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SYML
Based on a tempo of (+/- 10%) and a similar genre
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Tom Rosenthal
Hugging You - Acoustic
78 bpm • G# Maj • 03:53 • -20.46db
56% Popularity • 40% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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SYML
Sweet Home - Nostalgia Version
78 bpm • G Maj • 04:07 • -15.81db
36% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ruelle
Carry You
78 bpm • G Maj • 04:28 • -7.37db
57% Popularity • 44% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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FINNEAS
Love is Pain
78 bpm • A Maj • 03:44 • -15.33db
54% Popularity • 61% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Billie Eilish
What Was I Made For? [From The Motion Pi...
78 bpm • C Maj • 03:42 • -17.67db
93% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Dean Lewis
Half A Man
78 bpm • C Maj • 02:59 • -11.58db
77% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Rosenthal
Go Solo
78 bpm • C# Maj • 02:22 • -12.91db
69% Popularity • 59% Danceability • 9% Energy • 12% Liveness
4% Instrumentalness • 21% Positiveness
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Patrick Watson
Lost With You
77 bpm • E min • 02:55 • -16.71db
65% Popularity • 37% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Hollow Coves
These Memories
77 bpm • C# Maj • 05:13 • -18.18db
39% Popularity • 54% Danceability • 26% Energy • 7% Liveness
10% Instrumentalness • 37% Positiveness
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James Arthur
Train Wreck
77 bpm • F# min • 03:28 • -5.73db
81% Popularity • 31% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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The Paper Kites
Paint
77 bpm • E Maj • 03:11 • -13.05db
62% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Kodaline
High Hopes
77 bpm • E Maj • 03:50 • -6.37db
67% Popularity • 49% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Lizzy McAlpine
To the Mountains
79 bpm • E Maj • 03:13 • -14db
65% Popularity • 46% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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BANNERS
Ghosts
77 bpm • C Maj • 04:10 • -7.15db
51% Popularity • 50% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Hollow Coves
Evermore
79 bpm • G# Maj • 03:43 • -9.92db
42% Popularity • 41% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Amber Run
Heaven is a Place
79 bpm • C Maj • 03:13 • -11.41db
38% Popularity • 30% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Alexander 23
IDK You Yet
77 bpm • C# Maj • 03:04 • -11.73db
76% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Edith Whiskers
Can't Help Falling in Love
77 bpm • C Maj • 03:02 • -17.38db
44% Popularity • 42% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
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Richy Mitch & The Coal Miners
Evergreen
79 bpm • D# Maj • 01:27 • -11.66db
89% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Tom Rosenthal
Middle Of My Mind
77 bpm • D Maj • 02:44 • -14.27db
43% Popularity • 61% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Bon Iver
Skinny Love
76 bpm • E min • 03:58 • -14.03db
73% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Billie Eilish
listen before i go
80 bpm • C Maj • 04:02 • -23.02db
77% Popularity • 32% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 8% Positiveness
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Haux
Cologne
76 bpm • E Maj • 04:11 • -13.77db
42% Popularity • 27% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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SYML
I Wanted to Leave - Recorded at St. Mark...
80 bpm • C min • 02:53 • -22.32db
46% Popularity • 48% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Labrinth
Forever
80 bpm • E min • 03:22 • -7.78db
71% Popularity • 56% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 20% Positiveness
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The Lumineers
Ophelia
76 bpm • F Maj • 02:40 • -6.52db
81% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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mehro
howling
76 bpm • E Maj • 03:33 • -11db
45% Popularity • 50% Danceability • 35% Energy • 11% Liveness
35% Instrumentalness • 20% Positiveness
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Tom Odell
True Colours
76 bpm • A# Maj • 02:23 • -12.1db
64% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Irrepressibles
In This Shirt
80 bpm • A Maj • 05:35 • -9.58db
73% Popularity • 29% Danceability • 39% Energy • 16% Liveness
38% Instrumentalness • 4% Positiveness
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SYML
Believer - Piano Version
76 bpm • C Maj • 04:31 • -11.78db
34% Popularity • 46% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Lorde
Liability
76 bpm • A# min • 02:51 • -11.25db
73% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Lord Huron
Meet Me In The Woods
81 bpm • F# min • 04:22 • -6.76db
64% Popularity • 54% Danceability • 93% Energy • 7% Liveness
46% Instrumentalness • 60% Positiveness
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Taylor Swift
exile
76 bpm • F# Maj • 04:45 • -8.43db
81% Popularity • 30% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Cigarettes After Sex
Sunsetz
75 bpm • F Maj • 03:35 • -9.4db
86% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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Jake Houlsby
Howl
75 bpm • A# Maj • 03:38 • -14.95db
47% Popularity • 51% Danceability • 35% Energy • 12% Liveness
79% Instrumentalness • 27% Positiveness
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SYML
Leave Like That
80 bpm • C Maj • 03:31 • -19.67db
44% Popularity • 56% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Sufjan Stevens
Visions of Gideon
75 bpm • F min • 04:07 • -18.2db
67% Popularity • 25% Danceability • 31% Energy • 9% Liveness
68% Instrumentalness • 20% Positiveness
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Ben Cocks
So Cold (The Good Wife Trailer)
75 bpm • A# Maj • 03:46 • -13.44db
65% Popularity • 52% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Sasha Alex Sloan
Dancing With Your Ghost
75 bpm • B Maj • 03:17 • -8.28db
79% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Portair
Lying to Myself
75 bpm • F# min • 03:32 • -10.19db
45% Popularity • 46% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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David Kushner
Look Back & Laugh
75 bpm • D Maj • 02:44 • -10db
64% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Luca Fogale
Unfolding
81 bpm • D# Maj • 03:43 • -11.54db
41% Popularity • 45% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Hazlett
Blame The Moon
75 bpm • A# Maj • 03:43 • -15.38db
69% Popularity • 50% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Patrick Watson
Better in the Shade
81 bpm • C min • 03:36 • -15db
47% Popularity • 42% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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KALEO
All the Pretty Girls
75 bpm • C# Maj • 04:29 • -6.61db
72% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Tom Rosenthal
Soon Goodbye, Now Love
82 bpm • E Maj • 01:51 • -15db
52% Popularity • 38% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Woodlock
Forever Ago
82 bpm • A Maj • 04:42 • -17db
53% Popularity • 43% Danceability • 20% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
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Oliver Riot
Hallucinate
82 bpm • G Maj • 03:26 • -14db
44% Popularity • 53% Danceability • 30% Energy • 8% Liveness
50% Instrumentalness • 10% Positiveness
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Genevieve Stokes
Habits
82 bpm • A Maj • 02:14 • -9.47db
69% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Gregory Alan Isakov
San Luis
82 bpm • G min • 04:32 • -12.76db
73% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
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Hozier
Cherry Wine - Live
83 bpm • C# Maj • 04:00 • -14.85db
69% Popularity • 42% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Billie Eilish
when the party's over
83 bpm • E Maj • 03:16 • -14.08db
85% Popularity • 37% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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normal the kid
take a moment to breathe. - Instrumental
74 bpm • G# min • 03:38 • -28db
55% Popularity • 19% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Kodaline
Everything Works Out in the End
83 bpm • C Maj • 03:37 • -11.29db
67% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jaymes Young
Moondust - Stripped
73 bpm • F# min • 03:36 • -13.38db
48% Popularity • 56% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Dustin Tebbutt
Resin
83 bpm • C# min • 03:23 • -12.93db
63% Popularity • 26% Danceability • 37% Energy • 12% Liveness
18% Instrumentalness • 20% Positiveness
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Tom Rosenthal
How Have You Been?
73 bpm • C Maj • 02:48 • -15.1db
50% Popularity • 38% Danceability • 3% Energy • 15% Liveness
3% Instrumentalness • 12% Positiveness
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Billie Eilish
No Time To Die
74 bpm • E min • 04:02 • -13.27db
77% Popularity • 38% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
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Jonah Kagen
broken
84 bpm • C# Maj • 03:15 • -12db
63% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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SYML
Symmetry - Dark Version
73 bpm • D min • 03:53 • -18.93db
37% Popularity • 44% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Noah Cyrus
July
73 bpm • A min • 02:36 • -8.95db
84% Popularity • 71% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Edith Whiskers
Acorns Fooling
73 bpm • D# Maj • 02:31 • -17.79db
29% Popularity • 25% Danceability • 3% Energy • 11% Liveness
10% Instrumentalness • 11% Positiveness
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Tom Odell
Heal
72 bpm • C# Maj • 03:13 • -12.94db
75% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jamie Duffy
Solas
85 bpm • E min • 03:12 • -17db
71% Popularity • 31% Danceability • 34% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
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Hollow Coves
Home
85 bpm • C# Maj • 03:22 • -12db
46% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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SYML
Hurt for Me
73 bpm • B min • 03:39 • -18db
49% Popularity • 55% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Noah Cyrus
July
72 bpm • A min • 02:32 • -9.6db
76% Popularity • 71% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Neighbourhood
Daddy Issues
85 bpm • A# Maj • 04:20 • -9.46db
86% Popularity • 59% Danceability • 52% Energy • 12% Liveness
15% Instrumentalness • 34% Positiveness
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Harrison Storm
Run
85 bpm • C# min • 03:16 • -8.94db
61% Popularity • 55% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Amber Run
Amen
85 bpm • F Maj • 03:05 • -11.44db
50% Popularity • 50% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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The Cinematic Orchestra
That Home
85 bpm • A Maj • 01:43 • -14.21db
72% Popularity • 41% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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SYML
The Dark
85 bpm • G Maj • 04:58 • -12db
44% Popularity • 45% Danceability • 24% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
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Celeste
Strange
71 bpm • D Maj • 04:15 • -9.88db
72% Popularity • 29% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Billie Marten
Bird
86 bpm • F# Maj • 03:40 • -12.75db
44% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Charlie Cunningham
Headlights
86 bpm • A Maj • 03:32 • -15.47db
51% Popularity • 62% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
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Lana Del Rey
Happiness is a butterfly
70 bpm • D Maj • 04:32 • -10.99db
78% Popularity • 47% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Tom Odell
The End
70 bpm • A# Maj • 03:25 • -14.89db
56% Popularity • 31% Danceability • 14% Energy • 8% Liveness
18% Instrumentalness • 23% Positiveness
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SYML
Before You Knew It Was Me
86 bpm • C# Maj • 03:12 • -11.72db
40% Popularity • 46% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Hozier
Like Real People Do
70 bpm • G Maj • 03:18 • -14.37db
70% Popularity • 57% Danceability • 18% Energy • 11% Liveness
40% Instrumentalness • 13% Positiveness
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James Bay
Us
70 bpm • C Maj • 03:01 • -4.15db
73% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Irrepressibles
Two Men in Love
87 bpm • F Maj • 06:26 • -12.35db
51% Popularity • 24% Danceability • 36% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
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Lord Huron
The Night We Met
87 bpm • D Maj • 03:28 • -9.51db
91% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
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mehro
hideous
87 bpm • E Maj • 03:13 • -7.53db
54% Popularity • 64% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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SYML
Lost Myself
70 bpm • D# Maj • 03:34 • -8.69db
49% Popularity • 60% Danceability • 37% Energy • 10% Liveness
12% Instrumentalness • 35% Positiveness
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Gibran Alcocer
Idea 10
87 bpm • G min • 02:08 • -20.45db
76% Popularity • 34% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 71% Positiveness
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The Cinematic Orchestra
To Believe
87 bpm • E min • 05:27 • -11.4db
49% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
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Andrew Belle
Pieces (Hushed)
70 bpm • F min • 03:18 • -11db
53% Popularity • 52% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Fabrizio Paterlini
Waltz
88 bpm • G# min • 01:04 • -34db
69% Popularity • 27% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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noel.smt
need a love
70 bpm • D min • 01:51 • -24.82db
61% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Harrison Storm
You & I
88 bpm • E min • 03:41 • -10db
43% Popularity • 55% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Bruno Major
Places We Won't Walk
88 bpm • D# Maj • 02:49 • -16db
62% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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SYML
Rising Upside Down
69 bpm • G min • 02:34 • -24.9db
40% Popularity • 29% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Lissom
Big Sleep - Sped Up
88 bpm • B min • 03:13 • -17.42db
39% Popularity • 45% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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mehro
who are you
89 bpm • C min • 04:10 • -11db
45% Popularity • 36% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 49% Positiveness
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Matt Hartke
London's Song
89 bpm • E Maj • 02:58 • -14.85db
62% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Charlotte Lawrence
Talk You Down - Acoustic
89 bpm • A# min • 03:08 • -10.12db
24% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Jaymes Young
I'll Be Good
89 bpm • G Maj • 04:07 • -10.76db
64% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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CHPTRS
Last Chance (Alternate Version)
68 bpm • D# Maj • 05:51 • -12.45db
48% Popularity • 11% Danceability • 25% Energy • 10% Liveness
6% Instrumentalness • 5% Positiveness
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Labrinth
Still Don't Know My Name
90 bpm • F Maj • 02:33 • -5.96db
78% Popularity • 32% Danceability • 63% Energy • 20% Liveness
26% Instrumentalness • 31% Positiveness
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Novo Amor
Ontario
90 bpm • A# Maj • 03:12 • -13.89db
70% Popularity • 41% Danceability • 22% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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