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Turn, Turn, Turn
Songs like
Turn, Turn, Turn
by
Pete Seeger
Based on a tempo of (+/- 10%) and a similar genre
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Pete Seeger
Turn, Turn, Turn
137 bpm • A# Maj • 02:46 • -17db
26% Popularity • 48% Danceability • 12% Energy • 69% Liveness
1% Instrumentalness • 61% Positiveness
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Phil Ochs
The Highwayman
137 bpm • G# min • 05:39 • -14.02db
22% Popularity • 56% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Corries
Ae Fond Kiss
137 bpm • D Maj • 02:48 • -11db
22% Popularity • 47% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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John Gorka
Love Is Our Cross To Bear
137 bpm • C min • 04:16 • -18db
35% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Richie Havens
Just Like A Woman
137 bpm • D Maj • 04:46 • -13db
29% Popularity • 58% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Barbara Dane
It Isn't Nice
138 bpm • G# Maj • 04:08 • -14.15db
15% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Pete Seeger
Oh, Had I a Golden Thread
137 bpm • G min • 03:33 • -15.9db
4% Popularity • 43% Danceability • 31% Energy • 16% Liveness
61% Instrumentalness • 52% Positiveness
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The Kossoy Sisters
Bowling Green
138 bpm • B Maj • 02:13 • -7db
31% Popularity • 48% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Brenda Wootton
Lamorna
138 bpm • D# Maj • 03:08 • -11.6db
23% Popularity • 73% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Steeleye Span
Hard Times of Old England - 2009 Remaste...
138 bpm • G Maj • 05:15 • -8db
27% Popularity • 50% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Mimi And Richard Farina
The Falcon
138 bpm • C# min • 03:42 • -16.1db
28% Popularity • 74% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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The Incredible String Band
The Hedgehog's Song - 2010 Remaster
138 bpm • F# Maj • 03:27 • -12db
33% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Pete Seeger
Oh, Susanna
137 bpm • E Maj • 01:17 • -14.46db
34% Popularity • 54% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Phil Ochs
Power and Glory
138 bpm • A min • 02:16 • -12.83db
30% Popularity • 60% Danceability • 32% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
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Lead Belly
Bourgeois Blues
138 bpm • E Maj • 02:20 • -13.71db
23% Popularity • 59% Danceability • 29% Energy • 21% Liveness
2% Instrumentalness • 80% Positiveness
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The New Lost City Ramblers
Ruby, Are You Mad At Your Man?
136 bpm • E Maj • 01:57 • -18db
23% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Warren Zevon
The Hula Hula Boys - 2007 Remaster
138 bpm • G Maj • 03:02 • -11db
37% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Mimi And Richard Farina
Another Country
139 bpm • F min • 04:04 • -20.79db
10% Popularity • 35% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Pete Seeger
Where Have All the Flowers Gone? - Live
136 bpm • A# Maj • 01:54 • -14db
18% Popularity • 50% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Richard Thompson
Beeswing
138 bpm • F Maj • 05:33 • -14.48db
38% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Peter Yarrow
Weave Me the Sunshine
139 bpm • G Maj • 04:27 • -8.08db
21% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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John Prine
Hello in There
135 bpm • C Maj • 04:32 • -17db
48% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Warren Zevon
Hasten Down the Wind
139 bpm • E Maj • 02:32 • -11.5db
45% Popularity • 42% Danceability • 30% Energy • 14% Liveness
41% Instrumentalness • 30% Positiveness
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The Incredible String Band
Everything's Fine Right Now - 2010 Remas...
135 bpm • G Maj • 02:12 • -11.2db
11% Popularity • 69% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Lead Belly
Goodnight, Irene - 2022 Remaster
139 bpm • G# Maj • 02:32 • -13.22db
27% Popularity • 56% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Stephen Foster
Hard times come again no more
135 bpm • D Maj • 04:21 • -15.35db
20% Popularity • 33% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Yusuf / Cat Stevens
Longer Boats
139 bpm • G Maj • 03:12 • -14.27db
43% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Paul Clayton
False Love
139 bpm • C# min • 02:09 • -19.34db
14% Popularity • 50% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Barbara Dane
Little Maggie
135 bpm • D# Maj • 02:09 • -11.09db
20% Popularity • 59% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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The Limeliters
Lonesome Traveler
140 bpm • C min • 02:05 • -6.81db
21% Popularity • 75% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Karen Dalton
Reason to Believe
134 bpm • G Maj • 02:24 • -21db
43% Popularity • 36% Danceability • 7% Energy • 15% Liveness
59% Instrumentalness • 24% Positiveness
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Pete Seeger
Where Have All the Flowers Gone?
134 bpm • B Maj • 02:05 • -17.88db
24% Popularity • 39% Danceability • 19% Energy • 9% Liveness
4% Instrumentalness • 45% Positiveness
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Doc Watson
The Riddle Song
140 bpm • D Maj • 02:41 • -18.86db
26% Popularity • 46% Danceability • 13% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
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Ian & Sylvia
You Were On My Mind
140 bpm • F Maj • 02:47 • -13.21db
29% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Billy Bragg
I Dreamed I Saw Phil Ochs Last Night
133 bpm • D Maj • 01:29 • -19.42db
12% Popularity • 64% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Alastair McDonald and Leo Maguire
Over the Sea
141 bpm • E min • 04:23 • -17.64db
21% Popularity • 51% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Eric Andersen
Thirsty Boots
133 bpm • B Maj • 05:13 • -14.81db
23% Popularity • 57% Danceability • 40% Energy • 12% Liveness
9% Instrumentalness • 74% Positiveness
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Pete Seeger
Both Sides Now
134 bpm • G Maj • 04:19 • -13db
9% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jimmie Rodgers
English Country Garden
133 bpm • B Maj • 02:56 • -26.72db
15% Popularity • 66% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Ian & Sylvia
Circle Game
142 bpm • D Maj • 03:01 • -15.88db
18% Popularity • 49% Danceability • 40% Energy • 46% Liveness
0% Instrumentalness • 74% Positiveness
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Ewan MacColl
Dirty Old Town
133 bpm • D min • 01:03 • -20db
36% Popularity • 55% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Gordon Lightfoot
Rich Man's Spiritual
132 bpm • D Maj • 02:47 • -9.19db
28% Popularity • 67% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Tom Paxton
Outward Bound
142 bpm • A# Maj • 02:31 • -19.38db
28% Popularity • 50% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Shirley Collins
Sweet England
142 bpm • E Maj • 02:35 • -11.32db
18% Popularity • 52% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Joan Baez
Silver Dagger
142 bpm • D# min • 02:32 • -15.57db
40% Popularity • 42% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Richard Thompson
From Galway to Graceland
132 bpm • A Maj • 03:29 • -10db
26% Popularity • 49% Danceability • 32% Energy • 36% Liveness
6% Instrumentalness • 37% Positiveness
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Suzanne Vega
Streets of Laredo
132 bpm • G Maj • 03:45 • -15.56db
16% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Pete Seeger
The Water is Wide
132 bpm • D Maj • 03:37 • -20.11db
4% Popularity • 47% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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A. L. Lloyd and Alf Edwards
The Unfortunate Rake
132 bpm • C min • 02:59 • -13db
10% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Harry McClintock
Long Haired Preachers (Preacher and the ...
143 bpm • C Maj • 03:42 • -20.76db
17% Popularity • 59% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
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Phil Ochs
That's What I Want to Hear
131 bpm • C# Maj • 03:09 • -11.19db
21% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Corries
Shenendoah
131 bpm • C# Maj • 03:48 • -22db
20% Popularity • 36% Danceability • 10% Energy • 67% Liveness
0% Instrumentalness • 41% Positiveness
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Crooked Still
Shady Grove
131 bpm • B Maj • 03:47 • -7.29db
31% Popularity • 55% Danceability • 57% Energy • 44% Liveness
7% Instrumentalness • 80% Positiveness
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Doc Watson
The Crawdad Song
131 bpm • E Maj • 02:31 • -15.98db
32% Popularity • 54% Danceability • 30% Energy • 82% Liveness
0% Instrumentalness • 78% Positiveness
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The Incredible String Band
You Get Brighter - 2010 Remaster
131 bpm • C Maj • 05:46 • -13.3db
13% Popularity • 49% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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The Limeliters
When I First Came to This Land
131 bpm • D# Maj • 03:19 • -8.87db
12% Popularity • 73% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Phil Ochs
I Ain't Marching Anymore
131 bpm • F# Maj • 02:34 • -6.52db
37% Popularity • 50% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Bascom Lamar Lunsford
I Wish I Was a Mole in the Ground
131 bpm • A# Maj • 03:22 • -14db
15% Popularity • 65% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 61% Positiveness
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Lead Belly
Irene (Goodnight Irene)
131 bpm • A# Maj • 01:51 • -13db
22% Popularity • 46% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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The Roches
Mr. Sellack
131 bpm • D Maj • 04:03 • -19db
30% Popularity • 69% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Doc Watson
Alberta
144 bpm • G Maj • 02:43 • -18.53db
33% Popularity • 35% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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John Hartford
Aura Lee
144 bpm • E Maj • 01:25 • -18.69db
24% Popularity • 50% Danceability • 7% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
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Kate Wolf
September Song
130 bpm • F# Maj • 04:07 • -20db
23% Popularity • 53% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Loudon Wainwright III
New Paint
130 bpm • G Maj • 03:00 • -17.72db
27% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Ewan MacColl
Brother Did You Weep
130 bpm • G# min • 01:57 • -20.49db
13% Popularity • 60% Danceability • 6% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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Barbara Dane
Girl of Constant Sorrow
145 bpm • G Maj • 04:06 • -18.87db
9% Popularity • 31% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Tim Hardin
The Lady Came From Baltimore
145 bpm • C Maj • 01:49 • -14db
41% Popularity • 57% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Richie Havens
Follow
130 bpm • D Maj • 06:20 • -13db
36% Popularity • 52% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Malvina Reynolds
Bury Me in My Overalls
146 bpm • A Maj • 02:53 • -9.95db
11% Popularity • 62% Danceability • 51% Energy • 28% Liveness
1% Instrumentalness • 80% Positiveness
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Utah Phillips
This Land is Not Our Land
129 bpm • F# min • 01:17 • -13.77db
21% Popularity • 65% Danceability • 18% Energy • 77% Liveness
0% Instrumentalness • 50% Positiveness
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Dock Boggs
Pretty Polly
129 bpm • G Maj • 02:56 • -10.76db
22% Popularity • 56% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Sweet Honey In The Rock
Sylvie
129 bpm • C Maj • 02:03 • -19.97db
31% Popularity • 42% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Ewan MacColl
The Moving on Song
129 bpm • G min • 03:21 • -15.84db
12% Popularity • 69% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Dory Previn
Lemon Haired Ladies
146 bpm • A Maj • 04:43 • -15.5db
13% Popularity • 42% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Chad Mitchell Trio
The John Birch Society
128 bpm • C Maj • 03:47 • -10.24db
15% Popularity • 58% Danceability • 69% Energy • 68% Liveness
0% Instrumentalness • 72% Positiveness
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Glenn Yarbrough
The World I Used to Know
128 bpm • D# Maj • 02:47 • -17db
28% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Tia Blake
The Rising of the Moon
147 bpm • E min • 03:55 • -22.84db
45% Popularity • 51% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Billy Bragg
Ingrid Bergman
128 bpm • E Maj • 01:50 • -14.51db
42% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Pete Seeger
Oh, Freedom
128 bpm • G Maj • 03:16 • -13.94db
14% Popularity • 41% Danceability • 37% Energy • 69% Liveness
0% Instrumentalness • 73% Positiveness
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Leonard Cohen
Passing Through - Live
128 bpm • C Maj • 04:05 • -15.17db
34% Popularity • 52% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 47% Positiveness
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Alastair McDonald and Leo Maguire
Loch Lomond
147 bpm • D# Maj • 03:36 • -18.39db
38% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Chad Mitchell Trio
Come Along Home (Tom's Song)
127 bpm • D Maj • 02:35 • -14.7db
12% Popularity • 62% Danceability • 36% Energy • 90% Liveness
0% Instrumentalness • 74% Positiveness
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Cousin Emmy
Free Little Bird
148 bpm • A Maj • 01:00 • -17.74db
29% Popularity • 50% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 98% Positiveness
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Van Morrison
Cyprus Avenue - 1999 Remaster
127 bpm • A# Maj • 06:59 • -14.63db
42% Popularity • 48% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Pete Seeger
We Shall Overcome
127 bpm • C Maj • 04:44 • -12.36db
23% Popularity • 40% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Greg Brown
The Iowa Waltz
127 bpm • D Maj • 03:56 • -12db
10% Popularity • 51% Danceability • 26% Energy • 10% Liveness
69% Instrumentalness • 38% Positiveness
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Kate Wolf
Emma Rose
127 bpm • A Maj • 03:39 • -21.52db
18% Popularity • 48% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Ewan MacColl
The Shoals of Herring
126 bpm • A Maj • 03:54 • -15.59db
29% Popularity • 56% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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John Prine
Only Love
148 bpm • C Maj • 03:29 • -29.63db
9% Popularity • 53% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Barbara Dane
Turkey Reveille
126 bpm • D min • 04:45 • -14.36db
9% Popularity • 71% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Pete Seeger
Last Night I Had the Strangest Dream
148 bpm • B Maj • 02:32 • -23.83db
10% Popularity • 53% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Richie Havens
Handsome Johnny
126 bpm • E Maj • 03:53 • -14.39db
25% Popularity • 60% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Archie Fisher
Witch of the West-Mer-Lands
149 bpm • E Maj • 04:35 • -21db
20% Popularity • 46% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Fairport Convention
Si tu dois partir
126 bpm • C Maj • 02:22 • -13db
32% Popularity • 71% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Rosalie Sorrels
If I Could Be the Rain
126 bpm • E Maj • 02:55 • -15db
15% Popularity • 61% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
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Leonard Cohen
The Captain
126 bpm • C Maj • 04:07 • -13.55db
33% Popularity • 67% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Pete Seeger
River of My People
127 bpm • C Maj • 03:07 • -24.31db
3% Popularity • 43% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
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Joe Glazer
There Is Power in a Union
126 bpm • C Maj • 02:46 • -19.37db
10% Popularity • 70% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 57% Positiveness
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Loudon Wainwright III
Saw Your Name in the Paper
149 bpm • G Maj • 02:12 • -15.52db
15% Popularity • 58% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Malvina Reynolds
Little Red Hen
149 bpm • C Maj • 02:12 • -8.43db
13% Popularity • 72% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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Turn, Turn, Turn