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Truth About You
Songs like
Truth About You
by
Mitchell Tenpenny
Based on a tempo of (+/- 10%) and a similar genre
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Tenille Arts
Over You is You
162 bpm • D Maj • 03:04 • -3.87db
37% Popularity • 45% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Mitchell Tenpenny
Do You
162 bpm • C Maj • 02:55 • -5db
43% Popularity • 51% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Parker McCollum
Burn It Down
162 bpm • D Maj • 03:53 • -5.63db
71% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Austin Burke
Let It Burn
164 bpm • G Maj • 03:26 • -7.1db
46% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Adam Doleac
Somewhere Cool With You
164 bpm • D# Maj • 02:48 • -5.14db
39% Popularity • 52% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
64% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Kameron Marlowe
Girl On Fire
164 bpm • D Maj • 02:53 • -5.79db
63% Popularity • 54% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Mitchell Tenpenny
Mixed Drinks
164 bpm • G Maj • 03:46 • -5db
37% Popularity • 48% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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CHASE WRIGHT
She Ain't Takin Your Call
160 bpm • A min • 03:13 • -3.4db
45% Popularity • 44% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
69% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Carly Pearce
Next Girl
160 bpm • B Maj • 02:44 • -4db
60% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Restless Road
Last Rodeo
160 bpm • B min • 03:15 • -3.95db
56% Popularity • 48% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Tyler Braden
Friends
164 bpm • C min • 03:26 • -5.7db
57% Popularity • 44% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Mitchell Tenpenny
Broken Up
160 bpm • D Maj • 03:05 • -4.48db
47% Popularity • 58% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Kane Brown
Bury Me in Georgia - Single Edit
160 bpm • D min • 02:50 • -5.75db
63% Popularity • 39% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Chris Lane
Take Back Home Girl
160 bpm • B Maj • 03:32 • -4db
59% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Drew Green
Lotta Bit of You
160 bpm • G min • 02:42 • -5.71db
69% Popularity • 64% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Noah Hicks
I Can Tell You're Small Town
164 bpm • F# Maj • 03:02 • -4db
51% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Braden
Little Red Wine
160 bpm • C Maj • 03:31 • -4.54db
50% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Mitchell Tenpenny
Sleeping Alone
164 bpm • A Maj • 03:23 • -4.16db
36% Popularity • 53% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Dylan Marlowe
Dirt Road When I Die
160 bpm • C# Maj • 02:54 • -6.03db
51% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Luke Combs
Going, Going, Gone
160 bpm • F# Maj • 02:57 • -6.03db
77% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
61% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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CHASE WRIGHT
Lying with You
160 bpm • C# Maj • 02:59 • -3db
51% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Dustin Lynch
Tequila On A Boat
157 bpm • A# Maj • 03:07 • -3.36db
52% Popularity • 59% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Mitchell Tenpenny
Somebody Ain't You
160 bpm • B Maj • 02:57 • -4.6db
45% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Josh Ross
On A Different Night
158 bpm • C# Maj • 03:09 • -5db
65% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Adam Sanders
What If I'm Right
168 bpm • C Maj • 02:46 • -3.42db
38% Popularity • 43% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Parmalee
Better With You
168 bpm • B Maj • 02:41 • -3.43db
38% Popularity • 57% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
57% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Canaan Cox
As You Leave
156 bpm • A min • 02:06 • -4db
57% Popularity • 59% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Mitchell Tenpenny
Chance Worth Taking
164 bpm • B Maj • 03:11 • -5.41db
34% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Drew Green
Good Ol' Man
168 bpm • F# Maj • 03:22 • -7.09db
55% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Hubbard
Turn
156 bpm • G Maj • 03:25 • -4.95db
45% Popularity • 47% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Parmalee
Gonna Love You
156 bpm • D# Maj • 02:58 • -4.28db
56% Popularity • 42% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Avery Anna
I Will (When You Do)
156 bpm • C# Maj • 03:27 • -5.31db
70% Popularity • 44% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Jameson Rodgers
Mine for the Summer
156 bpm • E Maj • 03:29 • -4.59db
44% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Mitchell Tenpenny
All On You
168 bpm • F# Maj • 03:10 • -4.12db
39% Popularity • 38% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Troy Cartwright
Unlove You
156 bpm • D Maj • 02:57 • -3.79db
55% Popularity • 43% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Canaan Cox
As You Leave (undone)
156 bpm • C Maj • 02:07 • -5.54db
57% Popularity • 68% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Megan Moroney
Tennessee Orange
156 bpm • A Maj • 03:43 • -6.64db
77% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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RaeLynn
Get That All The Time
156 bpm • C Maj • 02:58 • -4.05db
38% Popularity • 55% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Scotty McCreery
Five More Minutes
156 bpm • G Maj • 04:01 • -4.93db
69% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Mitchell Tenpenny
Bitches
168 bpm • C# Maj • 03:30 • -4.91db
54% Popularity • 64% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Chase Rice
Ready Set Roll
156 bpm • C Maj • 03:10 • -5.3db
40% Popularity • 51% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Chase Matthew
Where There’s Smoke
156 bpm • D Maj • 02:42 • -4.91db
50% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Rhett
Slow Down Summer
156 bpm • B Maj • 03:37 • -5.64db
52% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Dalton Dover
Baby I Am
156 bpm • C# Maj • 02:54 • -6.41db
54% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Tim McGraw
Standing Room Only
155 bpm • C# Maj • 03:46 • -6.15db
58% Popularity • 49% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Mitchell Tenpenny
Just to See You Smile
156 bpm • G Maj • 04:29 • -4.6db
43% Popularity • 54% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Morgan Wallen
Bandaid On A Bullet Hole
155 bpm • D Maj • 03:54 • -6.75db
70% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tyler Rich
The Difference
170 bpm • A Maj • 03:06 • -5db
54% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Priscilla Block
Wish You Were The Whiskey
156 bpm • C# min • 03:08 • -2.92db
46% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Tyler Hubbard
I'm The Only One
170 bpm • C# Maj • 02:48 • -4.17db
49% Popularity • 49% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Jordan Davis
Trying
170 bpm • F# Maj • 02:56 • -7db
59% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Conner Smith
Creek Will Rise
170 bpm • C# Maj • 02:49 • -3.56db
62% Popularity • 42% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Jade Eagleson
She Don't Know
170 bpm • B Maj • 03:24 • -6db
55% Popularity • 47% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Bailey Zimmerman
Where It Ends
170 bpm • A Maj • 02:59 • -5.07db
81% Popularity • 43% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Maddie & Tae
Woman You Got
170 bpm • A# Maj • 02:57 • -3.55db
47% Popularity • 52% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Mitchell Tenpenny
Bucket List
170 bpm • D Maj • 03:25 • -4.85db
52% Popularity • 49% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Dylan Scott
I'll Be A Bartender
153 bpm • E Maj • 03:17 • -5.91db
52% Popularity • 57% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Conner Smith
I Hate Alabama
172 bpm • E Maj • 03:34 • -5db
51% Popularity • 20% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Ray
Get Her Back
172 bpm • G# min • 03:10 • -5db
41% Popularity • 47% Danceability • 76% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
47% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Morgan Wallen
Cowgirls
172 bpm • G# Maj • 03:01 • -3.81db
84% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Bailey Zimmerman
Fix'n To Break
152 bpm • F Maj • 03:52 • -6.42db
61% Popularity • 46% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
54% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Lily Rose
Know My Way Around
152 bpm • G# Maj • 02:54 • -3db
41% Popularity • 54% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Corey Kent
How You Know You Made It
152 bpm • F Maj • 03:37 • -5.04db
41% Popularity • 48% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Restless Road
On My Way
152 bpm • D Maj • 02:56 • -5.86db
37% Popularity • 51% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Kameron Marlowe
Tennessee Don't Mind
173 bpm • B min • 04:02 • -4.17db
70% Popularity • 37% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
83% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Mitchell Tenpenny
Now We're Talking
174 bpm • G Maj • 03:20 • -5.65db
32% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Thomas Rhett
What’s Your Country Song
174 bpm • F Maj • 02:51 • -6.15db
71% Popularity • 36% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Tyler Rich
Leave Her Wild
174 bpm • C Maj • 03:19 • -5.1db
57% Popularity • 40% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Tyler Hubbard
A Lot With A Little
174 bpm • C Maj • 03:03 • -4.04db
45% Popularity • 43% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Restless Road
Headlights
150 bpm • G min • 02:54 • -4.15db
45% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Tyler Braden
Leave Me Alone
150 bpm • C min • 03:16 • -7.02db
52% Popularity • 40% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Mitchell Tenpenny
Can't Go to Church
174 bpm • A min • 04:30 • -4.76db
42% Popularity • 37% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Bailey Zimmerman
Waiting
150 bpm • F# Maj • 03:37 • -7db
59% Popularity • 51% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Corey Kent
This Heart
150 bpm • A# min • 03:06 • -5.12db
70% Popularity • 41% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Jake Owen
Up There Down Here
150 bpm • E Maj • 03:20 • -3.51db
58% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
64% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
52% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
57% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Bailey Zimmerman
Change
150 bpm • C Maj • 03:08 • -5db
65% Popularity • 44% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Mitchell Tenpenny
My Next Sad Song
176 bpm • F min • 02:54 • -5db
34% Popularity • 56% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Sam Riggs
Obsessed
176 bpm • D Maj • 02:57 • -5.62db
48% Popularity • 59% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Lauren Watkins
Anybody But You
176 bpm • C# min • 03:05 • -6.19db
63% Popularity • 40% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Dylan Schneider
Right Girl
176 bpm • E Maj • 02:49 • -5.1db
45% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Morgan Wallen
Still Goin Down
148 bpm • G Maj • 03:06 • -5db
69% Popularity • 58% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
64% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Mitchell Tenpenny
Drunk Me
176 bpm • D Maj • 03:31 • -3.77db
64% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Corey Kent
Wild as Her
148 bpm • C Maj • 03:21 • -5.93db
73% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tyler Braden
Neon Grave
148 bpm • C Maj • 03:53 • -4.89db
49% Popularity • 42% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
66% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Morgan Wallen
Man Made A Bar
148 bpm • E Maj • 03:11 • -5.01db
82% Popularity • 50% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Russell Dickerson
Sorry
178 bpm • G min • 03:08 • -4db
47% Popularity • 51% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Mitchell Tenpenny
I Can't Love You Any More
148 bpm • B Maj • 03:14 • -3.38db
40% Popularity • 53% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Josh Ross
Red Flags
147 bpm • G# Maj • 02:52 • -3.76db
67% Popularity • 56% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Truth About You