Songs like True Blue by boygenius
Based on a tempo of (+/- 10%) and a similar genre
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Slow Pulp
Falling Apart
146 bpm • B Maj • 02:46 • -7.84db
63% Popularity • 67% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
63% Popularity • 67% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Gracie Abrams
Difficult
146 bpm • D Maj • 04:18 • -9.09db
61% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Lucy Dacus
VBS
146 bpm • C Maj • 03:56 • -7.64db
47% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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The National
Laugh Track
146 bpm • F Maj • 04:24 • -9.42db
52% Popularity • 66% Danceability • 56% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
52% Popularity • 66% Danceability • 56% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
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boygenius
True Blue
146 bpm • G Maj • 04:56 • -7.72db
68% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
68% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Fiona Apple
I Know
146 bpm • C Maj • 04:55 • -14.22db
60% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Haley Blais
Coolest fucking bitch in town
147 bpm • A# Maj • 04:56 • -10.45db
47% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lucy Dacus
Brando
145 bpm • A Maj • 03:00 • -8.49db
55% Popularity • 63% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 63% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Alice Phoebe Lou
Open My Door
145 bpm • C Maj • 02:33 • -6.68db
60% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Billie Marten
I Can't Get My Head Around You
145 bpm • G# Maj • 03:26 • -7.86db
45% Popularity • 53% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
45% Popularity • 53% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
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Maggie Rogers
Don't Forget Me
145 bpm • G# Maj • 04:25 • -4.26db
69% Popularity • 48% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 48% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Searows
Funny
145 bpm • F# min • 05:02 • -12.61db
48% Popularity • 26% Danceability • 35% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
48% Popularity • 26% Danceability • 35% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
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Clairo
Blouse
145 bpm • G Maj • 03:15 • -20.33db
55% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Big Thief
Masterpiece - 2023 Remaster
144 bpm • E Maj • 03:50 • -5.54db
55% Popularity • 37% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 37% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Wasia Project
Petals on the Moon
148 bpm • D Maj • 04:16 • -7.02db
58% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Suki Waterhouse
Wild Side
144 bpm • E Maj • 03:55 • -9db
47% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Paramore
Liar
148 bpm • F# min • 04:21 • -12db
56% Popularity • 51% Danceability • 45% Energy • 11% Liveness
21% Instrumentalness • 27% Positiveness
56% Popularity • 51% Danceability • 45% Energy • 11% Liveness
21% Instrumentalness • 27% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
56% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Adrianne Lenker
half return
144 bpm • D# Maj • 02:08 • -12db
62% Popularity • 44% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
62% Popularity • 44% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
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Mitski
I Don't Like My Mind
149 bpm • E Maj • 02:25 • -10.57db
63% Popularity • 15% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
63% Popularity • 15% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Whatever, Dad
Death of the Phone Call
149 bpm • A Maj • 01:35 • -17.46db
64% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
64% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Angie McMahon
Fireball Whiskey
149 bpm • C Maj • 03:29 • -11.93db
48% Popularity • 36% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 36% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Maggie Rogers
Overdrive
149 bpm • G Maj • 03:14 • -6.19db
54% Popularity • 37% Danceability • 78% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
54% Popularity • 37% Danceability • 78% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
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Hozier
From Eden
143 bpm • C Maj • 04:43 • -5.46db
66% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Adrianne Lenker
Fool
144 bpm • D# Maj • 02:54 • -12.06db
61% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Dora Jar
Spell
143 bpm • E min • 04:07 • -15db
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
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Phoebe Bridgers
Graceland Too
150 bpm • A# Maj • 03:56 • -10.37db
67% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
67% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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chloe moriondo
Manta Rays
150 bpm • E Maj • 03:31 • -3.81db
50% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Reneé Rapp
Tummy Hurts
150 bpm • E Maj • 02:48 • -5.86db
75% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
75% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Japanese House
Baby goes again
150 bpm • C Maj • 03:31 • -10.34db
45% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Faye Webster
Kingston
142 bpm • A# min • 03:22 • -9.13db
77% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
77% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Maggie Rogers
Shatter
150 bpm • A Maj • 03:40 • -2db
59% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Suki Waterhouse
Good Looking (Stripped)
150 bpm • C Maj • 03:37 • -16.68db
50% Popularity • 45% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 45% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Adrianne Lenker
No Machine
150 bpm • G Maj • 03:00 • -10.61db
60% Popularity • 34% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 34% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Japanese House
You always get what you want
142 bpm • A# Maj • 02:48 • -9.14db
44% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
44% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
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Noah Kahan
Come Over
150 bpm • E Maj • 03:17 • -10.72db
64% Popularity • 50% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
64% Popularity • 50% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Lucy Dacus
Christine
142 bpm • C Maj • 02:33 • -10.84db
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Olivia Rodrigo
Can’t Catch Me Now - from The Hunger G...
142 bpm • B min • 03:25 • -7.76db
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
46% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Fiona Apple
I Want You To Love Me
141 bpm • A min • 03:57 • -8.82db
59% Popularity • 53% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 71% Positiveness
59% Popularity • 53% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 71% Positiveness
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Gracie Abrams
Where do we go now?
151 bpm • A# Maj • 04:03 • -10.64db
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
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Billie Marten
This Is How We Move
141 bpm • C# Maj • 03:06 • -11.64db
35% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
35% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Slow Pulp
Slugs
141 bpm • E Maj • 03:06 • -7.46db
53% Popularity • 60% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
53% Popularity • 60% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Searows
Older
141 bpm • C Maj • 06:55 • -12.99db
49% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
49% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Squirrel Flower
So Hot You're Hurting My Feelings
141 bpm • F Maj • 03:29 • -7db
51% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Fiona Apple
Paper Bag
141 bpm • C Maj • 03:39 • -9.9db
67% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
67% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Leith Ross
Ask First
140 bpm • G Maj • 04:23 • -13.32db
41% Popularity • 38% Danceability • 33% Energy • 15% Liveness
6% Instrumentalness • 25% Positiveness
41% Popularity • 38% Danceability • 33% Energy • 15% Liveness
6% Instrumentalness • 25% Positiveness
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Gregory Alan Isakov
Amsterdam
152 bpm • D# Maj • 03:18 • -12.51db
73% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
73% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
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Sufjan Stevens
Futile Devices
140 bpm • E Maj • 02:13 • -18.65db
63% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
63% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
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Etta Marcus
Theatre
140 bpm • C# Maj • 02:59 • -5.55db
48% Popularity • 50% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 50% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Maya Hawke
Backup Plan
140 bpm • C Maj • 03:17 • -12.87db
43% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Weyes Blood
A Lot's Gonna Change
140 bpm • C# Maj • 04:21 • -10.16db
58% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
58% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Eliza McLamb
Doing Fine
140 bpm • G# Maj • 03:30 • -7.87db
36% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Chappell Roan
HOT TO GO!
140 bpm • F# Maj • 03:04 • -4.92db
73% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
73% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Lucy Dacus
Kissing Lessons
140 bpm • C# Maj • 01:54 • -7.07db
52% Popularity • 55% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
52% Popularity • 55% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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The Last Dinner Party
On Your Side
140 bpm • B min • 04:27 • -7.43db
58% Popularity • 27% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 8% Positiveness
58% Popularity • 27% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 8% Positiveness
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Wallows
Calling After Me
140 bpm • G# Maj • 03:07 • -4.64db
72% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
72% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Wasia Project
My Lover Is Sleeping
140 bpm • G# Maj • 03:46 • -9.54db
50% Popularity • 50% Danceability • 40% Energy • 11% Liveness
50% Instrumentalness • 16% Positiveness
50% Popularity • 50% Danceability • 40% Energy • 11% Liveness
50% Instrumentalness • 16% Positiveness
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Del Water Gap
All We Ever Do Is Talk
153 bpm • D Maj • 03:46 • -5.49db
60% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Noah Kahan
The View Between Villages
153 bpm • C# Maj • 03:35 • -13.91db
71% Popularity • 31% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
71% Popularity • 31% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Paris Paloma
yeti
139 bpm • B min • 04:12 • -11.3db
55% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Maltese
Krystal
154 bpm • D# Maj • 03:40 • -8.06db
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Leith Ross
Guts
139 bpm • G Maj • 05:04 • -10.13db
39% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Suki Waterhouse
Nostalgia
154 bpm • F# Maj • 03:57 • -8db
58% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Big Thief
Velvet Ring - 2023 Remaster
139 bpm • C Maj • 02:35 • -11.94db
63% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
63% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
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Noah Kahan
The View Between Villages - Extended
153 bpm • C# Maj • 04:52 • -10.18db
64% Popularity • 32% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
64% Popularity • 32% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Paris Paloma
my mind (now)
154 bpm • C# Maj • 02:56 • -7.05db
57% Popularity • 25% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
57% Popularity • 25% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Taylor Swift
right where you left me - bonus track
138 bpm • A# Maj • 04:05 • -6.52db
79% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
79% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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boygenius
Afraid of Heights
138 bpm • G# Maj • 02:41 • -12.81db
60% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Lucy Dacus
Fool's Gold
138 bpm • F min • 03:18 • -15.9db
45% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Odie Leigh
Crop Circles
138 bpm • F min • 03:46 • -9.49db
51% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ryan Beatty
Ribbons
138 bpm • D# Maj • 03:17 • -13db
53% Popularity • 40% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
53% Popularity • 40% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Gracie Abrams
I should hate you
138 bpm • F Maj • 04:18 • -8.07db
62% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lomelda
Bust
155 bpm • C Maj • 01:31 • -18db
47% Popularity • 52% Danceability • 27% Energy • 11% Liveness
31% Instrumentalness • 5% Positiveness
47% Popularity • 52% Danceability • 27% Energy • 11% Liveness
31% Instrumentalness • 5% Positiveness
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Big Thief
Objects
138 bpm • G min • 02:41 • -10.36db
56% Popularity • 68% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 51% Positiveness
56% Popularity • 68% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 51% Positiveness
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Adrianne Lenker
Indiana
155 bpm • C# Maj • 02:37 • -13db
58% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Phoebe Bridgers
Moon Song
155 bpm • C# Maj • 04:37 • -12.51db
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Faye Webster
I Know You
155 bpm • A# Maj • 04:11 • -13db
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Noah Kahan
Your Needs, My Needs
155 bpm • G Maj • 03:27 • -12.16db
71% Popularity • 35% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
71% Popularity • 35% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Weyes Blood
Something to Believe
137 bpm • E Maj • 04:45 • -8.59db
52% Popularity • 31% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 31% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Julien Baker
Faith Healer
156 bpm • E Maj • 02:54 • -7db
47% Popularity • 40% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 40% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Adrianne Lenker
Jonathan
137 bpm • B Maj • 02:08 • -14.24db
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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The Beaches
Blame Brett
156 bpm • C# min • 02:57 • -3.16db
70% Popularity • 47% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
70% Popularity • 47% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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The National
The Alcott
156 bpm • C Maj • 04:27 • -10.6db
69% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Olivia Rodrigo
all-american bitch
156 bpm • F# Maj • 02:45 • -4.23db
81% Popularity • 43% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
81% Popularity • 43% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Bleachers
Tiny Moves
156 bpm • A Maj • 03:48 • -8.26db
61% Popularity • 69% Danceability • 65% Energy • 15% Liveness
7% Instrumentalness • 91% Positiveness
61% Popularity • 69% Danceability • 65% Energy • 15% Liveness
7% Instrumentalness • 91% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
55% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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boygenius
Revolution 0
136 bpm • C Maj • 04:17 • -14.22db
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
