Songs like Tried To Love You by RARIA
Based on a tempo of (+/- 10%) and a similar genre
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MARIS
Crashland
97 bpm • C Maj • 02:42 • -5.74db
36% Popularity • 64% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 64% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Julia Wolf
Now
97 bpm • G min • 02:49 • -11.36db
32% Popularity • 72% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 72% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Isabel Wood
Peaked in High School
98 bpm • B Maj • 03:24 • -7.14db
11% Popularity • 51% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 51% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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RARIA
Tried To Love You
97 bpm • F min • 02:28 • -9.78db
5% Popularity • 71% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
5% Popularity • 71% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Kylie Muse
Heartbreak Season
98 bpm • C Maj • 03:07 • -7.41db
35% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jessica Leigh
WIRED
98 bpm • G Maj • 02:46 • -10.62db
36% Popularity • 73% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 73% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Makena
Rinse & Repeat
98 bpm • C Maj • 03:04 • -4.13db
19% Popularity • 68% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 68% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Lydia Ford
Hailee
98 bpm • G Maj • 02:12 • -6.9db
18% Popularity • 64% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 64% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
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Georgia Meek
All My Friends Need Therapy
98 bpm • C# Maj • 02:25 • -6db
24% Popularity • 81% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 81% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Cate Tomlinson
notes app apology
96 bpm • F# min • 02:57 • -8.03db
18% Popularity • 63% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 63% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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KAKI
Like I Want You
98 bpm • G# Maj • 02:13 • -6.49db
30% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Cassidy King
Matcha Tea - Remix
96 bpm • C# Maj • 02:43 • -7.32db
20% Popularity • 65% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 65% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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San Joseph
Tom Cruise
96 bpm • F min • 02:39 • -5.13db
19% Popularity • 78% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 78% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Gia Lily
28th of Never
98 bpm • A Maj • 02:44 • -9.17db
28% Popularity • 56% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 56% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Aimee Vant
Someone I Made Up
96 bpm • G# Maj • 02:34 • -11.25db
27% Popularity • 71% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 71% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Zoë Ferguson
Sober
96 bpm • C# Maj • 02:45 • -6.48db
30% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Claudia Neuser
The Greatest Story Never Told
96 bpm • C Maj • 02:47 • -5.13db
27% Popularity • 63% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 63% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Alexa Cappelli
Someone Better
96 bpm • G Maj • 02:49 • -9db
33% Popularity • 75% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 75% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sophia Gripari
Hurt People
95 bpm • C# min • 02:11 • -7.21db
28% Popularity • 81% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 81% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Gia Lily
Same Taste in Fuckboy
95 bpm • B Maj • 02:44 • -7.71db
19% Popularity • 62% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 62% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Liv Romano
tv shows
95 bpm • C# Maj • 02:46 • -7db
31% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Katelyn Tarver
Starting to Scare Me
95 bpm • E min • 03:14 • -7.45db
28% Popularity • 76% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 76% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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GRACEY
Can't Be Friends
99 bpm • G# min • 02:47 • -5db
34% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Taylor Conrod
DARKSIDE
95 bpm • B min • 03:39 • -5.56db
33% Popularity • 56% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 56% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Elle Baez
Mister Possessive
95 bpm • E min • 02:40 • -8.29db
16% Popularity • 60% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 60% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Gia Lily
Hotter Without You
95 bpm • B min • 02:08 • -8.13db
19% Popularity • 78% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 78% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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HAVEN
1st
100 bpm • D min • 03:03 • -7.51db
16% Popularity • 56% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 56% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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NIKI DEMAR
BEFORE & AFTER
94 bpm • E Maj • 03:04 • -5.42db
21% Popularity • 45% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 45% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sadie Fine
Anything But Yours
100 bpm • A min • 02:35 • -9.66db
32% Popularity • 77% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 77% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Loren Gray
Until Hell Freezes Over
100 bpm • G# min • 02:12 • -7.81db
17% Popularity • 65% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 65% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Zoya
Could Be Magic
100 bpm • C Maj • 02:18 • -6.47db
29% Popularity • 80% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 80% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Gia Lily
wait what
100 bpm • G# Maj • 02:43 • -9.72db
18% Popularity • 59% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 59% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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David Vogel
breathin
94 bpm • G# Maj • 02:47 • -8.01db
27% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Charley
Timebomb
100 bpm • A Maj • 02:51 • -5.44db
41% Popularity • 62% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 62% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Alexa Cappelli
Lose Lose
100 bpm • G Maj • 03:10 • -4.74db
33% Popularity • 70% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 70% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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ili
It's Giving...
100 bpm • D min • 03:09 • -7.71db
42% Popularity • 67% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 67% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Meg DeAngelis
Pretty When I Cry
100 bpm • D Maj • 02:54 • -6.75db
22% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Jade LeMac
There's People Watching
100 bpm • A min • 03:31 • -4.44db
34% Popularity • 59% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 59% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Riley Biederer
antisocial
100 bpm • B Maj • 02:51 • -9db
15% Popularity • 52% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 52% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Lily Kincade
missing u
100 bpm • G# Maj • 03:37 • -4.38db
8% Popularity • 64% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 64% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Sam Free
Fell in Love at 15
100 bpm • G Maj • 03:52 • -8db
9% Popularity • 66% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 66% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Brooke Daye
Crying On The Balcony
100 bpm • F# Maj • 02:22 • -4.4db
39% Popularity • 72% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 72% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Alexa Cappelli
Imposter Syndrome
100 bpm • D Maj • 02:27 • -4.7db
41% Popularity • 88% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 88% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Laura Davidson
Dime a Dozen
100 bpm • C# min • 02:34 • -4.07db
13% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Alex Coles
SOUR
100 bpm • A# Maj • 02:22 • -7.15db
29% Popularity • 63% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 63% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Alyssa Newton
Lack of Trying
100 bpm • F min • 02:36 • -7.64db
6% Popularity • 83% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
6% Popularity • 83% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Savanna Leigh
like i used to
94 bpm • A Maj • 02:35 • -5.57db
30% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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KAKI
Move On
94 bpm • C# Maj • 02:38 • -5.68db
11% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Kenzie Cates
right about me
94 bpm • D Maj • 03:07 • -8.12db
9% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Abigail Osborn
Gonna Get Over You
100 bpm • F Maj • 03:14 • -5db
19% Popularity • 68% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 68% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Zia Victoria
'05 Baby
94 bpm • A# Maj • 02:42 • -5.07db
12% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Meg DeAngelis
Exes and Why's
94 bpm • F Maj • 02:25 • -7.33db
33% Popularity • 86% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 86% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Kylie Muse
Timeline
101 bpm • G# Maj • 02:46 • -7.99db
41% Popularity • 78% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 78% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Lily Kincade
Sentimental
101 bpm • B min • 02:48 • -7.3db
17% Popularity • 62% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 62% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Brynn Cartelli
Running In Place
101 bpm • G Maj • 02:40 • -6.52db
43% Popularity • 71% Danceability • 80% Energy • 50% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 71% Danceability • 80% Energy • 50% Liveness
0% Instrumentalness • 63% Positiveness
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FLAVIA
Lost Boys
101 bpm • F Maj • 03:10 • -5.65db
11% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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YZMN
Blue Eyed Boys
101 bpm • F# min • 03:25 • -8.85db
16% Popularity • 72% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 72% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Zoya
One Way
93 bpm • A Maj • 01:45 • -7.8db
19% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Alex Coles
Nights Like These
93 bpm • E Maj • 02:52 • -9.06db
26% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Kayla DiVenere
Date Myself
93 bpm • C Maj • 02:37 • -6.56db
34% Popularity • 64% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 64% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Jack Price
lexapro
93 bpm • B min • 02:43 • -5.07db
15% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Jayde
nevermind
93 bpm • D Maj • 02:14 • -7.26db
24% Popularity • 66% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 66% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Lili-Ann De Francesco
heartless
102 bpm • A min • 02:53 • -4.66db
19% Popularity • 65% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 65% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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OSTON
Hot
102 bpm • C# Maj • 03:13 • -6.16db
27% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Deux Twins
Only Dance We Get
102 bpm • C# Maj • 02:18 • -6.41db
34% Popularity • 68% Danceability • 74% Energy • 22% Liveness
1% Instrumentalness • 27% Positiveness
34% Popularity • 68% Danceability • 74% Energy • 22% Liveness
1% Instrumentalness • 27% Positiveness
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Saibh Skelly
Superficial
102 bpm • A# Maj • 02:26 • -5db
15% Popularity • 74% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 74% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Cate
One Hit Wonder
102 bpm • E Maj • 03:26 • -4.6db
31% Popularity • 62% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 62% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Genes
Flirt
102 bpm • C# min • 02:32 • -6.25db
13% Popularity • 69% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 69% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Ashley Mehta
I Wish I Didn't Love You
102 bpm • F Maj • 03:09 • -4.71db
27% Popularity • 67% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 67% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Violet Skies
What If One Of Us Died?
102 bpm • F# Maj • 03:11 • -10.12db
7% Popularity • 71% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 71% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Mimi Webb
See You Soon
92 bpm • F# min • 02:38 • -3.88db
31% Popularity • 66% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 66% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Sophia Angeles
OUCH!
92 bpm • F# Maj • 01:41 • -6.95db
25% Popularity • 74% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 74% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Lucy Deakin
THE WORLD'S SO FUCKED
92 bpm • E Maj • 02:33 • -4.1db
14% Popularity • 57% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 57% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Ellee Duke
People Pleaser
92 bpm • D Maj • 02:28 • -4.08db
28% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Heather Sommer
my mind makes me
92 bpm • C# Maj • 02:39 • -5.21db
37% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Kayla Grace
plasticine
92 bpm • C# Maj • 01:02 • -10.55db
4% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
4% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Ines Rae
Burner Phone
92 bpm • C# Maj • 02:44 • -8.8db
15% Popularity • 57% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 57% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Bailey Bryan
RIP
103 bpm • B Maj • 02:57 • -4.61db
22% Popularity • 72% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 72% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Brynn Cartelli
Beginning of the End
103 bpm • C Maj • 02:57 • -5.72db
40% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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SAPPHIRE
corvette
103 bpm • C min • 03:31 • -6.82db
21% Popularity • 65% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 65% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jade LeMac
Last Day on Earth
91 bpm • G min • 02:39 • -4.25db
38% Popularity • 62% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 62% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 49% Positiveness
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Frawley
Middle Of Nowhere
103 bpm • E Maj • 02:33 • -6db
45% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ines Rae
Parma Violets
91 bpm • C# Maj • 03:06 • -8.27db
16% Popularity • 60% Danceability • 55% Energy • 26% Liveness
1% Instrumentalness • 26% Positiveness
16% Popularity • 60% Danceability • 55% Energy • 26% Liveness
1% Instrumentalness • 26% Positiveness
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Caroline Dare
M.I.A.
91 bpm • G# Maj • 02:38 • -5.48db
23% Popularity • 69% Danceability • 82% Energy • 66% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 69% Danceability • 82% Energy • 66% Liveness
0% Instrumentalness • 43% Positiveness
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Jaira Burns
Over You
104 bpm • C Maj • 03:16 • -7.22db
28% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Ellee Duke
Anti Aging
91 bpm • D Maj • 02:45 • -6.83db
30% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Zolita
Grave
104 bpm • F# min • 02:32 • -6.42db
30% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Bailey Bryan
IYKYK
104 bpm • B Maj • 03:06 • -6.27db
29% Popularity • 77% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 77% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Sam DeRosa
After the Tears Dry
104 bpm • E Maj • 02:37 • -5.22db
22% Popularity • 73% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 73% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Kylie Muse
Instead
90 bpm • E Maj • 02:37 • -7.23db
35% Popularity • 62% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 62% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jaira Burns
Next To You
104 bpm • D Maj • 01:54 • -5.38db
35% Popularity • 84% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 84% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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VIBI
Rain In California
104 bpm • C min • 02:28 • -9.72db
14% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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RARIA
Break Up With Her
104 bpm • D# Maj • 02:58 • -5.92db
13% Popularity • 52% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 52% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Annie Omalley
willshemakeitout?
90 bpm • G# Maj • 02:04 • -8.16db
14% Popularity • 70% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 70% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Ally Barron
Never Admit
90 bpm • E Maj • 02:56 • -6.08db
22% Popularity • 65% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 65% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Daisy Guttridge
Tell All My Friends
90 bpm • F Maj • 02:42 • -8.28db
19% Popularity • 73% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 73% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Erica Padilla
PROBLEMATIC
90 bpm • G Maj • 02:29 • -7.21db
36% Popularity • 62% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
36% Popularity • 62% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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Sadie Fine
Somebody Like You
90 bpm • G# min • 02:37 • -9db
34% Popularity • 71% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 71% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
