Songs like Tristis et anima mea by Orlande de Lassus
Based on a tempo of (+/- 10%) and a similar genre
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Sanctus
133 bpm • F# Maj • 03:14 • -23.64db
10% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
10% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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Speech to Mortals
Dark November
133 bpm • D Maj • 01:13 • -36.44db
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
14% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Antoine Brumel
Mater patris et filia
133 bpm • C# Maj • 03:43 • -24.2db
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Francisco Guerrero
Ave virgo sanctissima
133 bpm • A# min • 03:50 • -27.09db
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Orlande de Lassus
La nuict froide & sombre
132 bpm • C# min • 02:29 • -35.07db
9% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
32% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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John Sheppard
In manus tuas II & III: In manus tuas II...
132 bpm • F Maj • 03:18 • -35db
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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John Dowland
Mistresse Nichols Almand
132 bpm • A# Maj • 00:52 • -24.27db
31% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
31% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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François-Lupien Grenet
Le Triomphe de l'Harmonie: Nous jouisson...
134 bpm • C# min • 01:01 • -23.67db
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
132 bpm • C min • 01:31 • -23.86db
15% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
32% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Anton Bruckner
Pange lingua, WAB 33
132 bpm • C Maj • 05:30 • -25.59db
13% Popularity • 18% Danceability • 5% Energy • 7% Liveness
20% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 7% Liveness
20% Instrumentalness • 3% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Laurenzino
Susanne un jour
134 bpm • A Maj • 03:47 • -20.29db
2% Popularity • 39% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 59% Positiveness
2% Popularity • 39% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 59% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Responsoria pro triduo sacro in nocturno...
135 bpm • A# Maj • 02:47 • -26.4db
3% Popularity • 19% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
3% Popularity • 19% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
131 bpm • D min • 01:39 • -35.67db
19% Popularity • 18% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
19% Popularity • 18% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Emilio de' Cavalieri
Rappresentatione di Anima e di Corpo (Re...
135 bpm • G Maj • 01:34 • -23db
22% Popularity • 24% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
22% Popularity • 24% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
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Jan Pieterszoon Sweelinck
Venite exsultemus Domino
131 bpm • C Maj • 02:15 • -22.35db
8% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Johannes Brahms
Drei geistliche Chöre, Op. 37 No. 1: O ...
135 bpm • G min • 01:16 • -26.26db
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Orlande de Lassus
Agimus Tibi a 3
135 bpm • F Maj • 01:28 • -31.89db
1% Popularity • 20% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
26% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Anton Bruckner
Tantum ergo, WAB 43
135 bpm • A Maj • 01:35 • -21.58db
26% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
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Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
11% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
25% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Lagrime di San Pietro: VII. Ogni occhio ...
135 bpm • G min • 02:15 • -21.45db
5% Popularity • 18% Danceability • 14% Energy • 5% Liveness
5% Instrumentalness • 9% Positiveness
5% Popularity • 18% Danceability • 14% Energy • 5% Liveness
5% Instrumentalness • 9% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: IV....
131 bpm • A min • 03:32 • -20.71db
12% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Tota pulchra es, WAB 46
131 bpm • C Maj • 05:20 • -23.67db
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Noel, Adieu Thou Court's Delight
136 bpm • B Maj • 05:48 • -23.25db
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Sexteto Cantábile
O Bone Jesu (Fernando Moruja)
136 bpm • D# Maj • 00:54 • -20db
45% Popularity • 22% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
45% Popularity • 22% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Cantiones sacrae sex vocum: III. Deficia...
131 bpm • D min • 03:45 • -23.39db
4% Popularity • 17% Danceability • 9% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 9% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Lege Artis Chamber Choir
We Praise Thee, O God No. 2 in F Major
136 bpm • F# Maj • 01:14 • -36.33db
40% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
13% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
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Klaus-Martin Bresgott
Esti dal - Nachtlied
130 bpm • F Maj • 02:41 • -23.92db
17% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Song of Cherubs: Izhe Kheruvimi (Cherubi...
130 bpm • A Maj • 04:43 • -20db
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: III...
130 bpm • A min • 06:55 • -21.28db
11% Popularity • 19% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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John Sheppard
Libera nos I & II: Libera nos I & II
130 bpm • G# Maj • 05:36 • -27db
14% Popularity • 16% Danceability • 8% Energy • 16% Liveness
24% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 8% Energy • 16% Liveness
24% Instrumentalness • 4% Positiveness
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Anton Bruckner
Vexilla regis, WAB 51
130 bpm • F Maj • 04:55 • -27.43db
12% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
2 Sacred Chants: No. 2, To Thee We Sing
130 bpm • C Maj • 03:14 • -32db
13% Popularity • 16% Danceability • 2% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
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Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Thomas Tomkins
When David heard
129 bpm • C Maj • 04:36 • -23.62db
11% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Messe brève No. 7: IIa. Domine Fili uni...
137 bpm • F Maj • 02:27 • -27.19db
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Cristobal de Morales
Graduale: II. In memoria aeterna
137 bpm • C min • 01:44 • -22.67db
9% Popularity • 16% Danceability • 11% Energy • 11% Liveness
26% Instrumentalness • 9% Positiveness
9% Popularity • 16% Danceability • 11% Energy • 11% Liveness
26% Instrumentalness • 9% Positiveness
► Preview
The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
The Schola Cantorum of St. John XXIII Parish
Parce Domine
137 bpm • C# min • 01:27 • -25.24db
44% Popularity • 20% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
44% Popularity • 20% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
► Preview
Healey Willan
Rise up, my love, my fair one, Op. 314
137 bpm • C# Maj • 02:22 • -37db
29% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
► Preview
Orlande de Lassus
Cantiones sacrae sex vocum: I. Nectar et...
129 bpm • F min • 02:48 • -17.15db
7% Popularity • 21% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 21% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Benedict Sheehan
Liturgy of St. John Chrysostom: No. 4, O...
138 bpm • F min • 02:53 • -24db
20% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Johann Caspar Kerll
Missa pro defunctis: II. Kyrie
138 bpm • F Maj • 02:01 • -18.24db
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Christus factus est, WAB 11
129 bpm • D min • 06:04 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
Heinrich Schütz
Herr, nun lässest du deinen Diener in F...
138 bpm • A min • 03:18 • -21.46db
18% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
18% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
► Preview
James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Orlande de Lassus
In monte oliveti
138 bpm • C min • 03:58 • -26.4db
11% Popularity • 15% Danceability • 5% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 5% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
128 bpm • D Maj • 03:21 • -24.76db
13% Popularity • 20% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
16% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Al...
128 bpm • G Maj • 02:47 • -34.73db
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Annibale Padovano
Domine a lingua dolosa a 5
138 bpm • F min • 04:03 • -20.02db
17% Popularity • 15% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 15% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Guillaume de Machaut
Chanson: Rose, liz, printemps, verdure
128 bpm • C Maj • 04:25 • -26db
9% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Philippe Verdelot
Se mai provasti donna
128 bpm • G# min • 01:33 • -18.88db
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
36% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
36% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Orlande de Lassus
Lagrime di San Pietro: IX. Chi ad una ra...
128 bpm • C Maj • 02:15 • -24.06db
5% Popularity • 19% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
5% Popularity • 19% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Valentin Silvestrov
2 Sacred Songs: No. 1, Alleluia
138 bpm • A# Maj • 03:18 • -32.53db
14% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
27% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Veljo Tormis
Looduspildid: No. 3. Sugismaastikud: Tuu...
139 bpm • D min • 01:12 • -26db
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
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Pavel Chesnokov
All Night Vigil, Op. 9: No. 18, Bless Th...
127 bpm • C Maj • 03:07 • -26db
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Cantiones sacrae sex vocum: VI. Respicit...
127 bpm • C Maj • 02:24 • -17.28db
4% Popularity • 20% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 20% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
7% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
26% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
26% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
31% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Jacques Arcadelt
Il bianco e dolce cigno
127 bpm • E Maj • 02:11 • -14db
16% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
