Songs like Triptyque: No. 1. Offrande a l'ete by Joseph Canteloube
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In paradis...
103 bpm • D Maj • 03:52 • -22.02db
26% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
103 bpm • F# Maj • 03:47 • -22.13db
24% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Reynaldo Hahn
Etudes latines: Néère
104 bpm • F# min • 03:16 • -20.89db
21% Popularity • 35% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 35% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Jean Sibelius
Sibelius: Valse triste, Op. 44
102 bpm • G Maj • 05:30 • -23db
13% Popularity • 19% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
13% Popularity • 19% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Queensland Symphony Orchestra
Adagio of Spartacus and Phrygia (The One...
104 bpm • G# Maj • 05:49 • -13.64db
10% Popularity • 17% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
102 bpm • G Maj • 06:08 • -27.3db
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Georges Bizet
Les Pêcheurs de Perles, Act I: "Au fond...
102 bpm • D# Maj • 05:47 • -16.47db
19% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
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Claude Debussy
Beau soir
104 bpm • F# min • 02:33 • -21.59db
8% Popularity • 31% Danceability • 14% Energy • 68% Liveness
14% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 14% Energy • 68% Liveness
14% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
105 bpm • B Maj • 05:00 • -18.91db
24% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Gounod
Faust, CG 4: Faust - Romance
105 bpm • A Maj • 02:58 • -24.43db
10% Popularity • 23% Danceability • 3% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
105 bpm • G Maj • 02:07 • -14.68db
15% Popularity • 39% Danceability • 30% Energy • 9% Liveness
69% Instrumentalness • 6% Positiveness
15% Popularity • 39% Danceability • 30% Energy • 9% Liveness
69% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Scherzi musicali, cioè arie, et madriga...
101 bpm • G Maj • 06:59 • -19.04db
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
28% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Gustav Mahler
Kindertotenlieder: No. 1, Nun will die S...
105 bpm • D min • 04:52 • -17.88db
9% Popularity • 21% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance of the Hours
101 bpm • E Maj • 07:33 • -21db
14% Popularity • 35% Danceability • 7% Energy • 15% Liveness
15% Instrumentalness • 18% Positiveness
14% Popularity • 35% Danceability • 7% Energy • 15% Liveness
15% Instrumentalness • 18% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 4, Im Aben...
105 bpm • A# Maj • 07:41 • -25db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus Suite No. 2: I. ...
101 bpm • C# Maj • 04:45 • -19.62db
30% Popularity • 15% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427: I. Kyrie eleiso...
100 bpm • C min • 07:38 • -21.75db
12% Popularity • 15% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Lo Fiolaire, Serie 3, No. 1
106 bpm • D min • 02:46 • -22.21db
6% Popularity • 25% Danceability • 14% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
6% Popularity • 25% Danceability • 14% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song of the Indian Guest
107 bpm • C Maj • 03:34 • -32.35db
8% Popularity • 21% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Frederick Delius
2 Pieces for Small Orchestra: No. 1. On ...
107 bpm • E min • 05:52 • -31.19db
17% Popularity • 16% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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George Frideric Handel
Zadok the Priest (Coronation Anthem No.1...
99 bpm • D Maj • 05:40 • -16db
14% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
14% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Augusta Holmès
Ludus pro Patria, La Nuit et l'Amour: La...
99 bpm • D# Maj • 05:49 • -25db
11% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne (Series 5): 3. Là-hau...
107 bpm • G# Maj • 04:17 • -24.69db
1% Popularity • 21% Danceability • 7% Energy • 6% Liveness
4% Instrumentalness • 6% Positiveness
1% Popularity • 21% Danceability • 7% Energy • 6% Liveness
4% Instrumentalness • 6% Positiveness
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Heitor Villa-Lobos
Bachianas brasileiras No. 5 for Soprano ...
99 bpm • A min • 06:47 • -24.53db
19% Popularity • 14% Danceability • 5% Energy • 28% Liveness
22% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 5% Energy • 28% Liveness
22% Instrumentalness • 4% Positiveness
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Edward Elgar
Sospiri, Op. 70
108 bpm • F Maj • 05:10 • -20.21db
16% Popularity • 16% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Vorrei spiegarvi, oh Dio, K.418
98 bpm • A Maj • 06:38 • -18.41db
28% Popularity • 30% Danceability • 8% Energy • 11% Liveness
13% Instrumentalness • 5% Positiveness
28% Popularity • 30% Danceability • 8% Energy • 11% Liveness
13% Instrumentalness • 5% Positiveness
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George Butterworth
6 Songs from A Shropshire Lad: No. 1. Lo...
98 bpm • E Maj • 02:32 • -24db
14% Popularity • 33% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 33% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Simone Kermes
Giulio Cesare, HWV 17: Act III - "Piange...
97 bpm • D# Maj • 07:02 • -20.72db
15% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Franz Lehár
Die lustige Witwe / Act 2: Vilja-Lied
97 bpm • G Maj • 05:57 • -22.68db
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I Scene 1: Arioso "Om...
109 bpm • E Maj • 03:03 • -23.48db
40% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Gerald Finzi
Come away, come away death, Op.18, No.1 ...
109 bpm • E min • 03:43 • -24db
13% Popularity • 16% Danceability • 7% Energy • 23% Liveness
13% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 23% Liveness
13% Instrumentalness • 5% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
110 bpm • A min • 05:00 • -32db
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Gioacchino Rossini
Rossini: Petite messe solennelle: II. Ch...
97 bpm • A Maj • 04:25 • -27.48db
9% Popularity • 13% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: "Deh ...
97 bpm • F Maj • 03:40 • -32.72db
26% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
23% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Gerald Finzi
Introit, Op. 6
96 bpm • F Maj • 08:34 • -27.19db
22% Popularity • 12% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Sumi Jo
Dvořák: Songs My Mother Taught Me
111 bpm • D Maj • 03:41 • -9db
10% Popularity • 24% Danceability • 32% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 32% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Postouro Se Tu M'aymo, Serie 5, No. 5
95 bpm • A min • 01:35 • -18.1db
6% Popularity • 50% Danceability • 22% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
6% Popularity • 50% Danceability • 22% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Jules Massenet
Massenet / Arr. Parhamovsky: Thaïs, Act...
95 bpm • D Maj • 06:00 • -23db
9% Popularity • 14% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: 3 Preludes Founded on ...
112 bpm • G Maj • 03:59 • -22.63db
20% Popularity • 17% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
20% Popularity • 17% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Pur ti Miro from 'L'incoronazione di Pop...
95 bpm • A Maj • 03:37 • -20.49db
24% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
24% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: Flower Duet - "D...
112 bpm • B Maj • 04:38 • -19.62db
23% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Barbara Strozzi
Che si può fare?
112 bpm • E min • 04:23 • -19.16db
24% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Franz Schmidt
Notre Dame: Intermezzo
112 bpm • C# Maj • 04:40 • -15db
8% Popularity • 17% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs / Acte Deux: Meditation
95 bpm • E min • 06:01 • -24.29db
27% Popularity • 12% Danceability • 8% Energy • 37% Liveness
83% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 8% Energy • 37% Liveness
83% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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George Frideric Handel
Handel: Il trionfo del Tempo e del Disin...
94 bpm • E Maj • 06:29 • -25db
19% Popularity • 20% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 4. Brezai...
94 bpm • A# Maj • 03:13 • -27db
6% Popularity • 22% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
6% Popularity • 22% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Lorraine Hunt Lieberson
Serse: Aria - Ombra Mai Fu
113 bpm • D Maj • 03:18 • -31.29db
12% Popularity • 17% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Reynaldo Hahn
Poème de Paul Verlaine: L'heure exquise
94 bpm • B Maj • 01:58 • -26.85db
38% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
38% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Jules Massenet
Thaïs / Acte Trois: C'est toi, mon pèr...
94 bpm • D Maj • 05:21 • -15.77db
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Domenico Zipoli
Elevazione For Cello And Oboe
94 bpm • F Maj • 07:57 • -20db
18% Popularity • 13% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Three Preludes Founded on Welsh Hymn Tun...
93 bpm • G Maj • 04:13 • -24.55db
9% Popularity • 11% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 5% Positiveness
9% Popularity • 11% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Antonín Dvořák
Rusalka, Op. 114, B. 203, Act I: Mesíck...
93 bpm • F# Maj • 06:54 • -22.13db
16% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
18% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
93 bpm • D Maj • 06:39 • -23db
39% Popularity • 12% Danceability • 4% Energy • 10% Liveness
77% Instrumentalness • 7% Positiveness
39% Popularity • 12% Danceability • 4% Energy • 10% Liveness
77% Instrumentalness • 7% Positiveness
► Preview
Giuseppe Verdi
La traviata, Act I: Prelude
114 bpm • B Maj • 04:02 • -31.53db
22% Popularity • 23% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Rachel Portman
Portman: The First Morning of the World
93 bpm • C Maj • 08:25 • -19.59db
17% Popularity • 19% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Joseph Canteloube
Songs of the Auvergne, Book I: 2. Baïl�...
92 bpm • A# Maj • 06:14 • -20.82db
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Verdi: Addio del passato - Violetta
92 bpm • A min • 05:34 • -26db
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Benjamin Godard
Jocelyn, Suite No. 2: Berceuse
92 bpm • F Maj • 05:33 • -33.67db
15% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Tchut, Tchut, Serie 4, No. 4
115 bpm • A Maj • 02:17 • -21.36db
7% Popularity • 42% Danceability • 14% Energy • 58% Liveness
5% Instrumentalness • 45% Positiveness
7% Popularity • 42% Danceability • 14% Energy • 58% Liveness
5% Instrumentalness • 45% Positiveness
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Antonín Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Adagio - Spartacus
116 bpm • G# Maj • 09:39 • -21.89db
24% Popularity • 19% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
24% Popularity • 19% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie. Kyrie...
116 bpm • C Maj • 02:32 • -28.98db
30% Popularity • 22% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 14% Positiveness
30% Popularity • 22% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 14% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
91 bpm • D# Maj • 08:11 • -22.97db
24% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
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John Ireland
A Downland Suite: III. Minuet
116 bpm • A# Maj • 04:57 • -25db
23% Popularity • 27% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
23% Popularity • 27% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
116 bpm • C min • 02:52 • -23.89db
30% Popularity • 32% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
30% Popularity • 32% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
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Joseph Canteloube
Chants d'Auvergne (Series 5): 7. Uno jio...
91 bpm • G Maj • 03:06 • -27.37db
2% Popularity • 20% Danceability • 5% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 5% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Claudio Monteverdi
Monteverdi / Arr Pluhar: Zefiro torna e ...
117 bpm • F Maj • 07:03 • -19.78db
30% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Paavo Berglund
Peer Gynt Opp.46 & 55, Excerpts, Suite N...
91 bpm • A min • 05:13 • -30.53db
2% Popularity • 10% Danceability • 3% Energy • 5% Liveness
87% Instrumentalness • 3% Positiveness
2% Popularity • 10% Danceability • 3% Energy • 5% Liveness
87% Instrumentalness • 3% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 4, Where Coral...
91 bpm • B min • 04:00 • -27db
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Was mir behagt, BWV 208, "Hunt Cantata":...
91 bpm • A# Maj • 05:39 • -27.21db
17% Popularity • 14% Danceability • 5% Energy • 14% Liveness
95% Instrumentalness • 11% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 14% Liveness
95% Instrumentalness • 11% Positiveness
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Joseph Canteloube
Canteloube : Chants d'Auvergne : Jou l'p...
116 bpm • C# min • 04:03 • -21.87db
2% Popularity • 25% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 5% Positiveness
2% Popularity • 25% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Cosi fan tutte, K. 588, Act 1: "...
91 bpm • E Maj • 03:04 • -15.13db
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Frederick Delius
Koanga / Act 2: La Calinda
90 bpm • D Maj • 04:07 • -15.26db
12% Popularity • 20% Danceability • 25% Energy • 10% Liveness
75% Instrumentalness • 8% Positiveness
12% Popularity • 20% Danceability • 25% Energy • 10% Liveness
75% Instrumentalness • 8% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie
118 bpm • C Maj • 02:29 • -14db
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
90 bpm • C# Maj • 05:26 • -23db
19% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 1. Jou L'...
91 bpm • C# min • 03:59 • -20.92db
4% Popularity • 13% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 13% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Chor der Staatsoper Budapest
Tannhäuser: Pilgerchor
118 bpm • D# Maj • 06:23 • -17db
17% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a / Act 2: "Lascia ch'io p...
90 bpm • E Maj • 05:15 • -25db
27% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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George Butterworth
The Banks of Green Willow
90 bpm • E min • 06:06 • -20.22db
19% Popularity • 14% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
