Songs like Tougher Than the Rest by Angel Olsen
Based on a tempo of (+/- 10%) and a similar genre
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Girlpool
It Gets More Blue
110 bpm • G Maj • 03:26 • -6.25db
26% Popularity • 62% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 62% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Y La Bamba
Orca
110 bpm • D Maj • 04:26 • -6.52db
27% Popularity • 65% Danceability • 75% Energy • 16% Liveness
14% Instrumentalness • 46% Positiveness
27% Popularity • 65% Danceability • 75% Energy • 16% Liveness
14% Instrumentalness • 46% Positiveness
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Hurray For The Riff Raff
Fourteen Floors
110 bpm • D Maj • 04:13 • -13.08db
17% Popularity • 44% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 44% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 8% Positiveness
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Angel Olsen
Can't Wait Until Tomorrow
110 bpm • A Maj • 02:17 • -15.79db
20% Popularity • 57% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 57% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Neko Case
Middle Cyclone
110 bpm • G# Maj • 03:05 • -13.98db
32% Popularity • 68% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 68% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Songs: Ohia
Soul
110 bpm • A min • 05:44 • -12.47db
23% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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The 6ths
You You You You You
110 bpm • G Maj • 03:10 • -12.27db
36% Popularity • 53% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 53% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Courtney Barnett
I’ll Be Your Mirror
110 bpm • A# Maj • 02:27 • -11db
36% Popularity • 70% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 70% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Marlon Williams
Come To Me
110 bpm • A Maj • 03:15 • -10db
29% Popularity • 52% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
29% Popularity • 52% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
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The Magnetic Fields
I Don't Believe in the Sun
110 bpm • C# min • 04:16 • -9db
42% Popularity • 36% Danceability • 40% Energy • 18% Liveness
54% Instrumentalness • 16% Positiveness
42% Popularity • 36% Danceability • 40% Energy • 18% Liveness
54% Instrumentalness • 16% Positiveness
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Adrianne Lenker
Carolina
110 bpm • D Maj • 02:30 • -19.17db
42% Popularity • 50% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 50% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
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Tomberlin
You Are Here
110 bpm • A# Maj • 03:44 • -13.93db
29% Popularity • 35% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
29% Popularity • 35% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
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Cate Le Bon
Here It Comes Again
110 bpm • C Maj • 03:24 • -9.77db
27% Popularity • 62% Danceability • 38% Energy • 9% Liveness
23% Instrumentalness • 42% Positiveness
27% Popularity • 62% Danceability • 38% Energy • 9% Liveness
23% Instrumentalness • 42% Positiveness
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Jessica Lea Mayfield
I Can't Lie to You, Love
110 bpm • A min • 04:47 • -6.85db
6% Popularity • 42% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
6% Popularity • 42% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Angel Olsen
Tougher Than the Rest
110 bpm • A Maj • 03:31 • -13.37db
23% Popularity • 39% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 39% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Andy Shauf
Wendell Walker
109 bpm • E min • 08:23 • -12.14db
37% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Jessica Pratt
On Your Own Love Again
111 bpm • F# Maj • 01:33 • -13db
52% Popularity • 62% Danceability • 31% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
52% Popularity • 62% Danceability • 31% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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Tim Kinsella
Sidetracked In Miami
109 bpm • F Maj • 02:36 • -18.8db
10% Popularity • 57% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
10% Popularity • 57% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
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Little Wings
By Now
111 bpm • A min • 03:44 • -12.21db
22% Popularity • 68% Danceability • 39% Energy • 10% Liveness
33% Instrumentalness • 50% Positiveness
22% Popularity • 68% Danceability • 39% Energy • 10% Liveness
33% Instrumentalness • 50% Positiveness
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Lawrence Rothman
California Paranoia
111 bpm • C min • 03:44 • -10.86db
10% Popularity • 26% Danceability • 22% Energy • 15% Liveness
38% Instrumentalness • 14% Positiveness
10% Popularity • 26% Danceability • 22% Energy • 15% Liveness
38% Instrumentalness • 14% Positiveness
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Angel Olsen
(Summer Song)
109 bpm • A min • 04:09 • -15.32db
17% Popularity • 34% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 34% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Cotton Jones
Always Feeling Good
109 bpm • D Maj • 04:43 • -7.65db
17% Popularity • 48% Danceability • 60% Energy • 14% Liveness
10% Instrumentalness • 47% Positiveness
17% Popularity • 48% Danceability • 60% Energy • 14% Liveness
10% Instrumentalness • 47% Positiveness
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Jessica Pratt
Titles Under Pressure
109 bpm • F# Maj • 02:33 • -12.07db
27% Popularity • 44% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
27% Popularity • 44% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Wednesday
How Can You Live If You Can’t Love How...
109 bpm • C Maj • 03:02 • -10.7db
37% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Dear Nora
Hung Up
109 bpm • A Maj • 01:48 • -18db
29% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Mirah
Sweepstakes Prize
111 bpm • A Maj • 04:49 • -9.51db
30% Popularity • 50% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 50% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Smog
I Was A Stranger
108 bpm • E Maj • 03:23 • -14.26db
38% Popularity • 67% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
38% Popularity • 67% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Angel Olsen
Drunk and with Dreams
108 bpm • A# Maj • 03:53 • -7.74db
29% Popularity • 41% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 41% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Camera Obscura
Razzle Dazzle Rose
108 bpm • D# Maj • 05:28 • -8.66db
36% Popularity • 27% Danceability • 70% Energy • 12% Liveness
76% Instrumentalness • 18% Positiveness
36% Popularity • 27% Danceability • 70% Energy • 12% Liveness
76% Instrumentalness • 18% Positiveness
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Cate Le Bon
Aside From Growing Old
109 bpm • G Maj • 03:47 • -6.82db
17% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Diane Cluck
Half a Million Miles from Home
112 bpm • C Maj • 03:25 • -18.43db
29% Popularity • 56% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 56% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Silver Jews
I Remember Me
108 bpm • F Maj • 05:32 • -13db
28% Popularity • 59% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 59% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
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Father John Misty
One of Us Cannot Be Wrong
112 bpm • B min • 07:32 • -3.53db
32% Popularity • 39% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 39% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Angel Olsen
The Waiting
108 bpm • G Maj • 03:42 • -8.25db
39% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Daughter of Swords
Fellows
108 bpm • G min • 03:51 • -15.61db
10% Popularity • 49% Danceability • 9% Energy • 44% Liveness
2% Instrumentalness • 17% Positiveness
10% Popularity • 49% Danceability • 9% Energy • 44% Liveness
2% Instrumentalness • 17% Positiveness
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The Innocence Mission
On Your Side
112 bpm • A Maj • 03:34 • -8db
26% Popularity • 45% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
26% Popularity • 45% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Jessica Pratt
Jacquelyn in the Background
112 bpm • C# Maj • 03:23 • -11db
37% Popularity • 46% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 46% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Diane Cluck
Why Feel Alone?
108 bpm • F# Maj • 03:08 • -8.73db
18% Popularity • 57% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 57% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Madeline
Boy You Loved to Watch Me Cry
112 bpm • D Maj • 02:07 • -10db
20% Popularity • 91% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 95% Positiveness
20% Popularity • 91% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 95% Positiveness
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Angel Olsen
For You
112 bpm • A# Maj • 01:54 • -9.63db
30% Popularity • 64% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 64% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Damien Jurado
Sincere Replies
108 bpm • D Maj • 03:18 • -8.5db
26% Popularity • 57% Danceability • 59% Energy • 13% Liveness
93% Instrumentalness • 47% Positiveness
26% Popularity • 57% Danceability • 59% Energy • 13% Liveness
93% Instrumentalness • 47% Positiveness
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Little Wings
Fat Chance
108 bpm • G Maj • 05:12 • -8.15db
15% Popularity • 63% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 63% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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M. Ward
Poison Cup
112 bpm • C Maj • 02:40 • -9db
48% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
48% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Nap Eyes
Mixer
108 bpm • G Maj • 04:36 • -10.23db
29% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Adrianne Lenker
New York City
108 bpm • C# Maj • 03:48 • -14.21db
45% Popularity • 62% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 62% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Angel Olsen
High & Wild
112 bpm • C Maj • 03:53 • -7.73db
31% Popularity • 56% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 56% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Blake Mills
Like It's Something
112 bpm • F Maj • 03:27 • -10.2db
21% Popularity • 39% Danceability • 39% Energy • 13% Liveness
26% Instrumentalness • 8% Positiveness
21% Popularity • 39% Danceability • 39% Energy • 13% Liveness
26% Instrumentalness • 8% Positiveness
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Lomelda
Hannah Happiest
108 bpm • D Maj • 03:46 • -15.9db
32% Popularity • 68% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 28% Positiveness
32% Popularity • 68% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 28% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
49% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
49% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Molly Sarlé
Human
107 bpm • C Maj • 03:54 • -8.76db
39% Popularity • 56% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 72% Positiveness
39% Popularity • 56% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 72% Positiveness
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Neko Case
Deep Red Bells
113 bpm • B min • 04:03 • -7.43db
38% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Grizzly Bear
Service Bell
113 bpm • A min • 02:23 • -11.73db
36% Popularity • 60% Danceability • 28% Energy • 11% Liveness
25% Instrumentalness • 26% Positiveness
36% Popularity • 60% Danceability • 28% Energy • 11% Liveness
25% Instrumentalness • 26% Positiveness
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Angel Olsen
Sans
113 bpm • F# Maj • 02:34 • -13.2db
20% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Building
Have to Forgive
113 bpm • C# min • 05:04 • -10.81db
17% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
17% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Julie Byrne
Follow My Voice
107 bpm • D Maj • 04:02 • -14.63db
49% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Cate Le Bon
Daylight Matters
107 bpm • C Maj • 04:18 • -7.64db
29% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
29% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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Joanna Sternberg
For You
107 bpm • C Maj • 02:07 • -20.41db
30% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Hamilton Leithauser
1959
114 bpm • C Maj • 04:52 • -11.41db
28% Popularity • 40% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 40% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Neko Case
Blue Fires
106 bpm • D Maj • 02:57 • -11.04db
22% Popularity • 29% Danceability • 22% Energy • 39% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 29% Danceability • 22% Energy • 39% Liveness
0% Instrumentalness • 17% Positiveness
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Jolie Holland
Damn Shame
114 bpm • D Maj • 04:50 • -18.36db
30% Popularity • 48% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
30% Popularity • 48% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Angel Olsen
Safe in the Womb
115 bpm • D Maj • 05:22 • -15.33db
21% Popularity • 58% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 58% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Cate Le Bon
No God
107 bpm • D Maj • 04:38 • -8db
28% Popularity • 87% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
28% Popularity • 87% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
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The Magnetic Fields
All My Little Words
105 bpm • G# Maj • 02:46 • -8db
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Andy Shauf
My Dear Helen
115 bpm • D min • 05:30 • -15db
20% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Neko Case
Margaret vs. Pauline
115 bpm • G Maj • 02:52 • -7.36db
36% Popularity • 46% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 46% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Hamilton Leithauser
Heartstruck (Wild Hunger)
115 bpm • F Maj • 03:30 • -6.76db
30% Popularity • 51% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 51% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Angel Olsen
Lonely Universe
115 bpm • A min • 07:22 • -14.23db
25% Popularity • 48% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 48% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Cate Le Bon
Ploughing Out, Pt. 1
115 bpm • G Maj • 03:52 • -12.53db
14% Popularity • 52% Danceability • 40% Energy • 40% Liveness
5% Instrumentalness • 38% Positiveness
14% Popularity • 52% Danceability • 40% Energy • 40% Liveness
5% Instrumentalness • 38% Positiveness
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Marissa Nadler
I Can't Listen to Gene Clark Anymore
115 bpm • B Maj • 02:53 • -9.75db
11% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Dehd
Desire
115 bpm • C Maj • 03:14 • -5.62db
33% Popularity • 30% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 30% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Haley Heynderickx
Oom Sha La La
115 bpm • D Maj • 02:57 • -9.18db
54% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Jessica Pratt
Half Twain the Jesse
116 bpm • A min • 05:24 • -9.7db
28% Popularity • 56% Danceability • 29% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
28% Popularity • 56% Danceability • 29% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Angel Olsen
What It Is
105 bpm • E Maj • 03:16 • -8db
32% Popularity • 43% Danceability • 49% Energy • 15% Liveness
38% Instrumentalness • 36% Positiveness
32% Popularity • 43% Danceability • 49% Energy • 15% Liveness
38% Instrumentalness • 36% Positiveness
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Cate Le Bon
Duke
105 bpm • B Maj • 03:49 • -7db
29% Popularity • 71% Danceability • 55% Energy • 20% Liveness
63% Instrumentalness • 47% Positiveness
29% Popularity • 71% Danceability • 55% Energy • 20% Liveness
63% Instrumentalness • 47% Positiveness
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![(David Bowie I Love You) Since I Was Six [feat. Dan Auerbach] cover art](https://i.scdn.co/image/ab67616d00001e024834d75b7930ceb44b0b4429)
Jessica Lea Mayfield
(David Bowie I Love You) Since I Was Six
116 bpm • E min • 04:04 • -10.68db
30% Popularity • 56% Danceability • 39% Energy • 16% Liveness
52% Instrumentalness • 17% Positiveness
30% Popularity • 56% Danceability • 39% Energy • 16% Liveness
52% Instrumentalness • 17% Positiveness
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Amen Dunes
Splits Are Parted
104 bpm • D Maj • 03:51 • -6.67db
27% Popularity • 47% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 23% Positiveness
27% Popularity • 47% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 23% Positiveness
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Jackie Cohen
Bold
116 bpm • F# min • 03:55 • -6db
35% Popularity • 64% Danceability • 50% Energy • 15% Liveness
3% Instrumentalness • 34% Positiveness
35% Popularity • 64% Danceability • 50% Energy • 15% Liveness
3% Instrumentalness • 34% Positiveness
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Smog
Feather By Feather
104 bpm • B Maj • 05:36 • -12db
26% Popularity • 44% Danceability • 36% Energy • 11% Liveness
42% Instrumentalness • 14% Positiveness
26% Popularity • 44% Danceability • 36% Energy • 11% Liveness
42% Instrumentalness • 14% Positiveness
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Angel Olsen
Creator, Destroyer
105 bpm • A# min • 03:54 • -9.05db
33% Popularity • 40% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 40% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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The Magnetic Fields
'14: I Wish I Had Pictures
116 bpm • G Maj • 03:07 • -10.3db
11% Popularity • 35% Danceability • 22% Energy • 11% Liveness
12% Instrumentalness • 38% Positiveness
11% Popularity • 35% Danceability • 22% Energy • 11% Liveness
12% Instrumentalness • 38% Positiveness
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Shilpa Ray
New York Minute Prayer
104 bpm • C Maj • 01:49 • -8.95db
18% Popularity • 34% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 34% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Dear Nora
White Fur
116 bpm • A Maj • 02:39 • -8.87db
16% Popularity • 75% Danceability • 42% Energy • 12% Liveness
4% Instrumentalness • 43% Positiveness
16% Popularity • 75% Danceability • 42% Energy • 12% Liveness
4% Instrumentalness • 43% Positiveness
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Neko Case
Delirium
116 bpm • F min • 02:46 • -6.65db
25% Popularity • 50% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
25% Popularity • 50% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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Father John Misty
The Palace
104 bpm • D Maj • 04:09 • -14.29db
30% Popularity • 42% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 42% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Angel Olsen
California
116 bpm • A Maj • 03:50 • -13.33db
27% Popularity • 55% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 55% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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The Magnetic Fields
Come Back From San Francisco
117 bpm • D Maj • 02:48 • -11.24db
43% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Widowspeak
Harvest Moon
117 bpm • D Maj • 05:15 • -16.69db
37% Popularity • 32% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
37% Popularity • 32% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Marlon Williams
Love Is A Terrible Thing
103 bpm • A min • 03:12 • -13.01db
21% Popularity • 51% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 51% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jessica Pratt
Wrong Hand
117 bpm • G Maj • 03:18 • -12db
42% Popularity • 46% Danceability • 36% Energy • 11% Liveness
52% Instrumentalness • 20% Positiveness
42% Popularity • 46% Danceability • 36% Energy • 11% Liveness
52% Instrumentalness • 20% Positiveness
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Laura Marling
The Valley
117 bpm • C Maj • 05:40 • -12.57db
24% Popularity • 25% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
24% Popularity • 25% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Angel Olsen
Dance Slow Decades
117 bpm • D Maj • 04:05 • -12.37db
27% Popularity • 39% Danceability • 25% Energy • 11% Liveness
11% Instrumentalness • 3% Positiveness
27% Popularity • 39% Danceability • 25% Energy • 11% Liveness
11% Instrumentalness • 3% Positiveness
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Lomelda
Kisses
103 bpm • C Maj • 03:44 • -16db
35% Popularity • 49% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
35% Popularity • 49% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Andy Shauf
Jesus, She's A Good Girl
103 bpm • A Maj • 03:19 • -16.11db
27% Popularity • 71% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 71% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Neko Case
Outro With Bees
103 bpm • D Maj • 01:35 • -8.38db
30% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Hope Sandoval & The Warm Inventions
Isn’t It True
103 bpm • C Maj • 03:05 • -9.46db
34% Popularity • 23% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
34% Popularity • 23% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
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Destroyer
It's Gonna Take an Airplane
103 bpm • B min • 03:41 • -13db
36% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Angel Olsen
Miranda
103 bpm • E Maj • 04:48 • -14.58db
21% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
