Songs like Tricky Moon by George Ducas
Based on a tempo of (+/- 10%) and a similar genre
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Ricky Lynn Gregg
After The Fire Is Gone
138 bpm • A Maj • 03:04 • -11.2db
13% Popularity • 65% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 65% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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George Ducas
Tricky Moon
138 bpm • E Maj • 03:28 • -5.41db
9% Popularity • 60% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 60% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Perfect Stranger
I Ain't Never
138 bpm • B Maj • 02:42 • -8.02db
9% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Sawyer Brown
The Boys And Me
138 bpm • F Maj • 03:24 • -6.64db
32% Popularity • 68% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 68% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny Lee
'Til the Bars Burn Down
138 bpm • B Maj • 03:15 • -14.77db
10% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Brother Phelps
Mary Ann Is a Pistol
137 bpm • B Maj • 03:09 • -7.26db
8% Popularity • 66% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 66% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Clint Black
Tuckered Out
137 bpm • A Maj • 03:36 • -8.18db
26% Popularity • 53% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 53% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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Doug Supernaw
Honky Tonkin' Fool
137 bpm • E Maj • 03:14 • -13.33db
23% Popularity • 68% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 68% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Billy Yates
Choices
137 bpm • D Maj • 03:55 • -6.98db
7% Popularity • 52% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 52% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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George Ducas
Hello Cruel World
139 bpm • A Maj • 03:29 • -7.49db
18% Popularity • 60% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 60% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Steve Wariner
Heart Trouble
137 bpm • A Maj • 03:30 • -13.77db
15% Popularity • 68% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 68% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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The Desert Rose Band
She Don't Love Nobody
139 bpm • G Maj • 02:59 • -12.5db
25% Popularity • 60% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 60% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Trick Pony
Ain't Wastin' Good Whiskey On You
139 bpm • B Maj • 02:58 • -3.48db
18% Popularity • 51% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 51% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Danni Leigh
Trying To Get Over You
136 bpm • A Maj • 02:54 • -7.15db
13% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Mike Reid
I'll Stop Loving You
140 bpm • G Maj • 03:21 • -11.46db
17% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Alan Ladd
Working on My Next Broken Heart
140 bpm • E Maj • 02:52 • -4.33db
9% Popularity • 63% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 63% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Hal Ketchum
Hearts Are Gonna Roll
136 bpm • A# Maj • 03:04 • -7.78db
29% Popularity • 61% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 61% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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George Ducas
Your Song
136 bpm • C Maj • 03:30 • -6.5db
1% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
1% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Dawn Sears
Half As Much
136 bpm • A Maj • 02:54 • -11.72db
32% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Billy Yates
Daddy Had A Cardiac and Mama Got A Cadil...
140 bpm • E Maj • 03:26 • -5.4db
21% Popularity • 72% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 72% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Clint Black
Muddy Water
140 bpm • F Maj • 02:30 • -10db
30% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Danni Leigh
Shame on Me
136 bpm • F Maj • 03:01 • -5.62db
8% Popularity • 62% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 62% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Toby Keith
A Woman's Touch
135 bpm • B min • 05:35 • -7.8db
26% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Joni Harms
We Work It Out
135 bpm • A Maj • 03:03 • -4.96db
31% Popularity • 74% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 74% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Dawn Sears
Close Up the Honky Tonks
135 bpm • F Maj • 02:45 • -8.73db
33% Popularity • 64% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 64% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Charly McClain
Who's Cheatin' Who
135 bpm • C Maj • 02:14 • -11.56db
39% Popularity • 78% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 78% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Ricky Lynn Gregg
Three Nickels And A Dime
134 bpm • F# min • 02:31 • -9db
25% Popularity • 65% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 65% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Hal Ketchum
Another Day Gone
134 bpm • G Maj • 03:54 • -9.42db
16% Popularity • 62% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 62% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Toby Keith
Big Ol' Truck
141 bpm • A Maj • 03:41 • -7.18db
37% Popularity • 71% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 71% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Keith Whitley
Honky Tonk Heart
134 bpm • C Maj • 03:08 • -14.02db
27% Popularity • 71% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 71% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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George Ducas
Country Badass
134 bpm • C Maj • 03:08 • -12db
7% Popularity • 66% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 66% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Dan Seals
Big Wheels In The Moonlight
134 bpm • G Maj • 03:53 • -12.53db
40% Popularity • 69% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 69% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Little Texas
Down in the Valley
134 bpm • A Maj • 02:00 • -9.68db
22% Popularity • 64% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 64% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Pirates Of The Mississippi
People My Age
134 bpm • C# Maj • 02:46 • -9.99db
14% Popularity • 64% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 64% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Ty England
Irresistible You
134 bpm • F Maj • 03:23 • -8db
8% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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David Kersh
Things Your Daddy Wouldn't Want Us To Do
142 bpm • F Maj • 03:30 • -8.79db
12% Popularity • 67% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 67% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Heather Myles
Nashville's Gone Hollywood
143 bpm • G# Maj • 02:57 • -5.69db
30% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Clay Walker
Live Until I Die - 2014 Version
133 bpm • D# Maj • 02:49 • -5.51db
18% Popularity • 62% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 62% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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George Ducas
Teardrops
133 bpm • E Maj • 03:03 • -9db
16% Popularity • 60% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 60% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Chad Brock
Evangeline
133 bpm • A Maj • 03:50 • -6.73db
21% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Jann Browne
Excuse Me (I Think Ive Got A Heartache)
144 bpm • D Maj • 02:29 • -5.35db
13% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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David Kersh
Louisiana Country Mile
133 bpm • G Maj • 03:10 • -7db
10% Popularity • 74% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 74% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Danni Leigh
Honey I Do - Single Version
144 bpm • F min • 02:44 • -7db
12% Popularity • 58% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 58% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Jason McCoy
I'm Gonna Make Her Mine
133 bpm • G Maj • 03:18 • -7.11db
16% Popularity • 66% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 66% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Brother Phelps
Let Go
144 bpm • G Maj • 03:39 • -12db
36% Popularity • 62% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 62% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Yates
Too Country and Proud Of It
144 bpm • E Maj • 02:35 • -5.18db
14% Popularity • 68% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 68% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
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George Ducas
Unlove You
144 bpm • B Maj • 03:56 • -4.21db
4% Popularity • 46% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
4% Popularity • 46% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Hal Ketchum
She's Still In Dallas
144 bpm • E Maj • 03:17 • -3.98db
14% Popularity • 61% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 61% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 95% Positiveness
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Jann Browne
The One You Slip Around With
132 bpm • G# Maj • 02:29 • -11.36db
18% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Rodney Hayden
You Don't Talk I Don't Listen
132 bpm • G Maj • 02:26 • -4.5db
28% Popularity • 61% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 61% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Shenandoah
If Bubba Can Dance (I Can Too)
132 bpm • B Maj • 03:10 • -4.16db
27% Popularity • 62% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 62% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Billy Yates
Daddy's Radio
144 bpm • D Maj • 02:53 • -6.29db
18% Popularity • 58% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 58% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Tracy Lawrence
Runnin' Behind
145 bpm • A Maj • 02:54 • -8.1db
30% Popularity • 59% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 59% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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George Ducas
Cryin’ Time
145 bpm • A Maj • 02:20 • -3.49db
11% Popularity • 56% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 56% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Jason McCoy
Learnin' a Lot About Love
131 bpm • F# Maj • 03:37 • -8.08db
13% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Chad Brock
Unbreak My Heart
131 bpm • G Maj • 03:35 • -6.92db
12% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Eddie Rabbitt
On Second Thought
131 bpm • A Maj • 03:38 • -9db
38% Popularity • 55% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 55% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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David Lee Murphy
Every Time I Get Around You
131 bpm • D Maj • 03:26 • -11db
36% Popularity • 75% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 75% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Tracy Lawrence
My Second Home
131 bpm • E Maj • 02:44 • -12.03db
29% Popularity • 73% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 73% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Michael Peterson
Sure Feels Real Good
146 bpm • A Maj • 02:52 • -6.16db
14% Popularity • 56% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 56% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Ricky Lynn Gregg
Alright Already
130 bpm • F Maj • 02:33 • -7.24db
13% Popularity • 63% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 63% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Clint Black
Back To Back
146 bpm • F Maj • 02:43 • -9.03db
25% Popularity • 61% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 61% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Mark Collie
Keep It Up
130 bpm • C# min • 02:53 • -10.58db
10% Popularity • 71% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 71% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Becky Hobbs
Jones On The Jukebox
146 bpm • C# Maj • 02:58 • -13.93db
20% Popularity • 65% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 65% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Eddy Raven
Sooner Or Later
146 bpm • G Maj • 03:55 • -9.52db
24% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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McBride & The Ride
Felicia
130 bpm • E Maj • 03:13 • -11.19db
9% Popularity • 72% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 72% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Doug Supernaw
She Never Looks Back
130 bpm • D Maj • 02:29 • -6.89db
16% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Billy Yates
Dreaming Out Loud
130 bpm • D Maj • 03:25 • -5.79db
13% Popularity • 56% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 56% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Lee
Good Lovin' Woman Bad
130 bpm • A Maj • 02:52 • -3.22db
16% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Ty England
Two Ways to Fall
130 bpm • G Maj • 02:43 • -7.99db
9% Popularity • 66% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 66% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Heather Myles
Make A Fool Out Of Me
129 bpm • C Maj • 03:15 • -7.15db
26% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Jann Browne
My Shoes Keep Walking Back To You
129 bpm • C Maj • 02:55 • -7.21db
20% Popularity • 55% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 55% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Eddy Raven
In A Letter To You
129 bpm • C# Maj • 03:22 • -10db
34% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Mark Collie
Hard Lovin' Woman
148 bpm • E Maj • 03:19 • -8.18db
15% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Jill King
98.6
129 bpm • E Maj • 03:17 • -6.02db
12% Popularity • 69% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 69% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Jerry Kilgore
Lonesome Love List
148 bpm • A# Maj • 02:20 • -5.21db
21% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Boy Howdy
Bring On The Teardrops
148 bpm • E Maj • 03:01 • -11.85db
9% Popularity • 57% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 57% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Brady Seals
Whole Lotta Hurt
129 bpm • E Maj • 02:45 • -3.8db
13% Popularity • 72% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 72% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Danni Leigh
Longnecks, Cigarettes
148 bpm • G Maj • 02:37 • -5.23db
11% Popularity • 42% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 42% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Eddy Raven
Johnny's Got A Pistol
148 bpm • C Maj • 02:47 • -9.9db
26% Popularity • 74% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 74% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Rick Tippe
Triple Threat
148 bpm • A Maj • 03:24 • -6.18db
9% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Holly Dunn
You Really Had Me Going
128 bpm • G# Maj • 02:48 • -6.4db
25% Popularity • 70% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 70% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Jamie Richards
Last Time Till The Next Time
148 bpm • E Maj • 02:43 • -7db
13% Popularity • 42% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 42% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Foster And Lloyd
Crazy Over You
128 bpm • B min • 04:31 • -14db
29% Popularity • 68% Danceability • 53% Energy • 13% Liveness
3% Instrumentalness • 92% Positiveness
29% Popularity • 68% Danceability • 53% Energy • 13% Liveness
3% Instrumentalness • 92% Positiveness
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Ken Mellons
I Can Bring Her Back
148 bpm • G# Maj • 03:57 • -7.24db
18% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Danni Leigh
Ol' Lonesome
148 bpm • C Maj • 02:35 • -5db
26% Popularity • 56% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 56% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Shenandoah
Darned If I Don't (Danged If I Do)
149 bpm • G# Maj • 02:29 • -7db
38% Popularity • 63% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 63% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Kevin Denney
Cadillac Tears
128 bpm • D Maj • 02:58 • -5.02db
23% Popularity • 66% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 66% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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George Ducas
In No Time At All
128 bpm • A# Maj • 03:08 • -6.85db
25% Popularity • 54% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 54% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Rick Trevino
Honky Tonk Crowd
149 bpm • C# Maj • 02:45 • -10db
25% Popularity • 61% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 61% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Prairie Oyster
Only One Moon
128 bpm • G Maj • 03:05 • -5.09db
12% Popularity • 58% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 58% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Clint Black
Where Are You Now
149 bpm • F Maj • 03:09 • -12db
39% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Heather Myles
Playin' Every Honky Tonk In Town
128 bpm • D Maj • 02:39 • -5.06db
29% Popularity • 62% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 62% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Ricky Lynn Gregg
Dog House Blues
128 bpm • A Maj • 03:12 • -8.87db
11% Popularity • 67% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 67% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Doug Stone
Fourteen Minutes Old
128 bpm • E Maj • 02:53 • -7db
32% Popularity • 81% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 81% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Rick Trevino
Doctor Time
149 bpm • A# Maj • 03:04 • -8.67db
30% Popularity • 62% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 62% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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George Ducas
Amnesia
128 bpm • D Maj • 04:09 • -7.3db
0% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Doug Supernaw
Not Enough Hours in the Night
128 bpm • E Maj • 03:11 • -11db
28% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
