Songs like Track C-Group Dancers by Charles Mingus
Based on a tempo of (+/- 10%) and a similar genre
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Grant Green
Django - Rudy Van Gelder Edition / Remas...
117 bpm • A# min • 08:44 • -11.57db
46% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Paul Motian Trio
It Should've Happened A Long Time Ago
117 bpm • F# min • 06:06 • -16db
15% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
15% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
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Lee Morgan
Our Man Higgins
117 bpm • F min • 08:54 • -12.14db
23% Popularity • 59% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 59% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Cecil Taylor
Trance
117 bpm • C Maj • 09:12 • -6.4db
8% Popularity • 38% Danceability • 94% Energy • 61% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 38% Danceability • 94% Energy • 61% Liveness
0% Instrumentalness • 34% Positiveness
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Alice Coltrane
Lord Help Me To Be
117 bpm • D Maj • 07:34 • -14db
21% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Charles Mingus
Hora Decubitus
117 bpm • C# Maj • 04:43 • -8db
29% Popularity • 39% Danceability • 73% Energy • 10% Liveness
18% Instrumentalness • 75% Positiveness
29% Popularity • 39% Danceability • 73% Energy • 10% Liveness
18% Instrumentalness • 75% Positiveness
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Charlie Parker
Ornithology
117 bpm • A min • 04:42 • -9.35db
36% Popularity • 48% Danceability • 69% Energy • 97% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 48% Danceability • 69% Energy • 97% Liveness
0% Instrumentalness • 82% Positiveness
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Joe Zawinul
Arrival in New York
118 bpm • F Maj • 01:57 • -20.55db
17% Popularity • 36% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
17% Popularity • 36% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Larry Young
Zoltan - Rudy Van Gelder 24Bit Mastering...
116 bpm • A min • 07:41 • -6.5db
17% Popularity • 45% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 45% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Pat Metheny
Round Trip / Broadway Blues
118 bpm • C# Maj • 05:00 • -16db
27% Popularity • 42% Danceability • 45% Energy • 15% Liveness
20% Instrumentalness • 62% Positiveness
27% Popularity • 42% Danceability • 45% Energy • 15% Liveness
20% Instrumentalness • 62% Positiveness
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Alice Coltrane
Los Caballos
117 bpm • D Maj • 11:27 • -10.19db
20% Popularity • 47% Danceability • 70% Energy • 12% Liveness
79% Instrumentalness • 40% Positiveness
20% Popularity • 47% Danceability • 70% Energy • 12% Liveness
79% Instrumentalness • 40% Positiveness
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Charles Mingus
Track C-Group Dancers
117 bpm • F min • 07:22 • -8.98db
34% Popularity • 34% Danceability • 47% Energy • 8% Liveness
16% Instrumentalness • 21% Positiveness
34% Popularity • 34% Danceability • 47% Energy • 8% Liveness
16% Instrumentalness • 21% Positiveness
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Ornette Coleman
Congeniality
116 bpm • C Maj • 06:47 • -15db
26% Popularity • 62% Danceability • 32% Energy • 2% Liveness
35% Instrumentalness • 49% Positiveness
26% Popularity • 62% Danceability • 32% Energy • 2% Liveness
35% Instrumentalness • 49% Positiveness
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宮間利之とニュー・ハード
かくれんぼ
118 bpm • E Maj • 04:08 • -10.95db
14% Popularity • 35% Danceability • 48% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
14% Popularity • 35% Danceability • 48% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
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Ahmad Jamal Trio
Stolen Moments
118 bpm • G min • 06:32 • -17.46db
44% Popularity • 48% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
44% Popularity • 48% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Wes Montgomery Trio
Geno
116 bpm • D min • 02:55 • -19db
51% Popularity • 37% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
51% Popularity • 37% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
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Cortex
Madbass
118 bpm • D Maj • 02:53 • -6.8db
36% Popularity • 50% Danceability • 93% Energy • 5% Liveness
84% Instrumentalness • 90% Positiveness
36% Popularity • 50% Danceability • 93% Energy • 5% Liveness
84% Instrumentalness • 90% Positiveness
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Charles Mingus
Tijuana Gift Shop - 1957/62 Master Takes
118 bpm • G# Maj • 03:52 • -14.35db
13% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Oliver Nelson
Blues And The Abstract Truth
116 bpm • G min • 05:12 • -13db
26% Popularity • 49% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 76% Positiveness
26% Popularity • 49% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 76% Positiveness
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Austin Peralta
Capricornus
116 bpm • F# Maj • 08:14 • -6.82db
15% Popularity • 41% Danceability • 73% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
15% Popularity • 41% Danceability • 73% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
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The Dave Brubeck Quartet
The City Is Crying
118 bpm • G Maj • 06:01 • -16.77db
29% Popularity • 59% Danceability • 21% Energy • 13% Liveness
21% Instrumentalness • 16% Positiveness
29% Popularity • 59% Danceability • 21% Energy • 13% Liveness
21% Instrumentalness • 16% Positiveness
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Wes Montgomery Trio
'Round Midnight
118 bpm • D# min • 04:53 • -25.45db
49% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
49% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
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Mingus Big Band
Moanin'
116 bpm • G# Maj • 08:59 • -9.65db
45% Popularity • 39% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 39% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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宮間利之とニュー・ハード
艶歌に対する悲しみ
118 bpm • G min • 03:12 • -13.89db
12% Popularity • 34% Danceability • 33% Energy • 62% Liveness
72% Instrumentalness • 41% Positiveness
12% Popularity • 34% Danceability • 33% Energy • 62% Liveness
72% Instrumentalness • 41% Positiveness
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Bud Powell Trio
Conception
118 bpm • E Maj • 03:20 • -16db
25% Popularity • 52% Danceability • 37% Energy • 36% Liveness
40% Instrumentalness • 67% Positiveness
25% Popularity • 52% Danceability • 37% Energy • 36% Liveness
40% Instrumentalness • 67% Positiveness
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Austin Peralta
Introduction: The Lotus Flower
116 bpm • D min • 02:15 • -13.62db
14% Popularity • 23% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Kamasi Washington
Show Us The Way
116 bpm • A# Maj • 06:51 • -8.26db
17% Popularity • 30% Danceability • 88% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
17% Popularity • 30% Danceability • 88% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
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Hank Mobley
Split Feelin's - Remastered 1999/Rudy Va...
116 bpm • G min • 04:55 • -9db
36% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Bud Powell
You Go To My Head - Remastered 1998/Rudy...
119 bpm • F Maj • 03:15 • -12.82db
46% Popularity • 48% Danceability • 34% Energy • 12% Liveness
76% Instrumentalness • 56% Positiveness
46% Popularity • 48% Danceability • 34% Energy • 12% Liveness
76% Instrumentalness • 56% Positiveness
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Art Ensemble Of Chicago
Dreaming Of The Master
119 bpm • G# Maj • 11:40 • -16.16db
9% Popularity • 43% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 53% Positiveness
9% Popularity • 43% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 53% Positiveness
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Airto
Lucky Southern
115 bpm • D Maj • 02:34 • -12.67db
16% Popularity • 59% Danceability • 50% Energy • 9% Liveness
14% Instrumentalness • 76% Positiveness
16% Popularity • 59% Danceability • 50% Energy • 9% Liveness
14% Instrumentalness • 76% Positiveness
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Gerry Mulligan Sextet
In The Wee Small Hours Of The Morning
115 bpm • G Maj • 05:39 • -24db
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
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Gil Evans
Flute Song / Hotel Me
115 bpm • C min • 12:29 • -14.87db
15% Popularity • 37% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 24% Positiveness
15% Popularity • 37% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 24% Positiveness
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Charles Mingus
I've Found A New Baby - Live at Philharm...
119 bpm • D min • 07:54 • -14.61db
1% Popularity • 53% Danceability • 42% Energy • 88% Liveness
48% Instrumentalness • 88% Positiveness
1% Popularity • 53% Danceability • 42% Energy • 88% Liveness
48% Instrumentalness • 88% Positiveness
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Billy Harper
Dance, Eternal Spirits, Dance!
120 bpm • D# Maj • 06:52 • -9db
19% Popularity • 40% Danceability • 54% Energy • 7% Liveness
6% Instrumentalness • 60% Positiveness
19% Popularity • 40% Danceability • 54% Energy • 7% Liveness
6% Instrumentalness • 60% Positiveness
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Art Ensemble Of Chicago
Nice Guys
120 bpm • D Maj • 01:41 • -13db
28% Popularity • 57% Danceability • 23% Energy • 14% Liveness
70% Instrumentalness • 50% Positiveness
28% Popularity • 57% Danceability • 23% Energy • 14% Liveness
70% Instrumentalness • 50% Positiveness
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Dave Holland Quartet
Four Winds
120 bpm • E min • 06:34 • -13.82db
18% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Albert Ayler
Angels
114 bpm • F Maj • 05:32 • -19.51db
11% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
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Eberhard Weber
An Evening With Vincent Van Ritz
114 bpm • F Maj • 05:50 • -13db
22% Popularity • 32% Danceability • 47% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
22% Popularity • 32% Danceability • 47% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Grant Green
Maybe Tomorrow
114 bpm • F# min • 04:55 • -15.83db
45% Popularity • 52% Danceability • 16% Energy • 23% Liveness
90% Instrumentalness • 12% Positiveness
45% Popularity • 52% Danceability • 16% Energy • 23% Liveness
90% Instrumentalness • 12% Positiveness
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The Dave Brubeck Quartet
Zen Is When
120 bpm • G# Maj • 02:52 • -19.85db
36% Popularity • 76% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
36% Popularity • 76% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Dexter Gordon
Scrapple From The Apple - Rudy Van Gelde...
120 bpm • G min • 07:22 • -9db
33% Popularity • 48% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 48% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Christian Scott aTunde Adjuah
K.K.P.D.
114 bpm • A# Maj • 07:06 • -9.54db
15% Popularity • 47% Danceability • 81% Energy • 12% Liveness
76% Instrumentalness • 48% Positiveness
15% Popularity • 47% Danceability • 81% Energy • 12% Liveness
76% Instrumentalness • 48% Positiveness
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Bill Frisell
Strange Meeting
120 bpm • C min • 05:26 • -15.16db
19% Popularity • 50% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
19% Popularity • 50% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
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Chet Baker
The Thrill Is Gone - Vocal Version
114 bpm • C min • 02:51 • -17.56db
48% Popularity • 42% Danceability • 6% Energy • 14% Liveness
2% Instrumentalness • 14% Positiveness
48% Popularity • 42% Danceability • 6% Energy • 14% Liveness
2% Instrumentalness • 14% Positiveness
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Sam Rivers
Beatrice
120 bpm • F Maj • 06:12 • -18.62db
34% Popularity • 49% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
34% Popularity • 49% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
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Eric Dolphy
Gazzelloni - Remastered 1998/Rudy Van Ge...
114 bpm • C# Maj • 07:23 • -7.91db
23% Popularity • 49% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 49% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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Bobby Hutcherson
Pastoral - Remastered 1994
114 bpm • A Maj • 02:02 • -24db
28% Popularity • 49% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
28% Popularity • 49% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
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The Dave Brubeck Quartet
Blue Rondo à la Turk
114 bpm • G min • 06:43 • -11.91db
50% Popularity • 59% Danceability • 40% Energy • 11% Liveness
35% Instrumentalness • 47% Positiveness
50% Popularity • 59% Danceability • 40% Energy • 11% Liveness
35% Instrumentalness • 47% Positiveness
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Art Ensemble Of Chicago
Thème de Céline
121 bpm • G min • 03:03 • -5db
11% Popularity • 41% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
11% Popularity • 41% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
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Gil Evans
Proclamation
114 bpm • F# Maj • 03:55 • -27.61db
19% Popularity • 50% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
19% Popularity • 50% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Keith Jarrett
Mandala
113 bpm • E Maj • 08:17 • -13.21db
20% Popularity • 39% Danceability • 45% Energy • 43% Liveness
71% Instrumentalness • 46% Positiveness
20% Popularity • 39% Danceability • 45% Energy • 43% Liveness
71% Instrumentalness • 46% Positiveness
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Cecil Taylor
Port Of Call - Remastered
121 bpm • F min • 04:20 • -17.38db
23% Popularity • 40% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 56% Positiveness
23% Popularity • 40% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 56% Positiveness
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Cortex
Sabbat, pt. 2
121 bpm • C min • 03:20 • -8.99db
36% Popularity • 45% Danceability • 69% Energy • 59% Liveness
83% Instrumentalness • 92% Positiveness
36% Popularity • 45% Danceability • 69% Energy • 59% Liveness
83% Instrumentalness • 92% Positiveness
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Clifford Brown
Daahoud
121 bpm • C# Maj • 04:05 • -12.07db
38% Popularity • 50% Danceability • 64% Energy • 4% Liveness
6% Instrumentalness • 71% Positiveness
38% Popularity • 50% Danceability • 64% Energy • 4% Liveness
6% Instrumentalness • 71% Positiveness
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Paul Bley Trio
Ida Lupino
113 bpm • G# Maj • 02:57 • -28.64db
38% Popularity • 45% Danceability • 5% Energy • 17% Liveness
30% Instrumentalness • 13% Positiveness
38% Popularity • 45% Danceability • 5% Energy • 17% Liveness
30% Instrumentalness • 13% Positiveness
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Bill Frisell
Tales from the Far Side
121 bpm • E min • 06:32 • -10.32db
11% Popularity • 27% Danceability • 29% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
11% Popularity • 27% Danceability • 29% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Charlie Parker
Donna Lee
113 bpm • A# min • 02:34 • -8.89db
44% Popularity • 67% Danceability • 61% Energy • 33% Liveness
1% Instrumentalness • 82% Positiveness
44% Popularity • 67% Danceability • 61% Energy • 33% Liveness
1% Instrumentalness • 82% Positiveness
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Cecil Taylor
T (Beautiful Young'n)
113 bpm • F# Maj • 00:52 • -25.4db
18% Popularity • 40% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
18% Popularity • 40% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Wes Montgomery Trio
Too Late Now
113 bpm • C Maj • 04:51 • -25.37db
39% Popularity • 38% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 10% Positiveness
39% Popularity • 38% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 10% Positiveness
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Kenny Wheeler
Smatter
122 bpm • A# min • 05:58 • -15.95db
24% Popularity • 41% Danceability • 34% Energy • 15% Liveness
75% Instrumentalness • 34% Positiveness
24% Popularity • 41% Danceability • 34% Energy • 15% Liveness
75% Instrumentalness • 34% Positiveness
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John Coltrane
A Love Supreme, Pt. I – Acknowledgemen...
122 bpm • F min • 07:42 • -13.47db
51% Popularity • 37% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 37% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Lee Konitz
Intuition
122 bpm • G# Maj • 02:29 • -15db
38% Popularity • 53% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
38% Popularity • 53% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Grant Green
Jean De Fleur - Rudy Van Gelder Edition ...
112 bpm • C# min • 06:49 • -10db
33% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Hank Mobley
No Room For Squares - Remastered 2000 / ...
122 bpm • C min • 06:57 • -8.18db
33% Popularity • 56% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 56% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Muhal Richard Abrams
Afrisong
112 bpm • G# Maj • 05:09 • -26db
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Kurt Rosenwinkel
You've Changed
112 bpm • C Maj • 03:15 • -19.12db
49% Popularity • 49% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 21% Positiveness
49% Popularity • 49% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 21% Positiveness
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Tommy Flanagan
Cup Bearers
112 bpm • F Maj • 04:09 • -21db
32% Popularity • 50% Danceability • 23% Energy • 19% Liveness
80% Instrumentalness • 37% Positiveness
32% Popularity • 50% Danceability • 23% Energy • 19% Liveness
80% Instrumentalness • 37% Positiveness
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Jackie McLean
Love And Hate
122 bpm • A# Maj • 08:25 • -17db
15% Popularity • 57% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 17% Positiveness
15% Popularity • 57% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 17% Positiveness
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Keith Jarrett
The Windup
122 bpm • C Maj • 08:22 • -15.31db
29% Popularity • 50% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 50% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Alice Coltrane
Blue Nile
112 bpm • B min • 07:01 • -13db
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
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Freddie Hubbard
Arietis - Remastered 2003/Rudy Van Gelde...
122 bpm • D min • 06:41 • -11.38db
30% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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The Bad Plus
Keep The Bugs Off Your Glass And The Bea...
112 bpm • F min • 05:49 • -14.71db
14% Popularity • 51% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
14% Popularity • 51% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Kenny Dorham
Lotus Blossom
122 bpm • D min • 04:38 • -16.2db
36% Popularity • 49% Danceability • 42% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
36% Popularity • 49% Danceability • 42% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
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World Saxophone Quartet
Cairo Blues
122 bpm • D# Maj • 01:11 • -20.68db
29% Popularity • 49% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
29% Popularity • 49% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
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Art Blakey
Caravan
112 bpm • A# min • 09:47 • -16db
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
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Sonny Rollins
Without a Song - Remastered
112 bpm • G# Maj • 07:26 • -16db
38% Popularity • 61% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
38% Popularity • 61% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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Sun Ra & His Arkestra
Springtime Again
123 bpm • F Maj • 09:15 • -11.99db
33% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
33% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
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Otomo Yoshihide's New Jazz Quintet
Song for Che - Reducing Agent
122 bpm • D Maj • 11:33 • -8.35db
11% Popularity • 24% Danceability • 87% Energy • 32% Liveness
61% Instrumentalness • 13% Positiveness
11% Popularity • 24% Danceability • 87% Energy • 32% Liveness
61% Instrumentalness • 13% Positiveness
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Don Ellis
Open Beauty
123 bpm • G Maj • 08:27 • -18.14db
10% Popularity • 46% Danceability • 11% Energy • 21% Liveness
77% Instrumentalness • 8% Positiveness
10% Popularity • 46% Danceability • 11% Energy • 21% Liveness
77% Instrumentalness • 8% Positiveness
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Gary Burton Quintet
Mevlevia
123 bpm • C Maj • 06:00 • -18.57db
15% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Buddy Rich and His Sextet
Young Blood
111 bpm • G# Maj • 05:59 • -9.77db
8% Popularity • 33% Danceability • 96% Energy • 5% Liveness
2% Instrumentalness • 44% Positiveness
8% Popularity • 33% Danceability • 96% Energy • 5% Liveness
2% Instrumentalness • 44% Positiveness
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Art Blakey & The Jazz Messengers
The Chess Players - Remastered 2005
123 bpm • C min • 09:31 • -7.39db
26% Popularity • 67% Danceability • 59% Energy • 35% Liveness
67% Instrumentalness • 58% Positiveness
26% Popularity • 67% Danceability • 59% Energy • 35% Liveness
67% Instrumentalness • 58% Positiveness
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Chicago Underground Quartet
Four in the Evening
111 bpm • G Maj • 01:32 • -20.35db
24% Popularity • 24% Danceability • 18% Energy • 11% Liveness
49% Instrumentalness • 15% Positiveness
24% Popularity • 24% Danceability • 18% Energy • 11% Liveness
49% Instrumentalness • 15% Positiveness
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Pat Metheny
Missouri Uncompromised
111 bpm • A Maj • 04:15 • -14.48db
30% Popularity • 40% Danceability • 50% Energy • 7% Liveness
59% Instrumentalness • 43% Positiveness
30% Popularity • 40% Danceability • 50% Energy • 7% Liveness
59% Instrumentalness • 43% Positiveness
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Cannonball Adderley
Autumn Leaves
111 bpm • G min • 10:59 • -9db
56% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Charles Mingus
Moanin'
111 bpm • F min • 08:02 • -10.32db
45% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Sam Rivers
Point Of Many Returns
123 bpm • G Maj • 09:23 • -10db
15% Popularity • 46% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 46% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Hank Mobley
This I Dig Of You - Remastered 1999/Rudy...
123 bpm • A# Maj • 06:25 • -7.86db
45% Popularity • 59% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
45% Popularity • 59% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
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Dave Holland Quartet
Conference Of The Birds
123 bpm • A# Maj • 04:37 • -22.25db
41% Popularity • 39% Danceability • 17% Energy • 20% Liveness
36% Instrumentalness • 29% Positiveness
41% Popularity • 39% Danceability • 17% Energy • 20% Liveness
36% Instrumentalness • 29% Positiveness
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Sonny Rollins
St. Thomas
111 bpm • G Maj • 03:55 • -11db
31% Popularity • 61% Danceability • 40% Energy • 6% Liveness
60% Instrumentalness • 54% Positiveness
31% Popularity • 61% Danceability • 40% Energy • 6% Liveness
60% Instrumentalness • 54% Positiveness
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Freddie Hubbard
Birdlike - Remastered 2004/Rudy Van Geld...
124 bpm • F Maj • 10:15 • -10db
24% Popularity • 45% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 45% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Charles Mingus
I X Love - Long Version
124 bpm • D Maj • 07:41 • -12.76db
28% Popularity • 26% Danceability • 22% Energy • 13% Liveness
30% Instrumentalness • 12% Positiveness
28% Popularity • 26% Danceability • 22% Energy • 13% Liveness
30% Instrumentalness • 12% Positiveness
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John McLaughlin
It's Funny
124 bpm • C Maj • 04:23 • -18.64db
16% Popularity • 38% Danceability • 21% Energy • 12% Liveness
26% Instrumentalness • 20% Positiveness
16% Popularity • 38% Danceability • 21% Energy • 12% Liveness
26% Instrumentalness • 20% Positiveness
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Anthony Braxton
BOR----H (Opus 23E)
111 bpm • G# Maj • 03:23 • -10.76db
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
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Lee Morgan
Ill Wind
110 bpm • F Maj • 07:59 • -20.14db
30% Popularity • 58% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
30% Popularity • 58% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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The Dave Brubeck Quartet
Koto Song
110 bpm • A# min • 03:01 • -19.35db
44% Popularity • 47% Danceability • 10% Energy • 10% Liveness
56% Instrumentalness • 32% Positiveness
44% Popularity • 47% Danceability • 10% Energy • 10% Liveness
56% Instrumentalness • 32% Positiveness
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Chicago Underground Quartet
A Re-Occuring Dream
124 bpm • G Maj • 03:11 • -11.19db
12% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
12% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
