceability • 31% Energy • 31% Liveness
72% Instrumentalness • 42% Positiveness
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Hank Mobley
Dam That Dream
71 bpm • A min • 06:10 • -15.73db
33% Popularity • 56% Danceability • 15% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
33% Popularity • 56% Danceability • 15% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
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Don Thompson
Who Can I Turn To
71 bpm • D# Maj • 07:44 • -30.79db
11% Popularity • 43% Danceability • 2% Energy • 67% Liveness
95% Instrumentalness • 27% Positiveness
11% Popularity • 43% Danceability • 2% Energy • 67% Liveness
95% Instrumentalness • 27% Positiveness
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Bud Shank
I've Grown Accustomed To Her Face
72 bpm • C min • 02:45 • -21db
30% Popularity • 40% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
30% Popularity • 40% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Don Byas
Old Folks
71 bpm • F Maj • 03:02 • -14db
37% Popularity • 50% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 73% Positiveness
37% Popularity • 50% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 73% Positiveness
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Miles Davis Quartet
Blue Haze
72 bpm • C min • 06:08 • -15.23db
31% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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The Montgomery Brothers
If I Should Lose You - Instrumental
72 bpm • D# Maj • 05:49 • -27.27db
16% Popularity • 48% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
16% Popularity • 48% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Hampton Hawes
Wrap Your Troubles In Dreams - Instrumen...
72 bpm • G min • 09:20 • -19.2db
11% Popularity • 51% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
11% Popularity • 51% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
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Bob Cooper
Easy Living
72 bpm • G# Maj • 04:21 • -25.86db
24% Popularity • 52% Danceability • 2% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
24% Popularity • 52% Danceability • 2% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
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Red Garland Trio
'Tis Autumn
72 bpm • C min • 09:07 • -18db
42% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
42% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
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Don Byas
Misty
72 bpm • F Maj • 03:06 • -14.87db
41% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
41% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
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Hank Mobley
My Groove Your Move - Rudy Van Gelder Ed...
73 bpm • D min • 06:07 • -12.17db
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Kai Winding
Black Coffee
73 bpm • C Maj • 04:07 • -16.99db
30% Popularity • 63% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 30% Positiveness
30% Popularity • 63% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 30% Positiveness
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Wes Montgomery Trio
Missile Blues - Take 5
73 bpm • C Maj • 04:33 • -19db
32% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Taylor
Can You Tell by Looking at Me
73 bpm • G min • 04:24 • -16.26db
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Johnny Hodges & His Orchestra
Cool Your Motor
73 bpm • A# Maj • 03:36 • -13.7db
31% Popularity • 52% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 61% Positiveness
31% Popularity • 52% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 61% Positiveness
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Gene Harris/Scott Hamilton Quintet
At Last
74 bpm • F Maj • 05:09 • -19.79db
13% Popularity • 34% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
13% Popularity • 34% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
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Lennie Tristano
Atonement
74 bpm • A min • 02:32 • -19.87db
32% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
32% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Kai Winding
Love Walked In
74 bpm • G Maj • 02:53 • -23.45db
12% Popularity • 37% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 17% Positiveness
12% Popularity • 37% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 17% Positiveness
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Art Blakey Quartet
Blues Back
74 bpm • C min • 05:19 • -12.31db
31% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Cedar Walton
Blues For Myself
74 bpm • A# Maj • 03:54 • -21.84db
44% Popularity • 58% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
44% Popularity • 58% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
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Gerry Mulligan & Johnny Hodges
Shady Side
75 bpm • C Maj • 07:04 • -17.66db
35% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
35% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Kenny Drew
I Could Write a Book
74 bpm • F min • 04:43 • -16.27db
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Gonsalves
I Cover The Waterfront
75 bpm • G min • 04:05 • -25.21db
38% Popularity • 54% Danceability • 4% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
38% Popularity • 54% Danceability • 4% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
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Eliane Elias
So In Love
75 bpm • C# Maj • 08:42 • -23.09db
3% Popularity • 34% Danceability • 10% Energy • 7% Liveness
66% Instrumentalness • 19% Positiveness
3% Popularity • 34% Danceability • 10% Energy • 7% Liveness
66% Instrumentalness • 19% Positiveness
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Sonny Criss
Summertime
75 bpm • C Maj • 04:01 • -8.06db
30% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
30% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
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George Van Eps
The Nearness Of You - Instrumental
75 bpm • F min • 06:10 • -23.3db
30% Popularity • 57% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
30% Popularity • 57% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Jimmy Raney
My Funny Valentine
75 bpm • A min • 06:23 • -24.86db
3% Popularity • 43% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 33% Positiveness
3% Popularity • 43% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 33% Positiveness
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Elmo Hope Trio
Happy Hour
76 bpm • A# min • 02:52 • -14.62db
34% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
34% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
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Barry Harris Trio
Embraceable You
75 bpm • F Maj • 03:56 • -13.28db
39% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
39% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Hank Mobley
A Baptist Beat - Rudy Van Gelder Edition
76 bpm • C min • 08:54 • -11.33db
28% Popularity • 62% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 62% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Billy Strayhorn
Chelsea Bridge
76 bpm • G# Maj • 03:17 • -17.34db
31% Popularity • 50% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
31% Popularity • 50% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Kenny Drew
Polka Dots And Moonbeams
76 bpm • F Maj • 04:19 • -21.08db
26% Popularity • 36% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
26% Popularity • 36% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
46% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
46% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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The Cannonball Adderley Quintet
Stars Fell On Alabama
77 bpm • A# Maj • 06:14 • -15db
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Sonny Criss
Willow Weep For Me
77 bpm • G Maj • 03:50 • -11.02db
34% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
34% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Warne Marsh
Quintessence
77 bpm • C min • 04:15 • -15db
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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George Van Eps
Cheek To Cheek
77 bpm • F Maj • 02:21 • -26db
40% Popularity • 67% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
40% Popularity • 67% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
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Oscar Pettiford
Rhumblues
77 bpm • A# Maj • 04:27 • -17db
15% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
15% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
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Tommy Flanagan Trio
You Go To My Head
77 bpm • D# Maj • 04:27 • -21db
41% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
41% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
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Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
44% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
44% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Bob Brookmeyer
I've Grown Accustomed To Her Face
77 bpm • D# Maj • 05:04 • -22.01db
11% Popularity • 29% Danceability • 7% Energy • 9% Liveness
49% Instrumentalness • 20% Positiveness
11% Popularity • 29% Danceability • 7% Energy • 9% Liveness
49% Instrumentalness • 20% Positiveness
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Sonny Rollins Quartet
Paul's Pal - Rudy Van Gelder Remaster
77 bpm • G Maj • 05:09 • -12.71db
46% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
46% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
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The Al Cohn - Zoot Sims Quintet
Awful Lonely
77 bpm • F Maj • 04:19 • -13.16db
10% Popularity • 41% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 41% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Cedar Walton
Sixth Avenue
78 bpm • A# Maj • 03:51 • -21.06db
35% Popularity • 35% Danceability • 13% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
35% Popularity • 35% Danceability • 13% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
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Shelly Manne
Slowly
78 bpm • F min • 05:33 • -18.16db
30% Popularity • 37% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 34% Positiveness
30% Popularity • 37% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 34% Positiveness
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Jimmy Raney
Yesterdays
78 bpm • G# min • 03:03 • -18db
32% Popularity • 50% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
32% Popularity • 50% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
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Fats Navarro
Nostalgia
79 bpm • G Maj • 02:45 • -10db
33% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Don Byas
Candy
79 bpm • A# Maj • 03:18 • -15.39db
25% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
25% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Bob Berg
All The Way
79 bpm • C min • 05:35 • -15.61db
43% Popularity • 34% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
43% Popularity • 34% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Sonny Criss
Don't Blame Me
79 bpm • C min • 02:48 • -13.14db
20% Popularity • 40% Danceability • 31% Energy • 22% Liveness
88% Instrumentalness • 50% Positiveness
20% Popularity • 40% Danceability • 31% Energy • 22% Liveness
88% Instrumentalness • 50% Positiveness
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Stan Getz
Love Jumped Out
79 bpm • D min • 07:46 • -17.45db
22% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Jimmy Raney
Cherokee
79 bpm • G min • 02:36 • -12.79db
10% Popularity • 49% Danceability • 41% Energy • 18% Liveness
36% Instrumentalness • 87% Positiveness
10% Popularity • 49% Danceability • 41% Energy • 18% Liveness
36% Instrumentalness • 87% Positiveness
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Bob Brookmeyer
Sometime Ago
80 bpm • C Maj • 04:04 • -11db
27% Popularity • 37% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 37% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Howard Roberts
Terpsichore
80 bpm • C Maj • 05:50 • -19.91db
12% Popularity • 45% Danceability • 8% Energy • 9% Liveness
46% Instrumentalness • 21% Positiveness
12% Popularity • 45% Danceability • 8% Energy • 9% Liveness
46% Instrumentalness • 21% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Barry Harris Trio
Allen's Alley
80 bpm • G# Maj • 02:56 • -14.89db
23% Popularity • 59% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 79% Positiveness
23% Popularity • 59% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 79% Positiveness
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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Lalo Schifrin
Time After Time
81 bpm • A# min • 03:29 • -19.71db
7% Popularity • 47% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 48% Positiveness
7% Popularity • 47% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 48% Positiveness
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Hampton Hawes
Thou Swell
81 bpm • F Maj • 04:54 • -20.64db
26% Popularity • 67% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 67% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Don Byas
Georgia On My Mind
82 bpm • F Maj • 02:52 • -12.69db
37% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
37% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
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Hank Mobley
Three Coins In The Fountain - Remastered...
81 bpm • C min • 05:26 • -10.84db
18% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Jimmy Raney
These Foolish Things
82 bpm • C min • 02:33 • -14.61db
9% Popularity • 48% Danceability • 20% Energy • 16% Liveness
42% Instrumentalness • 76% Positiveness
9% Popularity • 48% Danceability • 20% Energy • 16% Liveness
42% Instrumentalness • 76% Positiveness