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Troublemaker Doppelgänger
Songs like
Troublemaker Doppelgänger
by
Lucy Dacus
Based on a tempo of (+/- 10%) and a similar genre
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Lucy Dacus
La Vie En Rose
156 bpm • C# min • 02:50 • -12.19db
43% Popularity • 55% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Annie DiRusso
Nine Months
156 bpm • E Maj • 04:31 • -6.7db
38% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Julien Baker
Faith Healer
156 bpm • E Maj • 02:54 • -7db
48% Popularity • 40% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
60% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Suki Waterhouse
To Love
157 bpm • D Maj • 03:56 • -4.45db
61% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Phoebe Bridgers
Moon Song
155 bpm • C# Maj • 04:37 • -12.51db
70% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Lucy Dacus
Troublemaker Doppelgänger
156 bpm • D# Maj • 04:21 • -5.36db
42% Popularity • 47% Danceability • 75% Energy • 14% Liveness
28% Instrumentalness • 41% Positiveness
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Lomelda
Bust
155 bpm • C Maj • 01:31 • -18db
47% Popularity • 52% Danceability • 27% Energy • 11% Liveness
31% Instrumentalness • 5% Positiveness
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Adrianne Lenker
Indiana
155 bpm • C# Maj • 02:37 • -13db
59% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
74% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Frankie Cosmos
One Year Stand
158 bpm • B Maj • 02:35 • -17db
46% Popularity • 38% Danceability • 22% Energy • 8% Liveness
40% Instrumentalness • 29% Positiveness
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Etta Marcus
Hide & Seek
159 bpm • G Maj • 03:41 • -8db
43% Popularity • 47% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
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Chappell Roan
Picture You
160 bpm • E Maj • 03:07 • -5.47db
67% Popularity • 36% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lucy Dacus
My Mother & I
160 bpm • C Maj • 04:39 • -15.16db
44% Popularity • 43% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
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quinnie
flounder
162 bpm • B Maj • 03:39 • -6db
44% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Billie Marten
Garden of Eden
150 bpm • F Maj • 03:19 • -8.08db
29% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Maggie Rogers
Shatter
150 bpm • A Maj • 03:40 • -2db
60% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Eliza McLamb
Debt
150 bpm • F# Maj • 03:26 • -14.9db
32% Popularity • 62% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Runnner
Ur Name on a Grain of Rice
150 bpm • C Maj • 05:01 • -8db
46% Popularity • 44% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Skullcrusher
Day of Show
150 bpm • F# Maj • 04:15 • -10db
33% Popularity • 39% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 18% Positiveness
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Moses Sumney
Make Out in My Car - Sufjan Stevens Vers...
150 bpm • F Maj • 02:46 • -11.66db
53% Popularity • 55% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Phoebe Bridgers
Graceland Too
150 bpm • A# Maj • 03:56 • -10.37db
67% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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chloe moriondo
Manta Rays
150 bpm • E Maj • 03:31 • -3.81db
51% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Whatever, Dad
Death of the Phone Call
149 bpm • A Maj • 01:35 • -17.46db
65% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Mitski
I Don't Like My Mind
149 bpm • E Maj • 02:25 • -10.57db
64% Popularity • 15% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Snail Mail
The 2nd Most Beautiful Girl In The World
164 bpm • D# Maj • 02:13 • -4db
42% Popularity • 31% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Clairo
Reaper
148 bpm • F# Maj • 02:39 • -19.68db
52% Popularity • 54% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 62% Positiveness
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Japanese Breakfast
This House
164 bpm • G Maj • 03:02 • -9db
38% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Haley Blais
Coolest fucking bitch in town
147 bpm • A# Maj • 04:56 • -10.45db
48% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Eliza McLamb
Older
147 bpm • B min • 04:36 • -12.56db
31% Popularity • 64% Danceability • 38% Energy • 9% Liveness
67% Instrumentalness • 46% Positiveness
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Julien Baker
Bloodshot
166 bpm • D Maj • 03:47 • -8.4db
42% Popularity • 43% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Fiona Apple
I Know
146 bpm • C Maj • 04:55 • -14.22db
61% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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boygenius
True Blue
146 bpm • G Maj • 04:56 • -7.72db
68% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Lucy Dacus
VBS
146 bpm • C Maj • 03:56 • -7.64db
48% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Slow Pulp
Falling Apart
146 bpm • B Maj • 02:46 • -7.84db
64% Popularity • 67% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Sarah Kinsley
Oh No Darling!
167 bpm • A Maj • 03:23 • -7db
54% Popularity • 47% Danceability • 77% Energy • 22% Liveness
29% Instrumentalness • 53% Positiveness
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Hamilton Leithauser
Isabella
168 bpm • A Maj • 04:13 • -5db
27% Popularity • 50% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Katy Kirby
Eyelids
145 bpm • C Maj • 01:40 • -20db
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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girlhouse
concussion
168 bpm • B Maj • 04:37 • -8.34db
47% Popularity • 55% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Lucy Dacus
Brando
145 bpm • A Maj • 03:00 • -8.49db
55% Popularity • 63% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Clairo
Just For Today
144 bpm • D# Maj • 03:37 • -21.85db
51% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Suki Waterhouse
Wild Side
144 bpm • E Maj • 03:55 • -9db
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Better Oblivion Community Center
Exception To The Rule
144 bpm • D Maj • 02:51 • -7.1db
38% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Adrianne Lenker
half return
144 bpm • D# Maj • 02:08 • -12db
64% Popularity • 44% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
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Angel Olsen
Some things Cosmic
144 bpm • G# Maj • 02:54 • -13.54db
52% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Lucy Dacus
I Don't Wanna Be Funny Anymore - Audiotr...
146 bpm • D# Maj • 02:35 • -11.81db
20% Popularity • 40% Danceability • 57% Energy • 11% Liveness
37% Instrumentalness • 51% Positiveness
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Clairo
Blouse
145 bpm • G Maj • 03:15 • -20.33db
56% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Sarah Kinsley
I'm Not A Mountain
170 bpm • E min • 03:51 • -12db
49% Popularity • 24% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Faye Webster
Cheers
170 bpm • F# min • 03:15 • -9db
48% Popularity • 61% Danceability • 37% Energy • 15% Liveness
36% Instrumentalness • 50% Positiveness
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Lizzy McAlpine
Angelina
170 bpm • B Maj • 03:45 • -16.5db
56% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Kississippi
Dogmas
143 bpm • B Maj • 02:03 • -12db
45% Popularity • 44% Danceability • 32% Energy • 11% Liveness
31% Instrumentalness • 22% Positiveness
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Lucy Dacus
First Time
144 bpm • G# Maj • 04:14 • -5.95db
48% Popularity • 55% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Dora Jar
Spell
143 bpm • E min • 04:07 • -15db
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
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Phoebe Bridgers
Funeral
171 bpm • B Maj • 03:52 • -14.42db
68% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Eliza McLamb
Salt Circle
142 bpm • A# Maj • 04:20 • -11db
38% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Better Oblivion Community Center
Little Trouble
142 bpm • F Maj • 02:54 • -5.42db
42% Popularity • 57% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
41% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lucy Dacus
Map On A Wall
144 bpm • D Maj • 07:28 • -10.11db
36% Popularity • 33% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Searows
Villain
142 bpm • G# Maj • 04:49 • -14.25db
44% Popularity • 46% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Phoebe Bridgers
Killer
172 bpm • C Maj • 03:09 • -13.78db
58% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Odie Leigh
As Sure As I’m Speaking
172 bpm • D# Maj • 02:42 • -15.89db
32% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Suki Waterhouse
Devil I Know
172 bpm • A min • 03:32 • -9.22db
53% Popularity • 51% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
47% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Lucy Dacus
Partner in Crime
143 bpm • C Maj • 04:38 • -6.19db
44% Popularity • 44% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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flipturn
August
172 bpm • F# Maj • 04:21 • -4.3db
66% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Fiona Apple
I Want You To Love Me
141 bpm • A min • 03:57 • -8.82db
60% Popularity • 53% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 71% Positiveness
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Michael Cera
Clay Pigeons
172 bpm • F# Maj • 03:06 • -17db
72% Popularity • 29% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Leith Ross
Grown Up
172 bpm • G# Maj • 03:47 • -16db
36% Popularity • 39% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Searows
Older
141 bpm • C Maj • 06:55 • -12.99db
50% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Lucy Dacus
Christine
142 bpm • C Maj • 02:33 • -10.84db
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Snail Mail
Deep Sea
140 bpm • C# Maj • 04:42 • -6.01db
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Fiona Apple
Paper Bag
141 bpm • C Maj • 03:39 • -9.9db
68% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Adrianne Lenker
A Better Time to Meet
173 bpm • D# Maj • 03:08 • -16db
50% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Etta Marcus
Theatre
140 bpm • C# Maj • 02:59 • -5.55db
49% Popularity • 50% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Maya Hawke
Backup Plan
140 bpm • C Maj • 03:17 • -12.87db
43% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Lucy Dacus
Going Going Gone
173 bpm • B Maj • 03:13 • -12.63db
44% Popularity • 48% Danceability • 22% Energy • 47% Liveness
6% Instrumentalness • 57% Positiveness
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Weyes Blood
A Lot's Gonna Change
140 bpm • C# Maj • 04:21 • -10.16db
59% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Eliza McLamb
Doing Fine
140 bpm • G# Maj • 03:30 • -7.87db
37% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Chappell Roan
HOT TO GO!
140 bpm • F# Maj • 03:04 • -4.92db
77% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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The Last Dinner Party
On Your Side
140 bpm • B min • 04:27 • -7.43db
59% Popularity • 27% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 8% Positiveness
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Haley Blais
Matchmaker
174 bpm • D Maj • 03:47 • -12.71db
34% Popularity • 69% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Lucy Dacus
Triple Dog Dare
174 bpm • C Maj • 07:44 • -9db
48% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Kevin Atwater
star tripping
140 bpm • G Maj • 02:34 • -6.8db
50% Popularity • 71% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Rosie Tucker
Ambrosia
140 bpm • C# Maj • 03:45 • -7db
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Adrianne Lenker
I Still Hear You
139 bpm • A Maj • 03:26 • -16db
48% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Leith Ross
Guts
139 bpm • G Maj • 05:04 • -10.13db
40% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Haley Blais
Firestarter
174 bpm • C Maj • 04:17 • -7db
31% Popularity • 39% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Lucy Dacus
Strange Torpedo
139 bpm • B min • 04:24 • -6db
37% Popularity • 54% Danceability • 75% Energy • 7% Liveness
64% Instrumentalness • 24% Positiveness
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Skullcrusher
Whatever Fits Together
176 bpm • B min • 03:45 • -8.2db
42% Popularity • 37% Danceability • 77% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
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Julien Baker
Sprained Ankle
138 bpm • D Maj • 02:22 • -14.47db
41% Popularity • 37% Danceability • 17% Energy • 11% Liveness
47% Instrumentalness • 20% Positiveness
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Rosie Tucker
Gay Bar
176 bpm • G Maj • 03:03 • -5.62db
38% Popularity • 35% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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boygenius
We're In Love
176 bpm • A# Maj • 04:54 • -16.33db
59% Popularity • 38% Danceability • 7% Energy • 55% Liveness
0% Instrumentalness • 32% Positiveness
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Laura Elliott
Grass Stains
138 bpm • G Maj • 04:00 • -6.58db
33% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Lucy Dacus
Home Again
140 bpm • G Maj • 02:33 • -14db
37% Popularity • 58% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Adrianne Lenker
Gone
138 bpm • G Maj • 04:06 • -7.14db
40% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Tomberlin
Any Other Way
176 bpm • A# Maj • 03:22 • -12db
44% Popularity • 31% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ethel Cain
Crush - Stripped
138 bpm • E Maj • 03:49 • -10db
47% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Odie Leigh
Crop Circles
138 bpm • F min • 03:46 • -9.49db
52% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Lucy Dacus
Direct Address
140 bpm • D Maj • 03:19 • -8db
41% Popularity • 40% Danceability • 40% Energy • 15% Liveness
18% Instrumentalness • 15% Positiveness
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Troublemaker Doppelgänger