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Trashy Women - Remastered Version
Songs like
Trashy Women - Remastered Version
by
Confederate Railroad
Based on a tempo of (+/- 10%) and a similar genre
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Confederate Railroad
White Trash With Money
143 bpm • E Maj • 02:59 • -9.94db
30% Popularity • 70% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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The Judds
Rockin' With The Rhythm Of The Rain
143 bpm • C Maj • 02:40 • -9db
54% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Clint Black
Walkin' Away
144 bpm • D Maj • 02:48 • -8.97db
43% Popularity • 54% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Tanya Tucker
It's A Little Too Late
142 bpm • G# Maj • 02:40 • -11.17db
41% Popularity • 57% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Blake Shelton
Hillbilly Bone
144 bpm • G Maj • 03:45 • -3.08db
52% Popularity • 61% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Currington
People Are Crazy
142 bpm • F Maj • 03:51 • -5db
68% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Confederate Railroad
Trashy Women - Remastered Version
143 bpm • A Maj • 03:14 • -7db
53% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Aaron Watson
July In Cheyenne (Song For Lane's Momma)
142 bpm • E Maj • 04:22 • -7.52db
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Sammy Kershaw
Queen Of My Double Wide Trailer
144 bpm • D Maj • 03:31 • -10db
60% Popularity • 60% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 73% Positiveness
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Brad Paisley
Alcohol
142 bpm • B Maj • 04:50 • -6db
52% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Neal McCoy
No Doubt About It
145 bpm • E Maj • 03:47 • -10db
54% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Marty Stuart
Hillbilly Rock
141 bpm • F min • 02:38 • -14.62db
46% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Confederate Railroad
Keep on Rockin'
144 bpm • G Maj • 03:18 • -8.54db
18% Popularity • 80% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Aaron Lewis
Granddaddy's Gun
145 bpm • F# Maj • 03:45 • -4.74db
51% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Charlie Robison
My Hometown
141 bpm • G Maj • 04:22 • -8.64db
51% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Diamond Rio
In a Week or Two
145 bpm • D Maj • 02:59 • -12db
37% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Travis Tritt
Take It Easy - 2006 Remaster
141 bpm • G Maj • 03:33 • -5.21db
58% Popularity • 63% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Little Texas
Kick a Little
141 bpm • E Maj • 03:44 • -7.3db
44% Popularity • 62% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
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Joe Diffie
Pickup Man
141 bpm • G Maj • 03:36 • -8.55db
64% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Ricky Skaggs
Honey (Open That Door)
140 bpm • C Maj • 03:28 • -9.64db
43% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Ronnie Milsap
Smoky Mountain Rain
140 bpm • G Maj • 03:43 • -8.62db
56% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Diamond Rio
How Your Love Makes Me Feel
141 bpm • C Maj • 04:05 • -9.29db
40% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Hank Williams III
Mississippi Mud
146 bpm • G Maj • 03:22 • -6.44db
48% Popularity • 74% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Neal McCoy
The Shake
146 bpm • A Maj • 03:33 • -5.71db
54% Popularity • 68% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Joe Diffie
Prop Me Up Beside the Jukebox (If I Die)
141 bpm • A Maj • 03:46 • -5db
53% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Sawyer Brown
Some Girls Do
140 bpm • D Maj • 03:13 • -6.41db
68% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Paycheck
Fifteen Beers
140 bpm • C Maj • 02:38 • -9.45db
45% Popularity • 69% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Conway Twitty
Rocky Top
147 bpm • G Maj • 02:48 • -12.61db
51% Popularity • 52% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Jamey Johnson
Between Jennings And Jones
147 bpm • D Maj • 04:11 • -8db
55% Popularity • 54% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Kathy Mattea
Eighteen Wheels And A Dozen Roses
139 bpm • G# Maj • 03:23 • -13.63db
56% Popularity • 65% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Ronnie Milsap
Daydreams About Night Things
139 bpm • D Maj • 02:22 • -8.98db
55% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Confederate Railroad
Don't Rock The Jukebox
148 bpm • G Maj • 02:52 • -6.23db
20% Popularity • 61% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Paycheck
She's All I Got
139 bpm • A# Maj • 02:56 • -14.76db
48% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Sammy Kershaw
Cadillac Style
138 bpm • D Maj • 02:55 • -11db
52% Popularity • 66% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Conway Twitty
Goodbye Time
147 bpm • D Maj • 03:27 • -17.39db
47% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Tracy Byrd
Lifestyles Of The Not So Rich And Famous
138 bpm • E Maj • 02:51 • -10db
45% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Clay Walker
This Woman and This Man
148 bpm • F# min • 04:22 • -9.44db
50% Popularity • 59% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Montgomery Gentry
Long Line of Losers
148 bpm • D Maj • 03:48 • -6db
45% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Collin Raye
That's My Story
138 bpm • F min • 03:02 • -4.4db
52% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Travis Tritt
Anymore
148 bpm • B Maj • 03:47 • -10.29db
55% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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BlackHawk
Goodbye Says It All
138 bpm • G# Maj • 03:24 • -9.82db
54% Popularity • 65% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Shenandoah
Darned If I Don't (Danged If I Do)
149 bpm • G# Maj • 02:29 • -7db
39% Popularity • 63% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Confederate Railroad
Tonight Is Mine
149 bpm • A Maj • 03:31 • -7.34db
2% Popularity • 58% Danceability • 87% Energy • 13% Liveness
12% Instrumentalness • 78% Positiveness
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Jo Dee Messina
Heads Carolina, Tails California
137 bpm • E Maj • 03:29 • -6.62db
70% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Patty Loveless
Blame It on Your Heart
150 bpm • G# Maj • 03:33 • -7.74db
55% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Tracy Byrd
Watermelon Crawl
137 bpm • C Maj • 03:01 • -9.32db
69% Popularity • 76% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Diamond Rio
Mirror Mirror
150 bpm • C Maj • 03:11 • -12.14db
38% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Tracy Lawrence
Can't Break It to My Heart
136 bpm • F Maj • 02:53 • -13.76db
44% Popularity • 61% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Confederate Railroad
Jesus and Mama - Remastered Version
137 bpm • B Maj • 03:21 • -8.34db
39% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Earl Thomas Conley
Somewhere Between Right and Wrong
136 bpm • A Maj • 04:08 • -10.98db
33% Popularity • 66% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Brooks & Dunn
Red Dirt Road
136 bpm • F Maj • 04:20 • -3.8db
67% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Tim McGraw
Back When
136 bpm • G Maj • 04:29 • -4.82db
36% Popularity • 60% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Faith Hill
Wild One
136 bpm • B Maj • 02:45 • -9.15db
61% Popularity • 69% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Lee
Pickin' Up Strangers
136 bpm • C Maj • 03:03 • -13db
41% Popularity • 62% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Confederate Railroad
Trashy Women
150 bpm • D Maj • 04:29 • -7.02db
6% Popularity • 63% Danceability • 89% Energy • 73% Liveness
0% Instrumentalness • 68% Positiveness
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Terri Clark
Better Things To Do
151 bpm • A# Maj • 03:08 • -5.87db
56% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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John Michael Montgomery
Life's a Dance
135 bpm • F Maj • 03:10 • -4.4db
58% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Moe Bandy
Just Good Ol' Boys
151 bpm • A# Maj • 02:38 • -14db
47% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Ronnie Milsap
Pure Love
151 bpm • D Maj • 02:21 • -8db
51% Popularity • 53% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Johnny Lee
Cherokee Fiddle
151 bpm • D Maj • 04:05 • -12.42db
41% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Trace Adkins
I Left Something Turned On At Home
151 bpm • D# Maj • 03:08 • -5.29db
55% Popularity • 62% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Confederate Railroad
Queen of Memphis - Remastered Version
151 bpm • G Maj • 03:19 • -7db
49% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Nitty Gritty Dirt Band
Cadillac Ranch
135 bpm • E Maj • 03:42 • -7.25db
50% Popularity • 65% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Brooks & Dunn
Hard Workin' Man
152 bpm • C Maj • 02:58 • -9.36db
63% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Ricochet
Daddy's Money
135 bpm • D Maj • 03:03 • -5db
58% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Daryle Singletary
Too Much Fun
152 bpm • G Maj • 02:45 • -4.64db
52% Popularity • 68% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
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Clint Black
When My Ship Comes In
134 bpm • B Maj • 03:33 • -12.04db
44% Popularity • 69% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Confederate Railroad
Long Gone
135 bpm • A Maj • 03:48 • -5.17db
23% Popularity • 63% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Jo Dee Messina
Bye-Bye
134 bpm • A# Maj • 03:20 • -3.98db
63% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Doug Stone
I'd Be Better Off (In A Pine Box)
134 bpm • A# Maj • 03:20 • -9db
48% Popularity • 50% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Eddie Rabbitt
Two Dollars in the Jukebox - 2008 Remast...
134 bpm • F Maj • 02:22 • -12.54db
50% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Vince Gill
What The Cowgirls Do
153 bpm • G min • 03:06 • -8db
42% Popularity • 63% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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The Oak Ridge Boys
Bobbie Sue
134 bpm • G Maj • 02:53 • -13db
39% Popularity • 79% Danceability • 75% Energy • 10% Liveness
4% Instrumentalness • 97% Positiveness
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Confederate Railroad
Queen Of Memphis
152 bpm • G Maj • 04:58 • -6.05db
5% Popularity • 63% Danceability • 86% Energy • 89% Liveness
0% Instrumentalness • 87% Positiveness
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Steve Holy
Brand New Girlfriend
134 bpm • D Maj • 03:40 • -3.55db
54% Popularity • 67% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Marty Stuart
Tempted
134 bpm • F Maj • 03:13 • -10.32db
48% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Brooks & Dunn
You're Gonna Miss Me When I'm Gone
134 bpm • G Maj • 04:45 • -7.38db
48% Popularity • 65% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Montgomery Gentry
Lucky Man
133 bpm • E Maj • 03:16 • -7db
55% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Clay Walker
Live Until I Die
133 bpm • D# Maj • 02:49 • -11.32db
52% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Confederate Railroad
She Treats Her Body Like A Temple
153 bpm • G Maj • 03:49 • -7.97db
20% Popularity • 60% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Travis Tritt
Help Me Hold On
154 bpm • G Maj • 04:00 • -7.18db
50% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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The Kentucky Headhunters
Spirit In The Sky
133 bpm • A Maj • 04:21 • -7.04db
46% Popularity • 48% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 66% Positiveness
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Hal Ketchum
Small Town Saturday Night
154 bpm • G# Maj • 02:57 • -6.61db
61% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Ronnie Dunn
Long Cool Woman (In a Black Dress)
133 bpm • G Maj • 03:36 • -3.16db
39% Popularity • 65% Danceability • 92% Energy • 33% Liveness
2% Instrumentalness • 78% Positiveness
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Doug Supernaw
Reno
155 bpm • F Maj • 03:32 • -13.07db
40% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Confederate Railroad
Momma Ain't Home Tonight
133 bpm • C Maj • 03:18 • -7.94db
20% Popularity • 75% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Clint Black
Nothin' But The Taillights
155 bpm • G Maj • 03:53 • -7.92db
54% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Alabama
Roll On (Eighteen Wheeler)
132 bpm • F Maj • 04:24 • -9.04db
51% Popularity • 63% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
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Tracy Lawrence
Paint Me A Birmingham
132 bpm • F# Maj • 03:48 • -9db
62% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Brooks & Dunn
Hillbilly Deluxe
155 bpm • G Maj • 04:18 • -5db
55% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
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Johnny Lee
Hey Bartender
156 bpm • D Maj • 02:43 • -13.11db
33% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Confederate Railroad
The One You Love the Most
132 bpm • A Maj • 03:07 • -6.02db
20% Popularity • 68% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Clint Black
Summer's Comin'
156 bpm • A Maj • 02:47 • -8db
47% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Tracy Byrd
Don't Take Her She's All I Got
131 bpm • A# Maj • 03:28 • -8db
55% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Clay Walker
If I Could Make a Living
156 bpm • F Maj • 02:13 • -7db
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Aaron Tippin
There Ain't Nothin' Wrong with the Radio
131 bpm • E Maj • 02:45 • -11.38db
52% Popularity • 78% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Tracy Lawrence
If the Good Die Young
156 bpm • E Maj • 02:26 • -13db
42% Popularity • 57% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Charley Pride
Kiss an Angel Good Mornin'
131 bpm • E Maj • 02:03 • -11db
62% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Brooks & Dunn
Boot Scootin' Boogie
130 bpm • B min • 03:18 • -4.3db
72% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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John Michael Montgomery
Be My Baby Tonight
157 bpm • A Maj • 02:52 • -7.96db
61% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Trashy Women - Remastered Version