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Too Late
Songs like
Too Late (with AJR)
by
Quinn XCII
Based on a tempo of (+/- 10%) and a similar genre
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Quinn XCII
Too Late
89 bpm • F# min • 02:55 • -6.91db
58% Popularity • 73% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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The Astronomers
Casita
90 bpm • F Maj • 02:32 • -7db
53% Popularity • 62% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Xuitcasecity
Need Somebody
90 bpm • A Maj • 03:08 • -6.56db
45% Popularity • 42% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Nic D
Costa Rica
90 bpm • G# Maj • 02:18 • -6.33db
27% Popularity • 79% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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ILLENIUM
With You
90 bpm • G Maj • 03:06 • -5.93db
48% Popularity • 68% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 12% Positiveness
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Harry Hudson
Mean To Love
90 bpm • C# Maj • 02:54 • -7db
40% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Walkabout
comehangoutcuzimagoodtime
90 bpm • F# Maj • 02:39 • -7db
31% Popularity • 73% Danceability • 75% Energy • 65% Liveness
3% Instrumentalness • 19% Positiveness
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gianni & kyle
wave
90 bpm • G Maj • 03:06 • -9.84db
37% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Astronomers
turn out fine
90 bpm • C# Maj • 03:00 • -8.52db
39% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Vin Bogart
Songs For You
90 bpm • G# Maj • 02:34 • -3db
48% Popularity • 72% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Zachary Knowles
slow summer
90 bpm • F Maj • 02:48 • -8.9db
46% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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SEB
killer lover boy
90 bpm • C Maj • 02:14 • -7.61db
50% Popularity • 71% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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sammy rash
on life
90 bpm • C# Maj • 02:12 • -8.69db
49% Popularity • 75% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Marko Penn
Young Til I Die
90 bpm • C# Maj • 02:37 • -5.21db
26% Popularity • 73% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Cate Downey
Boulder
90 bpm • D# Maj • 02:25 • -12.31db
31% Popularity • 91% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Mowgli's
Kansas City
90 bpm • G# Maj • 03:02 • -5db
41% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Shoffy
Cool Again
90 bpm • B Maj • 03:11 • -6.86db
51% Popularity • 80% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Ocean Park Standoff
Good News
90 bpm • A Maj • 03:08 • -4.04db
47% Popularity • 60% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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sammy rash
smile more
88 bpm • A# Maj • 01:35 • -6.17db
60% Popularity • 82% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Quinn XCII
Notice Me
90 bpm • D Maj • 03:25 • -9db
43% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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overeasy
Rain Clouds
90 bpm • A Maj • 04:31 • -9.75db
26% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Cannon
These Walls
88 bpm • F# min • 03:53 • -6db
27% Popularity • 52% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Eddie Island
California Cosmo
91 bpm • A Maj • 03:52 • -5.62db
33% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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John K
A LOT
91 bpm • F Maj • 03:01 • -8.81db
50% Popularity • 90% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Nic D
Feel my love
91 bpm • G# Maj • 02:40 • -4.12db
24% Popularity • 74% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Quinn XCII
Life Must Go On
91 bpm • A# Maj • 03:05 • -6db
46% Popularity • 72% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Bazzi
Star
91 bpm • G# Maj • 02:49 • -5.41db
52% Popularity • 69% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Wingtip
Happiness
91 bpm • C# min • 02:51 • -8db
50% Popularity • 81% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Chelsea Cutler
Calling All Angels
91 bpm • G Maj • 03:04 • -9.05db
46% Popularity • 89% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Danny's Dead
Feels Right
91 bpm • F Maj • 02:54 • -4.13db
35% Popularity • 80% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Johnny Balik
OMW
91 bpm • E Maj • 03:29 • -7db
28% Popularity • 46% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Quinn XCII
Make Time
91 bpm • C# Maj • 03:22 • -4.58db
39% Popularity • 82% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Max Drazen
Caffeine
92 bpm • B Maj • 02:26 • -6.09db
50% Popularity • 81% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Elohim
FYM
92 bpm • C Maj • 03:15 • -5.59db
39% Popularity • 72% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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gianni & kyle
5 Shots
92 bpm • C# Maj • 03:01 • -5.74db
53% Popularity • 92% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Huey Mack
One Of One
92 bpm • A Maj • 02:32 • -7.57db
33% Popularity • 75% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Wingtip
Pavement
92 bpm • C# Maj • 03:16 • -8.63db
39% Popularity • 52% Danceability • 58% Energy • 8% Liveness
15% Instrumentalness • 27% Positiveness
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Quinn XCII
Right Where You Should Be
91 bpm • F Maj • 03:27 • -6.58db
47% Popularity • 51% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Jeffers Insley
Tequila
86 bpm • D# Maj • 02:42 • -10db
34% Popularity • 70% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Bazzi
Young & Alive
86 bpm • D# Maj • 02:40 • -5db
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Harry Hudson
Holdin’ On
86 bpm • C# Maj • 02:56 • -8.77db
48% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Maeson
Go Easy
86 bpm • G min • 03:47 • -6db
51% Popularity • 35% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Wingtip
When You're Lonely
92 bpm • D Maj • 02:52 • -7db
22% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Quinn XCII
Pasadena
93 bpm • E Maj • 03:08 • -6.22db
64% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Timeflies
Be Easy
93 bpm • C Maj • 03:11 • -6.95db
31% Popularity • 57% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 68% Positiveness
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CAL
Roll the Credits
85 bpm • A Maj • 02:19 • -6.75db
39% Popularity • 79% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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COIN
I Want It All
85 bpm • B Maj • 02:51 • -6db
52% Popularity • 27% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Tai Verdes
Solamente
85 bpm • C# min • 02:14 • -8db
50% Popularity • 66% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Wingtip
Goodbye
86 bpm • F Maj • 03:02 • -7.48db
38% Popularity • 68% Danceability • 68% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
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Quinn XCII
Walls
93 bpm • F# Maj • 02:59 • -7db
37% Popularity • 74% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Zach Seabaugh
Slingshot
85 bpm • C# Maj • 02:30 • -10.23db
59% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Aer
Floats My Boat
85 bpm • D min • 03:26 • -5.44db
55% Popularity • 87% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 68% Positiveness
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Call Me Karizma
Frank Ocean
85 bpm • G Maj • 03:41 • -9.48db
39% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Matthew Chaim
Nobody But You
85 bpm • G Maj • 02:09 • -5db
31% Popularity • 75% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 99% Positiveness
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Tai Verdes
we would have some cute kids.
85 bpm • F# Maj • 02:35 • -7.52db
45% Popularity • 82% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Quinn XCII
Panama
87 bpm • A# Maj • 04:07 • -6.4db
46% Popularity • 73% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Nic D
One Day
85 bpm • G# Maj • 02:18 • -5.22db
29% Popularity • 69% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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BabyJake
Confidant
85 bpm • C# min • 03:02 • -8.36db
47% Popularity • 80% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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ROLE MODEL
say it first
94 bpm • A Maj • 02:39 • -5.84db
44% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Mat Kearney
Money
94 bpm • C# min • 02:29 • -5.49db
48% Popularity • 74% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Caye
Trust Fall
94 bpm • D Maj • 03:29 • -9.13db
50% Popularity • 81% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Quinn XCII
Bartender
92 bpm • G# Maj • 02:56 • -5db
51% Popularity • 73% Danceability • 67% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
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CAL
AFU
94 bpm • E min • 03:07 • -5.02db
33% Popularity • 82% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Arden Jones
serotonin highs
94 bpm • C# min • 02:34 • -3db
52% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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han.irl <3
lost in brooklyn
94 bpm • A# Maj • 03:39 • -9.93db
24% Popularity • 73% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Lost Kings
Mountains
94 bpm • G Maj • 02:09 • -8db
47% Popularity • 64% Danceability • 78% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
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Louis The Child
Last To Leave
94 bpm • C Maj • 03:00 • -6.33db
48% Popularity • 75% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Quinn XCII
Everything I Need
92 bpm • C Maj • 04:08 • -6.64db
35% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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SonReal
1000 Highways
84 bpm • C Maj • 03:57 • -8.93db
38% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Hoodie Allen
You Should Let Me Know
95 bpm • D Maj • 03:07 • -5.86db
37% Popularity • 70% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
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Connor Price
Easy
95 bpm • G Maj • 02:24 • -8db
59% Popularity • 83% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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blackbear
weak when ur around
95 bpm • D# min • 02:49 • -12.89db
55% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Quinn XCII
Intro (Slow)
85 bpm • D Maj • 02:38 • -13.58db
39% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Peach Tree Rascals
I'm Sorry
95 bpm • E Maj • 02:44 • -7.39db
43% Popularity • 75% Danceability • 50% Energy • 47% Liveness
0% Instrumentalness • 84% Positiveness
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New Friends
Purple Candy
95 bpm • D# Maj • 04:15 • -8.92db
43% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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CVBZ
Love Better
95 bpm • D Maj • 03:15 • -5.33db
47% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Smallpools
Mother - 8 Mix
95 bpm • E Maj • 03:57 • -6.95db
41% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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FRENSHIP
Anywhere But Here
95 bpm • D Maj • 03:43 • -5.37db
35% Popularity • 70% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Quinn XCII
Fake Denim
94 bpm • C# min • 03:07 • -6db
43% Popularity • 86% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Wingtip
Use Your Words
95 bpm • A# Maj • 02:44 • -5.7db
37% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Joshua Golden
dying together
95 bpm • B min • 02:36 • -7db
33% Popularity • 79% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Mat Kearney
Memorized
95 bpm • B min • 03:26 • -7.32db
43% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Forrest.
Backwards
83 bpm • C Maj • 02:53 • -6.75db
49% Popularity • 86% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Louis The Child
Save Me From Myself
83 bpm • E min • 03:31 • -4.89db
47% Popularity • 67% Danceability • 68% Energy • 43% Liveness
0% Instrumentalness • 39% Positiveness
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Quinn XCII
Am I High Rn
94 bpm • E Maj • 03:19 • -7.94db
50% Popularity • 71% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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ayokay
Queen
83 bpm • G Maj • 03:44 • -6.62db
42% Popularity • 78% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Healy
Nikes On
83 bpm • A Maj • 02:42 • -9.56db
48% Popularity • 82% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jake Scott
We Haven't Looked at Our Phones
83 bpm • G Maj • 02:57 • -10.73db
35% Popularity • 64% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Huey Mack
I Hope This Lasts
96 bpm • A# Maj • 02:36 • -5.22db
36% Popularity • 86% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Rence
Space For You
96 bpm • G# Maj • 02:12 • -9.62db
31% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Quinn XCII
The Lows
84 bpm • C# min • 02:50 • -7.1db
53% Popularity • 63% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Jake Zimma
On Like 40
96 bpm • C Maj • 03:30 • -8.56db
42% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Caye
Happy?
96 bpm • G Maj • 02:32 • -8db
56% Popularity • 84% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Nic D
Sweet & Sour
82 bpm • G# Maj • 02:21 • -7.16db
28% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Johnny 2 Phones
Into the Sun
96 bpm • A min • 02:15 • -6.53db
57% Popularity • 79% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Kyle Hume
Happy
82 bpm • E Maj • 02:13 • -5.81db
63% Popularity • 83% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Quinn XCII
Common
94 bpm • C# Maj • 02:39 • -6db
48% Popularity • 77% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Tai Verdes
AOK
82 bpm • B Maj • 02:53 • -6.92db
71% Popularity • 73% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Jake Scott
Like This
96 bpm • G Maj • 03:13 • -16.33db
55% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Too Late