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Tsimtsum
Songs like
Tsimtsum
by
Mychael Danna
Based on a tempo of (+/- 10%) and a similar genre
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Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
53% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Amelia Warner
My Sanctuary
63 bpm • F Maj • 03:01 • -17.37db
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
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Edward Shearmur
Bluebird - K-Pax
64 bpm • G# min • 03:52 • -22.28db
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
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Craig Armstrong
Journey To Dignitas
64 bpm • C min • 01:40 • -22.72db
45% Popularity • 29% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Nicholas Hooper
In Noctem
64 bpm • C min • 02:00 • -29.88db
51% Popularity • 28% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Stephen Warbeck
A Nation Died
64 bpm • D min • 01:42 • -17.8db
51% Popularity • 18% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
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Mychael Danna
Arlo Makes His Mark
62 bpm • C# Maj • 01:22 • -14.1db
38% Popularity • 22% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Rhian Sheehan
Mother
62 bpm • F Maj • 01:18 • -30.74db
44% Popularity • 18% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Mark McKenzie
Keep Looking Up
64 bpm • F Maj • 02:29 • -26db
42% Popularity • 8% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Patrick Doyle
Can You See Jane?
65 bpm • D# Maj • 02:23 • -21.44db
36% Popularity • 16% Danceability • 11% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Howard Shore
Many Meetings
65 bpm • C Maj • 03:05 • -20.61db
55% Popularity • 6% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Nicholas Britell
Hymn - Mvmt 2: Lament
65 bpm • G min • 03:41 • -22.96db
37% Popularity • 23% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Mychael Danna
Always Was
62 bpm • F Maj • 02:54 • -28.39db
16% Popularity • 10% Danceability • 3% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Aaron Zigman
Diana
65 bpm • G min • 02:32 • -34.84db
32% Popularity • 30% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
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Mark McKenzie
Goodbye My Friend
65 bpm • D Maj • 02:34 • -23.19db
39% Popularity • 19% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
In Peace
61 bpm • F min • 01:33 • -19.21db
33% Popularity • 23% Danceability • 14% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Ryan Amon
Elysium
66 bpm • A min • 03:45 • -15.86db
41% Popularity • 16% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Howard Shore
Samwise the Brave
66 bpm • G Maj • 03:46 • -20.11db
50% Popularity • 6% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Mychael Danna
Leaving India
61 bpm • G Maj • 01:20 • -27.55db
42% Popularity • 9% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Mark Isham
Frank Gehry
66 bpm • F Maj • 02:13 • -28db
39% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
I Stopped Lying
66 bpm • F min • 01:29 • -22.58db
34% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Roque Baños
Camilla's Theme (Roque Baños Plays)
66 bpm • C# min • 01:59 • -26.16db
30% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Marc Streitenfeld
The Final Arrow
66 bpm • F min • 02:29 • -17.15db
46% Popularity • 18% Danceability • 12% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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West Dylan Thordson
Kevin & Casey
67 bpm • F min • 02:11 • -20.51db
50% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Mychael Danna
Far From What They Were
65 bpm • A min • 01:07 • -34.04db
21% Popularity • 20% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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BBC Scottish Symphony Orchestra
Scotland
67 bpm • A min • 02:12 • -15db
52% Popularity • 12% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 4% Positiveness
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Anne Dudley
The Blue Dress
67 bpm • D# Maj • 02:03 • -17.36db
27% Popularity • 17% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Piano Gift
59 bpm • C min • 02:08 • -26.5db
29% Popularity • 12% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
The Legend Begins
67 bpm • F Maj • 01:27 • -17.96db
61% Popularity • 24% Danceability • 23% Energy • 24% Liveness
97% Instrumentalness • 3% Positiveness
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Roque Baños
Separations
67 bpm • F min • 04:29 • -33.38db
23% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Mychael Danna
Train
66 bpm • D min • 01:43 • -28.96db
22% Popularity • 28% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Steven Price
Baby Blue
59 bpm • C Maj • 04:51 • -20.86db
29% Popularity • 13% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Anne Dudley
Becoming Porcelain
67 bpm • A min • 02:43 • -15.13db
12% Popularity • 6% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Assano Seppuku
67 bpm • A min • 02:41 • -18.91db
50% Popularity • 19% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Lesley Barber
Night Falls at Brangwyn Hall
59 bpm • G min • 02:12 • -12.69db
9% Popularity • 7% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Craig Armstrong
Boldwood Variation
59 bpm • A min • 02:31 • -15.86db
28% Popularity • 6% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Mychael Danna
The Deepest Spot on Earth
66 bpm • G# Maj • 00:48 • -21.21db
25% Popularity • 24% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Chess - Finding Neverland/Soundtrack...
67 bpm • A min • 01:07 • -16.29db
36% Popularity • 18% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Sonya Belousova
Happy Childhoods Make For Dull Company
67 bpm • A# Maj • 03:16 • -16.43db
42% Popularity • 14% Danceability • 26% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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William Ross
Rivers
68 bpm • G Maj • 01:13 • -29.99db
39% Popularity • 14% Danceability • 4% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
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George Fenton
The Journey of the Sun
68 bpm • F Maj • 03:24 • -21.41db
24% Popularity • 14% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Amelia Warner
Mary's Decision
68 bpm • D min • 02:27 • -15.2db
27% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Mychael Danna
Snow Geese
59 bpm • A Maj • 02:17 • -17.5db
20% Popularity • 8% Danceability • 15% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Kathryn Kluge
Kluge: Dreams and Echoes
68 bpm • G Maj • 02:41 • -30.19db
22% Popularity • 7% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Craig Armstrong
Oak Returns
68 bpm • C Maj • 02:17 • -19.62db
33% Popularity • 21% Danceability • 8% Energy • 7% Liveness
55% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
The Kite - Finding Neverland/Soundtrack ...
68 bpm • C Maj • 01:37 • -16.92db
40% Popularity • 29% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
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Johan Söderqvist
The Crab
68 bpm • G Maj • 01:26 • -26.96db
27% Popularity • 20% Danceability • 3% Energy • 15% Liveness
97% Instrumentalness • 8% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Steven Price
The Importance Of This River
68 bpm • A Maj • 02:40 • -18.19db
30% Popularity • 19% Danceability • 20% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
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Anne Nikitin
The Earth Spins
68 bpm • A# Maj • 01:49 • -18.97db
50% Popularity • 7% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Rupert Gregson-Williams
The Anointing
58 bpm • D min • 05:13 • -29.1db
32% Popularity • 6% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Rob Lane
Gwen & Arthur
68 bpm • D# min • 00:55 • -25db
53% Popularity • 15% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Howard Shore
The Grey Havens
58 bpm • D Maj • 05:59 • -27.65db
46% Popularity • 6% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Amelia Warner
Rights Of Women
69 bpm • C Maj • 01:12 • -24db
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Mychael Danna
We The Jury
69 bpm • D min • 02:14 • -18.9db
19% Popularity • 17% Danceability • 15% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Roque Baños
Homecoming
69 bpm • F Maj • 07:32 • -21.31db
18% Popularity • 15% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
48% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Clinton Shorter
Sacrifice
69 bpm • G min • 01:26 • -18.88db
53% Popularity • 22% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Allerdale Hall
69 bpm • G min • 06:19 • -14.87db
34% Popularity • 19% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Hope
70 bpm • D min • 03:43 • -19.46db
23% Popularity • 23% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
59% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Steven Price
Airlock
70 bpm • F Maj • 01:57 • -36.84db
33% Popularity • 20% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Howard Shore
The Journey to the Grey Havens
70 bpm • A Maj • 07:34 • -29.2db
53% Popularity • 9% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Carter Burwell
Keep Your Memories
70 bpm • G Maj • 03:27 • -17.67db
26% Popularity • 6% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Rob Lane
Guinevere
70 bpm • G Maj • 01:31 • -31.74db
45% Popularity • 16% Danceability • 2% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
35% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Laurent Eyquem
The World Turned Upside Down - Pt. 2
71 bpm • A# Maj • 02:20 • -23db
22% Popularity • 22% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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Atli Örvarsson
The Ninth Legion
71 bpm • A min • 02:18 • -21.55db
34% Popularity • 6% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Geppetto Creates
71 bpm • C Maj • 01:17 • -26db
50% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
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Amelia Warner
We Shall Become The Same
71 bpm • A min • 01:34 • -16.57db
29% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
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Steven Price
You Stop My Heart
71 bpm • E min • 01:17 • -32.96db
44% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Rob Lane
The Burdens of Duty
72 bpm • C min • 02:11 • -24db
42% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Bear McCreary
People Disappear All the Time
72 bpm • G Maj • 03:32 • -19db
49% Popularity • 22% Danceability • 17% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
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Dario Marianelli
Last Words
55 bpm • D Maj • 02:58 • -26.63db
26% Popularity • 13% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Butterfly
72 bpm • E min • 01:37 • -17db
48% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Harald Kloser
I Was Not Brave
55 bpm • G min • 01:47 • -28.4db
35% Popularity • 17% Danceability • 8% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
36% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
39% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Nicholas Britell
Song of Hal: Strings in B Minor
55 bpm • B min • 04:20 • -18.38db
38% Popularity • 22% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Thomas Wander
The Only Family I Got
55 bpm • D min • 01:01 • -35.69db
46% Popularity • 22% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Clinton Shorter
Welwala
73 bpm • D min • 02:16 • -22db
35% Popularity • 15% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
47% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
39% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Mychael Danna
Coaching
73 bpm • C Maj • 01:01 • -27db
47% Popularity • 12% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
The Lost Cities
73 bpm • E Maj • 02:20 • -16.63db
37% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Anne Dudley
Love of My Life
54 bpm • B Maj • 01:59 • -13.84db
29% Popularity • 7% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
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Marco Beltrami
Friendship Theme
73 bpm • G Maj • 01:58 • -18db
31% Popularity • 18% Danceability • 21% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
47% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Arash Safaian
Resting (Short)
73 bpm • A# min • 01:32 • -23.56db
42% Popularity • 14% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Kim Planert
B.S.B.D.
73 bpm • D min • 04:30 • -18.78db
20% Popularity • 16% Danceability • 10% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Mark McKenzie
Dragon Heaven
73 bpm • C Maj • 01:21 • -32.67db
46% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Dario Marianelli
The Call
74 bpm • B Maj • 03:11 • -25db
35% Popularity • 14% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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George Fenton
The Choice is Ours
74 bpm • D Maj • 03:12 • -24.11db
4% Popularity • 16% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Even If It's The Last Thing We Do
74 bpm • G# Maj • 01:28 • -24.72db
38% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
49% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Howard Shore
Twilight and Shadow
74 bpm • E min • 03:30 • -22db
51% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
45% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
49% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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George Fenton
A Sepulchre
74 bpm • A Maj • 02:56 • -28.09db
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Tsimtsum