Songs like Tuxedo Junction by Erskine Hawkins & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Sammy Price
Claudia In The Crowd
148 bpm • F Maj • 02:54 • -16db
29% Popularity • 62% Danceability • 35% Energy • 16% Liveness
80% Instrumentalness • 89% Positiveness
29% Popularity • 62% Danceability • 35% Energy • 16% Liveness
80% Instrumentalness • 89% Positiveness
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Les Brown
Bizet Has His Day
148 bpm • C min • 03:15 • -10db
25% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
25% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
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Kid Ory
Savoy Blues
148 bpm • F# Maj • 02:57 • -12.01db
20% Popularity • 71% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 78% Positiveness
20% Popularity • 71% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 78% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
148 bpm • A# Maj • 03:18 • -18db
6% Popularity • 56% Danceability • 12% Energy • 17% Liveness
41% Instrumentalness • 80% Positiveness
6% Popularity • 56% Danceability • 12% Energy • 17% Liveness
41% Instrumentalness • 80% Positiveness
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Sammy Davis Jr.
Love Me Or Leave Me
148 bpm • A Maj • 02:58 • -9db
35% Popularity • 50% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 50% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Hot Swing Sextet
Loose Wig
149 bpm • G# Maj • 02:57 • -6.14db
22% Popularity • 70% Danceability • 55% Energy • 8% Liveness
79% Instrumentalness • 76% Positiveness
22% Popularity • 70% Danceability • 55% Energy • 8% Liveness
79% Instrumentalness • 76% Positiveness
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Julia Lee And Her Boyfriends
King Size Papa
149 bpm • G# Maj • 02:40 • -12db
33% Popularity • 78% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 73% Positiveness
33% Popularity • 78% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 73% Positiveness
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Sammy Price
Salute To Basie
149 bpm • A# Maj • 02:27 • -17db
33% Popularity • 68% Danceability • 19% Energy • 6% Liveness
85% Instrumentalness • 65% Positiveness
33% Popularity • 68% Danceability • 19% Energy • 6% Liveness
85% Instrumentalness • 65% Positiveness
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Buster Smith
Kansas City Riffs
149 bpm • A# min • 05:17 • -12db
28% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
147 bpm • A# Maj • 03:17 • -11db
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
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Edmond Hall
It's Only A Shanty In Old Shanty Town
149 bpm • C Maj • 02:45 • -9db
9% Popularity • 73% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 70% Positiveness
9% Popularity • 73% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 70% Positiveness
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Roy Eldridge
Jump Through The Window (11-16-43)
149 bpm • C Maj • 02:43 • -9.52db
17% Popularity • 63% Danceability • 48% Energy • 30% Liveness
38% Instrumentalness • 83% Positiveness
17% Popularity • 63% Danceability • 48% Energy • 30% Liveness
38% Instrumentalness • 83% Positiveness
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Brooks Prumo Orchestra
What's Your Name?
147 bpm • G min • 03:50 • -7.52db
24% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Illinois Jacquet
Jacquet In The Box
149 bpm • G# Maj • 02:56 • -14.67db
15% Popularity • 66% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
15% Popularity • 66% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
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The Big 18
Celery Stalks at Midnight
149 bpm • C Maj • 04:10 • -15db
13% Popularity • 50% Danceability • 30% Energy • 17% Liveness
12% Instrumentalness • 81% Positiveness
13% Popularity • 50% Danceability • 30% Energy • 17% Liveness
12% Instrumentalness • 81% Positiveness
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Rex Stewart
That's Rhythm
147 bpm • A# Maj • 02:51 • -10db
14% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Kid Ory's Creole Jazz Band
Ballin' The Jack
146 bpm • A# Maj • 03:13 • -14.87db
27% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
27% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
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Erskine Hawkins
Tuxedo Junction (Alternate Take)
146 bpm • F min • 03:19 • -11db
11% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
11% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
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Bill Elliott Swing Orchestra
Streamliner
150 bpm • D# min • 03:50 • -10.39db
19% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Boilermaker Jazz Band
Sunday
151 bpm • C Maj • 03:37 • -7.92db
22% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Glenn Crytzer
The Beaver Bump
151 bpm • A min • 03:35 • -15.06db
20% Popularity • 55% Danceability • 41% Energy • 8% Liveness
82% Instrumentalness • 76% Positiveness
20% Popularity • 55% Danceability • 41% Energy • 8% Liveness
82% Instrumentalness • 76% Positiveness
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Stan Kenton & His Orchestra
Eager Beaver
151 bpm • F min • 03:09 • -11db
25% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
25% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
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Kid Ory
The Bucket's Got a Hole in It
145 bpm • F Maj • 02:30 • -8.52db
29% Popularity • 65% Danceability • 59% Energy • 31% Liveness
36% Instrumentalness • 91% Positiveness
29% Popularity • 65% Danceability • 59% Energy • 31% Liveness
36% Instrumentalness • 91% Positiveness
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THE SCHWINGS BAND
Zuzu Blues
152 bpm • G# Maj • 03:31 • -13db
11% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
11% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
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Brooks Prumo Orchestra
Pass The Bounce
144 bpm • G Maj • 03:16 • -7.42db
24% Popularity • 52% Danceability • 45% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 52% Danceability • 45% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
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Jesse Stone
Cole Slaw (Sorghum Switch)
144 bpm • A# Maj • 03:11 • -9.24db
13% Popularity • 64% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 64% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Erskine Hawkins
Tippin' In
144 bpm • A# Maj • 03:20 • -4db
11% Popularity • 58% Danceability • 68% Energy • 28% Liveness
84% Instrumentalness • 56% Positiveness
11% Popularity • 58% Danceability • 68% Energy • 28% Liveness
84% Instrumentalness • 56% Positiveness
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Southside Aces
My Blue Heaven
152 bpm • D# Maj • 03:23 • -11.67db
17% Popularity • 62% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 62% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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LaVern Baker
On Revival Day - Mono
144 bpm • C# Maj • 03:12 • -8db
35% Popularity • 70% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 70% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Larry Clinton
Glen Island Hop
144 bpm • F# Maj • 03:13 • -9.61db
20% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Sidney Bechet and his New Orleans Feetwarmers
Ain't Misbehavin'
144 bpm • F min • 02:50 • -10db
15% Popularity • 57% Danceability • 48% Energy • 36% Liveness
1% Instrumentalness • 95% Positiveness
15% Popularity • 57% Danceability • 48% Energy • 36% Liveness
1% Instrumentalness • 95% Positiveness
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Eddie Condon
Makin' Friends
143 bpm • F min • 03:05 • -14.01db
22% Popularity • 56% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 79% Positiveness
22% Popularity • 56% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 79% Positiveness
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Lucky Millinder
Apollo Jump
143 bpm • D min • 03:27 • -4db
4% Popularity • 60% Danceability • 57% Energy • 32% Liveness
89% Instrumentalness • 57% Positiveness
4% Popularity • 60% Danceability • 57% Energy • 32% Liveness
89% Instrumentalness • 57% Positiveness
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Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
19% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Erskine Hawkins & His Orchestra
Tippin' In - Digitally Mastered - Septem...
143 bpm • A# Maj • 03:22 • -11.2db
6% Popularity • 60% Danceability • 38% Energy • 6% Liveness
68% Instrumentalness • 70% Positiveness
6% Popularity • 60% Danceability • 38% Energy • 6% Liveness
68% Instrumentalness • 70% Positiveness
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Wilbur De Paris
Frankie & Johnny
153 bpm • C# Maj • 03:47 • -13db
16% Popularity • 43% Danceability • 63% Energy • 35% Liveness
47% Instrumentalness • 68% Positiveness
16% Popularity • 43% Danceability • 63% Energy • 35% Liveness
47% Instrumentalness • 68% Positiveness
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The Big 18
Hors D'oeuvre
143 bpm • D# Maj • 04:40 • -18.27db
9% Popularity • 52% Danceability • 26% Energy • 11% Liveness
11% Instrumentalness • 74% Positiveness
9% Popularity • 52% Danceability • 26% Energy • 11% Liveness
11% Instrumentalness • 74% Positiveness
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Johnny Hodges & His Orchestra
Wham
143 bpm • C Maj • 03:01 • -14.91db
26% Popularity • 60% Danceability • 38% Energy • 10% Liveness
19% Instrumentalness • 77% Positiveness
26% Popularity • 60% Danceability • 38% Energy • 10% Liveness
19% Instrumentalness • 77% Positiveness
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Glenn Crytzer
You Don't Say
142 bpm • G# Maj • 03:51 • -16db
16% Popularity • 49% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 49% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Don Byas
Melody In Swing (09-12-45)
143 bpm • F Maj • 03:17 • -13db
14% Popularity • 63% Danceability • 33% Energy • 11% Liveness
33% Instrumentalness • 73% Positiveness
14% Popularity • 63% Danceability • 33% Energy • 11% Liveness
33% Instrumentalness • 73% Positiveness
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Erskine Hawkins & His Orchestra
Tippin' In
143 bpm • A# Maj • 03:20 • -11.11db
0% Popularity • 61% Danceability • 39% Energy • 28% Liveness
80% Instrumentalness • 60% Positiveness
0% Popularity • 61% Danceability • 39% Energy • 28% Liveness
80% Instrumentalness • 60% Positiveness
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Bix Beiderbecke
Way Down Yonder in New Orleans
142 bpm • G Maj • 02:55 • -11db
22% Popularity • 69% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 68% Positiveness
22% Popularity • 69% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 68% Positiveness
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Muggsy Spanier
I Wish I Could Shimmy Like My Sister Kat...
154 bpm • F min • 02:55 • -9.93db
25% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
25% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
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Johnny Hodges & His Orchestra
Going Out The Back Way
154 bpm • A# min • 02:44 • -11db
23% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
23% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
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Rex Stewart
Dutch Treat
141 bpm • C# Maj • 02:59 • -12.18db
13% Popularity • 67% Danceability • 31% Energy • 43% Liveness
90% Instrumentalness • 68% Positiveness
13% Popularity • 67% Danceability • 31% Energy • 43% Liveness
90% Instrumentalness • 68% Positiveness
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Eddie Cole & The Three Peppers
That's Right!
141 bpm • G# min • 02:24 • -17.28db
19% Popularity • 58% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 58% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Erskine Hawkins
Tuxedo Junction (Re-Recorded)
155 bpm • B Maj • 05:50 • -15db
5% Popularity • 41% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 80% Positiveness
5% Popularity • 41% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 80% Positiveness
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Professor Cunningham And His Old School
Maelstrom
141 bpm • C# Maj • 03:57 • -16db
17% Popularity • 68% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 61% Positiveness
17% Popularity • 68% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 61% Positiveness
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The Big 18
Okay for Baby
155 bpm • G# Maj • 03:41 • -11.23db
11% Popularity • 51% Danceability • 47% Energy • 3% Liveness
10% Instrumentalness • 68% Positiveness
11% Popularity • 51% Danceability • 47% Energy • 3% Liveness
10% Instrumentalness • 68% Positiveness
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Johnny Hodges & His Orchestra
Good Queen Bess
155 bpm • F min • 03:03 • -12.3db
31% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
31% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
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Bill Elliott Swing Orchestra
When We Dance
155 bpm • C# Maj • 03:10 • -7.87db
26% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Lucky Millinder
Apollo Jump
141 bpm • F# Maj • 03:26 • -8db
37% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
37% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
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Naomi & Her Handsome Devils
Pennies from Heaven
141 bpm • C min • 03:51 • -12db
24% Popularity • 72% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 72% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Andy Kirk
Bearcat Shuffle
155 bpm • A min • 03:02 • -15.12db
23% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
23% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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THE SCHWINGS BAND
Ona
156 bpm • F Maj • 03:52 • -13db
23% Popularity • 75% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 53% Positiveness
23% Popularity • 75% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 53% Positiveness
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Johnny Hodges & His Orchestra
Junior Hop - Remastered - 1995
141 bpm • F Maj • 03:06 • -17.2db
22% Popularity • 83% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 72% Positiveness
22% Popularity • 83% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 72% Positiveness
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Pete Johnson
627 Stomp (11-11-40)
156 bpm • B Maj • 03:09 • -14db
7% Popularity • 71% Danceability • 53% Energy • 11% Liveness
44% Instrumentalness • 80% Positiveness
7% Popularity • 71% Danceability • 53% Energy • 11% Liveness
44% Instrumentalness • 80% Positiveness
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Gordon Webster
Blitzkrieg Baby (You Can't Bomb Me)
156 bpm • A# Maj • 02:57 • -7.26db
26% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Naomi & Her Handsome Devils
I'm Livin' in a Great Big Way
156 bpm • C Maj • 03:33 • -8.28db
18% Popularity • 68% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 68% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Four
Four or Five Times
140 bpm • F Maj • 04:48 • -10.59db
17% Popularity • 63% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 63% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Andy Kirk
Little Joe From Chicago
141 bpm • A Maj • 02:51 • -11db
8% Popularity • 69% Danceability • 34% Energy • 25% Liveness
64% Instrumentalness • 69% Positiveness
8% Popularity • 69% Danceability • 34% Energy • 25% Liveness
64% Instrumentalness • 69% Positiveness
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Lucky Millinder
Big Fat Mama
140 bpm • G min • 03:03 • -10db
17% Popularity • 61% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 61% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
157 bpm • G# min • 05:45 • -9.73db
0% Popularity • 42% Danceability • 46% Energy • 20% Liveness
84% Instrumentalness • 84% Positiveness
0% Popularity • 42% Danceability • 46% Energy • 20% Liveness
84% Instrumentalness • 84% Positiveness
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Glenn Crytzer
Ten 'Til Five
139 bpm • G Maj • 02:49 • -15.81db
16% Popularity • 61% Danceability • 46% Energy • 13% Liveness
38% Instrumentalness • 74% Positiveness
16% Popularity • 61% Danceability • 46% Energy • 13% Liveness
38% Instrumentalness • 74% Positiveness
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Kid Ory
Joshua Fit the Battle of Jericho - Remas...
158 bpm • F min • 02:58 • -6.74db
23% Popularity • 67% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 85% Positiveness
23% Popularity • 67% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 85% Positiveness
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Larry Clinton
Study In Blue
158 bpm • C# Maj • 03:36 • -7.26db
15% Popularity • 62% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
15% Popularity • 62% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
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Bunk Johnson
Mama's Gone Goodbye
158 bpm • G# Maj • 02:34 • -11db
21% Popularity • 78% Danceability • 35% Energy • 6% Liveness
74% Instrumentalness • 96% Positiveness
21% Popularity • 78% Danceability • 35% Energy • 6% Liveness
74% Instrumentalness • 96% Positiveness
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Andy Kirk
A Mellow Bit of Rhythm - Remastered
158 bpm • G# Maj • 03:23 • -8db
10% Popularity • 66% Danceability • 48% Energy • 6% Liveness
92% Instrumentalness • 82% Positiveness
10% Popularity • 66% Danceability • 48% Energy • 6% Liveness
92% Instrumentalness • 82% Positiveness
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Julia Lee
Come on over to My House
139 bpm • E min • 02:48 • -11.51db
15% Popularity • 76% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 76% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Rex Stewart
Tain't Like That
138 bpm • G min • 03:03 • -9.43db
20% Popularity • 77% Danceability • 38% Energy • 9% Liveness
52% Instrumentalness • 64% Positiveness
20% Popularity • 77% Danceability • 38% Energy • 9% Liveness
52% Instrumentalness • 64% Positiveness
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Kid Ory
My Bucket's Got A Hole In It
139 bpm • F Maj • 04:55 • -13.1db
15% Popularity • 68% Danceability • 41% Energy • 63% Liveness
23% Instrumentalness • 86% Positiveness
15% Popularity • 68% Danceability • 41% Energy • 63% Liveness
23% Instrumentalness • 86% Positiveness
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Mary Lou Williams
Mary Lou Williams Blues (01-26-40)
138 bpm • C min • 03:20 • -13.76db
16% Popularity • 74% Danceability • 21% Energy • 34% Liveness
72% Instrumentalness • 60% Positiveness
16% Popularity • 74% Danceability • 21% Energy • 34% Liveness
72% Instrumentalness • 60% Positiveness
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Johnny Hodges & His Orchestra
Junior Hop
138 bpm • F Maj • 03:09 • -10.37db
22% Popularity • 80% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 59% Positiveness
22% Popularity • 80% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 59% Positiveness
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Bunk Johnson
Careless Love
158 bpm • F Maj • 02:17 • -13db
27% Popularity • 72% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
27% Popularity • 72% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
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Cootie Williams
Do Some War Work Baby
138 bpm • F Maj • 03:09 • -11.28db
8% Popularity • 68% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 68% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Jan Savitt
720 in the Books
159 bpm • F min • 02:54 • -7.95db
16% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
16% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
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Erskine Hawkins & His Orchestra
Swingin' on Lennox Avenue
159 bpm • F Maj • 03:13 • -5.8db
0% Popularity • 56% Danceability • 35% Energy • 19% Liveness
49% Instrumentalness • 73% Positiveness
0% Popularity • 56% Danceability • 35% Energy • 19% Liveness
49% Instrumentalness • 73% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It the First Time (Alterna...
159 bpm • D# Maj • 02:57 • -10.11db
20% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Stan Kenton & His Orchestra
Tampico
159 bpm • G# Maj • 02:43 • -10.08db
36% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Big Joe Turner
You're Driving Me Crazy
159 bpm • G# Maj • 04:13 • -6.57db
19% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Cootie Williams
You Talk A Little Trash
159 bpm • D# Maj • 02:54 • -8.79db
16% Popularity • 67% Danceability • 47% Energy • 12% Liveness
60% Instrumentalness • 71% Positiveness
16% Popularity • 67% Danceability • 47% Energy • 12% Liveness
60% Instrumentalness • 71% Positiveness
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Naomi & Her Handsome Devils
Is You Is or Is You Ain't My Baby
137 bpm • A min • 04:03 • -8.04db
25% Popularity • 73% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 73% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Andy Kirk
A Mellow Bit Of Rhythm
160 bpm • D# Maj • 03:19 • -5.15db
21% Popularity • 68% Danceability • 54% Energy • 7% Liveness
80% Instrumentalness • 89% Positiveness
21% Popularity • 68% Danceability • 54% Energy • 7% Liveness
80% Instrumentalness • 89% Positiveness
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Brooks Prumo Orchestra
Nothing To Do But Hang With You
137 bpm • D# Maj • 03:18 • -7.68db
23% Popularity • 58% Danceability • 48% Energy • 27% Liveness
62% Instrumentalness • 67% Positiveness
23% Popularity • 58% Danceability • 48% Energy • 27% Liveness
62% Instrumentalness • 67% Positiveness
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The Solomon Douglas Swingtet
For Dancers Only
160 bpm • F min • 02:34 • -9.55db
22% Popularity • 60% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 60% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It The First Time (The Spi...
161 bpm • D# Maj • 03:01 • -11.99db
28% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Erskine Hawkins & His Orchestra
Limehouse Blues
160 bpm • F# min • 02:48 • -11.77db
0% Popularity • 47% Danceability • 56% Energy • 16% Liveness
92% Instrumentalness • 85% Positiveness
0% Popularity • 47% Danceability • 56% Energy • 16% Liveness
92% Instrumentalness • 85% Positiveness
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Mint Julep Jazz Band
In a Mellow Tone
136 bpm • F min • 03:07 • -10.85db
15% Popularity • 64% Danceability • 23% Energy • 10% Liveness
45% Instrumentalness • 67% Positiveness
15% Popularity • 64% Danceability • 23% Energy • 10% Liveness
45% Instrumentalness • 67% Positiveness
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Hot Swing Sextet
I May Be Wrong
136 bpm • G# Maj • 02:55 • -11.22db
25% Popularity • 82% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
25% Popularity • 82% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Buster Smith
Organ Grinder's Swing
136 bpm • A# Maj • 06:35 • -13.52db
26% Popularity • 60% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 60% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Wilbur De Paris
Martinique
162 bpm • A# min • 05:18 • -14.22db
17% Popularity • 57% Danceability • 42% Energy • 16% Liveness
81% Instrumentalness • 81% Positiveness
17% Popularity • 57% Danceability • 42% Energy • 16% Liveness
81% Instrumentalness • 81% Positiveness
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Woody Herman & His Orchestra
The Northwest Passage
136 bpm • D# Maj • 03:04 • -8.08db
18% Popularity • 49% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
18% Popularity • 49% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Billy Eckstine
(She's Got The) Blues For Sale
135 bpm • A# Maj • 03:01 • -12.25db
39% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
39% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
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Brooks Prumo Orchestra
Tain't Like That
135 bpm • G min • 03:09 • -7.85db
26% Popularity • 87% Danceability • 30% Energy • 5% Liveness
78% Instrumentalness • 63% Positiveness
26% Popularity • 87% Danceability • 30% Energy • 5% Liveness
78% Instrumentalness • 63% Positiveness
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Joe Smith & the Spicy Pickles
Slow Cookin' - Reprise
135 bpm • F Maj • 03:43 • -10.24db
24% Popularity • 80% Danceability • 45% Energy • 16% Liveness
83% Instrumentalness • 64% Positiveness
24% Popularity • 80% Danceability • 45% Energy • 16% Liveness
83% Instrumentalness • 64% Positiveness
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Carmen McRae
Exactly Like You
135 bpm • F Maj • 02:10 • -7.71db
29% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Woody Herman & His Orchestra
Yardbird Shuffle
135 bpm • F Maj • 02:40 • -13.09db
21% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
21% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
