Songs like True Love Will Find You in the End by Daniel Johnston
Based on a tempo of (+/- 10%) and a similar genre
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Sibylle Baier
Colour Green
119 bpm • G min • 02:25 • -14db
36% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Strawberry Switchblade
Trees and Flowers
119 bpm • G Maj • 03:14 • -5.82db
60% Popularity • 43% Danceability • 73% Energy • 9% Liveness
29% Instrumentalness • 80% Positiveness
60% Popularity • 43% Danceability • 73% Energy • 9% Liveness
29% Instrumentalness • 80% Positiveness
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Jeff Buckley
Lover, You Should've Come Over
119 bpm • D Maj • 06:44 • -5.67db
73% Popularity • 39% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
73% Popularity • 39% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Daniel Johnston
True Love Will Find You in the End
119 bpm • A# min • 01:51 • -12.12db
54% Popularity • 55% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 55% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Leonard Cohen
Famous Blue Raincoat
119 bpm • A min • 05:10 • -22.21db
59% Popularity • 47% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 47% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Life Without Buildings
The Leanover
118 bpm • B min • 05:23 • -8.4db
52% Popularity • 52% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 52% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Neutral Milk Hotel
Oh Comely
118 bpm • E min • 08:18 • -6.23db
49% Popularity • 36% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
49% Popularity • 36% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Bill Callahan
Sycamore
120 bpm • B Maj • 05:35 • -6.07db
41% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Broadcast
Echo's Answer
120 bpm • C Maj • 03:11 • -16db
46% Popularity • 31% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
46% Popularity • 31% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Ween
Tried And True
120 bpm • C# Maj • 04:02 • -9.05db
53% Popularity • 75% Danceability • 57% Energy • 33% Liveness
27% Instrumentalness • 57% Positiveness
53% Popularity • 75% Danceability • 57% Energy • 33% Liveness
27% Instrumentalness • 57% Positiveness
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Jad Fair
If I'd Only Known
118 bpm • A Maj • 01:54 • -11.84db
7% Popularity • 84% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 32% Positiveness
7% Popularity • 84% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 32% Positiveness
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Mazzy Star
Look On Down From The Bridge
120 bpm • C Maj • 04:47 • -19.32db
64% Popularity • 37% Danceability • 8% Energy • 11% Liveness
69% Instrumentalness • 10% Positiveness
64% Popularity • 37% Danceability • 8% Energy • 11% Liveness
69% Instrumentalness • 10% Positiveness
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The Magnetic Fields
Andrew in Drag
120 bpm • C Maj • 02:12 • -6.28db
46% Popularity • 68% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 68% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Deerhunter
Agoraphobia
120 bpm • E Maj • 03:22 • -6.88db
42% Popularity • 58% Danceability • 94% Energy • 66% Liveness
82% Instrumentalness • 39% Positiveness
42% Popularity • 58% Danceability • 94% Energy • 66% Liveness
82% Instrumentalness • 39% Positiveness
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Sibylle Baier
Tonight
120 bpm • F min • 02:26 • -14.71db
48% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Songs: Ohia
I've Been Riding With the Ghost
120 bpm • G# min • 03:20 • -8db
42% Popularity • 38% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 38% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Replacements
Swingin Party - 2008 Remaster
118 bpm • F# min • 03:53 • -8.66db
53% Popularity • 65% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
53% Popularity • 65% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Belle and Sebastian
Expectations
121 bpm • B min • 03:34 • -13.3db
47% Popularity • 51% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 51% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Magnetic Fields
I Don't Want to Get Over You
120 bpm • G Maj • 02:22 • -8.02db
53% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Tim Buckley
Once I Was
121 bpm • C# Maj • 03:23 • -10db
47% Popularity • 34% Danceability • 43% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
47% Popularity • 34% Danceability • 43% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
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Sibylle Baier
I Lost Something in the Hills
117 bpm • G# Maj • 03:28 • -14.67db
45% Popularity • 63% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 63% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mount Eerie
You Swan, Go On
117 bpm • A min • 01:32 • -16.68db
41% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
41% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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The Velvet Underground
After Hours
121 bpm • G min • 02:07 • -20.99db
62% Popularity • 61% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
62% Popularity • 61% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Big Star
Thirteen
117 bpm • C min • 02:34 • -14.37db
56% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Breeders
Drivin' on 9
121 bpm • G Maj • 03:22 • -13.65db
48% Popularity • 63% Danceability • 39% Energy • 26% Liveness
53% Instrumentalness • 54% Positiveness
48% Popularity • 63% Danceability • 39% Energy • 26% Liveness
53% Instrumentalness • 54% Positiveness
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Connie Converse
Trouble
117 bpm • C Maj • 01:24 • -20.23db
36% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Car Seat Headrest
Drunk Drivers/Killer Whales
117 bpm • D Maj • 06:14 • -7.95db
58% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Tim Buckley
Buzzin' Fly
121 bpm • F Maj • 06:04 • -13db
41% Popularity • 46% Danceability • 32% Energy • 20% Liveness
3% Instrumentalness • 42% Positiveness
41% Popularity • 46% Danceability • 32% Energy • 20% Liveness
3% Instrumentalness • 42% Positiveness
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Daniel Johnston
Living Life
121 bpm • C Maj • 03:25 • -14.15db
13% Popularity • 35% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 73% Positiveness
13% Popularity • 35% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 73% Positiveness
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Broadcast
The Book Lovers
117 bpm • A Maj • 04:49 • -12db
48% Popularity • 19% Danceability • 41% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 41% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Smog
Cold Blooded Old Times
121 bpm • B Maj • 04:14 • -10db
43% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Foxygen
San Francisco
117 bpm • A# Maj • 03:47 • -7.95db
55% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Minutemen
History Lesson Part 2
121 bpm • C Maj • 02:12 • -16.19db
41% Popularity • 68% Danceability • 24% Energy • 8% Liveness
52% Instrumentalness • 73% Positiveness
41% Popularity • 68% Danceability • 24% Energy • 8% Liveness
52% Instrumentalness • 73% Positiveness
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Xiu Xiu
I Luv the Valley OH!
117 bpm • G Maj • 02:59 • -6db
41% Popularity • 21% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 21% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Daniel Johnston
True Love Will Find You in the End
117 bpm • C# Maj • 01:52 • -21db
18% Popularity • 50% Danceability • 25% Energy • 14% Liveness
92% Instrumentalness • 29% Positiveness
18% Popularity • 50% Danceability • 25% Energy • 14% Liveness
92% Instrumentalness • 29% Positiveness
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The Jesus and Mary Chain
Just Like Honey
121 bpm • G# Maj • 03:02 • -10.5db
58% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
58% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
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The Magnetic Fields
Come Back From San Francisco
117 bpm • D Maj • 02:48 • -11.24db
43% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jonathan Richman
I Was Dancing In The Lesbian Bar
116 bpm • A min • 03:43 • -13.55db
49% Popularity • 83% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 83% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Beat Happening
Godsend
116 bpm • G Maj • 09:28 • -8db
32% Popularity • 40% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 47% Positiveness
32% Popularity • 40% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 47% Positiveness
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Bauhaus
All We Ever Wanted Was Everything
116 bpm • C Maj • 03:52 • -17.63db
53% Popularity • 60% Danceability • 25% Energy • 12% Liveness
10% Instrumentalness • 27% Positiveness
53% Popularity • 60% Danceability • 25% Energy • 12% Liveness
10% Instrumentalness • 27% Positiveness
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Daniel Johnston
Got to Get You into My Life
122 bpm • E min • 04:26 • -14.36db
21% Popularity • 46% Danceability • 62% Energy • 9% Liveness
22% Instrumentalness • 7% Positiveness
21% Popularity • 46% Danceability • 62% Energy • 9% Liveness
22% Instrumentalness • 7% Positiveness
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Guided By Voices
I Am A Scientist
116 bpm • A Maj • 02:24 • -13.45db
42% Popularity • 53% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
42% Popularity • 53% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
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Red House Painters
Cruiser
122 bpm • D# Maj • 08:39 • -10.95db
35% Popularity • 52% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
35% Popularity • 52% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Purple Mountains
That's Just The Way That I Feel
123 bpm • C Maj • 03:23 • -6.53db
16% Popularity • 57% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 57% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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The Brian Jonestown Massacre
(David Bowie I Love You) Since I Was Six
116 bpm • A# Maj • 03:23 • -7db
25% Popularity • 20% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 20% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Smog
I Feel Like The Mother Of The World
115 bpm • B Maj • 03:09 • -10.27db
39% Popularity • 53% Danceability • 85% Energy • 9% Liveness
35% Instrumentalness • 51% Positiveness
39% Popularity • 53% Danceability • 85% Energy • 9% Liveness
35% Instrumentalness • 51% Positiveness
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Daniel Johnston
Fish
122 bpm • G Maj • 03:10 • -5.98db
22% Popularity • 45% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 60% Positiveness
22% Popularity • 45% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 60% Positiveness
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Galaxie 500
Tugboat
115 bpm • G Maj • 03:54 • -8.16db
26% Popularity • 28% Danceability • 88% Energy • 16% Liveness
59% Instrumentalness • 39% Positiveness
26% Popularity • 28% Danceability • 88% Energy • 16% Liveness
59% Instrumentalness • 39% Positiveness
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Guided By Voices
Game Of Pricks
122 bpm • A# Maj • 01:33 • -6.98db
52% Popularity • 37% Danceability • 97% Energy • 53% Liveness
66% Instrumentalness • 32% Positiveness
52% Popularity • 37% Danceability • 97% Energy • 53% Liveness
66% Instrumentalness • 32% Positiveness
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Haley Heynderickx
Oom Sha La La
115 bpm • D Maj • 02:57 • -9.18db
54% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Cat Power
Metal Heart
115 bpm • F# Maj • 04:02 • -11.21db
45% Popularity • 44% Danceability • 34% Energy • 11% Liveness
9% Instrumentalness • 5% Positiveness
45% Popularity • 44% Danceability • 34% Energy • 11% Liveness
9% Instrumentalness • 5% Positiveness
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Silver Jews
Dallas
123 bpm • A min • 04:13 • -12db
40% Popularity • 65% Danceability • 49% Energy • 10% Liveness
12% Instrumentalness • 55% Positiveness
40% Popularity • 65% Danceability • 49% Energy • 10% Liveness
12% Instrumentalness • 55% Positiveness
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Daniel Johnston
Favorite Darling Girl
123 bpm • F Maj • 02:14 • -8.44db
17% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Smiths
Asleep - 2011 Remaster
115 bpm • C Maj • 04:13 • -15.87db
64% Popularity • 51% Danceability • 26% Energy • 15% Liveness
53% Instrumentalness • 22% Positiveness
64% Popularity • 51% Danceability • 26% Energy • 15% Liveness
53% Instrumentalness • 22% Positiveness
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Nancy Sinatra
Some Velvet Morning
123 bpm • C# min • 03:40 • -12db
48% Popularity • 29% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 29% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Broadcast
Come On Let's Go
115 bpm • D Maj • 03:17 • -10db
53% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
53% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
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Black Country, New Road
The Place Where He Inserted the Blade
123 bpm • B Maj • 07:13 • -8.28db
58% Popularity • 38% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
58% Popularity • 38% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Silver Jews
How to Rent a Room
115 bpm • C Maj • 03:02 • -10db
46% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Wilco
How to Fight Loneliness
124 bpm • B min • 03:52 • -12.67db
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
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Stereolab
Lo Boob Oscillator
124 bpm • E Maj • 06:36 • -6.08db
48% Popularity • 36% Danceability • 87% Energy • 13% Liveness
10% Instrumentalness • 80% Positiveness
48% Popularity • 36% Danceability • 87% Energy • 13% Liveness
10% Instrumentalness • 80% Positiveness
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Palace Music
New Partner
124 bpm • B Maj • 03:54 • -14db
40% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Labi Siffre
Cannock Chase
124 bpm • F# min • 04:06 • -11.86db
55% Popularity • 38% Danceability • 48% Energy • 13% Liveness
93% Instrumentalness • 49% Positiveness
55% Popularity • 38% Danceability • 48% Energy • 13% Liveness
93% Instrumentalness • 49% Positiveness
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Arthur Russell
Close My Eyes
124 bpm • G Maj • 02:33 • -13.82db
40% Popularity • 66% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
40% Popularity • 66% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
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Talking Heads
This Must Be the Place (Naive Melody) - ...
114 bpm • G Maj • 04:56 • -10.15db
72% Popularity • 94% Danceability • 64% Energy • 3% Liveness
18% Instrumentalness • 97% Positiveness
72% Popularity • 94% Danceability • 64% Energy • 3% Liveness
18% Instrumentalness • 97% Positiveness
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Slaughter Beach, Dog
Acolyte
124 bpm • A Maj • 05:16 • -10.67db
60% Popularity • 79% Danceability • 48% Energy • 11% Liveness
9% Instrumentalness • 77% Positiveness
60% Popularity • 79% Danceability • 48% Energy • 11% Liveness
9% Instrumentalness • 77% Positiveness
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Connie Converse
Talkin' Like You (Two Tall Mountains)
114 bpm • G min • 02:31 • -21db
42% Popularity • 54% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 54% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Animal Collective
Banshee Beat
114 bpm • A Maj • 08:22 • -13db
37% Popularity • 35% Danceability • 49% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
37% Popularity • 35% Danceability • 49% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
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Vashti Bunyan
Don't Believe
114 bpm • C# Maj • 01:37 • -18.51db
29% Popularity • 66% Danceability • 16% Energy • 11% Liveness
62% Instrumentalness • 67% Positiveness
29% Popularity • 66% Danceability • 16% Energy • 11% Liveness
62% Instrumentalness • 67% Positiveness
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Beastie Boys
I Don't Know - Remastered 2009
114 bpm • C Maj • 03:00 • -15.17db
50% Popularity • 87% Danceability • 41% Energy • 7% Liveness
90% Instrumentalness • 96% Positiveness
50% Popularity • 87% Danceability • 41% Energy • 7% Liveness
90% Instrumentalness • 96% Positiveness
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Daniel Johnston
Honey I Sure Miss You
125 bpm • C Maj • 03:22 • -9.71db
32% Popularity • 41% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 54% Positiveness
32% Popularity • 41% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 54% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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Electrelane
Birds
114 bpm • G Maj • 03:53 • -16db
41% Popularity • 60% Danceability • 26% Energy • 12% Liveness
22% Instrumentalness • 30% Positiveness
41% Popularity • 60% Danceability • 26% Energy • 12% Liveness
22% Instrumentalness • 30% Positiveness
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Yo La Tengo
My Heart's Not In It
125 bpm • A Maj • 02:48 • -9.8db
41% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Deerhoof
Midnight, The Stars and You
114 bpm • E Maj • 03:44 • -10db
42% Popularity • 46% Danceability • 45% Energy • 35% Liveness
40% Instrumentalness • 48% Positiveness
42% Popularity • 46% Danceability • 45% Energy • 35% Liveness
40% Instrumentalness • 48% Positiveness
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Billy Bragg
When The Roses Bloom Again
113 bpm • C Maj • 04:07 • -9db
53% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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The Smiths
I Know It's Over - 2011 Remaster
113 bpm • C Maj • 05:49 • -10.58db
70% Popularity • 41% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
70% Popularity • 41% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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The Magnetic Fields
When You're Old and Lonely
125 bpm • G Maj • 01:57 • -16db
44% Popularity • 43% Danceability • 24% Energy • 11% Liveness
71% Instrumentalness • 17% Positiveness
44% Popularity • 43% Danceability • 24% Energy • 11% Liveness
71% Instrumentalness • 17% Positiveness
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Hope Sandoval & The Warm Inventions
Suzanne
125 bpm • G Maj • 04:51 • -15db
50% Popularity • 51% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
50% Popularity • 51% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
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Sparklehorse
Saturday
125 bpm • A# Maj • 02:27 • -9db
41% Popularity • 70% Danceability • 39% Energy • 45% Liveness
4% Instrumentalness • 23% Positiveness
41% Popularity • 70% Danceability • 39% Energy • 45% Liveness
4% Instrumentalness • 23% Positiveness
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Arthur Russell
I Couldn't Say It To Your Face
125 bpm • F Maj • 02:36 • -8.08db
37% Popularity • 56% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 56% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Daniel Johnston
Speeding Motorcycle
125 bpm • C Maj • 03:23 • -11.83db
23% Popularity • 80% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 80% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Animal Collective
Did You See The Words
113 bpm • D Maj • 05:15 • -7.13db
37% Popularity • 44% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 44% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Bill Callahan
Too Many Birds
113 bpm • F min • 05:27 • -11.3db
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
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Pavement
Range Life
113 bpm • A Maj • 04:54 • -9.43db
49% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Adrianne Lenker
ingydar
113 bpm • A# min • 04:08 • -16db
59% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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The Velvet Underground
Stephanie Says
113 bpm • C Maj • 02:49 • -20.49db
57% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Smog
Drinking At The Dam
126 bpm • F# Maj • 04:07 • -15db
40% Popularity • 65% Danceability • 18% Energy • 11% Liveness
48% Instrumentalness • 21% Positiveness
40% Popularity • 65% Danceability • 18% Energy • 11% Liveness
48% Instrumentalness • 21% Positiveness
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Suicide
Surrender ('88 Version) (2023 Remaster)
112 bpm • F# min • 03:47 • -6.96db
47% Popularity • 28% Danceability • 59% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
47% Popularity • 28% Danceability • 59% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
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Guided By Voices
Hot Freaks
112 bpm • A Maj • 01:42 • -11db
47% Popularity • 60% Danceability • 56% Energy • 60% Liveness
0% Instrumentalness • 87% Positiveness
47% Popularity • 60% Danceability • 56% Energy • 60% Liveness
0% Instrumentalness • 87% Positiveness
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Whitney
No Woman
112 bpm • D Maj • 03:57 • -8.74db
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
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PJ Harvey
This Mess We're In
126 bpm • C Maj • 03:55 • -9.63db
60% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
60% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
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The Velvet Underground
I'm Waiting For The Man
126 bpm • G Maj • 04:39 • -9.77db
56% Popularity • 68% Danceability • 64% Energy • 15% Liveness
87% Instrumentalness • 83% Positiveness
56% Popularity • 68% Danceability • 64% Energy • 15% Liveness
87% Instrumentalness • 83% Positiveness
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Jad Fair
I Did Acid With Caroline
126 bpm • D Maj • 01:42 • -13.2db
21% Popularity • 46% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 46% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Mazzy Star
Common Burn
126 bpm • G Maj • 05:09 • -15db
51% Popularity • 40% Danceability • 17% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
51% Popularity • 40% Danceability • 17% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
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Linda Perhacs
Chimacum Rain
112 bpm • C Maj • 03:24 • -20db
41% Popularity • 31% Danceability • 7% Energy • 10% Liveness
23% Instrumentalness • 10% Positiveness
41% Popularity • 31% Danceability • 7% Energy • 10% Liveness
23% Instrumentalness • 10% Positiveness
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Pavement
Gold Soundz
126 bpm • A Maj • 02:39 • -9.36db
51% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Nico
I'll Keep It With Mine
112 bpm • D Maj • 03:17 • -14.65db
43% Popularity • 64% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 64% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Radiohead
House Of Cards
112 bpm • F Maj • 05:28 • -9.64db
67% Popularity • 71% Danceability • 50% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
67% Popularity • 71% Danceability • 50% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
