Songs like Turn The Light by Karen O
Based on a tempo of (+/- 10%) and a similar genre
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Karen O
Turn the Light
102 bpm • A min • 03:19 • -10.41db
25% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Lykke Li
I Know Places
102 bpm • G min • 06:26 • -14.04db
47% Popularity • 37% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
47% Popularity • 37% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Benji Hughes
Waiting for an Invitation
102 bpm • B min • 04:15 • -11.76db
30% Popularity • 66% Danceability • 45% Energy • 56% Liveness
29% Instrumentalness • 42% Positiveness
30% Popularity • 66% Danceability • 45% Energy • 56% Liveness
29% Instrumentalness • 42% Positiveness
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The Raveonettes
Curse the Night
102 bpm • D# Maj • 03:21 • -4.94db
27% Popularity • 65% Danceability • 93% Energy • 21% Liveness
47% Instrumentalness • 97% Positiveness
27% Popularity • 65% Danceability • 93% Energy • 21% Liveness
47% Instrumentalness • 97% Positiveness
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Apollo Sunshine
We Are Born When We Die
103 bpm • F Maj • 02:32 • -13.52db
45% Popularity • 22% Danceability • 35% Energy • 23% Liveness
98% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 35% Energy • 23% Liveness
98% Instrumentalness • 7% Positiveness
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Holy Motors
Honeymooning
103 bpm • A Maj • 03:39 • -7.38db
38% Popularity • 56% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 66% Positiveness
38% Popularity • 56% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 66% Positiveness
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Shana Cleveland
Face of the Sun
103 bpm • A min • 03:29 • -10.03db
32% Popularity • 31% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 31% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Thom Yorke
Black Swan
101 bpm • C Maj • 04:49 • -7.29db
55% Popularity • 62% Danceability • 80% Energy • 12% Liveness
76% Instrumentalness • 53% Positiveness
55% Popularity • 62% Danceability • 80% Energy • 12% Liveness
76% Instrumentalness • 53% Positiveness
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The Black Ryder
All That We See
103 bpm • A min • 03:16 • -7.97db
33% Popularity • 49% Danceability • 56% Energy • 13% Liveness
18% Instrumentalness • 75% Positiveness
33% Popularity • 49% Danceability • 56% Energy • 13% Liveness
18% Instrumentalness • 75% Positiveness
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Jonathan Bree
You're So Cool
101 bpm • C# Maj • 04:52 • -7.78db
53% Popularity • 61% Danceability • 47% Energy • 21% Liveness
58% Instrumentalness • 52% Positiveness
53% Popularity • 61% Danceability • 47% Energy • 21% Liveness
58% Instrumentalness • 52% Positiveness
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Karen O
Living in a Trance
101 bpm • G Maj • 03:02 • -10.6db
20% Popularity • 50% Danceability • 45% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
20% Popularity • 50% Danceability • 45% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
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Kurt Vile
Baby's Arms
103 bpm • B min • 03:56 • -9.64db
38% Popularity • 29% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 29% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Yo La Tengo
I'll Be Around
104 bpm • G Maj • 04:47 • -12db
47% Popularity • 33% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
47% Popularity • 33% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Aaron Embry
Raven's Song
100 bpm • D# Maj • 02:00 • -9.45db
38% Popularity • 42% Danceability • 32% Energy • 30% Liveness
16% Instrumentalness • 46% Positiveness
38% Popularity • 42% Danceability • 32% Energy • 30% Liveness
16% Instrumentalness • 46% Positiveness
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Sylvan Esso
Funeral Singers
104 bpm • G# Maj • 03:39 • -10.82db
51% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Raveonettes
Oh, I Buried You Today
100 bpm • F# Maj • 01:21 • -13.81db
33% Popularity • 37% Danceability • 30% Energy • 13% Liveness
23% Instrumentalness • 5% Positiveness
33% Popularity • 37% Danceability • 30% Energy • 13% Liveness
23% Instrumentalness • 5% Positiveness
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Let's Eat Grandma
Deep Six Textbook
100 bpm • F Maj • 05:39 • -10db
30% Popularity • 52% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
30% Popularity • 52% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Spiritualized
Ladies and gentlemen we are floating in ...
100 bpm • D Maj • 03:54 • -11.45db
54% Popularity • 38% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 38% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Lyla Foy
Feather Tongue
100 bpm • C Maj • 03:27 • -8.13db
20% Popularity • 75% Danceability • 65% Energy • 15% Liveness
28% Instrumentalness • 59% Positiveness
20% Popularity • 75% Danceability • 65% Energy • 15% Liveness
28% Instrumentalness • 59% Positiveness
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Thom Yorke
Analyse
100 bpm • C# Maj • 04:02 • -8.39db
47% Popularity • 56% Danceability • 85% Energy • 13% Liveness
2% Instrumentalness • 45% Positiveness
47% Popularity • 56% Danceability • 85% Energy • 13% Liveness
2% Instrumentalness • 45% Positiveness
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The Submarines
Brightest Hour
100 bpm • A Maj • 02:33 • -10db
39% Popularity • 66% Danceability • 48% Energy • 9% Liveness
71% Instrumentalness • 48% Positiveness
39% Popularity • 66% Danceability • 48% Energy • 9% Liveness
71% Instrumentalness • 48% Positiveness
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Trailer Trash Tracys
You Wish You Were Red
100 bpm • C Maj • 03:53 • -5db
25% Popularity • 56% Danceability • 70% Energy • 11% Liveness
18% Instrumentalness • 34% Positiveness
25% Popularity • 56% Danceability • 70% Energy • 11% Liveness
18% Instrumentalness • 34% Positiveness
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Soko
Girls on Film - Making Patterns Rhyme Ve...
100 bpm • F Maj • 04:15 • -8.26db
17% Popularity • 50% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
17% Popularity • 50% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
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CocoRosie
Terrible Angels
104 bpm • G# min • 04:10 • -9db
32% Popularity • 51% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 51% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew VanWyngarden
Nature Boy
100 bpm • G Maj • 02:42 • -9.5db
37% Popularity • 42% Danceability • 52% Energy • 36% Liveness
23% Instrumentalness • 53% Positiveness
37% Popularity • 42% Danceability • 52% Energy • 36% Liveness
23% Instrumentalness • 53% Positiveness
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Andrew Bird
Are You Serious
100 bpm • C Maj • 03:38 • -8db
50% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Daniele Luppi
Flush
104 bpm • F# Maj • 04:26 • -7.03db
24% Popularity • 70% Danceability • 72% Energy • 20% Liveness
1% Instrumentalness • 80% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 20% Liveness
1% Instrumentalness • 80% Positiveness
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Y La Bamba
Juniper
105 bpm • A# Maj • 02:54 • -11.05db
31% Popularity • 48% Danceability • 54% Energy • 18% Liveness
44% Instrumentalness • 32% Positiveness
31% Popularity • 48% Danceability • 54% Energy • 18% Liveness
44% Instrumentalness • 32% Positiveness
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Karen O
King
105 bpm • E Maj • 01:23 • -7.75db
17% Popularity • 42% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 42% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Son Lux
Flickers
105 bpm • A# min • 04:55 • -10db
38% Popularity • 32% Danceability • 33% Energy • 13% Liveness
23% Instrumentalness • 7% Positiveness
38% Popularity • 32% Danceability • 33% Energy • 13% Liveness
23% Instrumentalness • 7% Positiveness
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Sparklehorse
Wish You Were Here
105 bpm • D Maj • 06:58 • -16db
37% Popularity • 79% Danceability • 13% Energy • 22% Liveness
79% Instrumentalness • 9% Positiveness
37% Popularity • 79% Danceability • 13% Energy • 22% Liveness
79% Instrumentalness • 9% Positiveness
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Trailer Trash Tracys
Candy Girl
105 bpm • D Maj • 04:03 • -5.82db
26% Popularity • 43% Danceability • 69% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
26% Popularity • 43% Danceability • 69% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Alex Ebert
Bad Bad Love
99 bpm • E Maj • 03:29 • -6.67db
40% Popularity • 53% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 53% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Loma
Half Silences
105 bpm • A# min • 03:46 • -12db
35% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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![I Shot the Sheriff (Instrumental) [feat. Karen O] cover art](https://i.scdn.co/image/ab67616d00001e02f4cbc905d924de517cc97351)
N.A.S.A.
I Shot the Sheriff (Instrumental)
105 bpm • F min • 04:50 • -9.91db
3% Popularity • 75% Danceability • 67% Energy • 34% Liveness
33% Instrumentalness • 60% Positiveness
3% Popularity • 75% Danceability • 67% Energy • 34% Liveness
33% Instrumentalness • 60% Positiveness
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Karen O
Worried Shoes
99 bpm • C min • 04:12 • -15db
33% Popularity • 35% Danceability • 16% Energy • 12% Liveness
67% Instrumentalness • 6% Positiveness
33% Popularity • 35% Danceability • 16% Energy • 12% Liveness
67% Instrumentalness • 6% Positiveness
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Sparklehorse
Shade And Honey
105 bpm • C Maj • 04:08 • -11db
37% Popularity • 72% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 54% Positiveness
37% Popularity • 72% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 54% Positiveness
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Emily Haines & The Soft Skeleton
Our Hell
99 bpm • C min • 04:09 • -11.47db
30% Popularity • 53% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 27% Positiveness
30% Popularity • 53% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 27% Positiveness
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Feist
Lost Dreams
99 bpm • B min • 05:18 • -11.92db
18% Popularity • 56% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 56% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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The National
Nobody Else Will Be There
99 bpm • A Maj • 04:40 • -10.88db
47% Popularity • 66% Danceability • 54% Energy • 6% Liveness
59% Instrumentalness • 57% Positiveness
47% Popularity • 66% Danceability • 54% Energy • 6% Liveness
59% Instrumentalness • 57% Positiveness
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Arcade Fire
Ocean of Noise
105 bpm • D# Maj • 04:53 • -10.22db
42% Popularity • 50% Danceability • 54% Energy • 13% Liveness
16% Instrumentalness • 35% Positiveness
42% Popularity • 50% Danceability • 54% Energy • 13% Liveness
16% Instrumentalness • 35% Positiveness
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The Shacks
Follow Me
105 bpm • F min • 03:19 • -5.71db
35% Popularity • 59% Danceability • 75% Energy • 11% Liveness
29% Instrumentalness • 57% Positiveness
35% Popularity • 59% Danceability • 75% Energy • 11% Liveness
29% Instrumentalness • 57% Positiveness
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The Parlor
The Places Where We Bled
105 bpm • G Maj • 02:59 • -5.9db
25% Popularity • 73% Danceability • 66% Energy • 13% Liveness
85% Instrumentalness • 58% Positiveness
25% Popularity • 73% Danceability • 66% Energy • 13% Liveness
85% Instrumentalness • 58% Positiveness
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Karen O
So Far
98 bpm • D Maj • 01:33 • -10.86db
16% Popularity • 56% Danceability • 8% Energy • 19% Liveness
1% Instrumentalness • 20% Positiveness
16% Popularity • 56% Danceability • 8% Energy • 19% Liveness
1% Instrumentalness • 20% Positiveness
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Maximum Balloon
Communion
106 bpm • C Maj • 04:17 • -5.13db
10% Popularity • 72% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 72% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Midlake
Young Bride
106 bpm • F min • 04:51 • -10db
40% Popularity • 51% Danceability • 54% Energy • 23% Liveness
2% Instrumentalness • 56% Positiveness
40% Popularity • 51% Danceability • 54% Energy • 23% Liveness
2% Instrumentalness • 56% Positiveness
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Arcade Fire
Porno
98 bpm • F# min • 06:01 • -8.07db
42% Popularity • 69% Danceability • 54% Energy • 12% Liveness
10% Instrumentalness • 64% Positiveness
42% Popularity • 69% Danceability • 54% Energy • 12% Liveness
10% Instrumentalness • 64% Positiveness
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Lotte Kestner
Leif Erikson Type Foundry Mix
98 bpm • E Maj • 05:09 • -14.07db
11% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Nada Surf
Blonde On Blonde
98 bpm • C Maj • 04:34 • -10db
18% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Karen O
Nox Lumina
98 bpm • A min • 06:09 • -11.19db
12% Popularity • 46% Danceability • 32% Energy • 12% Liveness
24% Instrumentalness • 5% Positiveness
12% Popularity • 46% Danceability • 32% Energy • 12% Liveness
24% Instrumentalness • 5% Positiveness
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EL VY
Paul Is Alive
98 bpm • F# min • 03:30 • -7.5db
32% Popularity • 40% Danceability • 54% Energy • 7% Liveness
11% Instrumentalness • 64% Positiveness
32% Popularity • 40% Danceability • 54% Energy • 7% Liveness
11% Instrumentalness • 64% Positiveness
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Oberhofer
Sea of Dreams
97 bpm • C Maj • 04:43 • -9.7db
41% Popularity • 44% Danceability • 65% Energy • 16% Liveness
53% Instrumentalness • 50% Positiveness
41% Popularity • 44% Danceability • 65% Energy • 16% Liveness
53% Instrumentalness • 50% Positiveness
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The Raveonettes
Lust
107 bpm • F# min • 03:37 • -5.18db
34% Popularity • 64% Danceability • 72% Energy • 11% Liveness
22% Instrumentalness • 29% Positiveness
34% Popularity • 64% Danceability • 72% Energy • 11% Liveness
22% Instrumentalness • 29% Positiveness
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A.A. Bondy
The Twist
107 bpm • F min • 04:19 • -7.99db
2% Popularity • 49% Danceability • 67% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
2% Popularity • 49% Danceability • 67% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
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She Keeps Bees
Vulture
97 bpm • C# Maj • 03:24 • -7.74db
25% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Karen O
Reveries
107 bpm • G min • 03:44 • -11.42db
12% Popularity • 43% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 43% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Father John Misty
Nancy From Now On
107 bpm • C Maj • 03:54 • -9.17db
66% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
66% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
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OK Go
Skyscrapers
97 bpm • E min • 04:38 • -8.22db
31% Popularity • 84% Danceability • 42% Energy • 11% Liveness
17% Instrumentalness • 54% Positiveness
31% Popularity • 84% Danceability • 42% Energy • 11% Liveness
17% Instrumentalness • 54% Positiveness
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Squeak E. Clean
Hello Tomorrow Rebirth
97 bpm • A min • 02:30 • -8.6db
13% Popularity • 54% Danceability • 63% Energy • 11% Liveness
37% Instrumentalness • 22% Positiveness
13% Popularity • 54% Danceability • 63% Energy • 11% Liveness
37% Instrumentalness • 22% Positiveness
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Cigarettes After Sex
Nothing's Gonna Hurt You Baby
97 bpm • E Maj • 04:46 • -14.07db
76% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
76% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
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Dead Man's Bones
My Body's a Zombie For You
97 bpm • A min • 04:30 • -9.04db
42% Popularity • 41% Danceability • 56% Energy • 62% Liveness
7% Instrumentalness • 31% Positiveness
42% Popularity • 41% Danceability • 56% Energy • 62% Liveness
7% Instrumentalness • 31% Positiveness
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Karen O
The Moon Song - End Title Credit
96 bpm • C Maj • 02:26 • -11.15db
37% Popularity • 58% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 58% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Rain Phoenix
Time is the Killer
108 bpm • E Maj • 04:01 • -8.43db
13% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Lala Lala
Siren 042
108 bpm • B Maj • 02:41 • -7.37db
48% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
48% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Squeak E. Clean
Hello Tomorrow - Adidas Version
97 bpm • A min • 02:11 • -16.93db
37% Popularity • 66% Danceability • 21% Energy • 7% Liveness
38% Instrumentalness • 18% Positiveness
37% Popularity • 66% Danceability • 21% Energy • 7% Liveness
38% Instrumentalness • 18% Positiveness
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Goat Girl
Throw Me a Bone
96 bpm • F Maj • 02:27 • -10.55db
22% Popularity • 52% Danceability • 49% Energy • 17% Liveness
5% Instrumentalness • 22% Positiveness
22% Popularity • 52% Danceability • 49% Energy • 17% Liveness
5% Instrumentalness • 22% Positiveness
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CocoRosie
Noah's Ark
108 bpm • A# Maj • 04:13 • -13db
33% Popularity • 56% Danceability • 34% Energy • 27% Liveness
63% Instrumentalness • 15% Positiveness
33% Popularity • 56% Danceability • 34% Energy • 27% Liveness
63% Instrumentalness • 15% Positiveness
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Eels
Fresh Blood
96 bpm • C Maj • 04:24 • -4.27db
44% Popularity • 66% Danceability • 91% Energy • 8% Liveness
68% Instrumentalness • 79% Positiveness
44% Popularity • 66% Danceability • 91% Energy • 8% Liveness
68% Instrumentalness • 79% Positiveness
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The Kills
Goodnight Bad Morning
96 bpm • F Maj • 03:53 • -13.41db
34% Popularity • 82% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
34% Popularity • 82% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
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Jonathan Bree
The Primrose Path
96 bpm • A min • 04:00 • -9.61db
19% Popularity • 52% Danceability • 42% Energy • 13% Liveness
6% Instrumentalness • 23% Positiveness
19% Popularity • 52% Danceability • 42% Energy • 13% Liveness
6% Instrumentalness • 23% Positiveness
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The Veils
Axolotl
96 bpm • F# Maj • 03:02 • -7db
36% Popularity • 50% Danceability • 70% Energy • 11% Liveness
76% Instrumentalness • 19% Positiveness
36% Popularity • 50% Danceability • 70% Energy • 11% Liveness
76% Instrumentalness • 19% Positiveness
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Karen O
The Moon Song
108 bpm • C Maj • 01:30 • -21.98db
29% Popularity • 51% Danceability • 2% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 51% Danceability • 2% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
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Mirah
Special Death
108 bpm • D min • 02:32 • -11.8db
50% Popularity • 44% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 44% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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The Staves
Outlaw
96 bpm • D min • 02:40 • -11db
30% Popularity • 52% Danceability • 29% Energy • 31% Liveness
16% Instrumentalness • 24% Positiveness
30% Popularity • 52% Danceability • 29% Energy • 31% Liveness
16% Instrumentalness • 24% Positiveness
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Maybird
All Alone Am I
96 bpm • G Maj • 03:12 • -9.34db
18% Popularity • 49% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 49% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Alex Ebert
Remember Our Heart
109 bpm • G# Maj • 03:17 • -7db
33% Popularity • 56% Danceability • 74% Energy • 9% Liveness
89% Instrumentalness • 88% Positiveness
33% Popularity • 56% Danceability • 74% Energy • 9% Liveness
89% Instrumentalness • 88% Positiveness
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Cass McCombs
Brighter!
109 bpm • E min • 03:56 • -11.29db
43% Popularity • 62% Danceability • 47% Energy • 12% Liveness
37% Instrumentalness • 66% Positiveness
43% Popularity • 62% Danceability • 47% Energy • 12% Liveness
37% Instrumentalness • 66% Positiveness
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Les Deux Love Orchestra
The Moth & The Flame
109 bpm • D min • 03:55 • -14.22db
46% Popularity • 71% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
46% Popularity • 71% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Karen O
Sunset Sun
96 bpm • G Maj • 01:12 • -9.65db
19% Popularity • 34% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 34% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Charlotte Gainsbourg
Trick Pony
95 bpm • F Maj • 02:51 • -6.52db
45% Popularity • 69% Danceability • 86% Energy • 34% Liveness
7% Instrumentalness • 72% Positiveness
45% Popularity • 69% Danceability • 86% Energy • 34% Liveness
7% Instrumentalness • 72% Positiveness
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Scarlett Johansson
The Moon Song - Film Version
95 bpm • C Maj • 01:50 • -17.09db
53% Popularity • 63% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 63% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Big Thief
Mary
95 bpm • F Maj • 05:28 • -14.43db
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Chad VanGaalen
Molten Light
95 bpm • A min • 02:51 • -12.1db
30% Popularity • 56% Danceability • 34% Energy • 41% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 56% Danceability • 34% Energy • 41% Liveness
0% Instrumentalness • 23% Positiveness
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The xx
VCR
109 bpm • C Maj • 02:57 • -12.73db
60% Popularity • 76% Danceability • 48% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
60% Popularity • 76% Danceability • 48% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
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Karen O
Beast
95 bpm • G min • 02:57 • -11db
20% Popularity • 28% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 28% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Mire Kay
Fortress
110 bpm • C min • 02:36 • -13.94db
13% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lala Lala
Destroyer
110 bpm • A# Maj • 03:12 • -6.71db
42% Popularity • 60% Danceability • 59% Energy • 15% Liveness
64% Instrumentalness • 33% Positiveness
42% Popularity • 60% Danceability • 59% Energy • 15% Liveness
64% Instrumentalness • 33% Positiveness
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Sam Valdez
Farther Away
110 bpm • F min • 03:26 • -7db
30% Popularity • 54% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 54% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Jonathan Bree
Valentine
95 bpm • C Maj • 04:11 • -10.71db
31% Popularity • 67% Danceability • 38% Energy • 7% Liveness
2% Instrumentalness • 48% Positiveness
31% Popularity • 67% Danceability • 38% Energy • 7% Liveness
2% Instrumentalness • 48% Positiveness
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Noah Hawley
Change the World
110 bpm • D# min • 04:01 • -10.98db
24% Popularity • 48% Danceability • 45% Energy • 33% Liveness
1% Instrumentalness • 11% Positiveness
24% Popularity • 48% Danceability • 45% Energy • 33% Liveness
1% Instrumentalness • 11% Positiveness
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Karen O
Leopard's Tongue
110 bpm • D Maj • 03:13 • -9.19db
15% Popularity • 68% Danceability • 69% Energy • 29% Liveness
27% Instrumentalness • 77% Positiveness
15% Popularity • 68% Danceability • 69% Energy • 29% Liveness
27% Instrumentalness • 77% Positiveness
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Har Mar Superstar
Haircut
110 bpm • E min • 02:32 • -8.4db
19% Popularity • 73% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 35% Positiveness
19% Popularity • 73% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 35% Positiveness
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The National
Pink Rabbits
110 bpm • A Maj • 04:36 • -7db
49% Popularity • 50% Danceability • 66% Energy • 9% Liveness
11% Instrumentalness • 28% Positiveness
49% Popularity • 50% Danceability • 66% Energy • 9% Liveness
11% Instrumentalness • 28% Positiveness
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Father John Misty
Hollywood Forever Cemetery Sings
94 bpm • A Maj • 03:10 • -4.13db
63% Popularity • 58% Danceability • 81% Energy • 4% Liveness
14% Instrumentalness • 60% Positiveness
63% Popularity • 58% Danceability • 81% Energy • 4% Liveness
14% Instrumentalness • 60% Positiveness
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Thom Yorke
Daily Battles
110 bpm • D min • 02:53 • -18.84db
46% Popularity • 31% Danceability • 8% Energy • 11% Liveness
79% Instrumentalness • 11% Positiveness
46% Popularity • 31% Danceability • 8% Energy • 11% Liveness
79% Instrumentalness • 11% Positiveness
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Emily Wells
Stay Up
111 bpm • F Maj • 03:47 • -10.02db
26% Popularity • 62% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
26% Popularity • 62% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Karen O
Bullet With Butterfly Wings
110 bpm • B min • 03:32 • -5.35db
29% Popularity • 48% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 48% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
