Songs like Trans Love Vibration (Eris Goes to Church) by Eris Drew
Based on a tempo of (+/- 10%) and a similar genre
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Kaitlyn Aurelia Smith
I Will Make Room for You - Four Tet Remi...
120 bpm • F# Maj • 08:17 • -10db
31% Popularity • 66% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
31% Popularity • 66% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
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Shinichi Atobe
Lake 2
120 bpm • B min • 06:54 • -17db
20% Popularity • 85% Danceability • 29% Energy • 8% Liveness
70% Instrumentalness • 76% Positiveness
20% Popularity • 85% Danceability • 29% Energy • 8% Liveness
70% Instrumentalness • 76% Positiveness
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The Pilotwings
Congo libre
120 bpm • C# Maj • 04:45 • -9db
19% Popularity • 75% Danceability • 83% Energy • 10% Liveness
92% Instrumentalness • 76% Positiveness
19% Popularity • 75% Danceability • 83% Energy • 10% Liveness
92% Instrumentalness • 76% Positiveness
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Club Winston
DKD
120 bpm • C Maj • 05:20 • -10db
12% Popularity • 74% Danceability • 86% Energy • 10% Liveness
76% Instrumentalness • 45% Positiveness
12% Popularity • 74% Danceability • 86% Energy • 10% Liveness
76% Instrumentalness • 45% Positiveness
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Anthony Naples
Shredder
120 bpm • E min • 02:58 • -8.82db
22% Popularity • 33% Danceability • 89% Energy • 23% Liveness
83% Instrumentalness • 80% Positiveness
22% Popularity • 33% Danceability • 89% Energy • 23% Liveness
83% Instrumentalness • 80% Positiveness
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System Olympia
Scandalous
120 bpm • C# Maj • 07:08 • -8db
21% Popularity • 79% Danceability • 85% Energy • 7% Liveness
65% Instrumentalness • 36% Positiveness
21% Popularity • 79% Danceability • 85% Energy • 7% Liveness
65% Instrumentalness • 36% Positiveness
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ELLES
end of the nite
120 bpm • A Maj • 05:29 • -10.24db
13% Popularity • 63% Danceability • 82% Energy • 11% Liveness
50% Instrumentalness • 23% Positiveness
13% Popularity • 63% Danceability • 82% Energy • 11% Liveness
50% Instrumentalness • 23% Positiveness
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30/70
Tastes Like Freedom - Tornado Wallace Re...
120 bpm • A# min • 08:19 • -15db
14% Popularity • 64% Danceability • 50% Energy • 11% Liveness
83% Instrumentalness • 23% Positiveness
14% Popularity • 64% Danceability • 50% Energy • 11% Liveness
83% Instrumentalness • 23% Positiveness
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Special Request
No Other way To Say It
120 bpm • G Maj • 05:23 • -9db
21% Popularity • 59% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
21% Popularity • 59% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Octo Octa
Come Here, Let's Commune
120 bpm • G# Maj • 08:24 • -12.36db
20% Popularity • 81% Danceability • 69% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
20% Popularity • 81% Danceability • 69% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Long Island Sound
I Still Love You
120 bpm • D Maj • 07:13 • -9db
32% Popularity • 64% Danceability • 79% Energy • 12% Liveness
60% Instrumentalness • 28% Positiveness
32% Popularity • 64% Danceability • 79% Energy • 12% Liveness
60% Instrumentalness • 28% Positiveness
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Loidis
A Parade
120 bpm • C Maj • 07:08 • -9.79db
14% Popularity • 86% Danceability • 76% Energy • 8% Liveness
80% Instrumentalness • 59% Positiveness
14% Popularity • 86% Danceability • 76% Energy • 8% Liveness
80% Instrumentalness • 59% Positiveness
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Dauwd
Glass Jelly
120 bpm • G min • 05:22 • -10db
32% Popularity • 84% Danceability • 67% Energy • 10% Liveness
87% Instrumentalness • 75% Positiveness
32% Popularity • 84% Danceability • 67% Energy • 10% Liveness
87% Instrumentalness • 75% Positiveness
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Eris Drew
Trans Love Vibration (Eris Goes to Churc...
120 bpm • C Maj • 05:04 • -10.59db
31% Popularity • 80% Danceability • 62% Energy • 3% Liveness
82% Instrumentalness • 22% Positiveness
31% Popularity • 80% Danceability • 62% Energy • 3% Liveness
82% Instrumentalness • 22% Positiveness
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Galcher Lustwerk
Overpay, Overstay
120 bpm • A min • 04:02 • -13.04db
14% Popularity • 84% Danceability • 54% Energy • 3% Liveness
90% Instrumentalness • 87% Positiveness
14% Popularity • 84% Danceability • 54% Energy • 3% Liveness
90% Instrumentalness • 87% Positiveness
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Liluzu
I Think That...
120 bpm • E min • 05:54 • -6.43db
11% Popularity • 81% Danceability • 80% Energy • 12% Liveness
92% Instrumentalness • 59% Positiveness
11% Popularity • 81% Danceability • 80% Energy • 12% Liveness
92% Instrumentalness • 59% Positiveness
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Shinichiro Yokota
Timeless
120 bpm • E min • 05:38 • -6.14db
19% Popularity • 81% Danceability • 76% Energy • 7% Liveness
65% Instrumentalness • 69% Positiveness
19% Popularity • 81% Danceability • 76% Energy • 7% Liveness
65% Instrumentalness • 69% Positiveness
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Axel Boman
Don't Breathe Yet
120 bpm • G# min • 08:37 • -9.31db
14% Popularity • 63% Danceability • 76% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
14% Popularity • 63% Danceability • 76% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
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Move D
To the Disco ‘77
120 bpm • F Maj • 06:59 • -9.66db
31% Popularity • 73% Danceability • 73% Energy • 11% Liveness
88% Instrumentalness • 50% Positiveness
31% Popularity • 73% Danceability • 73% Energy • 11% Liveness
88% Instrumentalness • 50% Positiveness
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Ajukaja
Sunda School
120 bpm • B min • 04:49 • -12.72db
14% Popularity • 75% Danceability • 62% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
14% Popularity • 75% Danceability • 62% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
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Conclave
All That I Need - Photay Remix
120 bpm • C min • 06:38 • -9.96db
34% Popularity • 79% Danceability • 44% Energy • 14% Liveness
48% Instrumentalness • 60% Positiveness
34% Popularity • 79% Danceability • 44% Energy • 14% Liveness
48% Instrumentalness • 60% Positiveness
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The Colours That Rise
Deep Space
120 bpm • C min • 03:49 • -14.01db
21% Popularity • 71% Danceability • 34% Energy • 27% Liveness
38% Instrumentalness • 67% Positiveness
21% Popularity • 71% Danceability • 34% Energy • 27% Liveness
38% Instrumentalness • 67% Positiveness
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Space Ghost
Be Yourself
120 bpm • G min • 05:41 • -7db
22% Popularity • 72% Danceability • 88% Energy • 36% Liveness
83% Instrumentalness • 65% Positiveness
22% Popularity • 72% Danceability • 88% Energy • 36% Liveness
83% Instrumentalness • 65% Positiveness
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Eris Drew
Ride Free
120 bpm • C Maj • 05:48 • -7.77db
28% Popularity • 74% Danceability • 80% Energy • 40% Liveness
7% Instrumentalness • 39% Positiveness
28% Popularity • 74% Danceability • 80% Energy • 40% Liveness
7% Instrumentalness • 39% Positiveness
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Special Request
Vellichor - DJ-Kicks
120 bpm • A Maj • 07:22 • -10.17db
11% Popularity • 66% Danceability • 77% Energy • 3% Liveness
95% Instrumentalness • 83% Positiveness
11% Popularity • 66% Danceability • 77% Energy • 3% Liveness
95% Instrumentalness • 83% Positiveness
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Actress
Loveless
120 bpm • F# min • 04:40 • -14.6db
18% Popularity • 85% Danceability • 36% Energy • 12% Liveness
31% Instrumentalness • 22% Positiveness
18% Popularity • 85% Danceability • 36% Energy • 12% Liveness
31% Instrumentalness • 22% Positiveness
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Shinichi Atobe
Yes
120 bpm • G min • 07:55 • -13.16db
19% Popularity • 81% Danceability • 75% Energy • 8% Liveness
87% Instrumentalness • 82% Positiveness
19% Popularity • 81% Danceability • 75% Energy • 8% Liveness
87% Instrumentalness • 82% Positiveness
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efdemin
America (Terrence Dixon MInimal Detroit ...
120 bpm • B min • 01:52 • -16db
41% Popularity • 77% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 71% Positiveness
41% Popularity • 77% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 71% Positiveness
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Space Ghost
New World Energy - Sunset Mix
120 bpm • A# min • 05:23 • -8.86db
30% Popularity • 58% Danceability • 82% Energy • 16% Liveness
92% Instrumentalness • 40% Positiveness
30% Popularity • 58% Danceability • 82% Energy • 16% Liveness
92% Instrumentalness • 40% Positiveness
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Portable
Ripple Effect - Call Super Remix
120 bpm • C# Maj • 09:19 • -9.3db
9% Popularity • 75% Danceability • 64% Energy • 13% Liveness
51% Instrumentalness • 27% Positiveness
9% Popularity • 75% Danceability • 64% Energy • 13% Liveness
51% Instrumentalness • 27% Positiveness
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Benedek
Sixtern
120 bpm • C# min • 04:03 • -10.19db
29% Popularity • 73% Danceability • 63% Energy • 9% Liveness
96% Instrumentalness • 91% Positiveness
29% Popularity • 73% Danceability • 63% Energy • 9% Liveness
96% Instrumentalness • 91% Positiveness
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Prequel
And That's the Story of Their Love
120 bpm • D Maj • 09:06 • -10.97db
24% Popularity • 85% Danceability • 47% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
24% Popularity • 85% Danceability • 47% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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Voice Stealer
Evaluation
120 bpm • C# Maj • 04:19 • -15.02db
13% Popularity • 71% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 54% Positiveness
13% Popularity • 71% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 54% Positiveness
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System Olympia
Night Rise - Mixed
120 bpm • A# min • 02:18 • -9.27db
32% Popularity • 79% Danceability • 79% Energy • 7% Liveness
94% Instrumentalness • 68% Positiveness
32% Popularity • 79% Danceability • 79% Energy • 7% Liveness
94% Instrumentalness • 68% Positiveness
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Jad & The
Deep Dark Grimey Dancefloor Moment
120 bpm • G Maj • 06:07 • -12.22db
14% Popularity • 76% Danceability • 73% Energy • 22% Liveness
92% Instrumentalness • 5% Positiveness
14% Popularity • 76% Danceability • 73% Energy • 22% Liveness
92% Instrumentalness • 5% Positiveness
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Pearson Sound
Everything Is Inside Out
120 bpm • C# Maj • 05:56 • -9.5db
22% Popularity • 78% Danceability • 85% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
22% Popularity • 78% Danceability • 85% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Ex-Terrestrial
Urth Man
120 bpm • C Maj • 06:26 • -9.94db
28% Popularity • 75% Danceability • 76% Energy • 12% Liveness
85% Instrumentalness • 66% Positiveness
28% Popularity • 75% Danceability • 76% Energy • 12% Liveness
85% Instrumentalness • 66% Positiveness
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Shinichi Atobe
Ocean 1
120 bpm • A min • 08:50 • -11.13db
8% Popularity • 68% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 90% Positiveness
8% Popularity • 68% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 90% Positiveness
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Eris Drew
A Howling Wind
120 bpm • G Maj • 05:07 • -6.93db
9% Popularity • 80% Danceability • 80% Energy • 12% Liveness
68% Instrumentalness • 33% Positiveness
9% Popularity • 80% Danceability • 80% Energy • 12% Liveness
68% Instrumentalness • 33% Positiveness
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Fantastic Man
Utopioid
120 bpm • B min • 03:54 • -11db
27% Popularity • 75% Danceability • 48% Energy • 23% Liveness
90% Instrumentalness • 10% Positiveness
27% Popularity • 75% Danceability • 48% Energy • 23% Liveness
90% Instrumentalness • 10% Positiveness
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System Olympia
Night Rise
120 bpm • C Maj • 07:19 • -8.6db
22% Popularity • 76% Danceability • 75% Energy • 11% Liveness
94% Instrumentalness • 76% Positiveness
22% Popularity • 76% Danceability • 75% Energy • 11% Liveness
94% Instrumentalness • 76% Positiveness
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Key Tronics Ensemble
Calypso of House - Paradise Mix
120 bpm • F Maj • 09:08 • -7.9db
29% Popularity • 44% Danceability • 91% Energy • 75% Liveness
93% Instrumentalness • 15% Positiveness
29% Popularity • 44% Danceability • 91% Energy • 75% Liveness
93% Instrumentalness • 15% Positiveness
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Dream 2 Science
My Love Turns to Liquid
120 bpm • F# Maj • 05:22 • -10.65db
28% Popularity • 84% Danceability • 60% Energy • 10% Liveness
81% Instrumentalness • 24% Positiveness
28% Popularity • 84% Danceability • 60% Energy • 10% Liveness
81% Instrumentalness • 24% Positiveness
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Shinichi Atobe
Regret
120 bpm • A# min • 09:47 • -18.62db
29% Popularity • 77% Danceability • 48% Energy • 37% Liveness
89% Instrumentalness • 72% Positiveness
29% Popularity • 77% Danceability • 48% Energy • 37% Liveness
89% Instrumentalness • 72% Positiveness
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Patrick Holland
Sky Lounge
120 bpm • C# min • 04:39 • -6db
42% Popularity • 86% Danceability • 72% Energy • 25% Liveness
26% Instrumentalness • 60% Positiveness
42% Popularity • 86% Danceability • 72% Energy • 25% Liveness
26% Instrumentalness • 60% Positiveness
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Dopplereffekt
Infophysix
120 bpm • C min • 03:49 • -11db
30% Popularity • 80% Danceability • 84% Energy • 11% Liveness
87% Instrumentalness • 96% Positiveness
30% Popularity • 80% Danceability • 84% Energy • 11% Liveness
87% Instrumentalness • 96% Positiveness
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Fantastic Man
False Consciousness - Mixed
121 bpm • E min • 02:25 • -6.88db
43% Popularity • 76% Danceability • 77% Energy • 11% Liveness
91% Instrumentalness • 82% Positiveness
43% Popularity • 76% Danceability • 77% Energy • 11% Liveness
91% Instrumentalness • 82% Positiveness
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Shinichiro Yokota
Bells
121 bpm • E min • 04:34 • -11.57db
22% Popularity • 81% Danceability • 64% Energy • 9% Liveness
82% Instrumentalness • 35% Positiveness
22% Popularity • 81% Danceability • 64% Energy • 9% Liveness
82% Instrumentalness • 35% Positiveness
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Soccer96
Flight Formation
121 bpm • A Maj • 03:06 • -7.53db
28% Popularity • 62% Danceability • 79% Energy • 40% Liveness
81% Instrumentalness • 60% Positiveness
28% Popularity • 62% Danceability • 79% Energy • 40% Liveness
81% Instrumentalness • 60% Positiveness
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Recloose
Cardiology (Isolée Mix) - Mixed
121 bpm • G# min • 05:45 • -9.25db
29% Popularity • 92% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
29% Popularity • 92% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Via App
Baby K Interaction - Mixed
119 bpm • F min • 03:05 • -12.61db
26% Popularity • 67% Danceability • 60% Energy • 9% Liveness
13% Instrumentalness • 19% Positiveness
26% Popularity • 67% Danceability • 60% Energy • 9% Liveness
13% Instrumentalness • 19% Positiveness
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Pilgrims Of The Mind
La Belle Du Jardin
121 bpm • A min • 06:57 • -8.34db
10% Popularity • 74% Danceability • 75% Energy • 10% Liveness
63% Instrumentalness • 56% Positiveness
10% Popularity • 74% Danceability • 75% Energy • 10% Liveness
63% Instrumentalness • 56% Positiveness
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AceMoMa
Ethereal Stepping
121 bpm • A min • 07:47 • -10.52db
20% Popularity • 58% Danceability • 66% Energy • 12% Liveness
93% Instrumentalness • 47% Positiveness
20% Popularity • 58% Danceability • 66% Energy • 12% Liveness
93% Instrumentalness • 47% Positiveness
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Parris
Puro Rosaceae
121 bpm • G Maj • 06:01 • -14.51db
7% Popularity • 62% Danceability • 42% Energy • 37% Liveness
93% Instrumentalness • 44% Positiveness
7% Popularity • 62% Danceability • 42% Energy • 37% Liveness
93% Instrumentalness • 44% Positiveness
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Bliss Inc
Outer Limits
121 bpm • A# min • 06:56 • -8.07db
14% Popularity • 64% Danceability • 82% Energy • 20% Liveness
94% Instrumentalness • 56% Positiveness
14% Popularity • 64% Danceability • 82% Energy • 20% Liveness
94% Instrumentalness • 56% Positiveness
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Stefan Ringer
Wanna Be Bad
119 bpm • F Maj • 04:20 • -9.46db
12% Popularity • 85% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 85% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Cousin
A Message from Q
121 bpm • C# Maj • 04:53 • -14.12db
15% Popularity • 81% Danceability • 55% Energy • 37% Liveness
84% Instrumentalness • 21% Positiveness
15% Popularity • 81% Danceability • 55% Energy • 37% Liveness
84% Instrumentalness • 21% Positiveness
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Supreems
Close Your Eyes (And Feel)
121 bpm • A min • 05:33 • -9db
19% Popularity • 75% Danceability • 79% Energy • 8% Liveness
91% Instrumentalness • 81% Positiveness
19% Popularity • 75% Danceability • 79% Energy • 8% Liveness
91% Instrumentalness • 81% Positiveness
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Move D
Your Rolling Hills
119 bpm • C min • 04:25 • -12db
30% Popularity • 83% Danceability • 39% Energy • 4% Liveness
71% Instrumentalness • 71% Positiveness
30% Popularity • 83% Danceability • 39% Energy • 4% Liveness
71% Instrumentalness • 71% Positiveness
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Galcher Lustwerk
Parlay
119 bpm • F min • 06:48 • -11db
17% Popularity • 94% Danceability • 60% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
17% Popularity • 94% Danceability • 60% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
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Dream 2 Science
Dream 2 Science
119 bpm • B Maj • 04:38 • -12db
21% Popularity • 65% Danceability • 77% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
21% Popularity • 65% Danceability • 77% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Paula Tape
Body Nature
119 bpm • A Maj • 05:09 • -10.16db
24% Popularity • 75% Danceability • 79% Energy • 8% Liveness
81% Instrumentalness • 87% Positiveness
24% Popularity • 75% Danceability • 79% Energy • 8% Liveness
81% Instrumentalness • 87% Positiveness
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Linkwood
Love Lost
121 bpm • G Maj • 07:04 • -22.79db
28% Popularity • 60% Danceability • 38% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
28% Popularity • 60% Danceability • 38% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
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River Yarra
Aorsom Wislhs
121 bpm • D Maj • 05:53 • -9.27db
15% Popularity • 83% Danceability • 58% Energy • 6% Liveness
59% Instrumentalness • 64% Positiveness
15% Popularity • 83% Danceability • 58% Energy • 6% Liveness
59% Instrumentalness • 64% Positiveness
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Jack J
Something (On My Mind)
119 bpm • A min • 10:31 • -10.32db
34% Popularity • 81% Danceability • 70% Energy • 8% Liveness
93% Instrumentalness • 95% Positiveness
34% Popularity • 81% Danceability • 70% Energy • 8% Liveness
93% Instrumentalness • 95% Positiveness
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Galcher Lustwerk
Bit
119 bpm • C# Maj • 03:04 • -15db
23% Popularity • 80% Danceability • 44% Energy • 10% Liveness
9% Instrumentalness • 19% Positiveness
23% Popularity • 80% Danceability • 44% Energy • 10% Liveness
9% Instrumentalness • 19% Positiveness
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Move D
Silk Dub
121 bpm • G# Maj • 05:05 • -18.72db
31% Popularity • 80% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
31% Popularity • 80% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Theo Parrish
Heal Yourself And Move
119 bpm • G# min • 10:17 • -14db
27% Popularity • 83% Danceability • 46% Energy • 10% Liveness
79% Instrumentalness • 35% Positiveness
27% Popularity • 83% Danceability • 46% Energy • 10% Liveness
79% Instrumentalness • 35% Positiveness
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Khotin
Recycle - 5am Reflection Mix
119 bpm • C min • 08:05 • -6db
14% Popularity • 84% Danceability • 85% Energy • 10% Liveness
91% Instrumentalness • 78% Positiveness
14% Popularity • 84% Danceability • 85% Energy • 10% Liveness
91% Instrumentalness • 78% Positiveness
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Motorbass
Les Ondes
119 bpm • G min • 07:50 • -8.74db
11% Popularity • 72% Danceability • 79% Energy • 11% Liveness
39% Instrumentalness • 41% Positiveness
11% Popularity • 72% Danceability • 79% Energy • 11% Liveness
39% Instrumentalness • 41% Positiveness
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FIT Siegel
Carmine
121 bpm • A# Maj • 07:55 • -11.11db
14% Popularity • 64% Danceability • 64% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
14% Popularity • 64% Danceability • 64% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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Galcher Lustwerk
Put On
121 bpm • E min • 06:19 • -12.43db
19% Popularity • 81% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
19% Popularity • 81% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Ex-Terrestrial
Portal Vision - Kali
119 bpm • D Maj • 06:53 • -9.52db
11% Popularity • 74% Danceability • 77% Energy • 8% Liveness
79% Instrumentalness • 87% Positiveness
11% Popularity • 74% Danceability • 77% Energy • 8% Liveness
79% Instrumentalness • 87% Positiveness
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Theo Parrish
Question & Comments - Short
119 bpm • C# Maj • 06:42 • -5db
14% Popularity • 74% Danceability • 88% Energy • 3% Liveness
91% Instrumentalness • 67% Positiveness
14% Popularity • 74% Danceability • 88% Energy • 3% Liveness
91% Instrumentalness • 67% Positiveness
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Soichi Terada
Sun Showered
122 bpm • B min • 04:28 • -6.72db
23% Popularity • 67% Danceability • 81% Energy • 15% Liveness
2% Instrumentalness • 68% Positiveness
23% Popularity • 67% Danceability • 81% Energy • 15% Liveness
2% Instrumentalness • 68% Positiveness
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Sleep D
Morning Sequence
122 bpm • G Maj • 06:02 • -13.12db
15% Popularity • 66% Danceability • 54% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
15% Popularity • 66% Danceability • 54% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
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Dauwd
La Nota - Mixed
122 bpm • E Maj • 02:40 • -6.95db
34% Popularity • 75% Danceability • 78% Energy • 13% Liveness
77% Instrumentalness • 44% Positiveness
34% Popularity • 75% Danceability • 78% Energy • 13% Liveness
77% Instrumentalness • 44% Positiveness
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Chaos In The CBD
Multiverse
122 bpm • G# Maj • 05:34 • -10.66db
26% Popularity • 77% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
26% Popularity • 77% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
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Pender Street Steppers
Falling - Dub
118 bpm • F# min • 04:50 • -8.15db
13% Popularity • 80% Danceability • 80% Energy • 34% Liveness
87% Instrumentalness • 62% Positiveness
13% Popularity • 80% Danceability • 80% Energy • 34% Liveness
87% Instrumentalness • 62% Positiveness
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Logic1000
Safe In My Arms
122 bpm • F min • 03:38 • -7.29db
33% Popularity • 84% Danceability • 74% Energy • 12% Liveness
88% Instrumentalness • 50% Positiveness
33% Popularity • 84% Danceability • 74% Energy • 12% Liveness
88% Instrumentalness • 50% Positiveness
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System Olympia
Jade Stones
122 bpm • F# Maj • 04:52 • -8.68db
28% Popularity • 80% Danceability • 88% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
28% Popularity • 80% Danceability • 88% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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No Moon
Highland Spring
122 bpm • G min • 05:01 • -11.06db
28% Popularity • 59% Danceability • 61% Energy • 62% Liveness
93% Instrumentalness • 14% Positiveness
28% Popularity • 59% Danceability • 61% Energy • 62% Liveness
93% Instrumentalness • 14% Positiveness
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Space Ghost
Back to the Source
122 bpm • D min • 04:36 • -8.15db
24% Popularity • 66% Danceability • 68% Energy • 48% Liveness
79% Instrumentalness • 57% Positiveness
24% Popularity • 66% Danceability • 68% Energy • 48% Liveness
79% Instrumentalness • 57% Positiveness
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Shinichi Atobe
Heat 1
122 bpm • E min • 09:58 • -10.98db
27% Popularity • 80% Danceability • 76% Energy • 10% Liveness
94% Instrumentalness • 71% Positiveness
27% Popularity • 80% Danceability • 76% Energy • 10% Liveness
94% Instrumentalness • 71% Positiveness
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Yak
Balmora Blue
122 bpm • C# Maj • 06:50 • -9.95db
8% Popularity • 80% Danceability • 75% Energy • 8% Liveness
86% Instrumentalness • 53% Positiveness
8% Popularity • 80% Danceability • 75% Energy • 8% Liveness
86% Instrumentalness • 53% Positiveness
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Move D
Inside The Freero Dome
122 bpm • A min • 08:21 • -18.81db
20% Popularity • 79% Danceability • 23% Energy • 44% Liveness
89% Instrumentalness • 52% Positiveness
20% Popularity • 79% Danceability • 23% Energy • 44% Liveness
89% Instrumentalness • 52% Positiveness
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System Olympia
My Lincoln
122 bpm • A# Maj • 05:15 • -7.79db
26% Popularity • 56% Danceability • 78% Energy • 36% Liveness
77% Instrumentalness • 4% Positiveness
26% Popularity • 56% Danceability • 78% Energy • 36% Liveness
77% Instrumentalness • 4% Positiveness
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No Moon
Wouldn't Have It Any Other Way
122 bpm • E min • 06:25 • -9.24db
25% Popularity • 73% Danceability • 94% Energy • 6% Liveness
92% Instrumentalness • 63% Positiveness
25% Popularity • 73% Danceability • 94% Energy • 6% Liveness
92% Instrumentalness • 63% Positiveness
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Joy Orbison
in drink
122 bpm • F# min • 02:55 • -14db
42% Popularity • 80% Danceability • 50% Energy • 22% Liveness
68% Instrumentalness • 9% Positiveness
42% Popularity • 80% Danceability • 50% Energy • 22% Liveness
68% Instrumentalness • 9% Positiveness
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Anthony Naples
Goodness
118 bpm • C Maj • 02:33 • -13db
37% Popularity • 73% Danceability • 77% Energy • 24% Liveness
81% Instrumentalness • 39% Positiveness
37% Popularity • 73% Danceability • 77% Energy • 24% Liveness
81% Instrumentalness • 39% Positiveness
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Yu Su
233
122 bpm • B min • 06:02 • -11.63db
11% Popularity • 79% Danceability • 79% Energy • 16% Liveness
95% Instrumentalness • 38% Positiveness
11% Popularity • 79% Danceability • 79% Energy • 16% Liveness
95% Instrumentalness • 38% Positiveness
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Theo Parrish
Sky Walking
122 bpm • G min • 08:56 • -22.54db
22% Popularity • 70% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
22% Popularity • 70% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Axel Boman
Eyes Of My Mind
122 bpm • C Maj • 09:12 • -10.55db
32% Popularity • 45% Danceability • 82% Energy • 9% Liveness
35% Instrumentalness • 17% Positiveness
32% Popularity • 45% Danceability • 82% Energy • 9% Liveness
35% Instrumentalness • 17% Positiveness
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Eris Drew
Fluids of Emotion
122 bpm • G Maj • 05:15 • -5.32db
11% Popularity • 84% Danceability • 88% Energy • 12% Liveness
85% Instrumentalness • 67% Positiveness
11% Popularity • 84% Danceability • 88% Energy • 12% Liveness
85% Instrumentalness • 67% Positiveness
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Boundary
Las rosas en el lÃmite del noventa y oc...
118 bpm • C# Maj • 06:05 • -8.58db
25% Popularity • 59% Danceability • 90% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
25% Popularity • 59% Danceability • 90% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
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Sofia Kourtesis
WinWin San
122 bpm • F# min • 06:21 • -13.31db
10% Popularity • 62% Danceability • 81% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
10% Popularity • 62% Danceability • 81% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Octo Octa
Loops For Healing
118 bpm • F min • 05:27 • -11.84db
29% Popularity • 76% Danceability • 70% Energy • 9% Liveness
85% Instrumentalness • 64% Positiveness
29% Popularity • 76% Danceability • 70% Energy • 9% Liveness
85% Instrumentalness • 64% Positiveness
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Biodive
40 Now
118 bpm • F Maj • 04:52 • -8.16db
14% Popularity • 47% Danceability • 76% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
14% Popularity • 47% Danceability • 76% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
