Songs like True Believers by Darius Rucker
Based on a tempo of (+/- 10%) and a similar genre
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Easton Corbin
This Feels A Lot Like Love
118 bpm • G Maj • 03:43 • -3.6db
30% Popularity • 72% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 72% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Farr
Love by the Moon
118 bpm • A Maj • 02:41 • -3db
31% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Dallas Smith
Somebody Somewhere
118 bpm • B Maj • 03:30 • -2.78db
33% Popularity • 56% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 56% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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JT Hodges
Ray Bans
118 bpm • D Maj • 03:20 • -3.51db
27% Popularity • 62% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 62% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Darius Rucker
True Believers
118 bpm • G Maj • 04:04 • -6.47db
39% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Big & Rich
Rollin' Along
118 bpm • G Maj • 03:06 • -3.69db
17% Popularity • 61% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 61% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Frankie Ballard
Wasting Time
119 bpm • A Maj • 03:43 • -5.38db
21% Popularity • 55% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 55% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Thompson Square
My Kind Of Crazy
119 bpm • G Maj • 03:46 • -3.17db
18% Popularity • 53% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 53% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Luke Bryan
Doin' My Thing
119 bpm • F Maj • 03:09 • -5.14db
32% Popularity • 66% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 66% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Brad Paisley
River Bank
117 bpm • G Maj • 02:59 • -5.79db
48% Popularity • 64% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 64% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Jon Pardi
Missin' You Crazy
117 bpm • E Maj • 03:18 • -3.68db
45% Popularity • 61% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 61% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Darius Rucker
Heartbreak Road
117 bpm • E Maj • 03:13 • -5.57db
29% Popularity • 72% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 72% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Josh Turner
Baby, I Go Crazy
116 bpm • C# Maj • 03:22 • -5.37db
27% Popularity • 60% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 60% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Thompson Square
Getaway Car
119 bpm • C Maj • 03:32 • -3.67db
16% Popularity • 60% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 60% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Uncle Kracker
Nobody's Sad On A Saturday Night
117 bpm • G Maj • 03:18 • -5.12db
34% Popularity • 69% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 69% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 85% Positiveness
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Luke Bryan
Suntan City
117 bpm • G# Maj • 03:54 • -4.56db
48% Popularity • 66% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
48% Popularity • 66% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Frankie Ballard
Sober Me Up - 2013 Mix
120 bpm • E Maj • 03:36 • -6.31db
20% Popularity • 61% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 61% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Darius Rucker
I Don't Care
117 bpm • G Maj • 04:01 • -5.41db
27% Popularity • 66% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 66% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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David Nail
The Sound Of A Million Dreams
120 bpm • E Maj • 03:55 • -7.33db
32% Popularity • 56% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 56% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Brooks & Dunn
Proud of the House We Built
120 bpm • F# Maj • 03:46 • -4.97db
40% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Easton Corbin
Roll With It
120 bpm • F Maj • 03:27 • -8db
58% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Luke Bryan
Out Like That
120 bpm • B Maj • 03:17 • -3.51db
41% Popularity • 59% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 59% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Frankie Ballard
I'm Thinking Country
120 bpm • E Maj • 02:50 • -5db
30% Popularity • 65% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Aaron Lines
The Lights Of My Hometown
120 bpm • C# Maj • 03:31 • -5.48db
13% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Darius Rucker
Love Will Do That
117 bpm • E Maj • 03:24 • -6.53db
26% Popularity • 66% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 66% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Eric Paslay
Friday Night
120 bpm • A Maj • 02:47 • -4.19db
61% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
61% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Brian McComas
99.9% Sure (I've Never Been Here Before)
116 bpm • G Maj • 03:13 • -3.41db
33% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Luke Bryan
Every Time I See You
116 bpm • G Maj • 04:05 • -4.38db
31% Popularity • 49% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 49% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Aaron Pritchett
Done You Wrong
120 bpm • D Maj • 04:13 • -5.76db
11% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
75% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
75% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Big & Rich
California
116 bpm • A Maj • 03:21 • -4.84db
44% Popularity • 63% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 63% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Craig Campbell
Keep Them Kisses Comin'
120 bpm • F# Maj • 02:39 • -5.71db
48% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Thompson Square
Everything I Shouldn't Be Thinking About
116 bpm • G# Maj • 02:58 • -3.7db
38% Popularity • 68% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 68% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Parmalee
Already Callin' You Mine
120 bpm • C# Maj • 03:04 • -2.63db
51% Popularity • 59% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 59% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Janson
Every Day Of The Week
116 bpm • G Maj • 03:11 • -3.67db
34% Popularity • 69% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 69% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Darius Rucker
All I Want
120 bpm • E Maj • 03:49 • -4.51db
27% Popularity • 64% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 64% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Sara Evans
A Real Fine Place to Start
121 bpm • G# Maj • 03:58 • -3db
42% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Easton Corbin
A Lot To Learn About Livin'
121 bpm • G# Maj • 03:46 • -9db
40% Popularity • 82% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 82% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Josh Turner
Lord Have Mercy On A Country Boy
115 bpm • D Maj • 03:06 • -4.55db
46% Popularity • 67% Danceability • 72% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
46% Popularity • 67% Danceability • 72% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
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Frankie Ballard
Young & Crazy
115 bpm • C Maj • 03:00 • -4db
50% Popularity • 61% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 61% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Big & Rich
Big Time
121 bpm • D Maj • 03:56 • -1.39db
38% Popularity • 66% Danceability • 93% Energy • 51% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 66% Danceability • 93% Energy • 51% Liveness
0% Instrumentalness • 72% Positiveness
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Jason Aldean
Relentless
115 bpm • F Maj • 03:41 • -5.31db
40% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Darius Rucker
Forever Road
115 bpm • G Maj • 04:01 • -4.77db
29% Popularity • 59% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 59% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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James Wesley
Didn't I
122 bpm • B Maj • 03:26 • -3.96db
21% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
71% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
71% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Florida Georgia Line
Dirt
122 bpm • D Maj • 03:50 • -4.22db
61% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ronnie Dunn
Your Kind Of Love
122 bpm • A# Maj • 03:35 • -3.66db
22% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Paslay
Keep On Fallin'
122 bpm • A Maj • 03:20 • -4.92db
18% Popularity • 54% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 54% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Darius Rucker
Might Get Lucky
115 bpm • D# Maj • 03:45 • -5.07db
27% Popularity • 64% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 64% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Lady A
Lookin' For A Good Time
122 bpm • G Maj • 03:07 • -3db
41% Popularity • 66% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 66% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Uncle Kracker
Good to Be Me
114 bpm • G# Maj • 04:12 • -3.76db
39% Popularity • 83% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 83% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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DJ Garth
Baby Let's Lay Down and Dance
114 bpm • G Maj • 02:53 • -7.52db
19% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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James Otto
These Are the Good Ole Days
114 bpm • C Maj • 03:35 • -6.03db
20% Popularity • 74% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 74% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Eric Paslay
Never Really Wanted
114 bpm • D Maj • 03:27 • -5.02db
25% Popularity • 60% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 60% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Jason Aldean
When She Says Baby
113 bpm • C Maj • 02:51 • -5.13db
64% Popularity • 67% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
64% Popularity • 67% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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JT Hodges
Sleepy Little Town
114 bpm • D Maj • 03:34 • -5db
27% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Canaan Smith
Hole In A Bottle
113 bpm • G# min • 02:36 • -5.53db
37% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Uncle Kracker
I'd Be There
113 bpm • G# Maj • 03:12 • -6.19db
41% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Josh Turner
Another Try
123 bpm • A# Maj • 03:45 • -8db
44% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Darryl Worley
Awful Beautiful Life
113 bpm • D Maj • 03:52 • -7db
44% Popularity • 63% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 63% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Brad Paisley
Perfect Storm
124 bpm • C Maj • 03:54 • -6db
48% Popularity • 53% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 53% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Frankie Ballard
Don't Tell Mama I Was Drinking
112 bpm • F# Maj • 04:14 • -6.09db
22% Popularity • 60% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 60% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Chase Rice
Gonna Wanna Tonight
124 bpm • D Maj • 03:34 • -7db
28% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Lady A
Our Kind Of Love
112 bpm • E Maj • 04:09 • -3.46db
42% Popularity • 63% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 63% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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David Nail
Easy Love
124 bpm • C Maj • 03:21 • -6.19db
18% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Josh Turner
Time Is Love
112 bpm • D Maj • 03:20 • -4.99db
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Blaine Larsen
Spoken Like A Man
112 bpm • E Maj • 02:45 • -2.85db
13% Popularity • 75% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 75% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Cole Swindell
Hey Y'all
112 bpm • B Maj • 02:49 • -2.71db
42% Popularity • 60% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 60% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Glen Templeton
I Could Be the One
125 bpm • G Maj • 03:05 • -4db
18% Popularity • 65% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 65% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Toby Keith
God Love Her
125 bpm • A# Maj • 03:36 • -4db
57% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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David Nail
I Thought You Knew
125 bpm • G min • 03:42 • -4.2db
6% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
6% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Chuck Wicks
Fix Me
126 bpm • D# Maj • 03:43 • -7.98db
11% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Randy Houser
Goodnight Kiss
111 bpm • C# Maj • 03:26 • -4.29db
53% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
53% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Janson
Better I Don't
126 bpm • C Maj • 03:25 • -4.3db
39% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Granger Smith
Silverado Bench Seat
126 bpm • D# Maj • 02:57 • -4.58db
39% Popularity • 66% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 66% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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The Cadillac Three
Comin' To Your City - ESPN College Gamed...
110 bpm • D Maj • 01:43 • -2.92db
45% Popularity • 58% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 58% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Craig Campbell
Love Is You
110 bpm • G Maj • 03:39 • -4.68db
11% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Chad Brock
Yes!
127 bpm • D Maj • 03:26 • -6db
43% Popularity • 67% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 67% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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James Otto
Somewhere Tonight
110 bpm • C Maj • 02:50 • -4db
24% Popularity • 64% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 64% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Big & Rich
Cheat on You
110 bpm • C Maj • 03:14 • -5.81db
14% Popularity • 63% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 63% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Easton Corbin
Lovin' You Is Fun
110 bpm • G# Maj • 03:19 • -3.03db
57% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Jason Aldean
Dirt Road Anthem
127 bpm • D Maj • 03:49 • -5.06db
73% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
73% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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David Nail
Good At Tonight
110 bpm • E Maj • 03:30 • -5db
35% Popularity • 59% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 59% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Tyler Farr
Chicks, Trucks, and Beer
109 bpm • G Maj • 03:35 • -5.51db
32% Popularity • 64% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 64% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Thompson Square
I Got You
127 bpm • D Maj • 03:03 • -2.59db
28% Popularity • 53% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 53% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Darius Rucker
Take Me Home
128 bpm • D# Maj • 04:09 • -7.69db
26% Popularity • 60% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 60% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Josh Turner
Lay Low
109 bpm • B Maj • 04:20 • -5.92db
49% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Andy Gibson
Summer Back
128 bpm • D# min • 03:04 • -3.95db
10% Popularity • 63% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 63% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Austin Webb
Slip on By
128 bpm • C# Maj • 03:47 • -4.82db
18% Popularity • 60% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 60% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Bryan
Apologize
128 bpm • D# Maj • 02:52 • -5.07db
35% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Diamond Rio
Wrinkles
109 bpm • E Maj • 03:08 • -7.38db
18% Popularity • 68% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 68% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Eric Paslay
Here Comes Love
108 bpm • E Maj • 03:05 • -5.98db
21% Popularity • 58% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 58% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Darius Rucker
Lie To Me
108 bpm • D Maj • 04:04 • -6.92db
27% Popularity • 60% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 60% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Josh Abbott Band
Touch
108 bpm • A# Maj • 03:28 • -5.58db
43% Popularity • 61% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 61% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
72% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
70% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness