Songs like Truth by Kamasi Washington
Based on a tempo of (+/- 10%) and a similar genre
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GoGo Penguin
Strid
115 bpm • E min • 08:10 • -12.15db
19% Popularity • 36% Danceability • 63% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 36% Danceability • 63% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Kamasi Washington
Truth
115 bpm • D Maj • 13:30 • -8.14db
38% Popularity • 31% Danceability • 84% Energy • 14% Liveness
62% Instrumentalness • 39% Positiveness
38% Popularity • 31% Danceability • 84% Energy • 14% Liveness
62% Instrumentalness • 39% Positiveness
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Makaya McCraven
The Jaunt
115 bpm • C# Maj • 02:42 • -9.74db
31% Popularity • 52% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 66% Positiveness
31% Popularity • 52% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 66% Positiveness
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Florian Pellissier Quintet
Coup de foudre à Thessalonique
115 bpm • A# min • 04:22 • -11db
34% Popularity • 43% Danceability • 63% Energy • 8% Liveness
97% Instrumentalness • 72% Positiveness
34% Popularity • 43% Danceability • 63% Energy • 8% Liveness
97% Instrumentalness • 72% Positiveness
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Greg Foat
Symphonie Pacifique
114 bpm • A min • 04:54 • -12db
36% Popularity • 60% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
36% Popularity • 60% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
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BADBADNOTGOOD
Chompy's Paradise
114 bpm • D# Maj • 03:51 • -9.55db
40% Popularity • 47% Danceability • 47% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
40% Popularity • 47% Danceability • 47% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
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Butcher Brown
Sticky July
114 bpm • D Maj • 06:24 • -8.72db
28% Popularity • 54% Danceability • 68% Energy • 28% Liveness
69% Instrumentalness • 44% Positiveness
28% Popularity • 54% Danceability • 68% Energy • 28% Liveness
69% Instrumentalness • 44% Positiveness
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Kamasi Washington
Show Us The Way
116 bpm • A# Maj • 06:51 • -8.26db
17% Popularity • 30% Danceability • 88% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
17% Popularity • 30% Danceability • 88% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
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Oscar Jerome
Where Are Your Branches (Where Is Your F...
116 bpm • A# Maj • 05:28 • -12.75db
29% Popularity • 82% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
29% Popularity • 82% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
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Grant Green
Maybe Tomorrow
114 bpm • F# min • 04:55 • -15.83db
45% Popularity • 52% Danceability • 16% Energy • 23% Liveness
90% Instrumentalness • 12% Positiveness
45% Popularity • 52% Danceability • 16% Energy • 23% Liveness
90% Instrumentalness • 12% Positiveness
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Mulatu Astatke
Yèkèrmo Sèw
116 bpm • D# Maj • 04:13 • -10db
47% Popularity • 61% Danceability • 53% Energy • 9% Liveness
72% Instrumentalness • 39% Positiveness
47% Popularity • 61% Danceability • 53% Energy • 9% Liveness
72% Instrumentalness • 39% Positiveness
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Esbjörn Svensson Trio
Seven Days of Falling
114 bpm • A# min • 06:26 • -19.02db
35% Popularity • 59% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
35% Popularity • 59% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Kamaal Williams
Broken Theme
114 bpm • C# Maj • 04:26 • -11.07db
22% Popularity • 77% Danceability • 71% Energy • 7% Liveness
86% Instrumentalness • 74% Positiveness
22% Popularity • 77% Danceability • 71% Energy • 7% Liveness
86% Instrumentalness • 74% Positiveness
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Ahmad Jamal
Sometimes I Feel Like A Motherless Child
116 bpm • C# Maj • 05:47 • -16.75db
20% Popularity • 79% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 56% Positiveness
20% Popularity • 79% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 56% Positiveness
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John Coltrane
Equinox
117 bpm • G# min • 08:07 • -15.6db
39% Popularity • 62% Danceability • 20% Energy • 6% Liveness
50% Instrumentalness • 27% Positiveness
39% Popularity • 62% Danceability • 20% Energy • 6% Liveness
50% Instrumentalness • 27% Positiveness
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John Coltrane Quartet
Nature Boy
113 bpm • E min • 08:04 • -12.47db
14% Popularity • 32% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 32% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Donald Byrd
Lansana's Priestess
117 bpm • C Maj • 07:39 • -9db
33% Popularity • 48% Danceability • 88% Energy • 38% Liveness
34% Instrumentalness • 89% Positiveness
33% Popularity • 48% Danceability • 88% Energy • 38% Liveness
34% Instrumentalness • 89% Positiveness
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Christian Scott aTunde Adjuah
Our Lady of New Orleans (Herreast Harris...
117 bpm • C# Maj • 03:44 • -8.54db
24% Popularity • 48% Danceability • 71% Energy • 11% Liveness
10% Instrumentalness • 28% Positiveness
24% Popularity • 48% Danceability • 71% Energy • 11% Liveness
10% Instrumentalness • 28% Positiveness
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Mammal Hands
Mansions of Millions of Years
112 bpm • F min • 06:07 • -11.9db
27% Popularity • 31% Danceability • 32% Energy • 12% Liveness
81% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 32% Energy • 12% Liveness
81% Instrumentalness • 19% Positiveness
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Throttle Elevator Music
Violet Revolutionary
118 bpm • A Maj • 03:17 • -7.75db
1% Popularity • 36% Danceability • 96% Energy • 7% Liveness
86% Instrumentalness • 38% Positiveness
1% Popularity • 36% Danceability • 96% Energy • 7% Liveness
86% Instrumentalness • 38% Positiveness
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Ahmad Jamal Trio
Stolen Moments
118 bpm • G min • 06:32 • -17.46db
44% Popularity • 48% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
44% Popularity • 48% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Alice Coltrane
Blue Nile
112 bpm • B min • 07:01 • -13db
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
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Cameron Graves
El Diablo
118 bpm • C# Maj • 07:28 • -9.14db
8% Popularity • 49% Danceability • 78% Energy • 11% Liveness
72% Instrumentalness • 58% Positiveness
8% Popularity • 49% Danceability • 78% Energy • 11% Liveness
72% Instrumentalness • 58% Positiveness
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Robert Glasper Trio
Yes I'm Country (And That's OK)
118 bpm • E min • 08:06 • -14.39db
23% Popularity • 36% Danceability • 49% Energy • 28% Liveness
88% Instrumentalness • 14% Positiveness
23% Popularity • 36% Danceability • 49% Energy • 28% Liveness
88% Instrumentalness • 14% Positiveness
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Christian Scott aTunde Adjuah
Twin
112 bpm • C Maj • 04:15 • -3.95db
30% Popularity • 44% Danceability • 80% Energy • 5% Liveness
92% Instrumentalness • 19% Positiveness
30% Popularity • 44% Danceability • 80% Energy • 5% Liveness
92% Instrumentalness • 19% Positiveness
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BADBADNOTGOOD
Differently, Still
112 bpm • A min • 04:43 • -11.41db
35% Popularity • 41% Danceability • 38% Energy • 17% Liveness
77% Instrumentalness • 5% Positiveness
35% Popularity • 41% Danceability • 38% Energy • 17% Liveness
77% Instrumentalness • 5% Positiveness
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Kamasi Washington
The Psalmnist
112 bpm • G min • 07:18 • -8.29db
17% Popularity • 61% Danceability • 86% Energy • 13% Liveness
87% Instrumentalness • 57% Positiveness
17% Popularity • 61% Danceability • 86% Energy • 13% Liveness
87% Instrumentalness • 57% Positiveness
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Throttle Elevator Music
Free Just
119 bpm • E Maj • 01:27 • -7.27db
3% Popularity • 28% Danceability • 94% Energy • 19% Liveness
86% Instrumentalness • 7% Positiveness
3% Popularity • 28% Danceability • 94% Energy • 19% Liveness
86% Instrumentalness • 7% Positiveness
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John Coltrane
Untitled Original 11383 - Take 1
111 bpm • G# Maj • 05:41 • -14.07db
36% Popularity • 43% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 43% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Esperanza Spalding
Judas
119 bpm • C# Maj • 04:09 • -8db
33% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Vels Trio
Yellow Ochre, Pt. 1
111 bpm • G Maj • 03:03 • -12.96db
30% Popularity • 39% Danceability • 48% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
30% Popularity • 39% Danceability • 48% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
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Duke Ellington
Fleurette Africaine (African Flower) - R...
119 bpm • C# Maj • 03:36 • -19.24db
35% Popularity • 43% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
35% Popularity • 43% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Brian Blade & The Fellowship Band
Traveling Mercies
111 bpm • E Maj • 04:32 • -13.1db
29% Popularity • 46% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
29% Popularity • 46% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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GoGo Penguin
Return To Text
111 bpm • G# min • 05:22 • -11.15db
25% Popularity • 35% Danceability • 78% Energy • 28% Liveness
88% Instrumentalness • 45% Positiveness
25% Popularity • 35% Danceability • 78% Energy • 28% Liveness
88% Instrumentalness • 45% Positiveness
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Idris Ackamoor
Tinoge
120 bpm • F# Maj • 06:59 • -10.45db
11% Popularity • 59% Danceability • 71% Energy • 10% Liveness
76% Instrumentalness • 93% Positiveness
11% Popularity • 59% Danceability • 71% Energy • 10% Liveness
76% Instrumentalness • 93% Positiveness
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BADBADNOTGOOD
Triangle
110 bpm • A# Maj • 03:47 • -5db
37% Popularity • 36% Danceability • 94% Energy • 9% Liveness
83% Instrumentalness • 70% Positiveness
37% Popularity • 36% Danceability • 94% Energy • 9% Liveness
83% Instrumentalness • 70% Positiveness
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The Bad Plus
Pound For Pound
120 bpm • C Maj • 06:10 • -11db
28% Popularity • 65% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
28% Popularity • 65% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Gil Scott-Heron
I'm New Here
120 bpm • G# min • 04:13 • -9.72db
26% Popularity • 77% Danceability • 61% Energy • 10% Liveness
23% Instrumentalness • 80% Positiveness
26% Popularity • 77% Danceability • 61% Energy • 10% Liveness
23% Instrumentalness • 80% Positiveness
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AC Jazz Project
Conga Buena
120 bpm • F min • 06:08 • -6.4db
1% Popularity • 79% Danceability • 94% Energy • 22% Liveness
85% Instrumentalness • 88% Positiveness
1% Popularity • 79% Danceability • 94% Energy • 22% Liveness
85% Instrumentalness • 88% Positiveness
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Dexter Story
Bloop Drip
120 bpm • G# min • 03:28 • -7.11db
1% Popularity • 70% Danceability • 75% Energy • 39% Liveness
8% Instrumentalness • 65% Positiveness
1% Popularity • 70% Danceability • 75% Energy • 39% Liveness
8% Instrumentalness • 65% Positiveness
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Cameron Graves
Satania Our Solar System
120 bpm • A# min • 08:42 • -7.67db
10% Popularity • 46% Danceability • 83% Energy • 13% Liveness
75% Instrumentalness • 53% Positiveness
10% Popularity • 46% Danceability • 83% Energy • 13% Liveness
75% Instrumentalness • 53% Positiveness
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Christian Scott aTunde Adjuah
New Orleanian Love Song
120 bpm • F min • 02:33 • -7.05db
23% Popularity • 50% Danceability • 88% Energy • 33% Liveness
90% Instrumentalness • 20% Positiveness
23% Popularity • 50% Danceability • 88% Energy • 33% Liveness
90% Instrumentalness • 20% Positiveness
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The Bad Plus
Never Stop
110 bpm • D min • 03:50 • -11db
26% Popularity • 62% Danceability • 37% Energy • 11% Liveness
97% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 11% Liveness
97% Instrumentalness • 56% Positiveness
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Kamaal Williams
High Roller
110 bpm • C# Maj • 03:00 • -9.54db
30% Popularity • 66% Danceability • 63% Energy • 18% Liveness
91% Instrumentalness • 68% Positiveness
30% Popularity • 66% Danceability • 63% Energy • 18% Liveness
91% Instrumentalness • 68% Positiveness
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AC Jazz Project
Tu Eres Candela
110 bpm • C# min • 02:43 • -4.19db
0% Popularity • 82% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 82% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Portico Quartet
Knee-Deep in the North Sea
110 bpm • C min • 04:47 • -12db
39% Popularity • 39% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
39% Popularity • 39% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Yazz Ahmed
Organ Eternal
110 bpm • C min • 07:22 • -12db
20% Popularity • 31% Danceability • 60% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
20% Popularity • 31% Danceability • 60% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Pat Metheny
Are You Going With Me?
120 bpm • C min • 08:47 • -15.86db
43% Popularity • 64% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
43% Popularity • 64% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
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Tomasz Stanko Quartet
II (Suspended Variations)
120 bpm • C min • 08:24 • -15.43db
14% Popularity • 47% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
14% Popularity • 47% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
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The Greg Foat Group
Girl and Robot With Flowers - Part 1
120 bpm • G# Maj • 04:51 • -11.04db
10% Popularity • 44% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
10% Popularity • 44% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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Chassol
Birds, Pt. I
110 bpm • G Maj • 03:59 • -12.21db
34% Popularity • 44% Danceability • 44% Energy • 11% Liveness
62% Instrumentalness • 5% Positiveness
34% Popularity • 44% Danceability • 44% Energy • 11% Liveness
62% Instrumentalness • 5% Positiveness
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Preservation Hall Jazz Band
Innocence
110 bpm • D Maj • 05:28 • -5.86db
12% Popularity • 73% Danceability • 76% Energy • 7% Liveness
81% Instrumentalness • 65% Positiveness
12% Popularity • 73% Danceability • 76% Energy • 7% Liveness
81% Instrumentalness • 65% Positiveness
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Kokoroko
Ti-de
110 bpm • A min • 06:12 • -12.03db
52% Popularity • 77% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 43% Positiveness
52% Popularity • 77% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 43% Positiveness
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Alice Coltrane
Turiya & Ramakrishna
110 bpm • F# Maj • 08:18 • -14.67db
55% Popularity • 42% Danceability • 30% Energy • 25% Liveness
90% Instrumentalness • 13% Positiveness
55% Popularity • 42% Danceability • 30% Energy • 25% Liveness
90% Instrumentalness • 13% Positiveness
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John Coltrane
Blue World
120 bpm • G# Maj • 06:08 • -8.3db
36% Popularity • 48% Danceability • 73% Energy • 15% Liveness
8% Instrumentalness • 38% Positiveness
36% Popularity • 48% Danceability • 73% Energy • 15% Liveness
8% Instrumentalness • 38% Positiveness
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Gerald Wilson
Dorian
121 bpm • D min • 07:27 • -7.2db
9% Popularity • 49% Danceability • 68% Energy • 7% Liveness
18% Instrumentalness • 31% Positiveness
9% Popularity • 49% Danceability • 68% Energy • 7% Liveness
18% Instrumentalness • 31% Positiveness
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Christian Scott aTunde Adjuah
The Eraser
121 bpm • G Maj • 05:25 • -11.09db
27% Popularity • 34% Danceability • 60% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
27% Popularity • 34% Danceability • 60% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
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Yazz Ahmed
Al Emadi
121 bpm • G min • 06:15 • -9.73db
14% Popularity • 57% Danceability • 37% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
14% Popularity • 57% Danceability • 37% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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Shabaka and the Ancestors
Natty
121 bpm • F# Maj • 09:57 • -11.96db
11% Popularity • 41% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
11% Popularity • 41% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
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BADBADNOTGOOD
To You
121 bpm • A min • 02:25 • -16.23db
37% Popularity • 79% Danceability • 30% Energy • 18% Liveness
91% Instrumentalness • 34% Positiveness
37% Popularity • 79% Danceability • 30% Energy • 18% Liveness
91% Instrumentalness • 34% Positiveness
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Throttle Elevator Music
Liminality
122 bpm • B min • 08:21 • -6.76db
3% Popularity • 63% Danceability • 74% Energy • 9% Liveness
23% Instrumentalness • 35% Positiveness
3% Popularity • 63% Danceability • 74% Energy • 9% Liveness
23% Instrumentalness • 35% Positiveness
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Joshua Redman
Beauty Has It Hard
122 bpm • C# Maj • 07:00 • -10.6db
20% Popularity • 49% Danceability • 33% Energy • 8% Liveness
31% Instrumentalness • 18% Positiveness
20% Popularity • 49% Danceability • 33% Energy • 8% Liveness
31% Instrumentalness • 18% Positiveness
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GoGo Penguin
Murmuration
109 bpm • A min • 04:12 • -14.09db
41% Popularity • 39% Danceability • 36% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
41% Popularity • 39% Danceability • 36% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Mulatu Astatke
Mulatu's Mood
122 bpm • F min • 05:56 • -11.63db
29% Popularity • 62% Danceability • 57% Energy • 14% Liveness
90% Instrumentalness • 65% Positiveness
29% Popularity • 62% Danceability • 57% Energy • 14% Liveness
90% Instrumentalness • 65% Positiveness
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John Coltrane
A Love Supreme, Pt. I – Acknowledgemen...
122 bpm • F min • 07:42 • -13.47db
51% Popularity • 37% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 37% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Vijay Iyer
Galang (Trio Riot Version)
108 bpm • A Maj • 02:40 • -8.38db
13% Popularity • 54% Danceability • 74% Energy • 28% Liveness
83% Instrumentalness • 84% Positiveness
13% Popularity • 54% Danceability • 74% Energy • 28% Liveness
83% Instrumentalness • 84% Positiveness
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Duke Ellington
In A Sentimental Mood
108 bpm • D# min • 04:15 • -12.44db
66% Popularity • 46% Danceability • 30% Energy • 21% Liveness
8% Instrumentalness • 28% Positiveness
66% Popularity • 46% Danceability • 30% Energy • 21% Liveness
8% Instrumentalness • 28% Positiveness
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The Durutti Column
Otis
122 bpm • A# Maj • 04:17 • -9.13db
44% Popularity • 47% Danceability • 39% Energy • 48% Liveness
76% Instrumentalness • 8% Positiveness
44% Popularity • 47% Danceability • 39% Energy • 48% Liveness
76% Instrumentalness • 8% Positiveness
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Throttle Elevator Music
Marching Instructions
123 bpm • D min • 03:50 • -8.49db
2% Popularity • 44% Danceability • 64% Energy • 11% Liveness
78% Instrumentalness • 41% Positiveness
2% Popularity • 44% Danceability • 64% Energy • 11% Liveness
78% Instrumentalness • 41% Positiveness
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Kokoroko
Adwa
123 bpm • A min • 05:56 • -10.3db
41% Popularity • 48% Danceability • 80% Energy • 31% Liveness
77% Instrumentalness • 69% Positiveness
41% Popularity • 48% Danceability • 80% Energy • 31% Liveness
77% Instrumentalness • 69% Positiveness
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Sun Ra & His Arkestra
Springtime Again
123 bpm • F Maj • 09:15 • -11.99db
33% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
33% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
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Tony Scott
Burungkaka Tua
123 bpm • D Maj • 05:22 • -17.56db
15% Popularity • 49% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
15% Popularity • 49% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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GoGo Penguin
Bardo
123 bpm • G# Maj • 07:14 • -11.33db
31% Popularity • 52% Danceability • 67% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
31% Popularity • 52% Danceability • 67% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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Keyon Harrold
MB Lament
123 bpm • G Maj • 05:04 • -9.2db
14% Popularity • 48% Danceability • 48% Energy • 11% Liveness
82% Instrumentalness • 30% Positiveness
14% Popularity • 48% Danceability • 48% Energy • 11% Liveness
82% Instrumentalness • 30% Positiveness
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Unknown Mortal Orchestra
Hanoi 6
123 bpm • C# Maj • 09:47 • -8db
25% Popularity • 41% Danceability • 51% Energy • 12% Liveness
86% Instrumentalness • 11% Positiveness
25% Popularity • 41% Danceability • 51% Energy • 12% Liveness
86% Instrumentalness • 11% Positiveness
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Wes Montgomery
Bumpin' On Sunset
108 bpm • E min • 04:49 • -19.83db
43% Popularity • 76% Danceability • 25% Energy • 10% Liveness
43% Instrumentalness • 44% Positiveness
43% Popularity • 76% Danceability • 25% Energy • 10% Liveness
43% Instrumentalness • 44% Positiveness
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Chip Wickham
Soho Strut
123 bpm • D# Maj • 04:13 • -5.94db
13% Popularity • 57% Danceability • 84% Energy • 8% Liveness
9% Instrumentalness • 59% Positiveness
13% Popularity • 57% Danceability • 84% Energy • 8% Liveness
9% Instrumentalness • 59% Positiveness
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Gerald Wilson
Ray's Vision At The U
108 bpm • G min • 04:25 • -11.1db
14% Popularity • 36% Danceability • 19% Energy • 15% Liveness
82% Instrumentalness • 6% Positiveness
14% Popularity • 36% Danceability • 19% Energy • 15% Liveness
82% Instrumentalness • 6% Positiveness
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Kokoroko
Uman
123 bpm • G min • 05:12 • -10db
38% Popularity • 68% Danceability • 62% Energy • 31% Liveness
85% Instrumentalness • 7% Positiveness
38% Popularity • 68% Danceability • 62% Energy • 31% Liveness
85% Instrumentalness • 7% Positiveness
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The Cinematic Orchestra
Ode To The Big Sea
107 bpm • G Maj • 05:39 • -6.74db
27% Popularity • 59% Danceability • 96% Energy • 11% Liveness
89% Instrumentalness • 73% Positiveness
27% Popularity • 59% Danceability • 96% Energy • 11% Liveness
89% Instrumentalness • 73% Positiveness
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Oliver Nelson
Stolen Moments
107 bpm • C min • 08:45 • -13.08db
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
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![Where Are You? (Love for JL) [feat. Copasetic & Lindsay Olsen] cover art](https://i.scdn.co/image/ab67616d00001e02851467e066b7acf88f6fc05c)
Joomanji
Where Are You? (Love for JL)
107 bpm • D Maj • 04:19 • -8db
39% Popularity • 44% Danceability • 53% Energy • 11% Liveness
34% Instrumentalness • 57% Positiveness
39% Popularity • 44% Danceability • 53% Energy • 11% Liveness
34% Instrumentalness • 57% Positiveness
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Chip Wickham
Snake Eyes
107 bpm • C min • 06:30 • -6.28db
12% Popularity • 55% Danceability • 83% Energy • 43% Liveness
91% Instrumentalness • 82% Positiveness
12% Popularity • 55% Danceability • 83% Energy • 43% Liveness
91% Instrumentalness • 82% Positiveness
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Manu Katché
Keep On Trippin’
107 bpm • C# Maj • 05:34 • -13.95db
36% Popularity • 59% Danceability • 29% Energy • 11% Liveness
40% Instrumentalness • 49% Positiveness
36% Popularity • 59% Danceability • 29% Energy • 11% Liveness
40% Instrumentalness • 49% Positiveness
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Lonnie Liston Smith
Sais (Egypt)
124 bpm • G Maj • 08:12 • -11.86db
27% Popularity • 35% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 35% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Fazer
White Sedan
124 bpm • C# min • 07:00 • -15db
33% Popularity • 62% Danceability • 45% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
33% Popularity • 62% Danceability • 45% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
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S.P
Standing At The Point
124 bpm • C# Maj • 04:58 • -8.4db
0% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Derrick Hodge
The Second
124 bpm • A Maj • 05:41 • -9.1db
13% Popularity • 71% Danceability • 59% Energy • 11% Liveness
90% Instrumentalness • 62% Positiveness
13% Popularity • 71% Danceability • 59% Energy • 11% Liveness
90% Instrumentalness • 62% Positiveness
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The Comet Is Coming
Super Zodiac
124 bpm • G Maj • 04:01 • -7.68db
31% Popularity • 56% Danceability • 88% Energy • 22% Liveness
92% Instrumentalness • 7% Positiveness
31% Popularity • 56% Danceability • 88% Energy • 22% Liveness
92% Instrumentalness • 7% Positiveness
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Nate Mercereau
Facing The Sideways Rain
124 bpm • F Maj • 05:42 • -9.62db
21% Popularity • 28% Danceability • 51% Energy • 24% Liveness
71% Instrumentalness • 13% Positiveness
21% Popularity • 28% Danceability • 51% Energy • 24% Liveness
71% Instrumentalness • 13% Positiveness
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Dustin Cicero
Musette
106 bpm • C# min • 05:48 • -12.99db
2% Popularity • 45% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 28% Positiveness
2% Popularity • 45% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 28% Positiveness
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Henry Wu
Boards And Skins
124 bpm • C# Maj • 03:05 • -8.66db
16% Popularity • 44% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 44% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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BADBADNOTGOOD
IV
124 bpm • G Maj • 06:59 • -7.44db
37% Popularity • 42% Danceability • 61% Energy • 34% Liveness
89% Instrumentalness • 21% Positiveness
37% Popularity • 42% Danceability • 61% Energy • 34% Liveness
89% Instrumentalness • 21% Positiveness
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Kamasi Washington
Song For The Fallen
106 bpm • G# min • 12:41 • -10.74db
19% Popularity • 38% Danceability • 71% Energy • 64% Liveness
91% Instrumentalness • 28% Positiveness
19% Popularity • 38% Danceability • 71% Energy • 64% Liveness
91% Instrumentalness • 28% Positiveness
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Wayne Shorter
Speak No Evil - Remastered1998/Rudy Van ...
106 bpm • F min • 08:23 • -7.15db
45% Popularity • 46% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 46% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Yazz Ahmed
The Space Between the Fish and the Moon
125 bpm • E Maj • 05:02 • -16.59db
15% Popularity • 28% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 28% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Binker and Moses
Intoxication from the Jahvmonishi Leaves
106 bpm • C# Maj • 06:23 • -19.9db
12% Popularity • 56% Danceability • 44% Energy • 21% Liveness
87% Instrumentalness • 90% Positiveness
12% Popularity • 56% Danceability • 44% Energy • 21% Liveness
87% Instrumentalness • 90% Positiveness
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Lonnie Liston Smith
Summer Nights
106 bpm • F min • 05:05 • -12db
44% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
