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Trio sol
Songs like
Trio sol
by
Mikael Edlund
Based on a tempo of (+/- 10%) and a similar genre
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Mikael Edlund
Fantasia över en stad: II. —
141 bpm • G# Maj • 05:33 • -39.27db
0% Popularity • 38% Danceability • 1% Energy • 4% Liveness
13% Instrumentalness • 7% Positiveness
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Rob Lane
Northern Lights
141 bpm • G Maj • 06:46 • -16.19db
11% Popularity • 37% Danceability • 29% Energy • 27% Liveness
90% Instrumentalness • 13% Positiveness
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Brian Cage
Bacterium
141 bpm • A# min • 01:19 • -39.31db
20% Popularity • 48% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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György Kurtág
Játékok / 3.: 39. Hommage à Christian...
141 bpm • D min • 01:07 • -45.02db
22% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 0% Positiveness
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Joakim Sandgren
Gestalt I
141 bpm • F# Maj • 02:08 • -9.9db
1% Popularity • 41% Danceability • 38% Energy • 10% Liveness
98% Instrumentalness • 14% Positiveness
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Jeremymus
A
141 bpm • F# min • 01:32 • -31.83db
10% Popularity • 21% Danceability • 0% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
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Mikael Edlund
Trio sol
141 bpm • G min • 08:25 • -17.56db
0% Popularity • 24% Danceability • 13% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Béla Bartók
Bartók: String Quartet No. 4 in C Major...
141 bpm • G Maj • 05:56 • -17.03db
19% Popularity • 44% Danceability • 26% Energy • 34% Liveness
74% Instrumentalness • 19% Positiveness
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Maurice Ravel
Miroirs: IV. Alborada del gracioso
140 bpm • D Maj • 06:25 • -24.98db
26% Popularity • 36% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Kevin Penkin
Quartet for Broken Arms
140 bpm • F min • 01:45 • -16.29db
27% Popularity • 30% Danceability • 17% Energy • 7% Liveness
93% Instrumentalness • 52% Positiveness
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Bryce Dessner
Aheym
142 bpm • C min • 09:59 • -10db
19% Popularity • 43% Danceability • 37% Energy • 14% Liveness
91% Instrumentalness • 63% Positiveness
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Imogen Holst
Fall of the Leaf: II. Vivace
142 bpm • F Maj • 01:38 • -29.19db
18% Popularity • 47% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Anna Thorvaldsdottir
In the Light of Air: III. Existence
139 bpm • C Maj • 03:43 • -36db
24% Popularity • 14% Danceability • 0% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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TEWE
Simple Past
143 bpm • A min • 01:06 • -30.81db
14% Popularity • 52% Danceability • 40% Energy • 7% Liveness
96% Instrumentalness • 96% Positiveness
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Salvatore Sciarrino
Perduto in una citta d'acque
139 bpm • C Maj • 08:52 • -43.87db
8% Popularity • 52% Danceability • 0% Energy • 12% Liveness
80% Instrumentalness • 40% Positiveness
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Fredrik Sjölin
Intermezzo
139 bpm • B min • 01:23 • -33.35db
21% Popularity • 40% Danceability • 3% Energy • 21% Liveness
42% Instrumentalness • 3% Positiveness
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Mikael Edlund
Trio Sun
139 bpm • D min • 08:45 • -22.6db
0% Popularity • 20% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Charles Ives
Hallowe'en
138 bpm • F# min • 01:57 • -17.68db
8% Popularity • 43% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Yutaka Minobe
ピアノによる即興曲 - II
138 bpm • G Maj • 01:34 • -28.29db
14% Popularity • 47% Danceability • 0% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Brian Cage
Calx
144 bpm • A# min • 02:06 • -39.24db
12% Popularity • 47% Danceability • 5% Energy • 7% Liveness
95% Instrumentalness • 20% Positiveness
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Giovanni Battista Pergolesi
Qui Est Homo
138 bpm • G min • 04:19 • -23db
13% Popularity • 15% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Mitar Popescu
Clarinet Serenade: Gypsy Lament
144 bpm • B min • 01:29 • -23.17db
15% Popularity • 29% Danceability • 6% Energy • 23% Liveness
84% Instrumentalness • 7% Positiveness
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Mikael Edlund
Fantasia över en stad: I. —
138 bpm • A Maj • 05:09 • -26.38db
0% Popularity • 39% Danceability • 6% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Arnoud Noordegraaf
Ophelia
138 bpm • A min • 02:55 • -17db
10% Popularity • 19% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 3% Positiveness
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Toru Takemitsu
Lento in due movimenti: I. Adagio
137 bpm • F min • 04:27 • -33db
13% Popularity • 50% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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Charlotte Seither
Gran passo (2006) for Piano: Gran passo ...
137 bpm • C Maj • 10:21 • -34.63db
7% Popularity • 30% Danceability • 1% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Violin Concerto in D Major: III. Aria II
137 bpm • D Maj • 06:01 • -27db
7% Popularity • 15% Danceability • 3% Energy • 28% Liveness
30% Instrumentalness • 4% Positiveness
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Gabriela Lena Frank
Hilos: I. Danza del Altiplano
137 bpm • G min • 02:31 • -17.12db
7% Popularity • 23% Danceability • 11% Energy • 13% Liveness
40% Instrumentalness • 5% Positiveness
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John Cage
Sonatas and Interludes for Prepared Pian...
137 bpm • A# min • 02:26 • -37.06db
13% Popularity • 47% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 47% Positiveness
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Alexander Litvinovsky
Tales of the Magic Tree: II. Wheels of t...
137 bpm • A# Maj • 02:30 • -16.61db
16% Popularity • 22% Danceability • 10% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
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Toru Takemitsu
Piano Distance
137 bpm • F Maj • 04:17 • -24db
10% Popularity • 62% Danceability • 0% Energy • 8% Liveness
27% Instrumentalness • 25% Positiveness
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Brian Cage
Mycetozoa
137 bpm • F min • 01:14 • -39.89db
20% Popularity • 50% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 25% Positiveness
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Ivan Wyschnegradsky
Preludes in Quarter-Tone System: I
137 bpm • A# min • 01:02 • -19db
9% Popularity • 38% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
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Mikael Edlund
Trio Sol
146 bpm • F Maj • 08:27 • -16.63db
0% Popularity • 28% Danceability • 12% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
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Dane Rudhyar
Advent: III. Tragic Vision
136 bpm • C min • 04:49 • -26.13db
9% Popularity • 20% Danceability • 6% Energy • 38% Liveness
69% Instrumentalness • 7% Positiveness
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Carl Philipp Emanuel Bach
Presto in C Minor, H.230 Wq.114/3
146 bpm • C# Maj • 01:51 • -36.46db
25% Popularity • 39% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
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Jonny Greenwood
De-Tuned Quartet
136 bpm • A Maj • 02:50 • -15.93db
17% Popularity • 27% Danceability • 36% Energy • 11% Liveness
83% Instrumentalness • 21% Positiveness
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John Adams
Shaker Loops (version for string orchest...
146 bpm • C Maj • 08:27 • -27db
15% Popularity • 22% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 15% Positiveness
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Alberto Ginastera
Violin Concerto, Op. 30: Ig. Studio VI -...
136 bpm • G# Maj • 01:12 • -34.27db
11% Popularity • 15% Danceability • 8% Energy • 20% Liveness
90% Instrumentalness • 5% Positiveness
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Mikael Edlund
Leaves
146 bpm • A# min • 14:28 • -25.44db
0% Popularity • 22% Danceability • 4% Energy • 24% Liveness
9% Instrumentalness • 3% Positiveness
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Béla Bartók
Bartók: String Quartet No. 4 in C Major...
146 bpm • F Maj • 02:47 • -26.78db
10% Popularity • 47% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
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Samy Moussa
Orpheus in Nunavut
136 bpm • F# Maj • 04:11 • -35.32db
7% Popularity • 26% Danceability • 4% Energy • 26% Liveness
17% Instrumentalness • 4% Positiveness
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Lyra Pramuk
Quanta
147 bpm • C Maj • 08:14 • -19.1db
9% Popularity • 30% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Morton Feldman
Samoa (1968) for flute, horn, trumpet, h...
136 bpm • D Maj • 01:33 • -40db
29% Popularity • 45% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Caroline Shaw
Limestone & Felt
147 bpm • D Maj • 05:42 • -25.22db
18% Popularity • 48% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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György Ligeti
Ligeti: Requiem: IV. Lacrimosa. Molto le...
147 bpm • C# Maj • 05:32 • -37db
12% Popularity • 12% Danceability • 1% Energy • 13% Liveness
24% Instrumentalness • 3% Positiveness
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Béla Bartók
Sonata for Two Pianos and Percussion: II...
135 bpm • F# min • 05:55 • -30db
9% Popularity • 46% Danceability • 1% Energy • 37% Liveness
80% Instrumentalness • 4% Positiveness
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Mikael Edlund
Orchids in the Embers (Tango for piano)
135 bpm • D# Maj • 04:01 • -24.26db
0% Popularity • 55% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 15% Positiveness
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Oliver Buckland
pendent
147 bpm • A# min • 08:03 • -15.47db
16% Popularity • 47% Danceability • 17% Energy • 13% Liveness
74% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Orgelbüchlein, BWV 599-644: Durch Adams...
135 bpm • D min • 02:22 • -33.26db
11% Popularity • 15% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Edmund Finnis
Youth: IX. Heath
135 bpm • A# min • 02:04 • -23.86db
24% Popularity • 60% Danceability • 0% Energy • 7% Liveness
61% Instrumentalness • 35% Positiveness
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John Cage
Root of an Unfocus
134 bpm • B Maj • 04:57 • -20.93db
10% Popularity • 60% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Anja Lechner
Prélude en berceuse
135 bpm • C Maj • 03:14 • -30.54db
7% Popularity • 31% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: 3 Piano Pieces, Op. 11: No. ...
134 bpm • A# Maj • 08:07 • -32.9db
14% Popularity • 41% Danceability • 0% Energy • 14% Liveness
79% Instrumentalness • 8% Positiveness
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Aphex Twin
Beskhu3epnm
134 bpm • C Maj • 02:10 • -22.64db
30% Popularity • 72% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Vanessa Lann
DD (Double D)
149 bpm • B min • 01:00 • -26.38db
13% Popularity • 58% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 84% Positiveness
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Joe Hisaishi
アクリル越しの二人
149 bpm • C# Maj • 01:52 • -27.64db
29% Popularity • 50% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Eleni Karaindrou
Eternity And A Day: 12. Bus - Part I
133 bpm • C# Maj • 01:08 • -26.97db
21% Popularity • 29% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Isobel Waller-Bridge
Badly Done, Emma
133 bpm • F Maj • 00:59 • -23.45db
33% Popularity • 34% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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John Cage
Sonatas and Interludes for Prepared Pian...
133 bpm • G Maj • 02:28 • -36.36db
9% Popularity • 44% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
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Peter Eötvös
DoReMi, Violin Concerto No. 2: I. First ...
132 bpm • D Maj • 07:19 • -18db
9% Popularity • 37% Danceability • 22% Energy • 36% Liveness
14% Instrumentalness • 9% Positiveness
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Yngve Slettholm
Blå Skygge - Blue Shadow: Preludium
150 bpm • C# Maj • 01:00 • -39.45db
14% Popularity • 28% Danceability • 0% Energy • 7% Liveness
10% Instrumentalness • 10% Positiveness
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György Ligeti
String Quartet No. 1 "Métamorphoses noc...
132 bpm • G Maj • 02:11 • -23.08db
11% Popularity • 58% Danceability • 22% Energy • 48% Liveness
48% Instrumentalness • 70% Positiveness
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Franco Albertini
Field (Night) [From "The Legend of Zelda...
132 bpm • F# Maj • 03:18 • -29.8db
25% Popularity • 41% Danceability • 0% Energy • 7% Liveness
58% Instrumentalness • 15% Positiveness
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Kim Malmquist
Chess game
132 bpm • C min • 05:16 • -14.48db
11% Popularity • 39% Danceability • 40% Energy • 26% Liveness
91% Instrumentalness • 22% Positiveness
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Béla Bartók
String Quartet No. 4, BB 95: IV. Allegre...
131 bpm • F min • 03:03 • -26db
9% Popularity • 55% Danceability • 12% Energy • 16% Liveness
92% Instrumentalness • 52% Positiveness
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Lou Harrison
Concerto for Violin & Percussion Orchest...
151 bpm • B min • 04:29 • -12.65db
10% Popularity • 44% Danceability • 42% Energy • 25% Liveness
32% Instrumentalness • 23% Positiveness
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Maya Badian
Concerto Grosso: III. Toccata
152 bpm • C Maj • 03:42 • -25db
4% Popularity • 38% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
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Igor Stravinsky
3 Pieces for String Quartet: No. 1
131 bpm • C# Maj • 00:55 • -23db
17% Popularity • 65% Danceability • 27% Energy • 19% Liveness
95% Instrumentalness • 6% Positiveness
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Toru Takemitsu
Ame no ki (Rain Tree Sketch): Rain Tree ...
131 bpm • A Maj • 03:29 • -26db
10% Popularity • 46% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Iberia, Book 1: I. Evocacion
131 bpm • A# min • 05:32 • -29db
11% Popularity • 32% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Béla Bartók
String Quartet No. 4, BB 95, Sz.91: IV. ...
152 bpm • A# min • 02:40 • -27.95db
8% Popularity • 49% Danceability • 11% Energy • 13% Liveness
77% Instrumentalness • 51% Positiveness
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John Lurie
Car Cleveland
152 bpm • G# Maj • 03:11 • -30.99db
11% Popularity • 19% Danceability • 3% Energy • 11% Liveness
61% Instrumentalness • 21% Positiveness
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Thelonious Monk
Reprise: 'Round Midnight
130 bpm • G# min • 01:36 • -31.12db
7% Popularity • 59% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: V. The Mar...
130 bpm • G Maj • 03:56 • -19.05db
10% Popularity • 18% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
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Philip Glass
Dr. Van Helsing and Dracula
130 bpm • D# Maj • 02:22 • -21.54db
11% Popularity • 27% Danceability • 10% Energy • 29% Liveness
95% Instrumentalness • 8% Positiveness
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John Adams
Adams: Shaker Loops: I. Shaking and Trem...
153 bpm • G Maj • 08:25 • -26.65db
9% Popularity • 22% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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石元 丈晴
The Ominous Mansion
130 bpm • F Maj • 01:40 • -22.52db
20% Popularity • 49% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Fazıl Say
Troy Sonata, Op. 78: I. Homer the Bard R...
130 bpm • A min • 01:47 • -24.05db
10% Popularity • 62% Danceability • 3% Energy • 18% Liveness
86% Instrumentalness • 29% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: The Catacombs...
130 bpm • G Maj • 02:18 • -24.91db
10% Popularity • 66% Danceability • 0% Energy • 10% Liveness
77% Instrumentalness • 0% Positiveness
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György Kurtág
Signs, Games and Messages: Árnyak (Shad...
130 bpm • G# Maj • 00:59 • -38.8db
20% Popularity • 36% Danceability • 0% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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Upside Down Upright Bass
Bending the bars
130 bpm • A min • 01:18 • -33.61db
22% Popularity • 30% Danceability • 3% Energy • 5% Liveness
94% Instrumentalness • 16% Positiveness
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Morton Feldman
Jackson Pollock (1950-51) for two Cellos...
154 bpm • D Maj • 01:22 • -47.69db
21% Popularity • 31% Danceability • 4% Energy • 19% Liveness
67% Instrumentalness • 23% Positiveness
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Antonio Vivaldi
Concerto in B Minor, Op. 3 No. 10, RV 58...
153 bpm • F# min • 02:03 • -20.03db
8% Popularity • 50% Danceability • 14% Energy • 13% Liveness
26% Instrumentalness • 18% Positiveness
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Béla Bartók
Bartók: String Quartet No. 5 in B-Flat ...
129 bpm • F Maj • 07:38 • -17db
10% Popularity • 38% Danceability • 18% Energy • 13% Liveness
78% Instrumentalness • 29% Positiveness
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György Ligeti
Ligeti: Double Concerto: I. Calmo, con t...
129 bpm • B min • 08:31 • -28.61db
7% Popularity • 16% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 2% Positiveness
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Erwin Schulhoff
5 Pieces for String Quartet: No. 2, Alla...
129 bpm • C Maj • 03:02 • -25.02db
16% Popularity • 45% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
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初慧智
巧克力时光 - Remix
129 bpm • B min • 01:51 • -10.05db
8% Popularity • 44% Danceability • 44% Energy • 15% Liveness
79% Instrumentalness • 59% Positiveness
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Michelle Agnes Magalhães
Tecelagem
129 bpm • A Maj • 02:26 • -34.69db
8% Popularity • 28% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 30% Positiveness
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Brian Cage
Alternaria
129 bpm • G# Maj • 01:07 • -41.47db
25% Popularity • 48% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Kevin Volans
I. White Man Sleeps
128 bpm • G Maj • 04:04 • -21.56db
11% Popularity • 39% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Mikael Edlund
Music
128 bpm • G min • 15:53 • -24.13db
0% Popularity • 31% Danceability • 7% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Ann Southam
Pond Life III
128 bpm • A Maj • 01:30 • -19.7db
7% Popularity • 48% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Markolyno
Fatal Night
128 bpm • A min • 01:48 • -40.01db
10% Popularity • 40% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Claude Debussy
Preludes, Book 2: No. 10. Canope
128 bpm • D min • 02:35 • -40.71db
9% Popularity • 44% Danceability • 0% Energy • 6% Liveness
63% Instrumentalness • 6% Positiveness
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Philip Glass
London Fog
127 bpm • F Maj • 01:17 • -28.74db
10% Popularity • 19% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Terry Riley
Cadenza on the Night Plain: The Night Cr...
127 bpm • A Maj • 02:53 • -21.2db
7% Popularity • 26% Danceability • 1% Energy • 6% Liveness
27% Instrumentalness • 4% Positiveness
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Alberto Ginastera
String Quartet No. 1, Op. 20: I. Allegro...
157 bpm • G Maj • 04:32 • -18.36db
9% Popularity • 44% Danceability • 33% Energy • 18% Liveness
73% Instrumentalness • 63% Positiveness
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David Joseph
Chamber Concerto for Piano and Strings -...
127 bpm • C# Maj • 09:09 • -14db
36% Popularity • 41% Danceability • 62% Energy • 73% Liveness
53% Instrumentalness • 32% Positiveness
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Dirk Brossé
Interlude
127 bpm • G Maj • 01:56 • -25.38db
12% Popularity • 17% Danceability • 2% Energy • 5% Liveness
71% Instrumentalness • 3% Positiveness
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Trio sol