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Twerk in Progress
Songs like
Twerk in Progress
by
James Davies
Based on a tempo of (+/- 10%) and a similar genre
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Ryan Taubert
Thunderbird
100 bpm • C Maj • 03:29 • -7.14db
34% Popularity • 64% Danceability • 77% Energy • 11% Liveness
70% Instrumentalness • 11% Positiveness
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Guillaume Roussel
The New Squad
100 bpm • C# Maj • 02:01 • -11.59db
8% Popularity • 60% Danceability • 47% Energy • 38% Liveness
91% Instrumentalness • 4% Positiveness
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Chris Wirsig
Twilight Road
100 bpm • F Maj • 01:49 • -14.48db
10% Popularity • 62% Danceability • 67% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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James Davies
Twerk in Progress
100 bpm • C# Maj • 02:30 • -5.33db
9% Popularity • 71% Danceability • 92% Energy • 8% Liveness
88% Instrumentalness • 45% Positiveness
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Lorne Balfe
We Ride Together, We Die Together
100 bpm • G min • 06:02 • -9.75db
22% Popularity • 26% Danceability • 76% Energy • 27% Liveness
94% Instrumentalness • 13% Positiveness
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Tigerblood Jewel
Compadre
100 bpm • E min • 02:44 • -6.48db
19% Popularity • 91% Danceability • 74% Energy • 7% Liveness
10% Instrumentalness • 54% Positiveness
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Low
Half Light (Tail Credit)
100 bpm • G# Maj • 06:46 • -14.34db
18% Popularity • 46% Danceability • 56% Energy • 39% Liveness
90% Instrumentalness • 13% Positiveness
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OTE
I'm Indestructible (Tigerblood Jewel Rem...
100 bpm • B min • 02:41 • -4.85db
12% Popularity • 74% Danceability • 77% Energy • 18% Liveness
85% Instrumentalness • 73% Positiveness
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Jordan Gagne
I'm In
100 bpm • F# Maj • 01:28 • -12.37db
10% Popularity • 74% Danceability • 30% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
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James Davies
Use It or Lose It
100 bpm • A# min • 02:31 • -8.02db
1% Popularity • 68% Danceability • 63% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
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Top Dogz
Superbad
100 bpm • G# Maj • 03:25 • -7.65db
12% Popularity • 69% Danceability • 79% Energy • 33% Liveness
51% Instrumentalness • 62% Positiveness
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Jean-Sébastien Vermalle
Genèse - Missions Main Title
100 bpm • F min • 03:18 • -14db
16% Popularity • 78% Danceability • 47% Energy • 12% Liveness
12% Instrumentalness • 24% Positiveness
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Leva
At The Crossroads
100 bpm • E min • 02:00 • -5.96db
9% Popularity • 51% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Tristan Clopet
Lightbulb
100 bpm • F# min • 01:18 • -12.57db
14% Popularity • 62% Danceability • 57% Energy • 51% Liveness
84% Instrumentalness • 50% Positiveness
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路南
300 Spartans
100 bpm • C# Maj • 03:18 • -10.02db
10% Popularity • 59% Danceability • 57% Energy • 19% Liveness
91% Instrumentalness • 10% Positiveness
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James Davies
Low Fi Guy
100 bpm • D Maj • 02:19 • -10.62db
0% Popularity • 58% Danceability • 43% Energy • 14% Liveness
86% Instrumentalness • 9% Positiveness
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X-Ray Dog
Faster Than the Man
100 bpm • A# min • 03:23 • -7.11db
10% Popularity • 52% Danceability • 55% Energy • 10% Liveness
81% Instrumentalness • 19% Positiveness
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Tim Despic
Summit
100 bpm • G# Maj • 01:33 • -12.05db
16% Popularity • 40% Danceability • 32% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Blunt
Existent
100 bpm • G Maj • 02:41 • -23.8db
10% Popularity • 27% Danceability • 47% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Brian Tyler
Constantine End Titles
101 bpm • A# Maj • 02:39 • -14db
26% Popularity • 64% Danceability • 66% Energy • 16% Liveness
85% Instrumentalness • 20% Positiveness
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Siddhartha Khosla
Runaways Theme
98 bpm • F Maj • 01:12 • -9.17db
20% Popularity • 44% Danceability • 64% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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James Davies
Little Pick Me Up
100 bpm • B min • 02:41 • -7.35db
0% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Salino
Looking for Colors
102 bpm • C# min • 02:03 • -7.32db
8% Popularity • 53% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Vance Westlake
Make It On My Own
98 bpm • C Maj • 02:33 • -8.01db
9% Popularity • 75% Danceability • 54% Energy • 32% Liveness
1% Instrumentalness • 72% Positiveness
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Theodore Shapiro
Central Intelligence
98 bpm • C min • 02:07 • -18.33db
9% Popularity • 73% Danceability • 35% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Jamie Salisbury
Treason Main Titles (Extended)
98 bpm • C# Maj • 01:02 • -12.86db
22% Popularity • 60% Danceability • 48% Energy • 14% Liveness
76% Instrumentalness • 71% Positiveness
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John Murphy
Ty's Decision
102 bpm • B Maj • 03:29 • -13.55db
11% Popularity • 47% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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James Davies
General's Command
100 bpm • E min • 02:27 • -10.17db
0% Popularity • 54% Danceability • 75% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
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Baltic House Orchestra
When You Wish Upon A Star - Epic Versio...
102 bpm • C Maj • 02:59 • -9.92db
15% Popularity • 18% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Colossal Trailer Music
Summer Party
98 bpm • G Maj • 01:43 • -6.4db
9% Popularity • 60% Danceability • 89% Energy • 6% Liveness
67% Instrumentalness • 52% Positiveness
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We Were Strangers
One by One
97 bpm • C# min • 04:44 • -6.62db
20% Popularity • 30% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Richard Macklin
High Rize
103 bpm • B min • 03:24 • -10db
8% Popularity • 37% Danceability • 69% Energy • 17% Liveness
75% Instrumentalness • 12% Positiveness
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Daniel Pemberton
Take You Down
103 bpm • E Maj • 03:26 • -9.71db
41% Popularity • 51% Danceability • 78% Energy • 32% Liveness
76% Instrumentalness • 18% Positiveness
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James Davies
Sky Hi
102 bpm • C# min • 02:00 • -8.39db
0% Popularity • 56% Danceability • 90% Energy • 32% Liveness
96% Instrumentalness • 52% Positiveness
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Nada Funk
What's on your Mind - UnoMas Remix
104 bpm • A# Maj • 03:13 • -5.45db
30% Popularity • 62% Danceability • 89% Energy • 4% Liveness
65% Instrumentalness • 65% Positiveness
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Dmitro Khatskevych
Disturbing News
104 bpm • G# Maj • 01:35 • -9.63db
21% Popularity • 65% Danceability • 53% Energy • 32% Liveness
90% Instrumentalness • 64% Positiveness
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Samuel Sim
For Family
96 bpm • G Maj • 07:15 • -18.42db
9% Popularity • 16% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Sam Watts
Conspiracy Theories
96 bpm • D Maj • 02:11 • -17.75db
13% Popularity • 55% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
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Chris Roe
We Are The Heavy Bombers
104 bpm • B min • 03:04 • -20.09db
9% Popularity • 15% Danceability • 16% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
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James Davies
Put Me in the Car
104 bpm • A# min • 02:22 • -7.18db
0% Popularity • 74% Danceability • 84% Energy • 6% Liveness
74% Instrumentalness • 92% Positiveness
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Infraction Music
The Game
96 bpm • D Maj • 02:35 • -2.98db
10% Popularity • 45% Danceability • 99% Energy • 49% Liveness
98% Instrumentalness • 63% Positiveness
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Henry Jackman
Firefly
105 bpm • C# Maj • 04:19 • -7.77db
9% Popularity • 57% Danceability • 75% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Wall Of Noise
Moonlight Sonata Trailerized
105 bpm • C# Maj • 02:40 • -17.9db
19% Popularity • 26% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
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Sam Watts
The Time Has Come
96 bpm • F min • 03:13 • -13.18db
11% Popularity • 35% Danceability • 37% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Tony Morales
A Matter of Degree
95 bpm • B Maj • 02:58 • -24.02db
9% Popularity • 26% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Baltic House Orchestra
The End Of The World - Epic Version
105 bpm • A# Maj • 03:40 • -10.09db
21% Popularity • 48% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jeff Russo
Cinnamon Girl
105 bpm • G Maj • 03:51 • -10.24db
12% Popularity • 39% Danceability • 76% Energy • 39% Liveness
19% Instrumentalness • 49% Positiveness
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Giorgio Moroder
The Lifestyle
105 bpm • E min • 02:53 • -5.79db
25% Popularity • 56% Danceability • 73% Energy • 15% Liveness
55% Instrumentalness • 44% Positiveness
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Max Anson
Warning Signal
105 bpm • D Maj • 02:05 • -13.32db
9% Popularity • 66% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Sam Watts
We're Coming For You
96 bpm • D# min • 03:38 • -13.91db
12% Popularity • 34% Danceability • 37% Energy • 16% Liveness
95% Instrumentalness • 22% Positiveness
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Siddhartha Khosla
Rabbit // Hole
105 bpm • C# Maj • 04:11 • -15.01db
9% Popularity • 73% Danceability • 47% Energy • 12% Liveness
93% Instrumentalness • 41% Positiveness
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Gerald Trottman
The War
105 bpm • C# Maj • 02:57 • -9.65db
19% Popularity • 64% Danceability • 66% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Ben Worley
Humanoids
95 bpm • G# min • 03:51 • -15.16db
12% Popularity • 32% Danceability • 32% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Various Artists
No Fuse
105 bpm • G Maj • 02:59 • -9db
23% Popularity • 55% Danceability • 73% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Kraddy
Mountain Climber
95 bpm • C Maj • 03:19 • -8.55db
11% Popularity • 61% Danceability • 71% Energy • 52% Liveness
87% Instrumentalness • 52% Positiveness
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Sam Watts
The Round Table
96 bpm • D Maj • 04:08 • -16.98db
21% Popularity • 68% Danceability • 25% Energy • 11% Liveness
66% Instrumentalness • 7% Positiveness
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Harry Gregson-Williams
Enemy Territory
95 bpm • F min • 01:47 • -19.99db
19% Popularity • 18% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Vanilla Hype
Tap Tap
95 bpm • F Maj • 02:59 • -4.68db
9% Popularity • 68% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Danny Bensi and Saunder Jurriaans
Tokyo Vice Main Titles
95 bpm • G min • 01:20 • -15.53db
33% Popularity • 26% Danceability • 63% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Hidden Citizens
It's a Sin - Epic Trailer Version
95 bpm • G# Maj • 03:30 • -10.47db
32% Popularity • 25% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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RAVN
Poison
95 bpm • D min • 02:21 • -11.17db
25% Popularity • 22% Danceability • 81% Energy • 3% Liveness
10% Instrumentalness • 9% Positiveness
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Leo Birenberg & Zach Robinson
Four Score and Seven Beers Ago
106 bpm • C Maj • 01:31 • -15.8db
9% Popularity • 41% Danceability • 27% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Bleeding Fingers
Men of Action
106 bpm • E min • 02:50 • -11.69db
18% Popularity • 43% Danceability • 55% Energy • 17% Liveness
78% Instrumentalness • 10% Positiveness
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Ian Post
Jesse James Style
106 bpm • F min • 03:24 • -5.75db
11% Popularity • 63% Danceability • 95% Energy • 26% Liveness
42% Instrumentalness • 50% Positiveness
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James Davies
Make This Work
94 bpm • B Maj • 02:59 • -7.62db
10% Popularity • 69% Danceability • 72% Energy • 7% Liveness
5% Instrumentalness • 76% Positiveness
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Paul Trust
Changing Times
94 bpm • D Maj • 01:20 • -16.73db
15% Popularity • 54% Danceability • 49% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Jordan Gagne
Skull Breaker
94 bpm • E min • 01:22 • -9.68db
10% Popularity • 55% Danceability • 80% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Nova Orem
The Stars in Our Dust
94 bpm • A# min • 03:00 • -13.25db
9% Popularity • 25% Danceability • 44% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Dominic Lewis
Hockney Resolution
94 bpm • C# Maj • 02:31 • -17.41db
10% Popularity • 42% Danceability • 39% Energy • 9% Liveness
78% Instrumentalness • 11% Positiveness
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Ian Post
On the Way
94 bpm • B min • 02:45 • -8db
19% Popularity • 72% Danceability • 56% Energy • 14% Liveness
91% Instrumentalness • 44% Positiveness
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Charlie Ryan
Badlands Rage
107 bpm • A# Maj • 03:33 • -11db
9% Popularity • 58% Danceability • 60% Energy • 18% Liveness
94% Instrumentalness • 16% Positiveness
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Baltic House Orchestra
Tarzan Boy (Epic 'Stranger Things' Versi...
107 bpm • F Maj • 03:24 • -11.02db
13% Popularity • 51% Danceability • 64% Energy • 16% Liveness
87% Instrumentalness • 16% Positiveness
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Cut One
All on Fire
93 bpm • G Maj • 03:19 • -6.36db
22% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Bonnie Grace
Our New World
107 bpm • C Maj • 02:14 • -9.66db
16% Popularity • 19% Danceability • 39% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Andrew Michael Britton
Devil On The Rise
93 bpm • F min • 03:18 • -8.71db
12% Popularity • 49% Danceability • 53% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
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Marc Canham
Not In The Book
107 bpm • A# min • 01:00 • -15.41db
15% Popularity • 59% Danceability • 58% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Coded Channel
The Young Pope (Main Theme)
107 bpm • C min • 01:26 • -6.84db
6% Popularity • 73% Danceability • 66% Energy • 9% Liveness
83% Instrumentalness • 70% Positiveness
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Bobby Cole
Epic Cinematic Movie Trailer Music
93 bpm • C min • 02:34 • -8.35db
5% Popularity • 31% Danceability • 57% Energy • 28% Liveness
65% Instrumentalness • 16% Positiveness
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Michael Brook
Strange Procession II
93 bpm • G Maj • 04:21 • -14.14db
10% Popularity • 45% Danceability • 48% Energy • 35% Liveness
89% Instrumentalness • 42% Positiveness
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Starsailor
Four to the Floor - Soulsavers Mix
93 bpm • A Maj • 05:12 • -6.4db
21% Popularity • 54% Danceability • 92% Energy • 9% Liveness
20% Instrumentalness • 43% Positiveness
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Machinimasound
The Land of the Wizard
93 bpm • C min • 02:29 • -16.45db
10% Popularity • 47% Danceability • 48% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Ian Arber
This Is It, Rio!
93 bpm • C# min • 01:50 • -12.69db
13% Popularity • 62% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Michelle Leverette
(The End Is) Coming Soon
108 bpm • F Maj • 03:03 • -5.95db
12% Popularity • 79% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Max LL
Beasts
108 bpm • D Maj • 02:03 • -10.32db
15% Popularity • 66% Danceability • 64% Energy • 12% Liveness
77% Instrumentalness • 62% Positiveness
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James Davies
Candy Flip
108 bpm • E min • 02:44 • -3.81db
0% Popularity • 64% Danceability • 93% Energy • 16% Liveness
84% Instrumentalness • 33% Positiveness
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Sebastian Böhm
Running Up That Hill (A Deal With God)
108 bpm • C min • 02:39 • -7.59db
29% Popularity • 48% Danceability • 74% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Julian Emery
White Rapids
92 bpm • B Maj • 02:30 • -11.41db
12% Popularity • 27% Danceability • 67% Energy • 30% Liveness
63% Instrumentalness • 81% Positiveness
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Paul Saunderson
Fallen Hero
109 bpm • G Maj • 05:29 • -12.98db
9% Popularity • 36% Danceability • 52% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Grayson Voltaire
Because It’s Easy
92 bpm • D Maj • 02:51 • -5.38db
14% Popularity • 68% Danceability • 86% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
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Moments
Prepare Yourself
109 bpm • B min • 03:37 • -9.75db
8% Popularity • 54% Danceability • 63% Energy • 15% Liveness
97% Instrumentalness • 24% Positiveness
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Frank Ilfman
Goonfight at Gutterball Corral
110 bpm • G# Maj • 02:48 • -10.31db
15% Popularity • 31% Danceability • 65% Energy • 36% Liveness
91% Instrumentalness • 25% Positiveness
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Mark Waterfield
Back to the Badlands
110 bpm • D min • 02:58 • -6.65db
9% Popularity • 56% Danceability • 92% Energy • 8% Liveness
92% Instrumentalness • 81% Positiveness
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Truvio
Assume Shape
110 bpm • G Maj • 01:57 • -6.09db
17% Popularity • 60% Danceability • 95% Energy • 8% Liveness
83% Instrumentalness • 26% Positiveness
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IN-IS
Broken Ones
91 bpm • F min • 03:48 • -14.45db
12% Popularity • 33% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Ryan Taubert
Trip the Light
110 bpm • A# min • 02:57 • -5.87db
19% Popularity • 74% Danceability • 84% Energy • 10% Liveness
49% Instrumentalness • 13% Positiveness
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James Davies
Raw Power
110 bpm • C Maj • 02:48 • -8.61db
7% Popularity • 65% Danceability • 85% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Atli Örvarsson
Cpd Arrives
110 bpm • A min • 01:08 • -15.74db
11% Popularity • 50% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Josh Powell
Into the Fire
110 bpm • F Maj • 02:59 • -8.45db
17% Popularity • 51% Danceability • 94% Energy • 20% Liveness
97% Instrumentalness • 22% Positiveness
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Underworld
Peggy Sussed
110 bpm • G Maj • 02:26 • -13.73db
21% Popularity • 65% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Salkeld
All Consumed
110 bpm • A# min • 01:46 • -11db
25% Popularity • 54% Danceability • 59% Energy • 17% Liveness
67% Instrumentalness • 4% Positiveness
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Twerk in Progress