Songs like Trio Para Enamorados (Trio for Lovers) by Global Village Players
Based on a tempo of (+/- 10%) and a similar genre
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Los Flamencos
Sólamente una Vez, Bolero
104 bpm • D# Maj • 02:32 • -8db
35% Popularity • 84% Danceability • 46% Energy • 10% Liveness
68% Instrumentalness • 85% Positiveness
35% Popularity • 84% Danceability • 46% Energy • 10% Liveness
68% Instrumentalness • 85% Positiveness
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Global Village Players
Trio Para Enamorados (Trio for Lovers)
104 bpm • G Maj • 02:11 • -9.76db
43% Popularity • 73% Danceability • 49% Energy • 8% Liveness
76% Instrumentalness • 52% Positiveness
43% Popularity • 73% Danceability • 49% Energy • 8% Liveness
76% Instrumentalness • 52% Positiveness
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Ramon Solé
Acércate Más
104 bpm • D Maj • 02:38 • -9db
24% Popularity • 74% Danceability • 60% Energy • 32% Liveness
87% Instrumentalness • 85% Positiveness
24% Popularity • 74% Danceability • 60% Energy • 32% Liveness
87% Instrumentalness • 85% Positiveness
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Italian Mandolin Torna A Surriento
Santa Lucia
104 bpm • G Maj • 01:06 • -12.28db
47% Popularity • 46% Danceability • 36% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
47% Popularity • 46% Danceability • 36% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
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Worldwide Harmonics
Eclipse
104 bpm • A min • 02:50 • -10.48db
42% Popularity • 68% Danceability • 57% Energy • 14% Liveness
92% Instrumentalness • 68% Positiveness
42% Popularity • 68% Danceability • 57% Energy • 14% Liveness
92% Instrumentalness • 68% Positiveness
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MelodÃas Mágicas
La Sombra de Tu Sonrisa
104 bpm • D min • 02:41 • -17db
46% Popularity • 54% Danceability • 22% Energy • 26% Liveness
81% Instrumentalness • 26% Positiveness
46% Popularity • 54% Danceability • 22% Energy • 26% Liveness
81% Instrumentalness • 26% Positiveness
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Ricao
Las Dos Guitarras
104 bpm • E Maj • 02:24 • -11.18db
48% Popularity • 64% Danceability • 61% Energy • 22% Liveness
76% Instrumentalness • 93% Positiveness
48% Popularity • 64% Danceability • 61% Energy • 22% Liveness
76% Instrumentalness • 93% Positiveness
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Global Village Players
Aflame in Andalusia
104 bpm • B min • 02:03 • -10.49db
6% Popularity • 62% Danceability • 50% Energy • 11% Liveness
90% Instrumentalness • 76% Positiveness
6% Popularity • 62% Danceability • 50% Energy • 11% Liveness
90% Instrumentalness • 76% Positiveness
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Andres Fernandez Amador
La Gata
105 bpm • C Maj • 02:00 • -10.1db
45% Popularity • 66% Danceability • 57% Energy • 9% Liveness
92% Instrumentalness • 88% Positiveness
45% Popularity • 66% Danceability • 57% Energy • 9% Liveness
92% Instrumentalness • 88% Positiveness
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Henry Salomon y su Orquesta
La Playa
103 bpm • D min • 02:43 • -15db
47% Popularity • 67% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
47% Popularity • 67% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
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Orquestra Românticos de Cuba
Angelitos Negros / Señora
105 bpm • C Maj • 03:38 • -5.58db
38% Popularity • 30% Danceability • 53% Energy • 12% Liveness
84% Instrumentalness • 50% Positiveness
38% Popularity • 30% Danceability • 53% Energy • 12% Liveness
84% Instrumentalness • 50% Positiveness
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Francisco Garcia
Ti Amo
103 bpm • A Maj • 03:04 • -18.42db
28% Popularity • 65% Danceability • 39% Energy • 8% Liveness
90% Instrumentalness • 86% Positiveness
28% Popularity • 65% Danceability • 39% Energy • 8% Liveness
90% Instrumentalness • 86% Positiveness
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Juan Del Rio
La Paloma
105 bpm • G Maj • 03:50 • -17.63db
24% Popularity • 75% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 50% Positiveness
24% Popularity • 75% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 50% Positiveness
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Global Village Players
Noches Españolas
104 bpm • B Maj • 02:06 • -12.55db
1% Popularity • 74% Danceability • 64% Energy • 19% Liveness
73% Instrumentalness • 32% Positiveness
1% Popularity • 74% Danceability • 64% Energy • 19% Liveness
73% Instrumentalness • 32% Positiveness
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Piano Marico
Cuando Vuelva a Tu Lado AsÃ
105 bpm • C Maj • 05:00 • -12.12db
39% Popularity • 41% Danceability • 40% Energy • 15% Liveness
82% Instrumentalness • 74% Positiveness
39% Popularity • 41% Danceability • 40% Energy • 15% Liveness
82% Instrumentalness • 74% Positiveness
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Cantovano and His Orchestra
Perfidia
103 bpm • C Maj • 03:06 • -7db
35% Popularity • 73% Danceability • 58% Energy • 16% Liveness
95% Instrumentalness • 81% Positiveness
35% Popularity • 73% Danceability • 58% Energy • 16% Liveness
95% Instrumentalness • 81% Positiveness
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Orquestra Românticos de Cuba
Duas Guitarras / Olhos Negros
105 bpm • D min • 02:53 • -5db
43% Popularity • 49% Danceability • 62% Energy • 17% Liveness
73% Instrumentalness • 54% Positiveness
43% Popularity • 49% Danceability • 62% Energy • 17% Liveness
73% Instrumentalness • 54% Positiveness
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Novamenco
Mood for Love
103 bpm • G min • 04:16 • -9db
35% Popularity • 56% Danceability • 81% Energy • 12% Liveness
90% Instrumentalness • 90% Positiveness
35% Popularity • 56% Danceability • 81% Energy • 12% Liveness
90% Instrumentalness • 90% Positiveness
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Guitarra Azul
El Jardin
105 bpm • F# min • 03:43 • -8.89db
34% Popularity • 81% Danceability • 37% Energy • 30% Liveness
44% Instrumentalness • 56% Positiveness
34% Popularity • 81% Danceability • 37% Energy • 30% Liveness
44% Instrumentalness • 56% Positiveness
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Adrian Perticone
Mañana De Carnaval
105 bpm • D min • 03:20 • -15.62db
39% Popularity • 70% Danceability • 28% Energy • 15% Liveness
55% Instrumentalness • 56% Positiveness
39% Popularity • 70% Danceability • 28% Energy • 15% Liveness
55% Instrumentalness • 56% Positiveness
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Orquesta de Mexico de Pedro Mendoza
Medley Lara ( Veracruz, Mujer, Solamente...
105 bpm • A# Maj • 06:47 • -11db
24% Popularity • 54% Danceability • 37% Energy • 8% Liveness
84% Instrumentalness • 51% Positiveness
24% Popularity • 54% Danceability • 37% Energy • 8% Liveness
84% Instrumentalness • 51% Positiveness
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Santi Caballero y Su Saxo de Oro
Something Stupid, Instrumental Sax
103 bpm • D Maj • 02:38 • -7.14db
34% Popularity • 52% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
34% Popularity • 52% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
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Manuel Olivera Almada
Recuerdos De Ipacarai
105 bpm • D Maj • 03:07 • -11db
44% Popularity • 82% Danceability • 51% Energy • 17% Liveness
92% Instrumentalness • 95% Positiveness
44% Popularity • 82% Danceability • 51% Energy • 17% Liveness
92% Instrumentalness • 95% Positiveness
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Francisco Garcia
Non Ho L'Ete Per Amarti
106 bpm • A Maj • 03:03 • -19.19db
32% Popularity • 63% Danceability • 27% Energy • 20% Liveness
94% Instrumentalness • 55% Positiveness
32% Popularity • 63% Danceability • 27% Energy • 20% Liveness
94% Instrumentalness • 55% Positiveness
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Alex Fox
The Godfather
102 bpm • A min • 03:55 • -14.29db
18% Popularity • 40% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
18% Popularity • 40% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
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Piano Marico
At All Times
106 bpm • F# Maj • 02:33 • -23.38db
28% Popularity • 66% Danceability • 20% Energy • 47% Liveness
90% Instrumentalness • 21% Positiveness
28% Popularity • 66% Danceability • 20% Energy • 47% Liveness
90% Instrumentalness • 21% Positiveness
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Jim Stubblefield
Armadillo
102 bpm • A min • 03:05 • -10db
39% Popularity • 69% Danceability • 60% Energy • 14% Liveness
90% Instrumentalness • 85% Positiveness
39% Popularity • 69% Danceability • 60% Energy • 14% Liveness
90% Instrumentalness • 85% Positiveness
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Guitarra Azul
Solamente Uno
106 bpm • A# min • 03:51 • -9.24db
43% Popularity • 77% Danceability • 39% Energy • 34% Liveness
81% Instrumentalness • 62% Positiveness
43% Popularity • 77% Danceability • 39% Energy • 34% Liveness
81% Instrumentalness • 62% Positiveness
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Grupo Macarena
Soleil
102 bpm • G Maj • 04:36 • -15db
45% Popularity • 56% Danceability • 57% Energy • 12% Liveness
94% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 57% Energy • 12% Liveness
94% Instrumentalness • 74% Positiveness
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Francisco Garcia
Una Lacrima Sul Viso
106 bpm • C Maj • 02:21 • -19db
36% Popularity • 63% Danceability • 27% Energy • 22% Liveness
96% Instrumentalness • 56% Positiveness
36% Popularity • 63% Danceability • 27% Energy • 22% Liveness
96% Instrumentalness • 56% Positiveness
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MelodÃas Mágicas
Los Ojos Negros
106 bpm • D min • 02:59 • -14.41db
44% Popularity • 36% Danceability • 39% Energy • 13% Liveness
79% Instrumentalness • 49% Positiveness
44% Popularity • 36% Danceability • 39% Energy • 13% Liveness
79% Instrumentalness • 49% Positiveness
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Piano Marico
Parece Que Fue Ayer
106 bpm • G Maj • 03:32 • -12db
48% Popularity • 49% Danceability • 43% Energy • 9% Liveness
34% Instrumentalness • 62% Positiveness
48% Popularity • 49% Danceability • 43% Energy • 9% Liveness
34% Instrumentalness • 62% Positiveness
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Ramon Solé
Historia de un Amor
106 bpm • E min • 03:18 • -6.58db
19% Popularity • 63% Danceability • 73% Energy • 55% Liveness
45% Instrumentalness • 52% Positiveness
19% Popularity • 63% Danceability • 73% Energy • 55% Liveness
45% Instrumentalness • 52% Positiveness
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Cantovano and His Orchestra
Historia de un Amor
106 bpm • G min • 02:46 • -6db
33% Popularity • 70% Danceability • 76% Energy • 12% Liveness
80% Instrumentalness • 71% Positiveness
33% Popularity • 70% Danceability • 76% Energy • 12% Liveness
80% Instrumentalness • 71% Positiveness
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Guitarra Azul
Mariposa
106 bpm • C# min • 05:20 • -9db
36% Popularity • 64% Danceability • 46% Energy • 13% Liveness
60% Instrumentalness • 53% Positiveness
36% Popularity • 64% Danceability • 46% Energy • 13% Liveness
60% Instrumentalness • 53% Positiveness
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Pavlo
Mediterranean Eyes
102 bpm • G min • 04:18 • -8db
31% Popularity • 82% Danceability • 49% Energy • 7% Liveness
4% Instrumentalness • 78% Positiveness
31% Popularity • 82% Danceability • 49% Energy • 7% Liveness
4% Instrumentalness • 78% Positiveness
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Global Village Players
Uplifting Spirit
102 bpm • G# min • 02:53 • -9.66db
29% Popularity • 66% Danceability • 73% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
29% Popularity • 66% Danceability • 73% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
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Worldwide Harmonics
Brazillian Arts
106 bpm • E min • 03:32 • -11.49db
17% Popularity • 69% Danceability • 47% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
17% Popularity • 69% Danceability • 47% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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Al Caiola
De Nina a Mujer
102 bpm • F Maj • 03:34 • -20.89db
26% Popularity • 50% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
26% Popularity • 50% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Tony Mottola y Su Orquesta
Roman Guitar
106 bpm • A Maj • 03:35 • -13.61db
32% Popularity • 48% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
32% Popularity • 48% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
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Guitarra Azul
Tears in the Rain
102 bpm • F# min • 05:44 • -11db
29% Popularity • 88% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
29% Popularity • 88% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
O Sole Mio
102 bpm • D Maj • 03:11 • -11.23db
29% Popularity • 19% Danceability • 56% Energy • 12% Liveness
85% Instrumentalness • 34% Positiveness
29% Popularity • 19% Danceability • 56% Energy • 12% Liveness
85% Instrumentalness • 34% Positiveness
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Stanley Black
Extraños en el Paraiso
107 bpm • F Maj • 03:02 • -18.11db
27% Popularity • 67% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 49% Positiveness
27% Popularity • 67% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 49% Positiveness
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Orquestra Românticos de Cuba
Perdono Pero no Olvido / Donde Estara Mi...
107 bpm • F min • 02:31 • -5db
42% Popularity • 39% Danceability • 68% Energy • 34% Liveness
75% Instrumentalness • 32% Positiveness
42% Popularity • 39% Danceability • 68% Energy • 34% Liveness
75% Instrumentalness • 32% Positiveness
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Léandre Porcher Orchestra
La Mer
107 bpm • G Maj • 02:00 • -12.51db
46% Popularity • 34% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 34% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Ramon Solé
Quizás, Quizás, Quizás
107 bpm • A min • 02:57 • -4.98db
20% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Guitarra Azul
Senorita
102 bpm • F Maj • 05:20 • -8db
30% Popularity • 71% Danceability • 73% Energy • 12% Liveness
88% Instrumentalness • 76% Positiveness
30% Popularity • 71% Danceability • 73% Energy • 12% Liveness
88% Instrumentalness • 76% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Maybe Tomorrow
101 bpm • B min • 04:39 • -15.8db
14% Popularity • 61% Danceability • 34% Energy • 94% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 61% Danceability • 34% Energy • 94% Liveness
0% Instrumentalness • 51% Positiveness
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Juan Del Rio
Recuerdos De La Alhambra
107 bpm • A Maj • 03:39 • -15.71db
17% Popularity • 75% Danceability • 25% Energy • 14% Liveness
88% Instrumentalness • 45% Positiveness
17% Popularity • 75% Danceability • 25% Energy • 14% Liveness
88% Instrumentalness • 45% Positiveness
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Alex Fox
To The Gypsies
107 bpm • A min • 05:05 • -9db
31% Popularity • 73% Danceability • 81% Energy • 8% Liveness
94% Instrumentalness • 89% Positiveness
31% Popularity • 73% Danceability • 81% Energy • 8% Liveness
94% Instrumentalness • 89% Positiveness
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Paul Latin
El Gato Que Está Triste Y Azul
107 bpm • F Maj • 04:17 • -9.35db
19% Popularity • 70% Danceability • 42% Energy • 21% Liveness
67% Instrumentalness • 54% Positiveness
19% Popularity • 70% Danceability • 42% Energy • 21% Liveness
67% Instrumentalness • 54% Positiveness
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Sergio Ortiz
Algo para Recordar
101 bpm • F Maj • 03:05 • -19db
47% Popularity • 30% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
47% Popularity • 30% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Guitarra Azul
Milagros
101 bpm • C Maj • 05:02 • -6.99db
32% Popularity • 76% Danceability • 76% Energy • 21% Liveness
88% Instrumentalness • 75% Positiveness
32% Popularity • 76% Danceability • 76% Energy • 21% Liveness
88% Instrumentalness • 75% Positiveness
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MelodÃas Mágicas
Mañana de Carnaval
107 bpm • G min • 02:50 • -15db
45% Popularity • 64% Danceability • 21% Energy • 6% Liveness
76% Instrumentalness • 36% Positiveness
45% Popularity • 64% Danceability • 21% Energy • 6% Liveness
76% Instrumentalness • 36% Positiveness
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Bernard Marly
La vie en rose
101 bpm • D Maj • 02:24 • -8.34db
29% Popularity • 61% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
29% Popularity • 61% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
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Kike Fernández
Arráncame La Vida
100 bpm • C min • 02:48 • -9.79db
25% Popularity • 50% Danceability • 43% Energy • 11% Liveness
76% Instrumentalness • 48% Positiveness
25% Popularity • 50% Danceability • 43% Energy • 11% Liveness
76% Instrumentalness • 48% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
All Night
100 bpm • C Maj • 04:54 • -20.06db
23% Popularity • 31% Danceability • 31% Energy • 94% Liveness
38% Instrumentalness • 34% Positiveness
23% Popularity • 31% Danceability • 31% Energy • 94% Liveness
38% Instrumentalness • 34% Positiveness
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Global Village Players
The Flamenco Flame
100 bpm • F# min • 02:07 • -10.5db
1% Popularity • 71% Danceability • 56% Energy • 18% Liveness
40% Instrumentalness • 72% Positiveness
1% Popularity • 71% Danceability • 56% Energy • 18% Liveness
40% Instrumentalness • 72% Positiveness
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La Orquesta Más Chica Del Mundo
Tres Palabras / Bésame Mucho
100 bpm • A min • 03:18 • -12db
23% Popularity • 79% Danceability • 33% Energy • 12% Liveness
87% Instrumentalness • 60% Positiveness
23% Popularity • 79% Danceability • 33% Energy • 12% Liveness
87% Instrumentalness • 60% Positiveness
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Daniel Colin
L'amour en bleu
108 bpm • D Maj • 03:22 • -14.62db
30% Popularity • 53% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 53% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Luis Siu Riveron
Y Volvere - Instrumental
108 bpm • A min • 02:55 • -13.21db
40% Popularity • 58% Danceability • 34% Energy • 9% Liveness
93% Instrumentalness • 65% Positiveness
40% Popularity • 58% Danceability • 34% Energy • 9% Liveness
93% Instrumentalness • 65% Positiveness
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Pierre Charlon
Sound of Music
108 bpm • C# Maj • 03:14 • -15.22db
31% Popularity • 26% Danceability • 23% Energy • 22% Liveness
78% Instrumentalness • 14% Positiveness
31% Popularity • 26% Danceability • 23% Energy • 22% Liveness
78% Instrumentalness • 14% Positiveness
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Luis Villegas
A Dios
108 bpm • A min • 03:11 • -8db
37% Popularity • 69% Danceability • 89% Energy • 11% Liveness
85% Instrumentalness • 94% Positiveness
37% Popularity • 69% Danceability • 89% Energy • 11% Liveness
85% Instrumentalness • 94% Positiveness
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Juan Del Rio
Malagueña Salerosa
100 bpm • E min • 03:39 • -11db
25% Popularity • 72% Danceability • 51% Energy • 13% Liveness
86% Instrumentalness • 48% Positiveness
25% Popularity • 72% Danceability • 51% Energy • 13% Liveness
86% Instrumentalness • 48% Positiveness
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Young & Rollins
Spanish Nights
108 bpm • D min • 04:57 • -9db
43% Popularity • 78% Danceability • 46% Energy • 18% Liveness
88% Instrumentalness • 53% Positiveness
43% Popularity • 78% Danceability • 46% Energy • 18% Liveness
88% Instrumentalness • 53% Positiveness
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Tierra Negra
Place Du Forum
100 bpm • E min • 03:01 • -7.59db
35% Popularity • 59% Danceability • 97% Energy • 24% Liveness
84% Instrumentalness • 83% Positiveness
35% Popularity • 59% Danceability • 97% Energy • 24% Liveness
84% Instrumentalness • 83% Positiveness
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Luis Siu Riveron
Estrellita - Instrumental
108 bpm • C Maj • 02:33 • -14.71db
39% Popularity • 63% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 87% Positiveness
39% Popularity • 63% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 87% Positiveness
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Orquestra Românticos de Cuba
Abrazame Asi / Inutilmente
100 bpm • F Maj • 02:49 • -5db
43% Popularity • 36% Danceability • 68% Energy • 18% Liveness
90% Instrumentalness • 50% Positiveness
43% Popularity • 36% Danceability • 68% Energy • 18% Liveness
90% Instrumentalness • 50% Positiveness
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Eddie Fernandez Quintet
Noche de Ronda
100 bpm • D Maj • 03:42 • -10.82db
29% Popularity • 70% Danceability • 55% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
29% Popularity • 70% Danceability • 55% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
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Pete Seeger
Guantanamera
100 bpm • F Maj • 02:48 • -11.16db
19% Popularity • 74% Danceability • 45% Energy • 20% Liveness
1% Instrumentalness • 66% Positiveness
19% Popularity • 74% Danceability • 45% Energy • 20% Liveness
1% Instrumentalness • 66% Positiveness
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Camilo Orozco
Júrame
100 bpm • D Maj • 02:35 • -5.66db
41% Popularity • 66% Danceability • 73% Energy • 32% Liveness
80% Instrumentalness • 24% Positiveness
41% Popularity • 66% Danceability • 73% Energy • 32% Liveness
80% Instrumentalness • 24% Positiveness
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Kike Fernández
Las Cuarenta
100 bpm • D min • 03:03 • -11.89db
26% Popularity • 57% Danceability • 41% Energy • 20% Liveness
95% Instrumentalness • 66% Positiveness
26% Popularity • 57% Danceability • 41% Energy • 20% Liveness
95% Instrumentalness • 66% Positiveness
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Global Village Players
Espana Enamorada
100 bpm • D Maj • 02:10 • -13.54db
4% Popularity • 70% Danceability • 62% Energy • 11% Liveness
80% Instrumentalness • 53% Positiveness
4% Popularity • 70% Danceability • 62% Energy • 11% Liveness
80% Instrumentalness • 53% Positiveness
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Creol
Olympics Olimpia (A. GÃ bor Szucs)
100 bpm • F# min • 03:01 • -13.63db
27% Popularity • 73% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 90% Positiveness
27% Popularity • 73% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 90% Positiveness
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Eddie Fernandez Quintet
Solamente una Vez
100 bpm • C Maj • 02:49 • -11.59db
26% Popularity • 70% Danceability • 51% Energy • 11% Liveness
88% Instrumentalness • 89% Positiveness
26% Popularity • 70% Danceability • 51% Energy • 11% Liveness
88% Instrumentalness • 89% Positiveness
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Santos Bonacci
AlegrÃa
100 bpm • A Maj • 03:39 • -14.44db
26% Popularity • 69% Danceability • 54% Energy • 12% Liveness
97% Instrumentalness • 92% Positiveness
26% Popularity • 69% Danceability • 54% Energy • 12% Liveness
97% Instrumentalness • 92% Positiveness
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Paul Latin
Entre Dos Aguas
100 bpm • E min • 02:45 • -10db
23% Popularity • 72% Danceability • 81% Energy • 5% Liveness
88% Instrumentalness • 44% Positiveness
23% Popularity • 72% Danceability • 81% Energy • 5% Liveness
88% Instrumentalness • 44% Positiveness
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Juan Del Rio
Maria Elena
100 bpm • C Maj • 02:49 • -17.74db
17% Popularity • 64% Danceability • 23% Energy • 14% Liveness
86% Instrumentalness • 65% Positiveness
17% Popularity • 64% Danceability • 23% Energy • 14% Liveness
86% Instrumentalness • 65% Positiveness
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Global Village Players
Funshine
100 bpm • G Maj • 01:44 • -8.16db
5% Popularity • 70% Danceability • 44% Energy • 8% Liveness
90% Instrumentalness • 89% Positiveness
5% Popularity • 70% Danceability • 44% Energy • 8% Liveness
90% Instrumentalness • 89% Positiveness
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George Saxon
Sabor a Mi
100 bpm • B min • 02:40 • -10db
29% Popularity • 80% Danceability • 48% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
29% Popularity • 80% Danceability • 48% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
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The Gino Marinello Orchestra
Theme from ''A Summerplace''
100 bpm • A# Maj • 02:44 • -14.59db
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
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Discovey Light Orchestra
Angelica
100 bpm • C Maj • 03:02 • -13db
52% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
52% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Paul Latin
Un Ramito De Violetas
100 bpm • A min • 04:07 • -9db
19% Popularity • 70% Danceability • 45% Energy • 17% Liveness
86% Instrumentalness • 69% Positiveness
19% Popularity • 70% Danceability • 45% Energy • 17% Liveness
86% Instrumentalness • 69% Positiveness
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Pierre Charlon
Monalisa
108 bpm • G Maj • 02:47 • -16.2db
38% Popularity • 53% Danceability • 22% Energy • 9% Liveness
62% Instrumentalness • 55% Positiveness
38% Popularity • 53% Danceability • 22% Energy • 9% Liveness
62% Instrumentalness • 55% Positiveness
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Global Village Players
African Plains
100 bpm • F Maj • 02:04 • -10.18db
3% Popularity • 71% Danceability • 76% Energy • 11% Liveness
74% Instrumentalness • 77% Positiveness
3% Popularity • 71% Danceability • 76% Energy • 11% Liveness
74% Instrumentalness • 77% Positiveness
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Carlos Romero
Tú Me Acostumbraste / Llegaste Tarde /
100 bpm • C Maj • 02:52 • -18db
34% Popularity • 76% Danceability • 26% Energy • 7% Liveness
74% Instrumentalness • 83% Positiveness
34% Popularity • 76% Danceability • 26% Energy • 7% Liveness
74% Instrumentalness • 83% Positiveness
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MelodÃas Mágicas
Pigalle
109 bpm • C Maj • 02:19 • -13.21db
50% Popularity • 69% Danceability • 41% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
50% Popularity • 69% Danceability • 41% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
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Orquestra Românticos de Cuba
Amor, Amor, Amor / Quiereme Mucho
99 bpm • D Maj • 03:33 • -6db
35% Popularity • 20% Danceability • 50% Energy • 42% Liveness
82% Instrumentalness • 13% Positiveness
35% Popularity • 20% Danceability • 50% Energy • 42% Liveness
82% Instrumentalness • 13% Positiveness
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Paul Latin
Amapola
100 bpm • E Maj • 02:02 • -11.46db
30% Popularity • 83% Danceability • 67% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
30% Popularity • 83% Danceability • 67% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
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Carlos Velasco
Puente Sobre el Rio Kwai
109 bpm • C Maj • 03:09 • -9db
48% Popularity • 73% Danceability • 54% Energy • 12% Liveness
90% Instrumentalness • 69% Positiveness
48% Popularity • 73% Danceability • 54% Energy • 12% Liveness
90% Instrumentalness • 69% Positiveness
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Global Village Players
Gardens of Seville
108 bpm • C Maj • 01:10 • -9.44db
42% Popularity • 73% Danceability • 45% Energy • 10% Liveness
64% Instrumentalness • 90% Positiveness
42% Popularity • 73% Danceability • 45% Energy • 10% Liveness
64% Instrumentalness • 90% Positiveness
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Italian Mandolin Torna A Surriento
Come Back to Sorrento
99 bpm • C Maj • 02:05 • -11.11db
45% Popularity • 41% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 50% Positiveness
45% Popularity • 41% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 50% Positiveness
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MelodÃas Mágicas
Maria Elena
100 bpm • G min • 02:38 • -14db
51% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
51% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
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El Niño de la Guitarra
Unchained Melody
99 bpm • C Maj • 03:40 • -6.63db
30% Popularity • 69% Danceability • 46% Energy • 9% Liveness
22% Instrumentalness • 39% Positiveness
30% Popularity • 69% Danceability • 46% Energy • 9% Liveness
22% Instrumentalness • 39% Positiveness
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Paul Latin
Quién Será
108 bpm • D min • 02:32 • -10.43db
28% Popularity • 63% Danceability • 41% Energy • 12% Liveness
79% Instrumentalness • 61% Positiveness
28% Popularity • 63% Danceability • 41% Energy • 12% Liveness
79% Instrumentalness • 61% Positiveness
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Alex Fox
Sambada
99 bpm • A min • 04:00 • -12.92db
15% Popularity • 49% Danceability • 62% Energy • 14% Liveness
80% Instrumentalness • 50% Positiveness
15% Popularity • 49% Danceability • 62% Energy • 14% Liveness
80% Instrumentalness • 50% Positiveness
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Global Village Players
Castanets' Lullaby
99 bpm • F# min • 02:12 • -12.53db
3% Popularity • 71% Danceability • 48% Energy • 22% Liveness
73% Instrumentalness • 45% Positiveness
3% Popularity • 71% Danceability • 48% Energy • 22% Liveness
73% Instrumentalness • 45% Positiveness
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Los Suculentos
Sabor A Mi
99 bpm • C Maj • 02:48 • -8.71db
37% Popularity • 61% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 86% Positiveness
37% Popularity • 61% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 86% Positiveness