Songs like Études dans le genre fugué, Op. 97: No. 9, Air. Lento by Antoine Reicha
Based on a tempo of (+/- 10%) and a similar genre
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Giovanni Battista Viotti
Viotti / Arr. Mozart: Violin Concerto in...
100 bpm • E Maj • 05:24 • -26db
8% Popularity • 20% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 7% Positiveness
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Julio C. Cabezas
Variaciones (Música en Cuartos de Tono)
100 bpm • F min • 11:03 • -33.07db
11% Popularity • 34% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 5% Positiveness
11% Popularity • 34% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 5% Positiveness
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Robert Schumann
Symphonie No. 3 in E-Flat Major, Op. 97:...
100 bpm • G# Maj • 04:53 • -27.53db
20% Popularity • 21% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
20% Popularity • 21% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Carl Nielsen
Wind Quintet, Op. 43: II. Menuett
100 bpm • A Maj • 04:55 • -22.13db
1% Popularity • 26% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 21% Positiveness
1% Popularity • 26% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 21% Positiveness
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アントニーン・ドヴォルザーク
Romantic Pieces, Op.75, Allegro maestoso
100 bpm • D min • 02:42 • -15.62db
14% Popularity • 51% Danceability • 30% Energy • 16% Liveness
9% Instrumentalness • 58% Positiveness
14% Popularity • 51% Danceability • 30% Energy • 16% Liveness
9% Instrumentalness • 58% Positiveness
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Leopold Mozart
Concerto in D Major for Trumpet, 2 Horns...
100 bpm • D Maj • 04:09 • -15.44db
8% Popularity • 54% Danceability • 19% Energy • 16% Liveness
87% Instrumentalness • 36% Positiveness
8% Popularity • 54% Danceability • 19% Energy • 16% Liveness
87% Instrumentalness • 36% Positiveness
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Joseph Haydn
Symphony No. 21 in A Major, Hob. I:21: I...
101 bpm • A Maj • 03:38 • -10.92db
9% Popularity • 45% Danceability • 54% Energy • 29% Liveness
85% Instrumentalness • 71% Positiveness
9% Popularity • 45% Danceability • 54% Energy • 29% Liveness
85% Instrumentalness • 71% Positiveness
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Cayetano Brunetti
Oboe Sextet No. 1 in B-Flat Major, L. 27...
99 bpm • D# Maj • 04:13 • -21.59db
29% Popularity • 41% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
29% Popularity • 41% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
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Mira Solvato
Sostenuto Serenity
101 bpm • A min • 02:00 • -23.31db
14% Popularity • 20% Danceability • 10% Energy • 32% Liveness
50% Instrumentalness • 18% Positiveness
14% Popularity • 20% Danceability • 10% Energy • 32% Liveness
50% Instrumentalness • 18% Positiveness
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Antoine Reicha
Études dans le genre fugué, Op. 97: No...
101 bpm • G Maj • 01:41 • -39.1db
2% Popularity • 40% Danceability • 0% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
2% Popularity • 40% Danceability • 0% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
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AntonÃn Dvořák
Serenade for Winds in D Minor, Op. 44: I...
101 bpm • D min • 06:04 • -19.53db
11% Popularity • 40% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
11% Popularity • 40% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
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Frank Kim
Madrigale
101 bpm • D Maj • 01:59 • -25.32db
10% Popularity • 27% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 27% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Flute & Harp Concerto in C Major, K. 299...
102 bpm • F Maj • 08:21 • -24.54db
21% Popularity • 26% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
21% Popularity • 26% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
24 Preludes, Op. 34 (Excerpts Arr. B. Ha...
102 bpm • C# Maj • 00:59 • -22db
24% Popularity • 60% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 80% Positiveness
24% Popularity • 60% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 80% Positiveness
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Frédéric Chopin
Variations in E Major on Non più mesta ...
98 bpm • E Maj • 04:57 • -30.25db
8% Popularity • 33% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 21% Positiveness
8% Popularity • 33% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 21% Positiveness
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Antoine Reicha
Trios for French Horns, Op. 82: No. 4, M...
99 bpm • D# Maj • 02:36 • -29.73db
3% Popularity • 36% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
3% Popularity • 36% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Johann Sebastian Bach
Partita No. 1 in B-Flat Major, BWV 825 (...
98 bpm • F Maj • 02:09 • -19.29db
15% Popularity • 61% Danceability • 16% Energy • 19% Liveness
90% Instrumentalness • 48% Positiveness
15% Popularity • 61% Danceability • 16% Energy • 19% Liveness
90% Instrumentalness • 48% Positiveness
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AntonÃn Dvořák
Serenade for Winds in D Minor, Op. 44: I...
99 bpm • F Maj • 05:49 • -22.61db
9% Popularity • 25% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
9% Popularity • 25% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Franz Liszt
Don Sanche (The Castle of Love), S476/R1...
102 bpm • A# Maj • 01:01 • -23.29db
20% Popularity • 35% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 15% Positiveness
20% Popularity • 35% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 15% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 4 ...
103 bpm • A# Maj • 01:35 • -34.81db
13% Popularity • 36% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
13% Popularity • 36% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Christoph Willibald Gluck
Alceste (Sung in French): Overture
97 bpm • D min • 06:25 • -20db
7% Popularity • 21% Danceability • 8% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 8% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Antoine Reicha
Wind Quintet No. 3, Op. 88: III. Menuett...
102 bpm • G Maj • 02:44 • -17.8db
11% Popularity • 53% Danceability • 21% Energy • 17% Liveness
90% Instrumentalness • 66% Positiveness
11% Popularity • 53% Danceability • 21% Energy • 17% Liveness
90% Instrumentalness • 66% Positiveness
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Carl Philipp Emanuel Bach
Sinfonia in D Major, Wq. 183/1, H. 663: ...
97 bpm • A# Maj • 01:33 • -29.22db
23% Popularity • 19% Danceability • 4% Energy • 26% Liveness
94% Instrumentalness • 12% Positiveness
23% Popularity • 19% Danceability • 4% Energy • 26% Liveness
94% Instrumentalness • 12% Positiveness
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Giovanni Battista Viotti
Viotti / Arr. Mozart: Violin Concerto in...
97 bpm • E min • 08:16 • -18.14db
9% Popularity • 42% Danceability • 25% Energy • 8% Liveness
12% Instrumentalness • 55% Positiveness
9% Popularity • 42% Danceability • 25% Energy • 8% Liveness
12% Instrumentalness • 55% Positiveness
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Dmitri Shostakovich
String Quartet No. 1 in C Major, Op. 49:...
97 bpm • F Maj • 04:14 • -24.16db
8% Popularity • 26% Danceability • 3% Energy • 7% Liveness
18% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 3% Energy • 7% Liveness
18% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 13 in C Major, K. 415...
97 bpm • C Maj • 08:31 • -22.59db
14% Popularity • 38% Danceability • 12% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
14% Popularity • 38% Danceability • 12% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
104 bpm • D Maj • 09:45 • -32.84db
9% Popularity • 15% Danceability • 2% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 2% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
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Antoine Reicha
Études dans le genre fugué, Op. 97: No...
98 bpm • F Maj • 02:14 • -30db
1% Popularity • 57% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 64% Positiveness
1% Popularity • 57% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 64% Positiveness
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Radoslaw Pallarz
Wind
96 bpm • E min • 02:31 • -20.64db
8% Popularity • 22% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Nino Rota
5 Pezzi facili: No. 4. La chioccia
96 bpm • A min • 01:31 • -24.79db
14% Popularity • 47% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
14% Popularity • 47% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
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Daniel Auber
Emma, ou la promesse imprudente, S. 6 (E...
96 bpm • D Maj • 01:37 • -27.91db
25% Popularity • 25% Danceability • 0% Energy • 9% Liveness
50% Instrumentalness • 43% Positiveness
25% Popularity • 25% Danceability • 0% Energy • 9% Liveness
50% Instrumentalness • 43% Positiveness
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Wolfgang Amadeus Mozart
Concerto for Flute and Harp in C Major, ...
97 bpm • C Maj • 09:11 • -21.38db
11% Popularity • 47% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
11% Popularity • 47% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Igor Stravinsky
Pulcinella Suite: I. Sinfonia. Allegro m...
96 bpm • G Maj • 01:53 • -18.82db
9% Popularity • 54% Danceability • 6% Energy • 24% Liveness
37% Instrumentalness • 51% Positiveness
9% Popularity • 54% Danceability • 6% Energy • 24% Liveness
37% Instrumentalness • 51% Positiveness
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Antoine Reicha
Trios for French Horns, Op. 82: No. 3, A...
96 bpm • A# Maj • 05:20 • -30.61db
6% Popularity • 17% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
6% Popularity • 17% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Johann Wenzel Kalliwoda
6 Nocturnes, Op. 186: No. 2, Allegretto,...
96 bpm • C Maj • 03:06 • -17db
19% Popularity • 39% Danceability • 17% Energy • 15% Liveness
90% Instrumentalness • 43% Positiveness
19% Popularity • 39% Danceability • 17% Energy • 15% Liveness
90% Instrumentalness • 43% Positiveness
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Joseph Haydn
Die sieben letzten Worte unseres Erlöse...
96 bpm • A# Maj • 06:44 • -30.09db
8% Popularity • 22% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Johannes Brahms
Quintette avec clarinette in B Minor, Op...
104 bpm • D Maj • 04:43 • -15.62db
12% Popularity • 34% Danceability • 13% Energy • 9% Liveness
47% Instrumentalness • 26% Positiveness
12% Popularity • 34% Danceability • 13% Energy • 9% Liveness
47% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Sonata No. 8 in A Minor, K...
96 bpm • A min • 03:15 • -15.44db
13% Popularity • 29% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
13% Popularity • 29% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
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Dmitri Shostakovich
Suite for Variety Orchestra No. 1: Waltz...
96 bpm • C min • 03:46 • -22.2db
8% Popularity • 26% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 30% Positiveness
8% Popularity • 26% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 30% Positiveness
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Ludwig van Beethoven
Andante con variazioni for Mandolin, WoO...
105 bpm • D Maj • 09:06 • -23.6db
8% Popularity • 35% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
8% Popularity • 35% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
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Samuel Arnold
Overture in D Major, Op. 8, No. 4: III. ...
96 bpm • D Maj • 02:15 • -19.44db
19% Popularity • 58% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 82% Positiveness
19% Popularity • 58% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 82% Positiveness
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Lajos Lencsés
Epigrammak (Epigrams) (arr. L. Lencses):...
96 bpm • G# Maj • 01:38 • -21.88db
18% Popularity • 18% Danceability • 8% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 8% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Nicola Porpora
Polifemo: Ouverture: Grave - Allegro
105 bpm • C# min • 03:09 • -14.52db
8% Popularity • 35% Danceability • 34% Energy • 40% Liveness
92% Instrumentalness • 43% Positiveness
8% Popularity • 35% Danceability • 34% Energy • 40% Liveness
92% Instrumentalness • 43% Positiveness
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Aileen
Earth Wind and Fire
105 bpm • C# Maj • 03:05 • -19.92db
17% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
17% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
105 bpm • F# Maj • 01:51 • -31.66db
15% Popularity • 26% Danceability • 1% Energy • 14% Liveness
12% Instrumentalness • 10% Positiveness
15% Popularity • 26% Danceability • 1% Energy • 14% Liveness
12% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
String Quartet in E Flat Major N.10, Op....
96 bpm • D# Maj • 04:11 • -15.27db
7% Popularity • 33% Danceability • 16% Energy • 36% Liveness
52% Instrumentalness • 45% Positiveness
7% Popularity • 33% Danceability • 16% Energy • 36% Liveness
52% Instrumentalness • 45% Positiveness
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Wolfgang Amadeus Mozart
Concerto for Violin and Orchestra No. 4 ...
95 bpm • A Maj • 06:22 • -22.81db
8% Popularity • 25% Danceability • 4% Energy • 5% Liveness
72% Instrumentalness • 21% Positiveness
8% Popularity • 25% Danceability • 4% Energy • 5% Liveness
72% Instrumentalness • 21% Positiveness
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Fucik
Entry of the Gladiators
105 bpm • D# Maj • 01:35 • -19.59db
8% Popularity • 76% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 69% Positiveness
8% Popularity • 76% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 69% Positiveness
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Camille Saint-Saëns
Sonata for Oboe and Piano, Op. 166: II. ...
105 bpm • A# Maj • 05:31 • -23.95db
7% Popularity • 27% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
7% Popularity • 27% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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João Luiz da Paz
Partida
105 bpm • E min • 04:13 • -21.09db
14% Popularity • 46% Danceability • 2% Energy • 10% Liveness
75% Instrumentalness • 20% Positiveness
14% Popularity • 46% Danceability • 2% Energy • 10% Liveness
75% Instrumentalness • 20% Positiveness
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Ferdinand Thieriot
Suite for Three Cellos: II. Molto lento
105 bpm • D min • 02:48 • -26.31db
13% Popularity • 15% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 8% Positiveness
13% Popularity • 15% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 8% Positiveness
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Luigi Boccherini
String Quintet in C Major, Op. 30, No. 6...
106 bpm • G Maj • 02:37 • -19.85db
9% Popularity • 49% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
9% Popularity • 49% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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Raphaela Gromes
My Own Home - Cello-Piano Version
94 bpm • D min • 02:52 • -21.87db
17% Popularity • 30% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
17% Popularity • 30% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Theobald Boehm
Fantasia dalla Svizzera: "Jodeln" Svizze...
106 bpm • C Maj • 01:15 • -14.54db
11% Popularity • 45% Danceability • 29% Energy • 8% Liveness
94% Instrumentalness • 97% Positiveness
11% Popularity • 45% Danceability • 29% Energy • 8% Liveness
94% Instrumentalness • 97% Positiveness
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KiriVi
Save Yourself
106 bpm • F Maj • 01:10 • -26.8db
18% Popularity • 59% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 84% Positiveness
18% Popularity • 59% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 84% Positiveness
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Czech Philharmonic Chamber Orchestra
Leos Janacek :: Suite for Strings, 3rd m...
106 bpm • G Maj • 01:26 • -17.23db
24% Popularity • 36% Danceability • 7% Energy • 23% Liveness
65% Instrumentalness • 32% Positiveness
24% Popularity • 36% Danceability • 7% Energy • 23% Liveness
65% Instrumentalness • 32% Positiveness
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Odaline de la Martinez
Smyth: Fête Galante - Overture: Saraban...
94 bpm • C Maj • 01:20 • -20.45db
20% Popularity • 56% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 56% Positiveness
20% Popularity • 56% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 56% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
94 bpm • F Maj • 01:45 • -15.81db
8% Popularity • 22% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 27% Positiveness
8% Popularity • 22% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 27% Positiveness
► Preview
Antoine Reicha
Études dans le genre fugué, Op. 97: No...
106 bpm • G Maj • 01:29 • -26.87db
1% Popularity • 40% Danceability • 18% Energy • 19% Liveness
94% Instrumentalness • 54% Positiveness
1% Popularity • 40% Danceability • 18% Energy • 19% Liveness
94% Instrumentalness • 54% Positiveness
► Preview
Agnes Tschetschulin
Berceuse for Violin & Piano
94 bpm • G Maj • 02:49 • -22.72db
21% Popularity • 16% Danceability • 7% Energy • 18% Liveness
12% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 7% Energy • 18% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Flute Concerto in F Major, Op. ...
94 bpm • F Maj • 05:24 • -16.21db
5% Popularity • 50% Danceability • 28% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
5% Popularity • 50% Danceability • 28% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
► Preview
Theobald Boehm
Fantasia dall'Austria: "Le Desir" su un ...
107 bpm • G# Maj • 03:16 • -10.34db
9% Popularity • 40% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 79% Positiveness
9% Popularity • 40% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 79% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata in F Minor, WoO 47 No. 2: I...
94 bpm • G# Maj • 07:26 • -25.13db
7% Popularity • 49% Danceability • 4% Energy • 16% Liveness
91% Instrumentalness • 38% Positiveness
7% Popularity • 49% Danceability • 4% Energy • 16% Liveness
91% Instrumentalness • 38% Positiveness
► Preview
Johann Sebastian Bach
Goldberg Variations, BWV 988 (Arr. for S...
94 bpm • G Maj • 02:07 • -18.02db
9% Popularity • 57% Danceability • 32% Energy • 20% Liveness
94% Instrumentalness • 85% Positiveness
9% Popularity • 57% Danceability • 32% Energy • 20% Liveness
94% Instrumentalness • 85% Positiveness
► Preview
Antoine Reicha
Trios for French Horns, Op. 82: No. 16, ...
94 bpm • D# Maj • 02:09 • -29.52db
2% Popularity • 45% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 56% Positiveness
2% Popularity • 45% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 56% Positiveness
► Preview
Paul Wranitzky
Jolantha, Königin von Jerusalem, Act IV...
94 bpm • C Maj • 04:25 • -22.43db
13% Popularity • 32% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
13% Popularity • 32% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Winds in D Minor, Op. 44: I...
94 bpm • D min • 04:19 • -20.53db
9% Popularity • 34% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
9% Popularity • 34% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
► Preview
Joseph Haydn
Die Sieben letzten Worte unseres Erlöse...
107 bpm • D min • 04:14 • -22.25db
19% Popularity • 31% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
19% Popularity • 31% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
► Preview
Leó Weiner
Divertimento No. 1, Op. 20: IV. Verbunko...
107 bpm • C Maj • 02:30 • -21.7db
16% Popularity • 53% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
16% Popularity • 53% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
► Preview
Frédéric Chopin
Piano Concerto No. 1 in E Minor, Op. 11,...
107 bpm • E Maj • 10:14 • -21.52db
7% Popularity • 32% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 22% Positiveness
7% Popularity • 32% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Antoine Reicha
Études dans le genre fugué, Op. 97: No...
107 bpm • F# min • 02:11 • -27.37db
0% Popularity • 41% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
0% Popularity • 41% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
► Preview
Robert Schumann
Album for the Young, Op. 68: No. 16 'Ers...
107 bpm • C Maj • 01:08 • -25.95db
26% Popularity • 43% Danceability • 5% Energy • 14% Liveness
87% Instrumentalness • 53% Positiveness
26% Popularity • 43% Danceability • 5% Energy • 14% Liveness
87% Instrumentalness • 53% Positiveness
► Preview
Franz Xaver Gruber
Alt-Wiener Tanz C
93 bpm • F# Maj • 01:13 • -23db
8% Popularity • 45% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 36% Positiveness
8% Popularity • 45% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 36% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 2 in G Maj...
107 bpm • G Maj • 03:30 • -20.23db
18% Popularity • 43% Danceability • 9% Energy • 15% Liveness
36% Instrumentalness • 18% Positiveness
18% Popularity • 43% Danceability • 9% Energy • 15% Liveness
36% Instrumentalness • 18% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: I, AUFZUG 1:...
108 bpm • F# min • 09:06 • -18.83db
12% Popularity • 16% Danceability • 15% Energy • 8% Liveness
74% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 15% Energy • 8% Liveness
74% Instrumentalness • 3% Positiveness
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Edvard Grieg
Norsk, Op. 12 No. 6
108 bpm • D Maj • 01:00 • -27db
10% Popularity • 43% Danceability • 6% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
10% Popularity • 43% Danceability • 6% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
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Antoine Reicha
Études dans le genre fugué, Op. 97: No...
94 bpm • C Maj • 03:22 • -37.09db
1% Popularity • 33% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
1% Popularity • 33% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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Jean-Philippe Rameau
Nouvelles Suites de pièces de clavecin,...
93 bpm • G min • 02:41 • -28.89db
10% Popularity • 37% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 63% Positiveness
10% Popularity • 37% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 63% Positiveness
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Nino Rota
5 Pezzi facili: No. 5. Il soldatino
108 bpm • F Maj • 01:39 • -24.57db
20% Popularity • 40% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
20% Popularity • 40% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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Igor Stravinsky
Pulcinella Suite: III. Scherzino - Alleg...
108 bpm • C Maj • 04:22 • -20.53db
7% Popularity • 38% Danceability • 11% Energy • 6% Liveness
50% Instrumentalness • 45% Positiveness
7% Popularity • 38% Danceability • 11% Energy • 6% Liveness
50% Instrumentalness • 45% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Suite from Pique Dame (Arr....
108 bpm • F# min • 01:01 • -15.44db
13% Popularity • 34% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
13% Popularity • 34% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Franz Schubert
Schubert: String Quartet No. 14 in D Min...
92 bpm • D# Maj • 02:08 • -19.28db
8% Popularity • 40% Danceability • 14% Energy • 17% Liveness
89% Instrumentalness • 40% Positiveness
8% Popularity • 40% Danceability • 14% Energy • 17% Liveness
89% Instrumentalness • 40% Positiveness
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Antoine Reicha
Trios for French Horns, Op. 82: No. 12, ...
93 bpm • D# Maj • 02:46 • -30.34db
2% Popularity • 36% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 33% Positiveness
2% Popularity • 36% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 33% Positiveness
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Wendelin Bitzan
Nachtgirlande für Theremin und Klavier
92 bpm • B Maj • 09:30 • -21.42db
9% Popularity • 26% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
9% Popularity • 26% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Niccolò Paganini
24 Caprices, Op. 1: No. 2 in B Minor, Mo...
92 bpm • B min • 03:02 • -21.84db
20% Popularity • 54% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 74% Positiveness
20% Popularity • 54% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 74% Positiveness
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Marc Ezenge
No Swears Just Truth
92 bpm • C# Maj • 02:27 • -15.8db
13% Popularity • 19% Danceability • 17% Energy • 13% Liveness
76% Instrumentalness • 28% Positiveness
13% Popularity • 19% Danceability • 17% Energy • 13% Liveness
76% Instrumentalness • 28% Positiveness
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Remo Giazotto
Adagio in G Minor for Strings and Organ ...
92 bpm • C min • 08:17 • -28.38db
3% Popularity • 22% Danceability • 2% Energy • 12% Liveness
40% Instrumentalness • 10% Positiveness
3% Popularity • 22% Danceability • 2% Energy • 12% Liveness
40% Instrumentalness • 10% Positiveness
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Franz Schubert
18 German Dances & Ecossaises, Op. 33, D...
92 bpm • D# Maj • 03:30 • -20.54db
15% Popularity • 20% Danceability • 3% Energy • 16% Liveness
82% Instrumentalness • 8% Positiveness
15% Popularity • 20% Danceability • 3% Energy • 16% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Antoine Reicha
Études dans le genre fugué, Op. 97: No...
109 bpm • F# min • 01:53 • -25.4db
2% Popularity • 50% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 69% Positiveness
2% Popularity • 50% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 69% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: VI, Brangän...
109 bpm • C Maj • 01:00 • -12.39db
20% Popularity • 23% Danceability • 34% Energy • 71% Liveness
67% Instrumentalness • 15% Positiveness
20% Popularity • 23% Danceability • 34% Energy • 71% Liveness
67% Instrumentalness • 15% Positiveness
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Gabriel Kisters
A Vila
92 bpm • G Maj • 03:37 • -19.91db
15% Popularity • 41% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 38% Positiveness
15% Popularity • 41% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 38% Positiveness
► Preview
Giacomo Meyerbeer
Der Fischer und das Milchmädchen: XVI. ...
92 bpm • G Maj • 01:13 • -25db
24% Popularity • 29% Danceability • 2% Energy • 13% Liveness
13% Instrumentalness • 10% Positiveness
24% Popularity • 29% Danceability • 2% Energy • 13% Liveness
13% Instrumentalness • 10% Positiveness
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Luigi Boccherini
Symphony in D Major, G. 500: IV. Presto
91 bpm • D Maj • 01:10 • -19.49db
20% Popularity • 45% Danceability • 29% Energy • 14% Liveness
91% Instrumentalness • 83% Positiveness
20% Popularity • 45% Danceability • 29% Energy • 14% Liveness
91% Instrumentalness • 83% Positiveness
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Johann Wilhelm Wilms
Sinfonia Concertante in C Major: II. Rom...
92 bpm • D# Maj • 02:53 • -28.76db
18% Popularity • 19% Danceability • 3% Energy • 14% Liveness
86% Instrumentalness • 11% Positiveness
18% Popularity • 19% Danceability • 3% Energy • 14% Liveness
86% Instrumentalness • 11% Positiveness
► Preview
Antoine Reicha
Études dans le genre fugué, Op. 97: No...
108 bpm • C min • 02:10 • -24.01db
1% Popularity • 46% Danceability • 19% Energy • 13% Liveness
91% Instrumentalness • 65% Positiveness
1% Popularity • 46% Danceability • 19% Energy • 13% Liveness
91% Instrumentalness • 65% Positiveness
► Preview
Fanny Mendelssohn
Mendelssohn: 5 Lieder, Op. 10: No. 2 Vor...
91 bpm • C# Maj • 02:24 • -24.25db
15% Popularity • 31% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
15% Popularity • 31% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Potomac Upper School String Orchestra
Fantasy on "Aloha 'Oe" (Arr. B. Balmages...
91 bpm • D Maj • 04:46 • -26.85db
9% Popularity • 11% Danceability • 7% Energy • 69% Liveness
68% Instrumentalness • 6% Positiveness
9% Popularity • 11% Danceability • 7% Energy • 69% Liveness
68% Instrumentalness • 6% Positiveness
► Preview
Felix Mendelssohn
Lieder Ohne Worte, Zweites Heft, Op. 30 ...
91 bpm • A# Maj • 02:27 • -23.45db
13% Popularity • 22% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
