Songs like Trad: Il est né, le divin Enfant by Traditional
Based on a tempo of (+/- 10%) and a similar genre
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Divna Ljubojevic
Cherubic hymn
64 bpm • G min • 02:54 • -16db
26% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
64 bpm • C Maj • 01:10 • -18.12db
31% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Men's Choir of the Valaam Singing Culture Institute
Do Not Cast Me off in the Time of Old Ag...
63 bpm • C min • 06:06 • -20db
14% Popularity • 13% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Lege Artis Chamber Choir
No One who Comes to You
65 bpm • A# min • 02:52 • -29.97db
17% Popularity • 7% Danceability • 3% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 3% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Lajos Bárdos
Tábortüznél, Près du feu de camp
63 bpm • A# Maj • 01:42 • -40.74db
8% Popularity • 22% Danceability • 1% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 1% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Kyrie Eleison
65 bpm • B min • 06:35 • -25db
43% Popularity • 22% Danceability • 4% Energy • 10% Liveness
24% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 4% Energy • 10% Liveness
24% Instrumentalness • 7% Positiveness
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Emily Dickens
Ave Maris Stella: I
63 bpm • D Maj • 01:45 • -29db
11% Popularity • 26% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 10% Positiveness
11% Popularity • 26% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 10% Positiveness
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Daniel Elder
3 Nocturnes: No. 1. Ballade to the Moon
66 bpm • E Maj • 05:07 • -28.32db
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
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Melchior Franck
Ein feste Burg ist unser Gott in F Major
66 bpm • C Maj • 01:11 • -18db
24% Popularity • 26% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
24% Popularity • 26% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
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Catherine Strutt
The Cradle Song
63 bpm • D Maj • 05:20 • -25.48db
28% Popularity • 22% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Allegri: Miserere - 05. Auditui Meo Dabi...
66 bpm • A Maj • 01:11 • -26db
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Cristobal de Morales
Officium defunctorum: Parce mihi Domine:...
66 bpm • A# Maj • 05:21 • -36.59db
26% Popularity • 14% Danceability • 1% Energy • 12% Liveness
24% Instrumentalness • 3% Positiveness
26% Popularity • 14% Danceability • 1% Energy • 12% Liveness
24% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
66 bpm • C Maj • 03:11 • -19db
18% Popularity • 21% Danceability • 12% Energy • 12% Liveness
36% Instrumentalness • 3% Positiveness
18% Popularity • 21% Danceability • 12% Energy • 12% Liveness
36% Instrumentalness • 3% Positiveness
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Radio Luxembourg Symphony Orchestra
Jesus, Joy of Man's Desiring - Studio
62 bpm • G Maj • 03:53 • -19db
32% Popularity • 6% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
32% Popularity • 6% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Henry Purcell
Miserere mei, Z. 109
66 bpm • A min • 01:22 • -25.22db
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Nova Schola Gregoriana
Missa orbis factor - Sanctus
66 bpm • G min • 01:44 • -21.18db
41% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
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Traditional
Proprium Missae in Dominica: Halleluia -...
66 bpm • C Maj • 02:52 • -20.51db
23% Popularity • 13% Danceability • 6% Energy • 29% Liveness
12% Instrumentalness • 20% Positiveness
23% Popularity • 13% Danceability • 6% Energy • 29% Liveness
12% Instrumentalness • 20% Positiveness
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The Russian State Symphony Cappella
The Mercy of Peace (Excerpts)
62 bpm • A# Maj • 03:02 • -21.23db
21% Popularity • 7% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 7% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: The Seal Lullaby
66 bpm • C# Maj • 04:13 • -30db
46% Popularity • 23% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
46% Popularity • 23% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Покаяния отверзи ми д�...
66 bpm • G Maj • 05:40 • -21.94db
23% Popularity • 10% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
23% Popularity • 10% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
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Archangel Voices
Exaposteilarion: "The Wise Thief" (chora...
66 bpm • F min • 02:09 • -23.56db
30% Popularity • 19% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 19% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Unknown
Loch Lomond
67 bpm • G# Maj • 04:45 • -21.25db
31% Popularity • 19% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
31% Popularity • 19% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Traditional
Ordinarium Missae: Agnus Dei
67 bpm • C# min • 01:36 • -23.89db
31% Popularity • 23% Danceability • 3% Energy • 21% Liveness
10% Instrumentalness • 9% Positiveness
31% Popularity • 23% Danceability • 3% Energy • 21% Liveness
10% Instrumentalness • 9% Positiveness
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James Whitbourn
Luminosity: V. Castle of Diamonds
67 bpm • A min • 01:21 • -28.74db
36% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Loquebantur Variis Linguis - 2. ...
61 bpm • F min • 01:02 • -26.67db
43% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Father Sergei Glagolev
Let All Mortal Flesh
67 bpm • E min • 03:18 • -24.51db
18% Popularity • 8% Danceability • 5% Energy • 15% Liveness
84% Instrumentalness • 5% Positiveness
18% Popularity • 8% Danceability • 5% Energy • 15% Liveness
84% Instrumentalness • 5% Positiveness
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Taizé
Confitemini Domino
61 bpm • D Maj • 04:51 • -18.24db
36% Popularity • 21% Danceability • 20% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
36% Popularity • 21% Danceability • 20% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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Thomas Morley
Now is the month of Maying
61 bpm • E Maj • 01:47 • -13db
22% Popularity • 50% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 50% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Ensemble des chants et choeurs russes orthodoxes
Canon De Babylone, Pt. 1
68 bpm • G# Maj • 01:40 • -24db
20% Popularity • 18% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
20% Popularity • 18% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Eric Whitacre
Eric Whitacre: Lux aurumque
69 bpm • C# min • 03:48 • -26db
10% Popularity • 23% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
10% Popularity • 23% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Veljo Tormis
La Kanteletar: I. Herkä neito
69 bpm • F# Maj • 02:11 • -35.53db
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Allegri: Miserere - 02. Amplius Lava Me
69 bpm • G# Maj • 01:10 • -35.6db
48% Popularity • 23% Danceability • 3% Energy • 25% Liveness
64% Instrumentalness • 3% Positiveness
48% Popularity • 23% Danceability • 3% Energy • 25% Liveness
64% Instrumentalness • 3% Positiveness
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James Whitbourn
Requiem canticorum: Alleluia
59 bpm • E min • 02:12 • -22.33db
28% Popularity • 7% Danceability • 7% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 7% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
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Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Ensemble des chants et choeurs russes orthodoxes
Chant Lithurgique De La Paix, Pt. 1
68 bpm • G# min • 01:15 • -26.43db
23% Popularity • 16% Danceability • 3% Energy • 11% Liveness
72% Instrumentalness • 7% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 11% Liveness
72% Instrumentalness • 7% Positiveness
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Francesco Landini
Ecco la Primavera
69 bpm • G Maj • 01:14 • -23.26db
19% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Blake R. Henson
My Flight for Heaven
70 bpm • C# Maj • 04:48 • -24.87db
18% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
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Michael Praetorius
Spagnoletta
70 bpm • A# Maj • 01:00 • -19db
23% Popularity • 43% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
23% Popularity • 43% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Legend of the 12 Robbers
70 bpm • A# Maj • 04:24 • -17.08db
13% Popularity • 17% Danceability • 20% Energy • 11% Liveness
22% Instrumentalness • 11% Positiveness
13% Popularity • 17% Danceability • 20% Energy • 11% Liveness
22% Instrumentalness • 11% Positiveness
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James Whitbourn
Son of God Mass: Agnus Dei
70 bpm • C min • 02:20 • -31.76db
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Monks And Choirboys Of Downside Abbey
Attende Domine
70 bpm • C# Maj • 03:06 • -27.4db
28% Popularity • 27% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 27% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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Saint Ambrose
Aeterna Christi munera et martyrum victo...
70 bpm • C Maj • 01:32 • -31db
36% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Capella Gregoriana Easo
Attende, Domine (Preces)
71 bpm • D Maj • 03:54 • -21.34db
32% Popularity • 26% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 6% Positiveness
32% Popularity • 26% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 6% Positiveness
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Traditional
Ordinarium Missae: Gloria
71 bpm • F Maj • 03:23 • -22.81db
27% Popularity • 23% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 23% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Agnus Dei
71 bpm • A# min • 07:40 • -21.37db
26% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Guillaume Dufay
Nuper rosarum flores
71 bpm • D min • 06:27 • -26db
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Organist Giles Taylor
Jesu Joy of Man's Desiring
71 bpm • G Maj • 03:34 • -18.99db
16% Popularity • 15% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
16% Popularity • 15% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Sanctus
71 bpm • D min • 05:46 • -18.29db
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum
71 bpm • D Maj • 02:58 • -9.87db
23% Popularity • 16% Danceability • 32% Energy • 27% Liveness
90% Instrumentalness • 20% Positiveness
23% Popularity • 16% Danceability • 32% Energy • 27% Liveness
90% Instrumentalness • 20% Positiveness
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Anonymous
Sub Tuum Præsidium
71 bpm • G# Maj • 01:03 • -18.89db
35% Popularity • 24% Danceability • 24% Energy • 10% Liveness
26% Instrumentalness • 8% Positiveness
35% Popularity • 24% Danceability • 24% Energy • 10% Liveness
26% Instrumentalness • 8% Positiveness
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Laestadian Lutheran Church
The Benediction
71 bpm • C Maj • 01:49 • -21.59db
17% Popularity • 23% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
17% Popularity • 23% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
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Monks Of The Abbey Of Notre Dame
Justorum Animae
71 bpm • C Maj • 02:37 • -24.57db
44% Popularity • 23% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 23% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 04. Ecce Enim Verita...
71 bpm • G min • 01:07 • -33.77db
42% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
42% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
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Dmitry Bortniansky
Izhe Kheruvimi (Cherubic Hymn): No. 7. �...
57 bpm • D Maj • 03:58 • -25.64db
20% Popularity • 16% Danceability • 2% Energy • 7% Liveness
26% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 7% Liveness
26% Instrumentalness • 4% Positiveness
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Desmond Earley
The Gartan Mother’s Lullaby
72 bpm • D# Maj • 04:57 • -24.38db
19% Popularity • 29% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 29% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Claudin de Sermisy
Tant que vivray
72 bpm • E Maj • 02:19 • -18.77db
14% Popularity • 34% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 34% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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The Russian State Symphony Cappella
Great Ektenia
72 bpm • A# Maj • 03:48 • -18.52db
27% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Alleluia: III. Night
72 bpm • E min • 03:30 • -35db
23% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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Monks Of The Abbey Of Notre Dame
Exaudit Te Dominus
73 bpm • B Maj • 01:28 • -24db
43% Popularity • 30% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 30% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Monks And Choirboys Of Downside Abbey
Cantique De Jean Racine
73 bpm • C# Maj • 05:13 • -21.9db
17% Popularity • 6% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
17% Popularity • 6% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Temun�...
73 bpm • G Maj • 01:45 • -29.53db
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Traditional
Ma navu
73 bpm • F Maj • 05:41 • -24.11db
11% Popularity • 8% Danceability • 4% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 4% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
► Preview
Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
73 bpm • E min • 06:55 • -16db
31% Popularity • 11% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 11% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
John Playford
Dances From the English Dancing Master: ...
73 bpm • A min • 01:56 • -25.9db
19% Popularity • 35% Danceability • 4% Energy • 16% Liveness
96% Instrumentalness • 13% Positiveness
19% Popularity • 35% Danceability • 4% Energy • 16% Liveness
96% Instrumentalness • 13% Positiveness
► Preview
Ennio Morricone
Angele Dei
74 bpm • G# Maj • 02:24 • -13.03db
32% Popularity • 11% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
32% Popularity • 11% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
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n/a
Ukuthula
55 bpm • B Maj • 02:06 • -20db
11% Popularity • 13% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 13% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Victor Kalinnikov
Svete tikhii (Gentle light)
74 bpm • F Maj • 02:58 • -25.1db
16% Popularity • 16% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Ensemble des chants et choeurs russes orthodoxes
Chant Lithurgique (Paix Avec Nous)
74 bpm • C# min • 02:09 • -25db
20% Popularity • 13% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
20% Popularity • 13% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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"The Orthodox Singers" Male Choir
Before Thy Cross
75 bpm • G min • 05:06 • -31.18db
26% Popularity • 7% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
26% Popularity • 7% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Lege Artis Chamber Choir
Song of the Cherubim No. 7
75 bpm • D Maj • 04:12 • -28db
15% Popularity • 8% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
15% Popularity • 8% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Dimitri Tchesnokov
Hymn to the Cherubim
75 bpm • G min • 05:26 • -20.42db
22% Popularity • 8% Danceability • 16% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 16% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonio Lotti
Missae: Agnus Dei
75 bpm • A# Maj • 03:07 • -24db
16% Popularity • 23% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Cyrillus Kreek
Whilst Great Is Our Poverty
76 bpm • C# Maj • 05:17 • -25.36db
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Louis-Nicolas Clérambault
Asperges me: Messe à la ville "Repons"
75 bpm • G Maj • 03:04 • -23.83db
15% Popularity • 13% Danceability • 4% Energy • 30% Liveness
11% Instrumentalness • 6% Positiveness
15% Popularity • 13% Danceability • 4% Energy • 30% Liveness
11% Instrumentalness • 6% Positiveness
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Alfred Schnittke
Choir Concerto: IV. Sej trud, shto natch...
76 bpm • G Maj • 05:20 • -26db
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
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Philip Wilby
Marianne (arr. P. Wilby)
76 bpm • E Maj • 03:47 • -32db
25% Popularity • 7% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Cantus
Finlandia-Hymni
76 bpm • A Maj • 02:08 • -23.12db
20% Popularity • 11% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 11% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Michael Praetorius
Terpsichore*: Bransle simple 1 (La, la, ...
76 bpm • D# Maj • 01:43 • -23.93db
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
13% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Sequentia: Pie Jesu
76 bpm • D# Maj • 01:48 • -26db
24% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Final Angelus Bells
76 bpm • D min • 05:29 • -15.98db
39% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Bob Chilcott
A Little Jazz Mass (version for mixed ch...
76 bpm • G# Maj • 01:31 • -23.32db
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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James Whitbourn
Requiem canticorum: Lux aeterna
76 bpm • C Maj • 01:39 • -41db
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:15 • -18.87db
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Little Bell
77 bpm • D# Maj • 03:43 • -21.75db
16% Popularity • 10% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
16% Popularity • 10% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Traditional
Ordinarium Missae: Sanctus
77 bpm • E Maj • 01:36 • -21.89db
24% Popularity • 25% Danceability • 8% Energy • 14% Liveness
6% Instrumentalness • 5% Positiveness
24% Popularity • 25% Danceability • 8% Energy • 14% Liveness
6% Instrumentalness • 5% Positiveness
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Heinrich Isaac
Innsbruck, ich muß dich lassen
77 bpm • F Maj • 02:45 • -18db
16% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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State Symphony Cappella
Amen, Allelulia
77 bpm • F Maj • 01:04 • -24.87db
25% Popularity • 12% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
25% Popularity • 12% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Virgil Thomson
My Shepherd Will Supply My Need (arr. V....
77 bpm • D Maj • 04:17 • -28.49db
29% Popularity • 14% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 4% Positiveness
